Clockers Free

Total Page:16

File Type:pdf, Size:1020Kb

Clockers Free FREE CLOCKERS PDF Richard Price | 608 pages | 09 May 2011 | Bloomsbury Publishing PLC | 9780747598206 | English | London, United Kingdom Clockers () - IMDb Looking for a movie the entire family can enjoy? Check out Clockers picks for Clockers friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. Strike is a young city drug pusher Clockers the tutelage of drug-lord Rodney Little, who, when not playing with model trains or drinking Moo for his ulcer, just likes to chill with his brothers near the benches outside the project houses. When a night man at a fast-food restaurant is found with four bullets in his body, Strike's older brother turns himself in Clockers the killer. I was glad to see on the Clockers edition DVD of Spike Lee's Clockers the Right Thing to see how he answered the question asked at Cannes as to why there weren't drugs portrayed in the film; his answer, simply, was that there wasn't enough space dramatically, that it would Clockers too much to fit drugs into a story already loaded with Clockers in a small neighborhood. But, as he followed, he could use what it Clockers to have drugs in an urban environment, and what it does to the people, and have that as a stand-alone movie. He followed Clockers up, in part, with the Samuel L. Jackson storyline in Jungle Fever, and thanks to Richard Price's novel and original script, he has here what might be his answer Clockers that question. It's not a very great movie, perhaps, because by this time Spike Lee has so much invested in the style of his cinematic theatrics, of how the nature of the camera itself related to those of the characters, that it comes close to going over substance. But it's is a worthy attempt at putting into context, via the conventions of genre going back to the 40s, as to what makes or breaks the ties between drug dealers and their workers, and how the Clockers or 'Clockers' as per the title of the movie go about their Clockers in the streets. Clockers has a main plot that pushes along, as the murder by multiple gun-shots of a Darryl, black fast-food worker, who was also apart of the crew of Clockers Delroy Lindocall into question who might have done it. At first, it seems pretty open and shut, as Victor Isaiah Washington comes forth and admits he did it in self-defense. Rocco Klein Harvey Keitel doesn't buy Clockers, seems too easy, so he asks around, digs deeper, and sees that his brother, Strike Mekhi Pfeifer seems to be much more Clockers the guilty party, by way of how he handles himself in the streets, his repore with Rodney, and as having more motive to kill Darryl. It's through Clockers that Lee then branches it out Clockers make it as much as character as about Clockers, where the ties between certain Clockers, like Strike and Tyrone, a pre-teen Clockers looks up to Strike like Clockers surrogate father, are mostly defined by how the neighborhood works out in the open. Although Price's material, which comes through with the energy and Clockers wit, is noticeable throughout, it's really Spike Lee as director and many Clockers the actors who make this a consistently watchable movie. Lee is never one to be too subtle with the camera, and he has variations with how he deals with the material to make it very observant but Clockers subjective. Early on, for example, we see Clockers clockers making their deals in the park in long-shot, shaky, as if Lee's Clockers it far away for a reality TV show. But then we also see the degree camera moves as Klein questions Strike. There's many camera moves that are practically trademark Lee shots, especially with Clockers lighting, as Klein questions Tyrone, or when we see a flashback to Victor having to deal with some clockers. It's all very flamboyant and Clockers to call attention to the material, Clockers aside from a few unneeded music choices it's Clockers only time you'll hear Seal in a drug dealer crime moviehe's on top of things. Meanwhile, the performances are all top-notch, usually, as Keitel and particularly Lindo play their characters so Clockers by pretty much being how we think the actors 'really' are, even though they're not. Pfeifer has a little Clockers a time with his performance, because he usually is on a very similar note: I didn't do nothing, is his usual beat. His character also has the intriguing qualities that mark him as something of an outsider however Clockers he might be: his stomach virus, which is never resolved but always looming over him, and his love of electric train-sets. And all the Clockers, Clockers succeeds in presenting a time and place where there should be little to no hope, and it makes the cops and criminals both pretty well-rounded when compared to other genre films. The cops are meant to be the good guys, but there's also a steady conflict between Klein Clockers his partner: why should Klein care so much as to who did it or why Strike also asks this question towards the end, in one of the best Clockers in the film? And Strike and Rodney are not cut-outs from black exploitation flicks, but with more of a push and pull tie that is always a threat, never a comfort. There are little details that Clockers make Lee's film interesting when it veers into being like a television serial; Clockers white yuppies who get entangled in the case; the Clockers but very smart cop Keith David, always Clockers pro who Clockers tries Clockers play surrogate father to Tyrone, albeit without the same care, however negative, as Strike has; the brief shots of the Clockers addicts with their habits on display, as we only need to see it for less than a minute to get the nature of the bottom of the food chain, which is total despair. Lee's film, Clockers, isn't really disparaging as it has moments of hope, yet a hope meant to be in understanding that there's no easy way out of all of this. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Clockers Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Clockers. Metacritic Clockers. Photo Gallery. Trailers and Videos. Crazy Credits. Clockers Versions. Rate This. Young drug pushers in the projects of Brooklyn live hard dangerous lives, trapped between their drug bosses and Clockers detectives out to stop them. Director: Spike Lee. Available on Clockers. Added to Watchlist. From metacritic. CD - Spike Lee. Directors: Spike Clockers. The best of Share this Rating Title: Clockers 6. Use the HTML below. Clockers must Clockers a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Harvey Keitel Rocco Klein John Turturro Larry Mazilli Delroy Lindo Rodney Mekhi Phifer Strike Isaiah Washington Victor Keith David Clockers the Giant Clockers Love Iris Jeeter Thomas Jefferson Byrd Scientific Fredro Starr Go as Fredro Elvis Nolasco Horace as E. Nolasco Lawrence B. Stan Hassan Johnson Skills Frances Foster Edit Storyline Strike is a young city drug pusher under the tutelage of drug-lord Rodney Little, who, when not playing with model trains or drinking Moo for his ulcer, just likes to chill with his brothers near the benches outside the project houses. Taglines: When there's Clockers on the streets, everyone is a suspect. Edit Did You Know? Trivia Samuel L. Jackson was considered for the Clockers of Rodney Little. Quotes Det. Rocco Klein Clockers This cocksucker is an innocent man! Was this review helpful to you? Yes No Report this. Clockers the first question. Language: English. Runtime: min. Color: Color. Edit page. October Streaming Picks. Back to School Picks. Clear your history. Larry Mazilli. Andre the Giant. Tyrone as Pee Wee Love. Errol Barnes as Tom Byrd. Clockers (film) - Wikipedia Uh-oh, it looks like your Clockers Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in Clockers browser will allow you to experience all the features of our site. Learn how Clockers enable JavaScript on your browser. Clockers available in Blu-rayDVD. Add to Wishlist. Sign in to Clockers Instantly. Members save with free shipping everyday! See details. Overview Based on Richard Price's grim best-seller, and directed by Spike Lee from a screenplay co-written with Price, Clockers takes the structure of a police Clockers to build a chilling portrait of despair, hope, and the unanswered problem of black-on-black Clockers in an urban housing Clockers. The film's haunting themes are vividly visualized during the opening credits, Clockers run over police photos of dead young black men, shot and sprawled on sidewalks, in streets, and hanging over fences. Strike Mekhi Phifer is Clockers year-old African-American "clocker" -- the lowest link on the drug dealing chain -- who hangs around park benches and street corners selling small amounts of druges at all hours of the day. Strike drinks Clockers milk to soothe an ulcer and plays with model trains in his apartment, Clockers of a way out of his dead-end life.
Recommended publications
  • A Dictionary of Literary and Thematic Terms, Second Edition
    A DICTIONARY OF Literary and Thematic Terms Second Edition EDWARD QUINN A Dictionary of Literary and Thematic Terms, Second Edition Copyright © 2006 by Edward Quinn All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Quinn, Edward, 1932– A dictionary of literary and thematic terms / Edward Quinn—2nd ed. p. cm. Includes index. ISBN 0-8160-6243-9 (hc : alk. paper) 1. Criticism—Terminology. 2. Literature— Terminology. 3. Literature, Comparative—Themes, motives, etc.—Terminology. 4. English language—Terms and phrases. 5. Literary form—Terminology. I. Title. PN44.5.Q56 2006 803—dc22 2005029826 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can fi nd Facts On File on the World Wide Web at http://www.factsonfi le.com Text design by Sandra Watanabe Cover design by Cathy Rincon Printed in the United States of America MP FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Contents Preface v Literary and Thematic Terms 1 Index 453 Preface This book offers the student or general reader a guide through the thicket of liter- ary terms.
    [Show full text]
  • I Am Not Your Negro
    Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House.
    [Show full text]
  • Spike Lee: Avant-Garde Filmmaker
    Ayana McNair Avant-Garde Cinema CTCS 518, David James Fall 2004 12.09.04 Spike Lee: Avant-Garde Filmmaker Spike Lee came into mainstream consciousness with 1986’s She’s Gotta Have It. Since then, he has enjoyed a long and illustrious career as a filmmaker, writing, directing, producing, and starring in several very successful pictures that have highlighted some aspect of Black life in America. Films such as Do the Right Thing, School Daze, Jungle Fever, Bamboozled, and Malcolm X have catapulted Spike Lee into international stardom, making him one of the most, if not the most, notorious Black filmmakers of today. Arguably, he has reached the status of cultural icon in this country, evidenced by a parody of him on “The Simpsons”; as we know, an appearance on “The Simpsons” is the true sign that you’ve “made it.” Spike Lee’s films typically explore some issue prevalent in the Black community. Spike Lee’s rise to fame can be attributed to his bold and daring manner of dealing with issues previously unexplored in the mainstream. She’s Gotta Have It, his debut feature, explored intraracial dating, female promiscuity, and sexual power relations. ‘88’s School Daze again looked at intraracial relations, this time bringing to light the topic of skin tone and color bias within the Black community (that is, light-skinned Blacks versus dark-skinned) and the deep-seated tensions surrounding this issue. 1991 saw the release of Jungle A. McNair 1 Fever, the film that, arguably, catapulted Wesley Snipes and Samuel L. Jackson to stardom; in Jungle Fever, we got Spike Lee’s take on, this time, interracial dating, between a Black man and a white woman, and the tension surrounding such relationships.
    [Show full text]
  • A Discourse‐Centered Approach to Sound and Meaning in Spike Lee's Chi‐Raq
    ■ Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] A Discourse-Centered Approach to Sound and Meaning in Spike Lee's Chi-Raq Joel Sherzer’s landmark 1987 paper, “A Discourse-Centered Approach to Language and Culture,” focused linguistic and anthropological attention on playful and artistic uses of language, both as a way of better understanding discourse, and as a way of better understanding how societies distribute and negotiate power. This paper applies Sherzer’s focus to an analysis of Spike Lee’s deployment of poetic language in his 2015 film Chi-Raq. Few American filmmakers craft dialogue more artfully, or deploy dialogue more saliently than Lee, whose filmic technique and political rhetoric force viewers to focus on speech and its consequences. This paper looks at the distribution of versified and ordinary dialogue speech in Chi-Raq in order to argue that interpreting the indexical meanings of linguistic variation in Lee’s film generates a nuanced interpretation of the film’s complex but powerful rhetoric. [poetics, film dialogue, signifying, AAVE, visual language] oel Sherzer’s groundbreaking essay, “A Discourse-Centered Approach to Language and Culture,” intervenes in the long-standing intellectual debate about the language-culture relationship by suggesting that scholars examine domains, J “ ” such as poetry, magic, politics, religion, respect, insult, and bargaining, where language is deployed creatively and persuasively, because it is there that the language-culture relationship “comes into sharpest focus” (Sherzer 1987:306). Sherzer argued for a focus on moments of playful and artistic speech, in which “the potentials and resources provided by grammar, as well as cultural meanings and symbols, are exploited to the fullest” (Sherzer 1987:296).
    [Show full text]
  • Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1
    DOCUMENT RESUME ED 353 622. CS 508 049 AUTHOR Hudson, Herman C., Ed. TITLE Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1. INSTITUTION Indiana Univ., Bloomington. Afro-American Studies. PUB DATE 92 NOTE 92p.; A Martha C. Kraft Professorship Publication. PUB TYPE Collected Works General (020) Reports Evaluative /Feasibility (142) Reference Materials Bibliographies (131) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Auteurism; *Black Community; *Black Culture; Black History; Cultural Images; Film Criticism; *Film Production Specialists; *Film Study; Popular Culture; Racial Relations; Urban Culture IDENTIFIERS *African Americans; *Lee (Spike) ABSTRACT This monograph presents a critical essay and a comprehensive 454-item bibliography on the contemporary African-American filmmaker, Spike Lee. The essay, entitled "African-American Folklore and Cultural History in the Films of Spike Lee" (Gloria J. Gibson-Hudson), analyzes Lee's filmmaking approach from a cultural and historical perspective. The essay identifies Lee as a contemporary storyteller weaving his tales with the aid of a camera and demonstrates how his film narratives draw on both the historic and contemporary experiences of African Americans. The essay discusses five of Lee's films (made between 1984 and 1991) thematically, categorizing them under intra-racal issues and inter-racial issues. The bibliography (by Grace Jackson-Brown) provides citations from both scholarly and popular literature, encompassing newspaper articles, journal and magazine articles, chapters or sections from books, and reviews of films (most of the citations date from the last 5 years). The extensive 49-page bibliography is intended to be a comprehensive guide to literature that will assist students and researchers with an interest in Spike Lee.
    [Show full text]
  • Much Ado About Nothing… / Summer of Sam De Spike Lee]
    Document generated on 09/30/2021 1:10 a.m. 24 images Much Ado About Nothing… Summer of Sam de Spike Lee Gilles Marsolais Quand la culture devient marchandise Number 98-99, Fall 1999 URI: https://id.erudit.org/iderudit/25046ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Marsolais, G. (1999). Review of [Much Ado About Nothing… / Summer of Sam de Spike Lee]. 24 images, (98-99), 88–88. Tous droits réservés © 24 images, 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Summer of Sam de Spike Lee MUCH ADO ABOUT NOTHING PAR GILLES MARSOLAIS pike Lee s'est imposé avec Do déluge d'effers visuels et sonores, il S the Right Thing (1989) et procède à la description d'un groupe Jungle Fever (1991) qui se dis­ social d'une façon qui, même à travers tinguent par leur style enfiévré et le sa cocasserie, peut ressembler à un radicalisme de leur contenu, à une règlement de comptes tribal (imaginez époque où le militantisme semblait la réaction si Forcier se permettait de relégué aux oubliettes.
    [Show full text]
  • 4 Little Girls.Pdf
    A Brief Introduction by John Lansingh Bennett Let’s Ground Ourselves for Just a Moment . Alabama’s Capital: Montgomery Largest City: Birmingham “Pittsburgh of the South” Setting the Stage 1948 Truman’s Executive Order ends segregation in the Armed Services. 1954 Brown v. Board of Education ends segregation in public schools. (Many schools remain segregated.) 1955 14-yr-old Emmett Till murdered for allegedly flirting with a white woman. Rosa Parks triggers Montgomery bus boycott. Setting the Stage 1957 Little Rock Nine blocked from integrating Central High School; Eisenhower sends federal troops to escort them. 1960 Greensboro Four refuse to leave a “whites only” Woolworth’s lunch counter without being served, sparking sit-ins elsewhere. 1961 Freedom Riders protest segregated bus terminals & attempt to use whites-only facilities. Setting the Stage 1963 In June, Gov. Wallace blocks U. of Alabama doorway to two black students. Standoff continues until Kennedy sends in the National Guard. In August, March on Washington for Jobs and Freedom. Rev. Martin Luther King gives “I Have a Dream” speech at the Lincoln Memorial. In September, bomb at 16th Street Baptist Church in Birmingham kills four and injures others. With members working in mining and industry in the 1950s, KKK chapters had ready access to dynamite and other bomb materials. In fact, Birmingham earned the nickname “Bombingham” for the 50 explosions in the city between 1947 and 1965. (One neighborhood was targeted so often it was nicknamed Dynamite Hill.) The bombing of the 16th Street Baptist Church was the third bombing in 11 days following a federal court order that mandated integration of Alabama schools.
    [Show full text]
  • Download Lush Life: a Novel PDF
    Download: Lush Life: A Novel PDF Free [100.Book] Download Lush Life: A Novel PDF By Richard Price Lush Life: A Novel you can download free book and read Lush Life: A Novel for free here. Do you want to search free download Lush Life: A Novel or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Lush Life: A Novel | #20165 in Audible | 2008-03-04 | Format: Unabridged | Original language: English | Running time: 781 minutes | |2 of 2 people found the following review helpful.| One of his best | By Every day a new beginning |If you are a fan of Price, you should love this one because it's Price at his best. His feel for city grit has never been more sure-footed, his prose more honed. This is a who-done-it in reverse, which allows him to describe his characters, and the ways they break, hustle, compromise and make uneasy piece with their lost dreams, from | .com | Significant Seven, March 2008: No one has a better ear and eye for the American city than Richard Price, and in Lush Life, his first novel in five years, he leaves the fictional environs of Dempsy, New Jersey, where Clockers, Freedomland A National Bestseller A New York Times Notable Book of the Year Lush Life is a tale of two Lower East Sides: one a high-priced bohemia, the other a home to hardship, it's residents pushed to the edges of their time-honored turf.
    [Show full text]
  • Hliebing Dissertation Revised 05092012 3
    Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.
    [Show full text]
  • A Spike Lee Joints Retrospective, Jun 29—Jul 10
    BAMcinématek and the Academy present By Any Means Necessary: A Spike Lee Joints Retrospective, Jun 29—Jul 10 Kicks off with a 25th anniversary screening of Spike Lee’s Do the Right Thing for Closing Night of BAMcinemaFest with Lee and cast in attendance 15 films in 35mm plus a rare 16mm print of Lee’s debut, Joe’s Bed-Stuy Barbershop: We Cut Heads The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 22, 2014—From Sunday, June 29 through Thursday, July 10, BAMcinématek and the Academy of Motion Picture Arts and Sciences present By Any Means Necessary: A Spike Lee Joints Retrospective, a 12-day series spanning three decades and commemorating the 15th anniversary of BAMcinématek, which launched in 1999 with a survey of Lee’s career. The writer-director-actor’s consistently surprising work displays a boundless visual imagination, some of the most fearlessly intelligent discourse on race relations in American cinema, and an ability to infuse independent projects and big-budget blockbusters alike with his edgy, energetic style. From June 27—July 27, the Academy will also present a west coast retrospective of Lee’s work at the Academy’s Linwood Dunn Theater and the Bing Theater on the Los Angeles County Museum of Art campus. Kicking off the New York retrospective and closing BAMcinemaFest on June 29 is a 25th anniversary celebration of Lee’s Oscar®-nominated Do the Right Thing. The streets of Bed-Stuy boil in Lee’s tale of tensions run high on Brooklyn’s hottest day of the year.
    [Show full text]
  • THINGS THAT GO NOWHERE: SCALE, CITY and the LIST in RICHARD PRICE’S LUSH LIFE Accepted: 24 Jan 2018 UDK: 821.111(73).09-31Price, R
    “Umjetnost riječi” LXII (2018) • 1 • Zagreb • January – June RESEARCH PAPER Brian WILLEMS (University of Split) [email protected] THINGS THAT GO NOWHERE: SCALE, CITY AND THE LIST IN RICHARD PRICE’S LUSH LIFE Accepted: 24 Jan 2018 UDK: 821.111(73).09-31Price, R. Richard Price’s 2008 crime novel Lush Life develops a narrative strategy for mediating between large-scale problems and local narratives. Police officers and suspects must come to terms with both New York City’s huge scale and the opacity of the suspects’ faulty narratives in order to solve a murder. Referencing Jean-François Lyotard, Nick Srnicek and Alex Williams, and The Invisible Committee, among others, the author develops the narrative strategy of a list (a collection of items devoid of syntactic connections) as a mediating agent. Price uses the list to penetrate the large scale of the city and the lies told by suspects. In 51 Lush Life the list traces connections between the individual and supra- -individual, suggesting a way to effect change on a large scale in the age of globalization. Key words: scale, Lush Life, list, The Wire, object-oriented ontology LOCALIZING THE GLOBAL Richard Price’s novel Lush Life (2008) maps connections between the scales of the individual and the city. The narrative technique used is the list: a collection of items devoid of syntactic connection, as in a cluster or enumeration of concepts. The list’s lack of syntax allows the individual to “scale up,” and the city to “scale down”. I argue that Lush Life localizes large scales, which seem out of reach and unchangeable, rather than offering small, local strategies of protest.
    [Show full text]
  • Motherandchild Presskit FINAL
    Sony Pictures Classics In Association With Everest Entertainment Presents A Mockingbird Pictures Production MOTHER AND CHILD A Film by Rodrigo Garcia Naomi Watts Annette Bening Kerry Washington Jimmy Smits and Samuel L. Jackson Producers: Lisa Maria Falcone, Julie Lynn Executive Producer: Alejandro González Iñárritu Running Time: 126 Minutes Camera: Genesis Exhibited on 35mm print East Coast Publicity West Coast Publicity Distributor Falco Ink. Block Korenbrot Sony Pictures Classics Janice Roland Melody Korenbrot Carmelo Pirrone Erin Bruce Rebecca Fisher Lindsay Macik Annie McDonough Judy Chang 550 Madison Ave 850 7th Avenue, Suite 1005 110 S. Fairfax Ave, #310 New York, NY 10022 New York, NY 10019 Los Angeles, CA 90036 212-833-8833 tel 212-445-7100 tel 323-634-7001 tel 212-833-8844 fax 212-445-0623 fax 323-634-7030 fax MOTHER AND CHILD Synopsis Three women's lives share a common core: they have all been profoundly affected by adoption. KAREN (Annette Bening) had a baby at 14, gave her up at birth, and has been haunted ever since by the daughter she never knew. ELIZABETH (Naomi Watts) grew up as an adopted child; she's a bright and ambitious lawyer, but a flinty loner in her personal life. LUCY (Kerry Washington) is just embarking with her husband on the adoption odyssey, looking for a baby to become their own. Karen lives with her elderly mother NORA (Eileen Ryan), works as a physical therapist in a rehabilitation clinic, and relies on SOFIA (Elpidia Carrillo) to look after Nora and their home while she is working. While Karen and Nora barely speak, Karen keeps up a silent monologue addressed to her absent daughter, writing journal entries and letters never to be sent.
    [Show full text]