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The Winter's Tale

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PR 283^ AsTt 1-1^ IT <^4>ateE «4a©m i«jMiW . t^si^mnAisv^. »^^^ _^^ _•* Room, 11 5 I ,, * ' ' li»!Bg!i*«ln» Bar Jo"'*' " . li 6 l F^StT^X Wlne'^niJL « ' | CrsuikSSl, Drama, 5 Arts 12 5 WamlagHc^ ^. * J";;^^^,J°°^ . 6 S I Drunkard's NO. CCCXVII. FPENCH'S STANDARD DRAMA. C^e fitting € bit I on. THE WINTER'S TALE: A PLAY. IK FIVE ACTS. BY WILLIAM SHAKSPEARE. TO WHICH ARE ADDED he Costume—Cast of the Characters— Entrance s i'ua Exit? r.jsitions of the Perforniers on the Stage, iHd the whole of the Staee Business. A5 NO^V PERFORMED AT THE PRINCIP^^ --.-r-w AND AMERICAN THEATRE- LONLO- : NEW YORK : :amuel French &. Son, Samuel French, PUBLISHERS, PUBLISHER, 8© stra:n^i:). C East 14t]i St.j Umon Square. BOOKS EVERY AM.ATUUK. SHOUii^r HA"^E, Theatricals and to Act In th«m, with Roiea, By ^JPHTETR'S GUIDE ; or. How to Get tiT> Home Lmws, Selected Scenes. Plays and other usefulinforiuatioufor Amateur Societies. Price 25 ot6i CfUIDE TO THE STAGE. 15 cents. .ART OF ACTING. 15 cents. Anything on^u^coggj^ent 6y mail on receipt of vnoe. FRENCH'S STANDARD DRAMA. Price $1. 26. ) 15 Cents each.—Bound Volumes VOL. L VOL. XI. VOL. XXI. VOL. XXXI. lion 81 Julius Csesar 161 All's Fair in Lots Merry Wives of Windsor 2Fu!o 82 Vicar of Wakefield 162 Hofer Mary's Birthday I The LB^y of Lyons 83 Leap Year 163 Self Shandy Maguire 4, KleheUea 84 The Catspaw 164 Cinderella Wild Oats 6 The Wife 85 The Passing Gload 165 Phantom Michael Erie 6 The Honeymoon 86 Drunkard 166 Franklin [Mosoow Idiot W^itness ^ The School for 8c«pflal 87 Rob Roy 167 The Gunmaker of Willow Copse i Honey 88 George Barnwell 168 The Lore of a rrincs People's F^awycr VOL. II. VOL. XII. VOL. xxn. VOL. XXXII. t The StM^nger 89 Ins;omar 169 Son of the Night The Boy Martyrg lO Grandfather Wh>»**«*d 90 Sketches in India 170 Rory OMore Lucretia Borgia U Rlehard III 91 Two Friends 171 Golden Eagle Surgeon of Paris 13 Love's Sacrifice 92 Jane Shore 172 Rienii Patrician's Daughter 15 The Gamester 93 Corsican Brothers 178 Broken Sword Shoemaker of Toulouse 14 A Care f(rr t^ Heartaohe 94 Mind your own Business 174 Rip Van Winkle Momentous Question 16 The HmntsWbek 95 Writing on wiie Wall 175 IsabeUe Love and Loyalty 16 Dop^ Gsesar de Bazan 96 Heir at Law 176 Heart of Mid Lothian Robber's Wife VOL. III. VOL. XIII. VOL. XXIII. VOL. XXXIII. IT The Poor GenUenxMi 97 Soldier' s Daughter 177 Actress of Padua Dnmb Girl of Genoa 18 Hamlet 98 Douglas 178 Floating Beacon Wreck Ashoro i 19 Charles II 99 Marco Spada 179 Bride of Lamermoor Clari 10 VfcPice Fr«*erT«<l 100 Nature's Nobleman 180 Cataract of the Ganges Rural Felicitj ai Fizarro .101 Sardanapalus 181 Robber of the Rhine Wallace 22 The Lore cniaae 102 Civilization 182 School of Reform Madelaine 33 Othello 103 The Robbers 183 Wanderiixf Boys The Fireman ii Lead me Fiv^e ShiUinia 104 Katharine and Petroehio 184 Mazeppa Grist to the Mill VOL. IV. VOL, XIV. VOL. XXIV. VOL. XXXIV. R5 Vlrijlnlus 105 Game of Love 185 Young New York Two Loves and a Llfs 16 King of the Commons 106 Midsummer Night's 186 The Victim* Annie Blake f) London Assurance 107 Ernestine [Dream 187 Romance after Marrlags Steward 28 The Re'nt Day 108 Rag Picker of Paris 188 Brigand Captain Kyd i9 Two GeAtlemen*fVe»ona 109 Flying Dutchman o9 Poor of New York Nick of the Woods 10 The Jeaious Wlfs 110 Hypocrite 190 Ambrose Gwinett Marble Heart n The Rivdls 111 T^ese 191 Raymond and Agnea Second Love 12 Perfection 112 Ljftour de Nesle 192 Gambler's Fate Dream at Sea V0£.. V. [Debts VOL. XV. VOL. XXV. VOL. XXXV. •S A New W»y to Pay Old 113 Ireland As It Is 198 Father and Son Breach of Promisa U Look Before Toa Leap 114 Sea of Ice 194 Massaniello Review 85 King John 115 Seven Clerks 195 Sixteen String Jack Lady of the Lake J6 Nenrons Mas 116 Game of Life 196 Youthful Queen Still Water Runs Daep 47 Damon and PrtWa* 117 Forty Thieves 197 Skeleton Witness The Scholar 48 Clandestine MuTiaga 118 Bryan Boroihmb 198 Innkeeper of Abbeville Helping Hands 19 William Tell 119 Romance and Reality 199 Miller and his Men Faust and Marguerite JA. D»v after the Wedding 120 UgoUno 200 Aladdin Last Man VOL. VI. VOL. XVL VOL. XXVI. VOL. XXXVI. 121 The Tempest 201 Adrienne the Actress 4.1 Speed the Plough Belle's Stratagem 122 The Pilot 102 Undine 42 Romeo and Juliet Old and Young 123 Carpenter of 203 Jessie A3 Feudal TJ«tt«3 Rouen Brown Raffaella 44 Charles the Twelfth 124 King' 8 Rival 204 Asmodeus Ruth Oakley 46 The Brid*' 125 Little Treasure 205 Iformons British Slave 46 Tbe FolUea ef a Night 126 Dombey and Son 206 Blanche of Brandywine A Life's Ransom ATIropObest [Pair CMy 127 Parents and Guardians 207 Viola Giralda 128 Jewess Deseret Deserted 48 F»iut Heart IVar<,«r Won Time Tries All VOL. XVII VOL. XXVII. VOL. XXXVII. VO^ VIL 129 Camille 209 Americans in Paris iM RoaA to B»iu Ella Rosenburg 130 210 Victorine Married Life Warlock of the Glen 131 Wenlock of Wenlock 211 Wizard of the Wavs il Temper Zelina 132 Rose of Ettrickvale 212 Castle Spectre 42 iCTadne Beatrice 133 David Copperfield 213 Korse-shoe Robinson 13 Bertram Neighbor Jackwood 134 Aline, or the Rose of 14 Armand, Mrs Mowatt 44 The Dae»cv\ Wonder 135 Pauline [Killarney 215 Fashion, Mrs Mowatt K Mnch Ado A)»«at Kothing Robert Emmet 136 Jane Eyre 2i6 GlaL-3e at New York Green Bushes 46 The Cntlo VOL. XVIIL VOL. XXVIIL vo:,. V0J4. vni. 137 Night and Morning 217 Inconptant xxxvin. Flowers 47 The Apostate 138 ^thiop 218 Uncle Tom's Cabin of the Foregi Bachelor of Arts *8 TwelftJl JSight 139 Three Guardsmen 219 Guide to the Stage A The Midnight Banquet 49 BrutQs 140 Tom Cringle 220 Veteran Husband of an Hour 40 SiTOpaon & Co 141 Henriette, the Forsaken 221 Miller of New Jersey Love's Labor 41 Hei-abaDt of V«fll«e 142 Eustache Baudin 222 Dark Hour before Dawn Lost Naiad «2 Old Ho»td8& Youn* Hearts^ 143 Ernest Maltravers 223 Midsum'r Night's Dream Queen Caprice 48 ModDta^Qeeri [riM^M 144 Bold Dragoons [Laura Keene's Edition Cradle 64 Three Weeks aft^ U%r- VOL. XIX. 224 Art and Artifice of Liberty VOL. IX. USDred, or the Dismal VOL. XXIX VOL. XXXIX. 45 Lore [Swamp 225 Poor Young Man The Lost Ship «6 A» Von Like It 146 Last Days of Pompeii 226 Ossawattomie Brown Country Squire 67 Toe TClder Brother 14/ Eumerafda 227 Pope of Rome Fraud and its Victims 60 Weruor 148 Fettr Wilkins 2'i8 Oliver Twist Putnam 69 Gisippns 149 Ben the Boatswain 229 Pauvrette King and Deserter 70 Town and OaTxatry 150 Jonathan Bradford 230 Man in the Iron Mask La Fiammina 71 King Lear 151 Retribution 231 Knigat of Arva A Hard SUuggle 72 Bltxe Devils 152 Minerali H2 Moll Pitcher Gwinnette Vaughaa VOL. X. VOL. XX. VOL. XXX. VOL. XL. 73 Henry VTlI 153 French Spy 233 Black Eyed Susan The Love Knot [Judge T4 Married abA Slngl* 154 Wept of Wish-ton Wish 234 Satan in Paris Lavater, or Not a Bad 155 Evil 235 Rosins* Meadows [ess The Noble Heart 75 Henry IV -%^ Genius 76 Paul Pry 156 Ben Bolt 286 We^t Sua, or Irish Heir- Corlolanus 77 Gay Mannerlng 157 Sailor of Francs 237 Six Degrees of Crime The Winter's Tals 78 Swcetbearts a V Wives 158 Red Mask 238 The Lady and the Devil Eveleen Wilson 70 f^riou* F^roily 159 Life ef an Actress 239 Avenger.or Moor of Sici Ivanhoe 60 S^e SV>ops to Conquer 160 Wedding Day 40 Masks and Faces [ly Jonathan in Englantt ( Catalogue continued on third page 9/ cover.) rtH THE WINTER'S TALE. IN FIVE ACTS. VvRITTEN BY WILLIAM SHAKSPEARE. ORIQTNAL CASTS, COSTUMES, AND THE WHOLE OF THE STAaK BUSINESS, CORRECTLY MARKED AND ARRANGED, BY MR. J. B. WRIGHT, ASSISTANT MANAGER OF THE BOSTON THEATRE. NEW-YORK : AMUEL FRENCH, 122 Nas6au-St.—!],• Stairs, ^^"-f.^i-^ ® ^ iH =3 K-f S S ^ o « *? 1^ s '^ w) § J^ e^ a ^ ^^sS- fe U s s » *- rt *: ^ « - IS s s ^ i^ll" : ^ o K >H ^ ^ O M W m »3 03 - o IS i s ^ s s S < W o P4 o s Si >- rt „ , S IS IS " m < £ O >. •^ r! <M K .^ C? ^ ""^ ..N o m -T! C (U C3 Q. C o « Oi < Oi o 5 t; ii : « — - .2 -^ 2 ^ rt g i ^ P 2 is^ -T 'o vi 0, ^ ^ i^So^JOQi.h < O i? l^ O Cu W H^ a ?5 Q 21 1 (2} QlFT KATHERINE •• -IS HER JUNE 24 1940 < I ^ is » « 2 5 S J rt ^ « • S ^ "o I ft^^ c E ^ §§;^ ;^ s ^ s O 00 ^ s ^-o «p^«q5af=HiJ*^0»-;Qp^ ^S - s s § s s s ; - ,^".? 2 rt M "to 5 Q -W K M 5 I 1 s . s ^. g ^ «5 i •S' ^ II !> < <; . in . :^ss 2 O "> 02 C C =! 5 o o c .5 '-'COS be o ea ^-^ S 2 C M ] - o be .2 I ^ .2 -'S ": 02 12 00 :s& « J s eg ^ n>-A^^\ r>-*^-» iJ S o O I W N d 2 o ; S 5 ^ H o tsT J ^ O w o o s O J o O -< S S tf 0; tf << o S5 J 53 S O »4 W -< S w o i4So<:oQftNH&,;^<;o c 2; <; Eh w hj a ^ G 2 < (3) SYNOPSIS OF SCENERY AND INCIDENTS THE ¥INTER\S TALE, is PRODUCED AT BURTON'S THEATRE, NEW YORK, 1857, UNDER DIRECTION THE OP MR.
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    UNIVERSITÀ DEGLI STUDI DI BERGAMO Facoltà di Lingue e Letterature Straniere Dottorato di Ricerca in Letterature Euroamericane XX Ciclo Tesi di Dottorato SCRITTURA E IDENTITÀ IN ASSIA DJEBAR E NAWAL EL-SAADAWI VOCI FEMMINILI DALL’AFRICA SETTENTRIONALE ARABO-MUSSULMANA Supervisore: Chiar.ma Prof.ssa Francesca Melzi D’Eril Dottoranda: Marta Sirimbelli matr. 700170 A Leonardo Fornaciari Introduzione Marcella Romeo osserva che “la scrittura, laddove circostanze ineluttabili quali il tempo della storia, i luoghi, le origini ibridano l’identità al punto di negarla, diventa strumento di articolazione del sé, luogo in cui fissare le esperienze acquisite e osservare i processi che nella loro molteplicità si svolgono all’unisono”1. Questa tesi è pertanto consacrata allo studio della scrittura di Assia Djebar, Fatima Mernissi, Leila Ahmed e Nawal El-Saadawi e ha lo scopo di verificare l’impatto del tempo della storia, dei luoghi e delle origini sulla formazione ideologica, professionale e sulla definizione dell’identità delle scrittrici. La scelta è caduta su queste autrici in quanto sono le uniche quattro che, essendo nate nel decennio compreso fra il 1930 e il 1940, hanno in comune il periodo storico, caratterizzato dal passaggio dalla colonizzazione alla decolonizzazione, il contesto culturale e sociale, quello nord-africano e una scrittura che esprime una forte ricerca delle origini e sviluppa il tema del ritorno inteso sia come revisione della storia collettiva sia come ricostruzione della loro genealogia femminile. Pur appartenendo a stati diversi, Nawaal El-Saadawi e Leila Ahmed all’Egitto, Assia Djebar all’Algeria e Fatima Mernissi al Marocco 2 , le scrittrici sono state direttamente coinvolte dal processo di decolonizzazione dei loro paesi, hanno vissuto gli ultimi anni della dominazione straniera, hanno assistito alla nascita dei movimenti di indipendenza e di formazione delle nazioni arabe e hanno subito le conseguenze di un clima socio-culturale-politico all’insegna della contraddizione e dell’ambiguità.
  • WACQUANT University of California, Berkeley Centre De Sociologie Europeenne Du College De France

    WACQUANT University of California, Berkeley Centre De Sociologie Europeenne Du College De France

    !"#$%&'()(*+(,$%-(.+$-/$0(#12$3-1$4-5#6*$!"(.7$8.9$:##)$8;-&+$!"#(6$!689# <&+"-6=*>2$$?-(,$@A$BA$C8,D&8.+ E-&6,#2$!"#-6F$8.9$E-,(#+FG$0-)A$HIG$J-A$I$=<&'AG$KLLM>G$NNA$IOLPMQM %&;)(*"#9$;F2$EN6(.'#6 E+8;)#$RS?2$http://www.jstor.org/stable/657882 <,,#**#92$HQTUKTHUUL$KH2UQ Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=springer. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Springer is collaborating with JSTOR to digitize, preserve and extend access to Theory and Society. http://www.jstor.org The pugilistic point of view: How boxers think and feel about their trade LOIC J.