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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
The One with the Feminist Critique: Revisiting Millennial Postfeminism With
The One with the Feminist Critique: Revisiting Millennial Postfeminism with Friends In the years that followed the completion of its initial broadcast run, which came to an end on 6th (S10 E17 and 18), iconicMay millennial with USthe sitcom airing ofFriends the tenth (NBC season 1994-2004) finale The generated Last One only a moderate amount of scholarly writing. Most of it tended to deal with the series st- principally-- appointment in terms of its viewing institutional of the kindcontext, that and was to prevalent discuss it in as 1990s an example television of mu culture.see TV This, of course, was prior to the widespread normalization of time-shifted viewing practices to which the online era has since given rise (Lotz 2007, 261-274; Curtin and Shattuc 2009, 49; Gillan 2011, 181). Friends was also the subject of a small number of pieces of scholarship that entriesinterrogated that emerged the shows in thenegotiation mid-2000s of theincluded cultural politics of gender. Some noteworthy discussion of its liberal feminist individualism, and, for what example, she argued Naomi toRocklers be the postfeminist depoliticization of the hollow feminist rhetoric that intermittently rose to der, and in its treatment of prominence in the shows hierarchy of discourses of gen thatwomens interrogated issues . issues Theand sameproblems year arising also saw from the some publication of the limitationsof work by inherentKelly Kessler to ies (2006). The same year also sawthe shows acknowledgement depiction and in treatmenta piece by offeminist queer femininittelevision scholars Janet McCabe and Kim Akass of the significance of Friends as a key text of postfeminist television culture (2006). -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Children's Music, MP3 Players, and Expressive
Children’s Music, MP3 Players, and Expressive Practices at a Vermont Elementary School: Media Consumption as Social Organization among Schoolchildren Tyler Bickford Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Tyler Bickford All rights reserved Abstract Children’s Music, MP3 Players, and Expressive Practices at a Vermont Elementary School: Media Consumption as Social Organization among Schoolchildren Tyler Bickford Over the last generation changes in the social structure of the family and children’s command of an increasing share of family spending have led marketers to cultivate children as an important consumer demographic. The designation “tween,” which one marketer refers to as kids “too old for Elmo but too young for Eminem,” has become a catchall category that includes kids as young as four and as old as fifteen. Music marketed to children—led by the Disney juggernaut, which promotes superstar acts such as the Jonas Brothers and Hannah Montana/Miley Cyrus across television, radio, film, DVDs and CDs, and branded toys, clothing, and electronics—represents a rare “healthy” area of the music industry, whose growth has paralleled the expansion of portable media technologies throughout U.S. consumer culture. The increasing availability of portable media devices, along with the widespread installation of Internet terminals in schools and educators’ turn toward corporate- produced “edutainment” for lessons, has reconfigured schools as central sites of children’s media consumption. Off-brand MP3 players packaged with cheap and brightly colored earbuds have become more and more affordable, and marketers increasingly target kids with celebrity-branded music devices and innovations like Hasbro’s iDog series of toy portable speakers, which fit naturally among children’s colorful and interactive collections of toys. -
Macdowell Virtual National Benefit Invest in Artists October 19, 2020 Program
MacDowell Virtual National Benefit Invest in Artists October 19, 2020 Program Welcome Remarks from MacDowell Board Chair Nell Painter* Greeting from Andrew Sean Greer* “Democracy” from Soft Power by David Henry Hwang & Jeanine Tesori* performed by Karen Olivo with remarks from Jeanine Tesori* MacDowell: Our History, Mission, and Future narrated by Nell Painter* Excerpt clip from Lingua Franca with remarks from Isabel Sandoval* The Inaugural Marian MacDowell Arts Advocacy Award honoring ARRAY introduction by Jane Alexander* presentation by Darren Walker acceptance by Ava DuVernay on behalf of ARRAY Program Greeting from Tayari Jones* A Tribute to Audre Lorde* performed by Marsha Stephanie Blake, Eisa Davis*, Karen Pittman, and Charlayne Woodard directed by Whitney White music by JJJJJerome Ellis* “Inside the Mind Of...” from Grandmother by Austin Yip* performed by Patrick Yim Closing Remarks from Nell Painter* * denotes MacDowell Fellow Check out our silent auction! ibidmobile.net/tmc/auction Featuring artwork by MacDowell Fellows, special virtual and socially distant experiences, and limited edition collectibles. Bidding closes on October 19th at 9:00 p.m. ET. Good luck! Artist Participants JANE ALEXANDER* is an actress, an author, and a wildlife conservationist. She served as Chairman of the NEA under President Clinton. She has performed in over 100 plays, 75 films for TV and the big screen and is the recipient of numerous awards for her roles. Her recent book Wild Things, Wild Places details her global travels with field biologists. Recent acting work of hers can be seen on television, specifically Lifetime TV and Amazon’s forthcoming series Modern Love. At MacDowell, Jane wrote a one woman multi-media show about birds, incorporating music, projections and six themes. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
New York Women in Film & Television (Nywift)
NEW YORK WOMEN IN FILM & TELEVISION (NYWIFT) TO CELEBRATE EXCEPTIONAL WOMEN AT ST TH THE 41 ANNUAL NYWIFT MUSE AWARDS VIRTUALLY ON THURSDAY, DECEMBER 17 , 2020 GOLDEN GLOBE WINNING ACTRESS AWKWAFINA, TWO TIME GOLDEN GLOBE WINNING ACTRESS RACHEL BROSNAHAN, GRAMMY AWARD WINNING ACTRESS RASHIDA JONES, PULITZER PRIZE WINNING NEW YORK TIMES JOURNALISTS JODI KANTOR & MEGAN TWOHEY, PRESIDENT OF ORION PICTURES ALANA MAYO, AWARD-WINNING DIRECTOR GINA PRINCE-BYTHEWOOD, AND TONY AWARD-WINNING ACTRESS ALI STROKER TO RECEIVE HONORS NEW YORK, NY – NOVEMBER 30, 2020 – New York Women in Film & Television (NYWIFT) is proud to present ST the 41 Annual NYWIFT Muse Awards virtual event on Thursday, December 17, 2020. The event will be held virtually beginning at 1:00 PM ET and available for all those who register to watch on online at nywift.org/muse. This year’s theme is “Art & Advocacy,” as NYWIFT recognizes the role of the creative community in advancing positive social change. CBS Sunday Morning contributor, comedian, actress, and self-described “Accidental Pundette” Nancy Giles will again emcee the afternoon’s event, which celebrates women of outstanding vision and achievement both in front of and behind the camera in film, television, the music industry, and digital media. The honorees for this year’s Muse Awards are some of the most extraordinary women in the business: Awkwafina will receive a “Made in New York” Award from the Mayor’s Office of Media and Entertainment, for her contributions to NYC’s entertainment industry. She is a Golden Globe-winning actress from Queens, New York, who has used her trademark comedic style and signature flair to become a breakout talent. -
70Th Emmy Awards Nominations Announcements July 12, 2018 (A Complete List of Nominations, Supplemental Facts and Figures May Be Found at Emmys.Com)
70th Emmy Awards Nominations Announcements July 12, 2018 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) Emmy Nominations Previous Wins 70th Emmy Nominee Program Network to date to date Nominations Total (across all categories) (across all categories) LEAD ACTRESS IN A DRAMA SERIES Claire Foy The Crown Netflix 1 2 0 Tatiana Maslany Orphan Black BBC America 1 3 1 Elisabeth Moss The Handmaid's Tale Hulu 1 10 2 Sandra Oh Killing Eve BBC America 1 6 0 Keri Russell The Americans FX Networks 1 3 0 Evan Rachel Wood Westworld HBO 1 3 0 LEAD ACTOR IN A DRAMA SERIES Jason Bateman Ozark Netflix 2* 4 0 Sterling K. Brown This Is Us NBC 2* 4 2 Ed Harris Westworld HBO 1 3 0 Matthew Rhys The Americans FX Networks 1 4 0 Milo Ventimiglia This Is Us NBC 1 2 0 Jeffrey Wright Westworld HBO 1 3 1 * NOTE: Jason Bateman also nominated for Directing for Ozark * NOTE: Sterling K. Brown also nominated for Guest Actor in a Comedy Series for Brooklyn Nine-Nine LEAD ACTRESS IN A COMEDY SERIES Pamela Adlon Better Things FX Networks 1 7 1 Rachel Brosnahan The Marvelous Mrs. Maisel Prime Video 1 2 0 Allison Janney Mom CBS 1 14 7 Issa Rae Insecure HBO 1 1 NA Tracee Ellis Ross black-ish ABC 1 3 0 Lily Tomlin Grace And Frankie Netflix 1 25 6 LEAD ACTOR IN A COMEDY SERIES Anthony Anderson black-ish ABC 1 6 0 Ted Danson The Good Place NBC 1 16 2 Larry David Curb Your Enthusiasm HBO 1 26 2 Donald Glover Atlanta FX Networks 4* 8 2 Bill Hader Barry HBO 4* 14 1 William H. -
The One After Ross Says Rachel
The One After Ross Says Rachel Written by: Seth Kurland Transcribed by: Eric Aasen [Scene: Ross’s Wedding, continued from last season, the Minister is about to marry Ross and Emily.] Minister: Friends. Family. We are gathered to celebrate here today the joyous union of Ross and Emily. (Time lapse) Now Ross, repeat after me. I Ross... Ross: I Ross... Minister: Take thee, Emily... Ross: Take thee, Rachel...(All his friends have looks of shock on their faces. He realizes what he said. Quickly he says.) Emily. (A slight chuckle.) Emily. Minister: (Looking and feeling awkward. he looks towards Emily.) Uhh...Shall I go on? Rachel: (To the woman sitting in front of her) He-he said Rachel, right? Do you think I should go up there? Emily: Yes, yes, do go on. Minister: I think we’d better start again. Ross, repeat after me. I, Ross… Ross: I, Ross… Minister: Take thee, EM-I-LY… Ross: Take thee, (Glares at the Minister) Emily. (Chuckles) Like there’d be anybody else. (Emily is glaring at him.) Minister: As my lawfully wedded wife, in sickness and in health, till death parts us. Ross: As my lawfully wedded wife, in sickness and in health, until death parts us. Really, I do. Emily. (Points at her.) Minister: May I have the rings? (He is given the rings) Emily, place this ring on Ross’s finger as a symbol of your bond everlasting. (She jams the ring onto his finger) Ross, place this ring in Emily’s hand as a symbol of the love that encircles you forever. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
US President Donald Trump's Decision to Halt Funding to The
Monday, April 20, 2020 Sha’ban 27, 1441 AH Doha today 240 - 280 COVER Deserting WHO STORY US President Donald Trump’s decision to halt funding to the already underfunded world body has drawn flak from all over the world. P4-5 BOLLYWOOD BACK PAGE Film personalities condemn the ‘Focus on strengths; look for ‘witch-hunt’ by Delhi police. opportunities to stay positive’. Page 14 Page 16 2 GULF TIMES Monday, April 20, 2020 COMMUNITY ROUND & ABOUT SERIES TO BINGE WATCH ON AMAZON PRIME PRAYER TIME Fajr 3.46am Shorooq (sunrise) 5.08am Zuhr (noon) 11.34am Asr (afternoon) 3.04pm Maghreb (sunset) 6.01pm Isha (night) 7.31pm USEFUL NUMBERS 30 Rock and turn around TGS, which for years has been unable to DIRECTION: Tina Fey find the proper audience it deserves. So to do so, he brings CAST: Tina Fey, Alec Baldwin, Tracy Morgan on unhinged, wildly unpredictable star Tracy Jordan (Tracy SYNOPSIS: Elizabeth ‘Liz’ Lemon (Tina Fey) is the Morgan) to turn the series into a ratings hit. But Liz soon finds executive show runner for a late night sketch comedy show out that controlling her oddball writing staff, the NBC page called The Girlie Show, that stars her close friend and major programme, keeping Tracy on a short leash, and getting him drama queen Jenna Maroney (Jane Krakowski). When GE hires to get along with Jenna proves to be one disaster after another. Emergency 999 a new Executive Vice President for NBC named Jack Donaghy Will TGS ever see true success? And will Liz find the right Worldwide Emergency Number 112 (Alec Baldwin), he decides to take Liz -
It's Just a Toy
Bowling Green State University ScholarWorks@BGSU Ray Browne Conference on Cultural and Critical Studies 2018: Borders and Borderlands Apr 8th, 1:00 PM - 1:50 PM It's Just a Toy Lauren Strauss Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/rbc Part of the Child Psychology Commons, Cognition and Perception Commons, Cognitive Psychology Commons, Developmental Psychology Commons, Experimental Analysis of Behavior Commons, Gender and Sexuality Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Psychology and Interaction Commons Strauss, Lauren, "It's Just a Toy" (2018). Ray Browne Conference on Cultural and Critical Studies. 6. https://scholarworks.bgsu.edu/rbc/2018conference/017/6 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Ray Browne Conference on Cultural and Critical Studies by an authorized administrator of ScholarWorks@BGSU. Strauss 1 Lauren Strauss Katie Brown POPC 1600 December 4, 2017 It’s Just a Toy A newly-wed couple is ready to have a baby. They find out it’s a boy and immediately begin painting the baby room sky blue and add toys such as trucks, tractors, dinosaurs, and zoo/jungle animals. Sounds typical right? It seems normal to us to have those types of toys for a boy because that has been societies’ preconceived way of telling us what should be considered for a boy and what should be considered for a girl. Generation after generation, we continue to repeat these actions because they’re so normal to us.