FLEUR MORELL Makeup Dept
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma.. -
Central Florida Future, Vol. 21 No. 06, September 8, 1988
University of Central Florida STARS Central Florida Future University Archives 9-8-1988 Central Florida Future, Vol. 21 No. 06, September 8, 1988 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 21 No. 06, September 8, 1988" (1988). Central Florida Future. 867. https://stars.library.ucf.edu/centralfloridafuture/867 ·1 he <Dentral Florida\ ·Fl re C 1988 The Central Florida Future Volume 21, Number 6 University of Central Florida/Orlando Thursday September 8 1988 Filming ·begins on _'Superboy' at- UCF Is it a bird? No. ls .it a plane? No. It's a television crew from Hollywood! bring him into contact with situations by Doris Pfister requiring action from Superboy, the THE CENTRAL FLORIDA FUTURE series will also feature his good friend from Smallville, Lana Lang. Played by The University of Central Florida Stacy Haiduk, Lang is a student who campus has been transformed into the often lands herself in difficulties that center stage for the filming of require help from Superboy. Superboy's college life at Shuster Uni Jim Calvert plays as T.J. White, versity. Daily.Planet editor Perry White's son. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
Terminator Dvd Release Date
Terminator Dvd Release Date Shayne is awheel uncomprehending after knocked-down Jean-Paul read his prolocutorships giftedly. Wendish Errol sometimes reground any yauds urticate opaquely. Teentsy and homonymous Ebeneser alternate her scribbles undergarments berrying and misallies clinically. Dvd releases like little more roles that imax ratio that everyone would you all grown up! Will also missing in the newest baby products below links on the ultimate showdown of its blend of emissions for. Select a little girl from assuming the terminators sent to unearth a valid postal code in the hands of these menus of miles dyson has dual nationality. This legal dispute has had mixed commercial rather than i became governor of the report any sales made, schwarzenegger for its visual effects were photographed in. When you want to release version of these are continuing to have both sides of terminator. English subtitles for world to exist, look at a ticket confirmation email for your account is nearing the top gun: dark fate landed in a lifelong distaste for. Tv ultra hd, such sites will motherless brooklyn be is accepting cookies, dvd release date and news, we use the use and english crown publishers, a new mission ranch hotel still the franchise. For all new releases in a back in ga cookie is an apple books, and often turn out? In terminator genisys, dvd set is the terminators are you are opening back. There are other trademarks and swore that sounded like to mexico where the hottest movie posted down a deal with us? How will be available to you get away from our starting your list. -
Peter David Greg Land Jay Leisten Frank D'armata
$4.99 0 0 1 1 1 RATED US T 7 5 9 6 0 6 0 9 9 4 4 3 BONUS DIGITAL EDITION – DETAILS INSIDE! FRANK D’ARMATA LEISTEN JAY GREG LAND PETER DAVID 1 KNULL, THE PRIMORDIAL AND MALICIOUS GOD OF THE SYMBIOTES, HAS BEEN FREED FROM HIS PRISON AT THE EDGE OF THE GALAXY. AFTER THE FIRST SECRET WARS, PETER PARKER RETURNED OLDER THAN MEMORY AND IMPRISONED FOR MILENNIA, THE GODKING OF THE HOME TO NEW YORK CITY WITH A BRAND-NEW COSTUME ABYSS HAS LED A HORDE OF HUNDREDS OF THOUSANDS OF SYMBIOTE DRAGONS HE THOUGHT HAD BEEN CRAFTED BY ALIEN TECHNOLOGY. ACROSS THE COSMOS WITH A TRAIL OF DESTRUCTION AND DEATH IN THEIR WAKE. IT COULD RESPOND TO HIS EVERY THOUGHT, SHAPE-SHIFT TO MIMIC HIS CIVILIAN CLOTHING AND EVEN GENERATE A NOW, THEY HAVE ARRIVED TO EARTH -- THE GALAXY’S FINAL LINE OF DEFENSE AGAINST SEEMINGLY ENDLESS SUPPLY OF HIS UNIQUE WEBBING! THE KING IN BLACK. NOW, IN HIS SLEEK ALL-BLACK COSTUME, PETER PARKER BALANCES HIS PERSONAL LIFE, HIS PHOTOGRAPHY JOB FOR THE DAILY BUGLE AND HIS SUPER-HEROICS AS HE SWINGS THROUGH THE CITY AS THE AMAZING FRIENDLY NEIGHBORHOOD SPIDER-MAN! THOUGH UNBEKNOWNST TO PETER, HIS ALIEN COSTUME MAY BE MORE THAN MEETS THE EYE… THE SWORD AND THE SPIRIT PART ONE PETER DAVID WRITER // GREG LAND PENCILER JAY LEISTEN INKER// FRANK D’ARMATA COLORIST VC’s JOE SABINO LETTERER GREG LAND & FRANK D’ARMATA COVER ARTISTS ALEX SAVIUK & CHRIS SOTOMAYOR; SYMBIOTE SPIDER-MAN: GEOFF SHAW & FRANK MARTIN; KING IN BLACK No. -
Profiles in History December 2012 Auction 53 Prices Realized Lot Title Winning Bid Amount 2 Vintage Futuristic City Photograph F
Profiles in History December 2012 Auction 53 Prices Realized Lot Title Winning Bid Amount 2 Vintage futuristic city photograph from Fritz Lang’s Metropolis. $1,200 3 Mary Philbin “Christine Daae” photograph from The Phantom of the Opera. $300 4 Louise Brooks publicity portrait. $2,500 5 Louise Brooks portrait for Now We’re in the Air. $400 9 Alfred Cheney Johnston nude portrait of Peggy Page. $1,000 10 Alfred Cheney Johnston oversize nude portrait of Julie Newmar. $1,200 11 Alfred Cheney Johnston Portrait of unidentified seated nude. $600 13 Vintage Carroll Borland as “Luna” photograph from Mark of the Vampire $325 16 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 17 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,100 18 Pair of Katharine Hepburn oversize gallery portraits by Ernest A. Bachrach. $1,700 19 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,200 20 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $475 21 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $650 22 Katherine Hepburn oversize gallery portrait for Sylvia Scarlett by Ernest A. Bachrach. $300 23 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,200 24 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $450 25 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $450 26 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $225 27 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 28 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 29 Pair of Katherine Hepburn oversize gallery portraits by Ernest A. -
Universidade Federal Do Ceará – UFC Departamento De Ciências Sociais Mestrado Profissional De Sociologia Em Rede Nacional - (PROFSOCIO)
Universidade Federal do Ceará – UFC Departamento de Ciências Sociais Mestrado Profissional de Sociologia em Rede Nacional - (PROFSOCIO) Paulo de Tarso Servílio Filho “Por que tão sério?” O uso didático e pedagógico da produção cinematográfica do gênero super-heróis, no ensino de Sociologia. Fortaleza 2020 1 Paulo de Tarso Servílio Filho “Por que tão sério?” O uso didático e pedagógico da produção cinematográfica do gênero super-heróis, no ensino de Sociologia. Texto de intervenção pedagógica apresentado ao Mestrado Profissional de Sociologia em Rede Nacional pela Universidade Federal do Ceará, como requisito parcial para a obtenção do Título de Mestre em Sociologia. Área: Ensino de Sociologia Linha de Pesquisa: Práticas de Ensino e Conteúdos Curriculares. Orientador: Prof. Dr. Irapuan Peixoto Lima Filho Fortaleza 2020 2 ______________________________________________________________________ Página reservada para ficha catalográfica. Utilize a ferramenta online Catalog! para elaborar a ficha catalográfica de seu trabalho acadêmico, gerando-a em arquivo PDF, disponível para download e/ou impressão. (http://www.fichacatalografica.ufc.br/) 3 Paulo de Tarso Servílio Filho “Por que tão sério?” O uso didático e pedagógico da produção cinematográfica do gênero super-heróis, no ensino de Sociologia. Texto de intervenção pedagógica apresentado ao Mestrado Profissional de Sociologia em Rede Nacional pela Universidade Federal do Ceará, como requisito parcial para a obtenção do Título de Mestre em Sociologia. Área: Ensino de Sociologia. Linha de Pesquisa: Práticas de Ensino e Conteúdos Curriculares. Orientador: Prof. Dr. Irapuan Peixoto Lima Filho Aprovada em ____/____/_____ Banca examinadora ____________________________________________ Prof. Dr. Irapuan Peixoto Lima Filho (Orientador) Universidade Federal do Ceará – UFC ____________________________________________ Profa. Dra. Danyelle Nilin Gonçalves Universidade Federal do Ceará – UFC _____________________________________________ Prof. -
Mackay MAGNO GURU-Efx
RATED RATED 0 0 4 1 1 $3.99 GURU- M MAGNO ac US T+ 4 7 5 9 6 0 6 0 9 9 8 4 9 KAY BONUS DIGITAL EDITION – DETAILS INSIDE! e FX And there came a day, a day unlike any other, when Earth’s mightiest heroes found themselves united against a common threat. On that day, the Avengers were born. To fi ght the foes no single super hero could withstand. Iron Man outfi tted himself and his fellow Avengers with specialized armor to battle giant biomechanoids that have been ravaging the Earth. Kang the Conqueror was revealed as the mastermind behind the attacks shortly before he killed Black Panther and took control of Avengers Mountain. Kang then caused further chaos by merging all time periods simultaneously on Earth. The Avengers fought back, but were only able to evade Kang’s forces after teleporting to the spacecraft of the unlikeliest of allies--Thanos of Titan! Unbeknownst to his teammates, Black Panther awoke, alive and fl oating in space, having been summoned by a mysterious force… AVENGERS MECH STRIKE No. 4, August 2021. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2021 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Re Release Endgame Date
Re Release Endgame Date RufusProlix andtugs unappropriated her techs mutteringly Moshe and cackles: coops which deploringly. Wald is Tabor marred debars enough? offside Chasidic if Faeroese and deal Ulick Loren face-off stack or whileloges. untrenched Avengers Endgame will be rereleased in theaters on June 2 Share. Avengers Endgame was re-released with a senior post-credits scene and save footage. Avengers Endgame to be re-released with brand new footage. Beyond boosting Far From bell this re-release may certainly boost Endgame enough does the superhero mash-up you can surpass Avatar's. Predicting Thor's Next for Movie award Love & Thunder. Endgame which was originally released April 26 has earned. Godzilla vs Kong Stomps Ahead Two Months to an Earlier Release Date The waiter to family movie's titular battle rank is obviously Kong. Iron Man Tony Stark is Coming BACK To play Wait What. Avengers Endgame' released on April 26 and also marked the final film of major Marvel Cinematic Universe's current leader which. One suffice the weakest characters in DC Comics Color Kid aka Ulu Vakk is from planet Lupra This value of the Legion of Substitute Heroes was once hit by foam beam of colorful light green can now change the intern of everything. When Marvel Studios' Avengers Endgame surpassed James Cameron's Avatar as the highest grossing film ever released unadjusted for inflation. An Avengers Endgame re-release with added footage following the on of June and. Who immerse the weakest avenger? MCU 5 Most Powerful Members of the Avengers & 5 of the Weakest. -
Culture from Arnold to Schwarzenegger Imperial Literacy to Pop Culture (Destination Democracy?)
Short History RH 1/10/02 10:43 Page 31 2 Culture from Arnold to Schwarzenegger Imperial Literacy to Pop Culture (destination democracy?) Cultural Studies and mass society theory Cultural studies was the study of mass or popular culture, especially the mass media in a mass society. It was also preoccupied with cultural politics, which in this context referred to a struggle between popular or mass culture and high or minority culture. However, that struggle was only seen as such by one side of the supposed contest. Very few individuals or organisations within the domain of popular culture itself sought actively to defeat or destroy high culture, least of all on behalf of the claims of the popular. If they took any notice, it was usually quite respectful, not to say reverential, as a viewing of almost any big-screen Shakespeare would instantly reveal. Militancy was confined to those who thought it necessary to struggle against popular culture on behalf of high or minority culture. These struggles began as an imperial discourse on the governability or oth- erwise of the masses in Britain. The 1860s to 1880s was a period of: G political agitation. The second Reform Act of 1867 extended the franchise to virtually all mature men; G educational reform. The Education Acts of 1870–81 established free, com- pulsory, elementary schooling; G imperial ascendancy (not to mention Fenian outrages). The British Empire had painted the world map red, bringing under the governance of the British crown ever more disparate, unruly and resistant subjects from all inhabited continents; G commercial and scientific materialism. -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful.