An Analysis of the Fast Fashion Industry
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Retail Customer Experience Benchmarking
Google’s Omnichannel Customer Experience Review Creating seamless retail experiences Businesses that succeed in the future will be the ones that figure out how to meet consumer expectations for seamless omnichannel experiences. To help businesses understand the best examples of these types of experiences, Google partnered with Practicology to review 145 retailers across seven European countries. Here we summarise the findings for the UK, where we reviewed 40 retailers. 1 SEAMLESS CUSTOMER EXPERIENCES ARE CRITICAL 82% 60% 72% 82% of smartphone users 6 in 10 internet users check whether 72% of businesses name consult their phone on purchases a product is available in a local store improving customer they are about to make in-store1 before visiting a retail location2 experience their top priority3 2 EUROPEAN RESULTS 3 RETAIL PERFORMANCE BY VERTICAL Average omnichannel CX score - by country Average omnichannel CX score in the UK - by retail (% of CX principles and criteria passed) category (% of CX principles and criteria passed) Furniture Department 52% Homeware Stores 48% 48% 47% 44% 59% 45% Electronics 49% 54% DIY Telecoms Garden 52% 54% Specialities Fashion UK FR NL SE/NO/DK DE The UK is top of the list, with retailers scoring UK department store retailers offer the particularly well in terms of offering flexible best experiences, particularly by usaging fulfillment options and providing relevant in-store technology, providing flexible store details on their website. fulfilment options and running promotions across channels. 4 PERFORMANCE BY CX PRINCIPLE UK retailers excel in offering more flexible fulfilment options than retailers in other markets. In terms of offering omnichannel customer service, there is still room for improvement. -
Robyn Rihanna Fenty and Others -V- Arcadia Group Brands Limited And
Neutral Citation Number: [2015] EWCA Civ 3 Case No: A3/2013/2087 & A3/2013/2955 IN THE COURT OF APPEAL (CIVIL DIVISION) ON APPEAL FROM THE HIGH COURT OF JUSTICE CHANCERY DIVISION INTELLECTUAL PROPERTY The Hon Mr Justice Birss [2013] EWHC 2310 (Ch) Royal Courts of Justice Strand, London, WC2A 2LL Date: 22/01/2015 Before: LORD JUSTICE RICHARDS LORD JUSTICE KITCHIN and LORD JUSTICE UNDERHILL - - - - - - - - - - - - - - - - - - - - - Between: (1) Robyn Rihanna Fenty Claimants/ (2) Roraj Trade LLC Respond- (3) Combermere Entertainment Properties, LLC ents - and - (1) Arcadia Group Brands Limited Defendants/ (2) Topshop/Topman Limited Appellants - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Martin Howe QC and Andrew Norris (instructed by Reed Smith) for the Claimants/Respondents Geoffrey Hobbs QC and Hugo Cuddigan (instructed by Mishcon de Reya) for the Defendants/Appellants Hearing dates: 18/19 November 2014 - - - - - - - - - - - - - - - - - - - - - Approved Judgment Judgment Approved by the court for handing down. Fenty & Ors v Arcadia & Anr Lord Justice Kitchin: Introduction 1. These proceedings concern a complaint by Rihanna, the world famous pop star, about the sale of fashion garments bearing her image. 2. The appellants (collectively “Topshop”) own and operate the well known Topshop retail fashion stores. In 2012 Topshop began to sell in its stores and through its website a fashion t-shirt displaying a clearly recognisable image of Rihanna. The image was derived from a photograph of Rihanna which was taken when she was on a video shoot for a single from her “Talk That Talk” album. Rihanna is looking directly at the camera with her hair tied above her head with a headscarf. It is, as the judge thought, a striking image and similar images had been used by Rihanna in connection with the Talk That Talk album. -
The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2012 The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Nyasha Brittany Hayes University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Hayes, Nyasha Brittany, "The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities" (2012). Theses (Historic Preservation). 541. https://repository.upenn.edu/hp_theses/541 Suggested Citation: Hayes, Nyasha Brittany (2012). The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/541 For more information, please contact [email protected]. The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Abstract The tourism industry continues to grow exponentially each year as many First and developing nations utilize its many subsets to generate commerce. Of the many types of tourism, arguably all countries employ heritage tourism as a method to protect their varying forms of cultural heritage , to establish national identities and grow their economies. As it is understood, to create a national identity a group of people will first identify what they consider to be the culturally significant eaturf es of their society that embodies their heritage. Heritage is a legacy that will be passed onto future generations that encompasses customs, expressions artifacts structures etc. This thesis will focus on the production of crafts and textiles as material culture for heritage tourism markets as a segment of cultural heritage. It will examine how the production of material culture is affected when it intersects with large scale heritage tourism. -
Energy Management in Textile Industry
ENERGY MANAGEMENT IN TEXTILE INDUSTRY SARITA SHARMA Department of fashion Technology, International College for Girls, Jaipur, India E-mail : [email protected] Abstract- Energy is one of the most important ingredients in any industrial activity. The availability is not infinite however. Energy crisis globally, as well as high cost of fuels resulted in more activities to conserve energy to maximum extent. Energy crisis globally, as well as high cost of fuels resulted in more activities to conserve energy to maximum extent. The textile industry is one of the major energy consuming industries and retains a record of the lowest efficiency in energy utilization. About 23% energy is consumed in weaving, 34% in spinning, 38% in chemical processing and another 5% for miscellaneous purposes. In general, energy in the textile industry is mostly used in the form of: electricity, as a common power source for machinery, cooling & temperature control system, lighting, equipment etc.; oil as a full for boilers which generate steam, liquefied petroleum gas, coal. And this has made pathway to conservation of energy which can be affected through process and machinery modifications and implementation of technological advancements relating to process optimization as well as development of newer methods to meet the challenge of substantial energy saving in textile wet processing. Keywords– Textile industry, spinning, electricity, wet processing. I. INTRODUCTION II. TYPES OF ENERGY USED IN THE The conservation of energy is an essential step we TEXTILE INDUSTRY can all take towards overcoming the mounting problems of the worldwide energy crisis and In general, energy in the textile industry is mostly environmental degradation. -
Fact Sheet: Benefits of Hawaii's Tourism Economy
Fact Sheet: Benefits of Hawai‘i’s Tourism Economy Hawai‘i Tourism Industry in 20191 Tourism is the largest single source of private capital for Hawai‘i’s economy. In 2019, Hawai‘i’s tourism economy has recorded. Visitor Spending: $17.75 billion (+1.4%, +$244.4 million YOY versus 20182). Statewide: $48.6 million in average visitor spending daily: • O‘ahu: $22.4 million per day • Maui: $14.0 million per day • Island of Hawai‘i: $6.4 million per day • Kaua‘i: $5.2 million per day State Tax Revenue: $2.07 billion (+1.4%,+$28.5 million YOY versus 2018). Visitor Arrivals: 10,424,995 (+5.4% YOY versus 2018). On any given day were 249,000 visitors in the Hawaiian Islands. Jobs supported: 216,000 Air Seats: 13,619,349 (+2.9% YOY versus 2018). Opportunities for Continued Growth Increased arrivals during shoulder periods: April-May and October-November. Renovations, upgrades to Hawai‘i’s tourism product (hotels, attractions, natural resources). Increased distribution of visitors to the neighbor islands. TAT Collections FY 2018 TAT Distribution FY 2019 TAT Distribution ($ millions) ($ millions) Convention Convention Center Enterprise Center Enterprise Special Fund, Special Fund, Tourism $16.5 Tourism Special $26.5 Special Fund, Department of Fund, $82.0 $79.0 Land and Natural Department of Resources, Land and Natural $3.0 Resources, General Fund, $3.0 General Fund, Counties, $103.0 $315.2 Counties, $103.0 $340.0 Turtle Bay Conservation Turtle Bay Easement Conservation Fund, $1.5 Easement Fund, $1.5 Mass Transit Mass Transit Special Fund, Special Fund, $23.6 $57.4 FY 2017: The state collected $508.38 million in transient accommodations tax (TAT=9.25%). -
Sindhi Patchwork, Artisans and Fashion Industry
ISSN: 2641-192X DOI: 10.33552/JTSFT.2021.07.000673 Journal of Textile Science & Fashion Technology Research Article Copyright © All rights are reserved by Muhammad Hussnain Sethi Sindhi Patchwork, Artisans and Fashion Industry Lei Shen and Muhammad Hussnain Sethi* School of Design, Jiangnan University, China *Corresponding author: Muhammad Hussnain Sethi, School of Design, Jiangnan Received Date: November 16, 2020 University, Wuxi, 214122, China. Published Date: February 23, 2021 Abstract it is worth 480 billion dollars and is projected to hit 700 billion dollars in a couple of years eventually. The reason explained behind this is that everyoneFood, isapparel getting and conscious shelter are of the basicway they human look. needs. Clothing The apparelhas become industry a mean is massive of creating since itan satisfies impression the second and people basic humanwant to need. wear At the present, latest fashionable clothes to portray their personality. However, the matter of concern is that due to the human desire to wear beautiful and fashionable clothes, ‘fast fashion’ industry has come into existence, causing the destruction to the world’s resources and environment. Fashion Industry is among the top three polluters on the earth and produces almost 92 million tons of waste every year. In addition, 20 percent of the world’s freshwater pollution is due to fabric treatment and dyeing. The clothing industry needs to play an important role in sustainable development, and researchers need to introduce more new and innovative ideas regarding sustainability to help the industry. There is a debate that patchwork design can be one of those steps that can lead the fashion industry towards sustainability and slow fashion. -
Entrepreneuring in Africa's Emerging Fashion Industry
Fashioning the Future Entrepreneuring in Africa’s Emerging Fashion Industry Langevang, Thilde Document Version Accepted author manuscript Published in: The European Journal of Development Research DOI: 10.1057/s41287-016-0066-z Publication date: 2017 License Unspecified Citation for published version (APA): Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. https://doi.org/10.1057/s41287-016-0066-z Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry Thilde Langevang Journal article (Accepted version*) Please cite this article as: Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. DOI: 10.1057/s41287-016-0066-z This is a post-peer-review, pre-copyedit version of an article published in The European Journal of Development Research. The final authenticated version is available online at: DOI: https://doi.org/10.1057/s41287-016-0066-z * This version of the article has been accepted for publication and undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the publisher’s final version AKA Version of Record. -
Runway Shows and Fashion Films As a Means of Communicating the Design Concept
RUNWAY SHOWS AND FASHION FILMS AS A MEANS OF COMMUNICATING THE DESIGN CONCEPT A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Xiaohan Lin July 2016 2 Thesis written by Xiaohan Lin B.S, Kent State University, 2014 M.A., Kent State University, 2016 Approved by ______________________________________________ Name, Thesis Supervisor ______________________________________________ Name, Thesis Supervisor or Committee Member ______________________________________________ Name, Committee Member ______________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ______________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ______________________________________________ Mr. J.R. Campbell, Director, The Fashion School ______________________________________________ Dr. Christine Havice, Director, The School of Art ______________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts 3 REPORT OF THESIS FINAL EXAMINATION DATE OF EXAM________________________ Student Number_________________________________ Name of Candidate_______________________________________ Local Address_______________________________________ Degree for which examination is given_______________________________________ Department or School (and area of concentration, if any)_________________________ Exact title of Thesis_______________________________________ -
American Culture: Fashion and Sustainability
AMERICAN CULTURE: FASHION AND SUSTAINABILITY A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for Departmental Honors by Kelsey Merritt May, 2018 Thesis written by Kelsey Merritt Approved by _____________________________________________________________________, Advisor _____________________________________________________________________, Co Advisor ______________________________________________, Director of Fashion Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENTS LIST OF FIGURES…..……………………………………………...……………………iv LIST OF TABLES………..………………………………………………………………vi ACKNOWLEDGMENT………………………………………….……………………..vii CHAPTERS I. INTRODUCTION……………………………………………….………..1 Delimintations……………………………………………………………..4 II. LITERATURE REVIEW………………………………………….………6 III. DATA COLLECTION METHODS……………………………………..12 IV. FINDINGS AND DISCOVERINGS…………………………………….42 V. RECOMMENDATIONS………………………………………………...48 REFERENCES……………………………………………………………………...…...54 APPENDIX 1. Appendix A………………………………………………………………58 2. Appendix B………………………………………………………………60 3. Appendix C………………………………………………………………63 4. Appendix D………………………………………………………………66 iii LIST OF FIGURES Figure 1: Inside Stoll knit factory………………………………………………………..15 Figure 2: Stoll’s knit factory entrance…………………………………………………...16 Figure 3: Sample garments created………………………………………………………16 Figure 4: Ka de We shoe floor…………………………………………………………...18 Figure 5: Rug maker……………………………………………………………………..20 Figure 6: Testing rug making myself…………………………………………………….20 -
Growth, Structural Transformation and Poverty Reduction: Issues and Challenges with Special Reference to India*
Growth, Structural Transformation and Poverty Reduction: Issues and Challenges with special reference to India* Aradhna Aggarwal Professor, Indian Studies Department of International Economics and Management Copenhagen Business School Porcelænshaven 24A, 1-4.sal 2000 Frederiksberg Mobile: +45 9145 5565 Email: [email protected] [email protected] Abstract The present study analyses the growth-structural change-poverty linkages within the framework of the New Structural Economics using Indian data for the period since 1951-52. It finds that the relationship between growth, structural transformation and poverty reduction is complex and is characterized by various issues and challenges. It is influenced by country-specific idiosyncratic attributes as shaped by the broader growth strategy adopted by the government, its implementation, and its developmental outcomes. Failure to anticipate challenges in the development path adopted by the government is a chief cause of failure in reducing poverty. The study calls for informed state interventions to steer the economy to a sustained and inclusive development path. *The paper is prepared for presentation at the Inter-Agency Expert Group Meeting on "Employment and Decent Work for Poverty Eradication, in Support of the Second UN Decade for the Eradication of Poverty (2008-2017)" Bangkok: 4-6 May 2016 1 Growth, Structural Transformation and Poverty Reduction: Issues and Challenges with special reference to India 1. Introduction There is overwhelming evidence that rapid and sustained economic growth is crucial for reduction in poverty. But, there are substantial differences among countries with respect to the rate at which poverty declines with economic growth (Chen and Ravallion, 2010; Fosu, 2011; Islam and Kucera , 2014 among many others). -
Looking at the Past and Current Status of Kenya's Clothing and Textiles
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2018 Looking at the Past and Current Status of Kenya’s clothing and textiles Mercy V.W. Wanduara [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Wanduara, Mercy V.W., "Looking at the Past and Current Status of Kenya’s clothing and textiles" (2018). Textile Society of America Symposium Proceedings. 1118. https://digitalcommons.unl.edu/tsaconf/1118 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Textile Society of America Symposium Proceedings 2018 Presented at Vancouver, BC, Canada; September 19 – 23, 2018 https://digitalcommons.unl.edu/tsaconf/ Copyright © by the author(s). doi 10.32873/unl.dc.tsasp.0056 Looking at the Past and Current Status of Kenya’s clothing and textiles Mercy V. W. Wanduara [email protected] Abstract This paper analyzes and documents traditional textiles and clothing of the Kenyan people before and after independence in 1963. The paper is based on desk top research and face to face interviews from senior Kenyan citizens who are familiar with Kenyan traditions. An analysis of some of the available Kenya’s indigenous textile fiber plants is made and from which a textile craft basket is made. -
Considered Fashion Award Title
Katelyn Harris The University of South Wales Fashion Marketing and Retail Design Considered Fashion Award Title Supporting Statement Tech Boutique is a new concept in response to the un-sustainable and un-ethical impact that the fashion industry has had on the environment. This is a digital, innovative service, that enables customers to try clothes on virtually in-store and purchased on a made to order basis. Using sustainable and ethical suppliers within the supply chain. All suppliers are UK based and the packaging is made from sustainable materials and can also be recycled. This is to eliminate the following issues, such as mass production and the amount of waste that is produced as a result, replacing unsustainable materials, replacing fossil fuel generated energy with green energy, to eliminate the unfairness and poor treatment of workers and to reduce the amount of packaging that gets wasted and as a result pollutes the enviroment and wildlife. The suppliers within the supply chain of the service use sustainable and ethical products and green energy sources to produce their garments. This is to reduce the amount of CO2 that is produced when shipping and producing garments. In addition, the suppliers also have ethical policies in place, to ensure workers have safe and healthy working conditions. Having ordered their products in-store, the customer’s order is then produced in the UK and delivered to their home address. The delivery is packaged in recycled packaging, which can be used as a circular reuse. This is to reduce the amount of plastic used and the amount of packaging wasted.