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Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Full Speed Ahead for DVD Sales by JILL KIPNIS Increase Another 49% in 2003
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) II.L.II..I.JJL.1I.1I.II.LJII I ILIi #BXNCCVR ******* ************** 3 -DIGIT 908 #908070EE374EM002# * BLBD 880 A06 B0105 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 5, 2003 Patriotism Lifts Pro -War Songs; Chicks Suffer A Billboard and Airplay Moni- Last week, the Chicks' "Travelin' tor staff report Soldier," a record that many thought With the war in Iraq now more would become an anthem for the than a week old and displays of sup- troops in the event of war, instead port for the war increasing, went 1 -3 on the Billboard Linkin Park Enjoys Meteoric Opening radio responded on several Some Acts Nix Hot Country Singles & fronts. The biggest victims International Tracks chart in the wake BY LARRY FLICK Show by Eminem, which sold 1.3 million copies in of the patriotic surge have Tours In Light of singer Natalie Maims' NEW YORK -Based on first -day sales activity for its its first full week of sales for the week ending June been Dixie Chicks, whose Of War: anti -war/anti -President new album, Meteora, Linkin Park could enjoy the 2, 2002, according to Nielsen SoundScan. Seven - tracks suffered major air- See Page 7 Bush comments (Bill- first 1 million -selling week of 2003. Early estimates day sales of more than 900,000 units would score play losses at their host for- board, March 29). -
Piece of Ventura History Burns to the Ground
FREE Vol. 3, No. 1122 Published Published Every Every Other Other Wednesday Wednesday August 11 March - August 10 -24, 23, 2010 2010 Sandra Laby knew that she must perform well in front of her infant grandchildren 72-year-old Sandra Laby crowned Queen of Oxnard Salsa Festival Even though she knew she would not be spending her 50th wedding anniver- sary with her husband and 2-month-old Piece of Ventura history burns to the ground twin grandchildren, Ventura Music Festi- by Rebecca Wicks val (VMF) Board Member, Sandra Laby, wanted to compete in the 2010 Oxnard Earlier this month the fabled E.P. the school district about purchasing ing the Avenue School but learned it Salsa Festival’s Dancing with Our Com- Foster house was completely destroyed and obtaining rights to the house for would not be possible due to state regula- munity Stars (DWOCS) competition on by fire ending an ongoing discussion on restoration. tions limiting how close schools can be to July 25. what should be done with the historic According to Joe Richards, the school gas lines which happen to run adjacent to Laby’s top priority was to raise funds house which once belonged to one of, if district’s assistant superintendent of the property. for the VMF’s “Music in the Schools” not the most prominent, philanthropic business services, the property sits on the Richards confirmed initial discus- educational outreach programs. Laby family the city has seen. group’s surplus land list. sions had taken place between the school was one of six community members that Five fire engines and more than two “Currently, there is no plan for the district and members of the Foster fam- were paired with professional salsa dance dozen firefighters worked on the August land and it isn’t on any specific agenda,” ily but stressed that no explicit actions or instructors for the annual competition. -
Masters of Traditional Arts Education Guide
Masters of Traditional Arts Education Guide Paddy Bowman Betty Carter Alan Govenar Masters of Traditional Arts Education Guide Published by Documentary Arts, Inc. Supported in part by National Endowment for the Arts Pennsylvania Council for the Arts City of Dallas Office of Cultural Affairs Ohio Arts Council Photographs by Alan Govenar Education Guide designed by Katy Parker Copyright © 2011 by Documentary Arts, Inc. Contents Preface The National Heritage Fellowship Meeting Education Standards Opportunities for Learning Tools for Learning Educators’ Suggested Applications Overarching Student Activities Mini-Lessons Decoding Different Media Studying Photographs Reading Artist Profiles Listening to Audio Viewing Video Comparing Media Creating Multimedia Presentations Unit 1. Sense of Place Cultural Insiders and Outsiders - Sensing Place through the Five Senses Finding Clues to Sense of Place Sample Sense-of-Place Chart Unit 2. Sense of Wonder Indigenous Teachers Genres Music and Dance Crafts and Material Culture Unit 3. Sense of Discovery Fieldwork Collecting and Organizing Mapping Culminating Projects Resources Printable Student Handouts Photo Analysis Artist Bio Notes Video Analysis Listening Log ~ Musical Elements Listening Log ~ Audio Profile Artifact Analysis Exploring Sense of Place Vocabulary Fieldwork Rubric Portfolio Rubric Interview Form Release Forms Defining Folklore Folklore in Education Bibliography Folklore in Education Webography Folkstreams Films about Heritage Fellows Suggested Student Readings Preface Teachers across the country face mounting pressure to help students achieve state and national standards. With expectations continually increasing, these teachers are searching for strategies that incorporate new curriculum standards in creative, meaningful and purposeful ways. As I listen to requests from teachers and librarians in my district and throughout the nation, I hear them ask for materials that help accomplish these goals. -
John Mayer, See John Mayer (Disambiguation)
For other people named John Mayer, see John Mayer (disambiguation). John Mayer Mayer at the Mile High Music Festival on July 20, 2008 Born John Clayton Mayer October 16, 1977 (age 36) Bridgeport, Connecticut, U.S. Residence Montana, U.S. Education Center for Global Studies at Brien McMahon High School Alma mater Berklee College of Music Occupation recording artist, producer Home town Fairfield, Connecticut, U.S. Parents Richard Mayer Margaret Hoffman Musical career pop Genres blues acoustic blue-eyed soul rock country folk Guitar Instruments vocals omnichord piano harmonica percussion Years active 1998—present Arista Records Labels Aware Records Columbia Records John Mayer Trio Associated acts Fall Out Boy David Ryan Harris Website johnmayer.com John Clayton Mayer (/ˈmeɪ.ər/)[1] (born October 16, 1977) is an American recording artist and producer.[2] Born inBridgeport, Connecticut, and raised in Fairfield, he attended Berklee College of Music in Boston. He moved to Atlanta in 1997, where he refined his skills and gained a following, and he now lives in Montana.[3] His first two studio albums,Room for Squares (2001) and Heavier Things (2003), did well commercially, achieving multi-platinum status.[4] In 2003, he won a Grammy Award for Best Male Pop Vocal Performance for "Your Body Is a Wonderland."[5] Mayer began his career performing mainly acoustic rock, but gradually began a transition towards the blues genre in 2005 by collaborating with renowned blues artists such as B. B. King, Buddy Guy, and Eric Clapton, and by forming theJohn Mayer Trio. The blues influence can be heard throughout his 2005 live album Try! with the John Mayer Trio and his third studio album Continuum, released in September 2006. -
Los Alacranes Tanya Rose 12:45 Pm Singers
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news April 2003 OFFICIAL ROOTS FESTIVAL PROGRAM Vol. 2, No. 7 lots o’ good stuff inside Welcome Mat………3 Mission Statement Contributors Message from AABA Mail Box Front Porch. ………4 Lou Curtiss Center Stage..………5 30TH ANNIVERSARY TRIBUTE TO THE MAN WHO STARTED IT ALL Roots Festival Headliners Performing Artists... 6 Musician Profiles Performance Times Stages Map Information Of Note.……………15 Connie Allen/Bill Dempsey Derek Duplessie and the Desert Poets Ramblin’...…………16 Recordially Yours Bluegrass Corner José Sinatra Paul Abbott ‘Round About .......…18 April Music Calendar The Local Seen……19 Photo Page LouLou CurtissCurtiss grabs San Diego by the ROOTS… PRESENTS a special Friday evening performance at the charming and intimate Carlsbad Village Theater PHIL HARMONIC SEZ: While at the Roots Festival, be sure to stop by our booth and purchase a TROUBADOUR tee shirt and a CD from one of the many local artists whose original music today is the roots music of tomorrow. San Diego Troubadour • April 2003 welcomewelcome matmat SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news OUR MISSION CONTRIBUTORS To promote, encourage, and PUBLISHER to the 30th edition of the Adams Avenue provide an alternative voice for Lyle Duplessie Roots Festival. This year’s festival will mark the great local music that is elcome W the tenth year that it’s held on Adams Avenue generally overlooked by the EDITOR mass media; namely the gen- Ellen Duplessie after a long residence at San Diego State University. Then known as the San Diego Folk Festival, it was founded by San Diego music archivist and promoter Lou Curtiss, res of folk, country, roots, GRAPHIC DESIGN Americana, gospel, and blue- Liz Abbott who is currently a member on the Board of Directors of the Adams Avenue Business grass. -
Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
They Make a Fine Pair
6 | FEBRUARY.1.2013 | FRIDAY WEEKENDER: GOING OUT LEXINGTON HERALD-LEADER | LEXGO.COM THE MUSICAL BOX THE WEEK THAT WAS A LIVE MUSIC BLOG AT LEXGO.COM Lucinda Williams at Kentucky Country Day Theatre in Louisville: Nearly 15 years after its release, the chorus to Joy — the most pivotal track of Lucinda Williams’ THEY MAKE A FINE PAIR most essential album, Car Wheels on a Gravel Road — remains the single most potent and succinct Longtime friends Lauderdale and Miller tour behind their new album of duets lyric in a catalogue filled with brilliant songs of love, loss, betrayal BY WALTER TUNIS and, occasionally, redemption. “You Contributing Music Writer took my joy. I want it back.” Kind of says it all, doesn’t it? Buddy Miller and Jim Last week at Louisville’s KCD Lauderdale, Derek Hoke Theatre, Williams seriously got her 8 p. Feb. 1 at Headliners joy back. That’s not to say her live Music Hall, 1386 Lexington Rd., shows have ever been as desolate as her songs. But with a sold-out Louisville. $20. (502) 584-8088. Headlinerslouisville.com. audience before her and a 60th birthday just two days away, the Here’s one of the more primo PR acclaimed Americana songstress lines making the rounds in news cut loose. releases about Buddy and Jim, the new During the closing minutes of collaborative album by Buddy Miller and a two-hour performance aided by Jim Lauderdale: “It took three days to guitarist Doug Pettibone, Williams make, but it sounds like it took four.” invited the show-opening Kenneth That comes from the usually all- Brian Band, a fine indie country- business Miller as opposed to the rock troupe from Alabama, onstage typically wisecracking Lauderdale. -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September. -
National Heritage Fellowships
2020 NATIONAL HERITAGE FELLOWSHIPS NATIONAL ENDOWMENT FOR THE ARTS I 2020 NATIONAL HERITAGE FELLOWSHIPS Birchbark Canoe by Wayne Valliere Photo by Tim Frandy COVER: “One Pot Many Spoons” beadwork by Karen Ann Hoffman Photo by James Gill Photography CONTENTS MESSAGE FROM THE ACTING CHAIRMAN ...........................................................................................................................................................................................4 MESSAGE FROM THE DIRECTOR .............................................................................................................................................................................................................5 A BRIEF HISTORY OF THE NEA NATIONAL HERITAGE FELLOWSHIPS .........................................................................................................................................6 2020 NATIONAL HERITAGE FELLOWS William Bell .................................................................................................................................................................................8 Soul Singer and Songwriter > ATLANTA, GA Onnik Dinkjian ....................................................................................................................................................................... 10 Armenian Folk and Liturgical Singer > FORT LEE, NJ Zakarya and Naomi Diouf ............................................................................................................................................ -
National Heritage Fellowships II 2016 NEA National Heritage Fellowships NATIONAL ENDOWMENT for the ARTS 2016 National Heritage Fellowships
NATIONAL ENDOWMENT FOR THE ARTS 2016 National Heritage Fellowships II 2016 NEA National Heritage Fellowships NATIONAL ENDOWMENT FOR THE ARTS 2016 National Heritage Fellowships Clarissa Rizal regalia Photo by Jeff Laydon/Pagosa Photography COVER Theresa Secord basket Photo by Theresa Secord Elk flute by Bryan Akipa Photo by Mike Wolforth, Rapid City, SD Contents 5 Message from the President of the United States 6 Message from the Chairman 7 Message from the Director 2016 NEA National Heritage Fellows 8 Bryan Akipa Dakota Flute Maker and Player, Sisseton, SD 10 Joseph Pierre ”Big Chief Monk” Boudreaux Mardi Gras Indian Craftsman and Musician, New Orleans, LA 12 Billy McComiskey Irish Button Accordionist, Baltimore, MD 14 Clarissa Rizal Tlingit Ceremonial Regalia Maker, Juneau, AK 16 Theresa Secord Penobscot Nation Ash/Sweetgrass Basketmaker, Waterville, ME 18 Bounxeung Synanonh Laotian Khaen Player, Fresno, CA 20 Michael Vlahovich Master Shipwright, Tacoma, WA/St. Michaels, MD 22 Leona Waddell White Oak Basketmaker, Cecilia, KY 24 THE 2016 BESS LOMAX HAWES AWARD Artemio Posadas Master Huastecan Son Musician and Advocate, San Jose, CA 26 Acknowledgments 27 Concert Credits Master of Ceremonies 28 NEA National Heritage Fellowships, 1982–2015 n the 34th year of the NEA National Heritage Fellowships, we are pleased to present to this year’s Fellows an award that Icarries with it the passion and knowledge of cultural traditions passed down through the generations. Ornamental ironwork found in Charleston, South Carolina, and Osage Nation ribbonwork were two craft traditions celebrated in 1982, the inaugural year of the NEA National Heritage Fellowships. Joined together, these traditions represent legacies of perpetuation, distinction, and extraordinary commitment to cultural heritage. -
1 a Conversation with Anne Mccue by Frank Goodman
A Conversation with Anne McCue by Frank Goodman (Puremusic 10/2002) Must be over a year now that I first saw Anne play at Billy Block’s Western Beat Roots Revival. She came on right after this other Australian act, an absolutely blazing guitarist named Geoff Achison. Most people would have been a little daunted at the prospect of hitting the stage of a packed jaded room after a smoldering and razor sharp Blues rock trio just blew the roof off the joint. But not Anne McCue, apparently. She’s played in some pretty hot trios herself, after all. But we didn’t know that, or anything else about her, aside from her also being Australian. But she was tall (actually, I thought she was, but she was wearing huge heels and her musical presence was looming in the stage lights) and kind of heavenly looking. Rarely would one see a solo acoustic act in this show, and Frank the soundman was not usually very kind to acoustic guitarists, in my opinion. Often they could simply not be heard. But this evening a mighty sound was heard, and everybody looked, and everybody listened. Predictably, I ran her down later and introduced myself, and secured a CD for review. Not long after that, I heard she’d been back in town, and played the cool little room known as The Basement, and that Lucinda Williams had been in attendance. That’s the thing about Nashville gigs—there are frequently none too many people in the audience (a lot of shows going on, and a rampant “seen it already” attitude is common), but one of the people there might well impact your life one way or the other.