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Dramaturgy Handbook
Marat/Sade Emerson Stage 2007-08 Photo Brendan Koons DRAMATURGY STUDENT HANDBOOK Compiled by Magda Romanska, Ph.D. Head of Theatre Studies and Dramaturgy Advisor Emerson College Department of Performing Arts 120 Boylston St Boston, MA 02116 [email protected] 2 TTAABBLLEE OOFF CCOONNTTEENNTTSS WHAT IS DRAMATURGY? ........................................................................... 4 DRAMATURGY AND THE LIBERAL ARTS ............................................... 6 INSTITUTIONAL DRAMATURGY .............................................................. 7 PRODUCTION DRAMATURGY ................................................................. 9 AMERICAN VS. EUROPEAN DRAMATURGY ........................................ 13 DRAMATURGY PORTFOLIO .................................................................... 14 RECOMMENDATION LETTERS ............................................................... 15 DRAMATURGY CAREER RESOURCES ............................................... 17 INTERNSHIPS ......................................................................................... 17 GRADUATE PROGRAMS - M.F.A. /Ph.D. ............................................... 24 JOURNALS ......................................................................................................28 CONFERENCES & ORGANIZATIONS .................................................... 49 OTHER CAREER RESOURCES ............................................................. 53 DRAMATURGY BEYOND THEATRE DRAMATURGY FOR FILM SCRIPTS..................................................... -
European Modernism and the Resident Theatre Movement: The
European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970 Sarah Guthu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Thomas E Postlewait, Chair Sarah Bryant-Bertail Stefka G Mihaylova Program Authorized to Offer Degree: School of Drama © Copyright 2013 Sarah Guthu University of Washington Abstract European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970 Sarah Guthu Chair of the Supervisory Committee: Dr. Thomas E Postlewait School of Drama This dissertation offers a cultural history of the arrival of the second wave of European modernist drama in America in the postwar period, 1950-1970. European modernist drama developed in two qualitatively distinct stages, and these two stages subsequently arrived in the United States in two distinct waves. The first stage of European modernist drama, characterized predominantly by the genres of naturalism and realism, emerged in Europe during the four decades from the 1890s to the 1920s. This first wave of European modernism reached the United States in the late 1910s and throughout the 1920s, coming to prominence through productions in New York City. The second stage of European modernism dates from 1930 through the 1960s and is characterized predominantly by the absurdist and epic genres. Unlike the first wave, the dramas of the second wave of European modernism were not first produced in New York. Instead, these plays were often given their premieres in smaller cities across the United States: San Francisco, Seattle, Cleveland, Hartford, Boston, and New Haven, in the regional theatres which were rapidly proliferating across the United States. -
Short Synopsis a Young Woman Is
*** Please note: these production notes are for reference only and may contain spoilers. We would appreciate you not revealing the characters’ secrets in editorial or social postings without proper warning. The film is under embargo until Wednesday, February 21 at 10:30pm CET / 4:30pm EST / 1:30pm PST. Thank you. *** Short Synopsis A young woman is involuntarily committed to a mental institution where she is confronted by her greatest fear - but is it real or is it a product of her delusion? Long Synopsis Making a startling trip into thriller territory with Unsane, director Steven Soderbergh plunges audiences into the suspense and drama of a resilient woman’s (Claire Foy, The Crown) fight to reclaim her freedom even as she risks her own sanity. Scarred from the trauma of being stalked, quick-witted Sawyer Valentini (portrayed by Ms. Foy) has relocated from Boston to Pennsylvania for a new life. As her mother Angela (Academy Award nominee Amy Irving) misses her back home and her office job is hardly an ideal employment opportunity, Sawyer remains on edge following her two years of being terrorized. To consult with a therapist, she goes for follow-up treatment at the Highland Creek Behavioral Center. Sawyer’s initial therapy session at the suburban complex run by clinician Ashley Brighterhouse (Aimée Mullins, Stranger Things) progresses well — until she unwittingly signs herself in for voluntary 24-hour commitment. Unable to leave the premises, Sawyer finds herself in close quarters with previously committed hellion Violet (Juno Temple, The Dark Knight Rises) and savvy Nate (Jay Pharoah, Saturday Night Live), who is battling an opioid addiction. -
Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions. -
The Concrete Battleship Was Flooded, the Guns Drained of Recoil Oil and Fired One Last Time, the Colors
The Iowan History letter Vol. 5 Number 2 Second Quarter, 2016 The Concrete Initially Fort Drum was planned as a mine control and mine casemate station. However, due to inadequate de- fenses in the area, a plan was devised to level the island, and then build a concrete structure on top of it armed with Battleship two twin 12-inch guns. This was submitted to the War Department, which decided to change the 12-inch guns to 14-inch guns mounted on twin armored turrets. The forward turret, with a traverse of 230°, was mounted on the forward portion of the top deck, which was 9 ft below the top deck; the rear turret, with a full 360° traverse, was mounted on the top deck. The guns of both turrets were capable of 15° elevation, giving them a range of 19,200 yards. Secondary armament was to be provided by two pairs of 6-inch guns mounted in armored casemates on either side of the main structure. There were two 3-inch mobile AA guns on “spider” mounts for anti-aircraft de- fense. Fort Drum in the 1930s Overhead protection of the fort was provided by an 20- Fort Drum (El Fraile Island), also known as “the con- foot thick steel-reinforced concrete deck. Its exterior walls crete battleship,” is a heavily fortified island situated at ranged between approximately 25 to 36 ft thick, making it the mouth of Manila Bay in the Philippines, due south of virtually impregnable to enemy naval attack. Corregidor Island. The reinforced concrete fortress shaped like a battleship, was built by the United States in 1909 as Construction one of the harbor defenses at the wider South Channel entrance to the bay during the American colonial period. -
The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman ..................................................................................................... -
The Korean War
N ATIO N AL A RCHIVES R ECORDS R ELATI N G TO The Korean War R EFE R ENCE I NFO R MAT I ON P A P E R 1 0 3 COMPILED BY REBEccA L. COLLIER N ATIO N AL A rc HIVES A N D R E C O R DS A DMI N IST R ATIO N W ASHI N GTO N , D C 2 0 0 3 N AT I ONAL A R CH I VES R ECO R DS R ELAT I NG TO The Korean War COMPILED BY REBEccA L. COLLIER R EFE R ENCE I NFO R MAT I ON P A P E R 103 N ATIO N AL A rc HIVES A N D R E C O R DS A DMI N IST R ATIO N W ASHI N GTO N , D C 2 0 0 3 United States. National Archives and Records Administration. National Archives records relating to the Korean War / compiled by Rebecca L. Collier.—Washington, DC : National Archives and Records Administration, 2003. p. ; 23 cm.—(Reference information paper ; 103) 1. United States. National Archives and Records Administration.—Catalogs. 2. Korean War, 1950-1953 — United States —Archival resources. I. Collier, Rebecca L. II. Title. COVER: ’‘Men of the 19th Infantry Regiment work their way over the snowy mountains about 10 miles north of Seoul, Korea, attempting to locate the enemy lines and positions, 01/03/1951.” (111-SC-355544) REFERENCE INFORMATION PAPER 103: NATIONAL ARCHIVES RECORDS RELATING TO THE KOREAN WAR Contents Preface ......................................................................................xi Part I INTRODUCTION SCOPE OF THE PAPER ........................................................................................................................1 OVERVIEW OF THE ISSUES .................................................................................................................1 -
Con Gressional Record-Senate Senate
1940 CON_GRESSIONAL RECORD-SENATE 6669 Federal chain-store bill (H. R. 1), that it may be speedily N. Y., concerning the Nye resolution CS. J. Res. 92); to the enacted into law; to the Committee on Ways and Means. Committee on the Judiciary. 8373. Also, petition of Robert Wettengel and 17 other 8388. By Mr. LUDLOW: Petition of sundry residents of citizens of Green Bay, Wis., asking support of the Federal Indianapolis, Ind., favoring the passage of Senate bill 1776, chain-store tax bill (H. R. 1), that it may be speedily en by Senator McNARY, of Oregon, providing for an annuity acted into law; to the Committee on Ways and Means. of $50 per month for all blind persons; to the Gommittee 8374. By Mr. LYNCH: Petition of the Keystone Club of on Pensions. New York City, N. Y., urging that indictment against labor 8389. By Mr. O'BRIEN: Petition of sundry citizens of unions brought under the Sherman Anti-Trust Act be dis Rochester, N. Y., urging enactment of the general welfare missed; to the Committee on the Judiciary. bill CH. R. 5620); to the Committee on Ways and Means. 8375. By Mr. MAHON: Petitions of Melvin Eaper, 0. L. 8390. By Mr. PFEIFER: Petition of the Employees' Com Miller, and others, and of J. M. Ables, Ben Moore, Jr., and mittee to Maintain Brooklyn's Cane Sugar Refining Industry, others, and of Paul Boggan, Lee Garner, and others, and of William P. Coster, chairman, Brooklyn, N. Y., favoring the 0. E. Roberson, Bill Ellis, and others, all of O'Donnell, Tex., amendment of House bill 9654, to restore limitations on urging favorable consideration of the Townsend bill; to the tropically refined sugar and not increase beet-sugar quota; Committee on Ways and Means. -
Programming Theater History
Programming Theater History “One of the great stories of the American theater..., The Workshop not only built an international reputation with its daring choice of plays and non-traditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.” (Elin Diamond, from the Introduction.) Herbert Blau founded, with Jules Irving, the legendary Actor’s Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next thirteen years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative program note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theater. They vividly reveal what these now canonical works could mean, fi rst time round, and in the context of 1950s and 1960s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of The Workshop’s incrementally artful, alluring program covers, Blau’s recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique refl ection of what it is to create theatre history in the present. Herbert Blau is Byron W. and Alice L. Lockwood Professor Emeritus of the Humanities at the University of Washington, USA. -
The Nsps Shipbuilding Value Chains
THE NSPS SHIPBUILDING VALUE CHAINS January 2013 Gary Gereffi, Lukas Brun, Shawn Stokes & Andrew Guinn The NSPS Shipbuilding Value Chains The Nova Scotia Department of Economic and Rural Development and Tourism (NSERDT) sponsored the research for this report. This report identifies, to the extent knowable at this early stage, companies in the shipbuilding value chain capable of providing the products and services necessary to construct and maintain the Arctic/Offshore Patrol Ships (AOPS), Joint Support Ships (JSS), Polar Icebreaker, and Offshore Fisheries/ Offshore Oceanographic Science Vessel (OFSV/OOSV) value chains. Please note that the Canadian Surface Combatant (CSC) value chain is omitted from the report due to differences in its size, scope, and production schedule. Errors of fact or interpretation remain the exclusive responsibility of the authors. The opinions expressed or conclusions made in this study are not endorsed by the project sponsor, companies mentioned, or individuals interviewed. We thank Rich Billard (MDA), Jim Hanlon (HMRI), John Huxtable (Hawboldt Industries), John Gillis (Kongsberg Maritime) and five anonymous reviewers in industry and government for reading the report and providing their perspective. We welcome comments and suggestions. The corresponding author can be contacted at [email protected]. Front picture: Microsoft Clip Art, used with permission © January 2013 Center on Globalization, Governance & Competitiveness, Duke University Released January 24, 2013 1 The NSPS Shipbuilding Value Chains List of -
G:\Archives\Ahxasst\Problem Files\2620096.Wpd
The materials listed in this document are available for research at the University of Record Series Number Illinois Archives. For more information, email [email protected] or search http://www.library.illinois.edu/archives/archon for the record series number. 26/20/96 Alumni Association Alumni W. McNeil Lowry Papers, 1941-93 TABLE OF CONTENTS Boxes Pages Biographical Note 2 Collection Overview 3-4 Biographical 1 5 Honors and Awards 1 5 Articles and Clippings 1 5 Oral Histories and Interviews 1 5-8 Writings and Speeches 1-3 8-13 Appointment Books and Calendars 3 13 Ford Foundation Subject File 4-5 13-14 Administrative Files 5-6 14-15 Humanities and the Arts Program Chronology 6-10 15-16 Subject File 10-39 16-58 Chronological Correspondence 15-16 22 Economic Survey 17 22 Program Planning and Budgets 25 31 Recording/Publication Program 25-26 31-34 Symphony Orchestra Program 29-31 36-38 Travel and Study Program 31-32 38-39 Lowry Travel 32-33 39-40 Comment Book 34 41-42 Program Conferences 35 42-51 Staff Work Field Notes 35-39 51-58 Personal and Professional Subject File 39-47 58-67 American Assembly 39-40 59-60 San Francisco Ballet 46 65 Symposia 46-47 65-67 Audiotapes Cassettes 48-51 67-68 Reel-to-reel 52-55 69-70 Videotape 55 70 Index to Finding Aid 71-72 26/20/96 2 BIOGRAPHICAL NOTE Wilson McNeil Lowry February 17, 1913 Born in Columbus, Kansas, the son of Benedict Harrison and Helen (Graham) Lowry 1934 Received A. -
Board of Port Commissioners City of Oakland Resolution
BOARD OF PORT COMMISSIONERS CITY OF OAKLAND \, RESOLUTION No. 4919 Introduced by Seconded by • RESOLUTION APPROVING AND ALLOWING CERTAIN CLAIMS AND DEMANDS. RESOLVED: That the following claims and demands, having been approved by the Auditing Committee, be and the same are hereby approved and allowed, by the Board of Port Commissioners and the Auditor is authorized to draw his warrant for the same out of the proper Fund: HARBOR MAINTENANCE AND IMPROVEMENT FUND: Acme Transportation, Inc. 71.97 - Arco Company of California, Ltd. 25.49 Raymond Arth 2.32 - California Concrete Products Co. 52.92 - California State Automobile Association 6.03 Chase Teddy, Ltd. 20.11 City of Oakland, City Hall 560.11 - Cochran Celli 10.74 - Coos Bay Lumber Company 31.01 -- Henry Cowell Lime and. Cement Co. 80.69 East Oakland Auto Top Shop 3.50 The Electric Corporation 26.27 Gilson Electrical Supply Co. 14.12 - Greenwood Printers Ltd. 34.92 - The Hancock Oil Co. of Calif. 77.61 Hogan Lumber Company 2.37 - Robert W. Hunt Company 22.75 - Independent Construction Co., Ltd. 140.63 -- Inland Manufacturing Company 2.12 The Inter-City Printing Co. 12.88 Ed. Jones Co. 2.25 - Geo. A. Kreplin Co. 7.32 Maxwell Wholesale Hardware Company 2.60 - National Lead. Company 24.66 Oakland Association of Insurance Agents 30.20 Oakland Plumbing Supply Co. 1.43 - The Pacific Telephone and Telegraph Company 36.50 - Pacific Tool and Supply Company 3.83 Peterson Tractor Equipment Co. 78.47 - Joseph Pierotti Co. 10.59 Royal Typewriter Company, Inc. 12.00 - Smith Brothers 9.39-- Standard Fence Company 50.12-- Standard Mill and Lumber Co.