The Dirty School Epidemic Hello from the Other Side
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The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
9781338569131.Pdf
Roman - i 01_336_9781338569131.indd 1 3/30/20 1:35 PM Roman - ii FOR MAGGIE, THE B TO MY V. _ R . B . If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” Copyright © 2020 by Archie Comic Publications, Inc. All rights reserved. Published by Scholastic Inc., Publishers since 1920. scholastic and associ- ated log os are trademarks and/or registered trademarks of Scholastic Inc. The publisher does not have any control over and does not assume any responsibility for author or third- party websites or their content. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or other wise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. ISBN 978-1-338-56913-1 10 9 8 7 6 5 4 3 2 1 20 21 22 23 24 Printed in the U.S.A. 23 First printing 2020 Book design by Jessica Meltzer 01_336_9781338569131.indd 2 3/30/20 1:35 PM P R O L O G U E THERE’S NO PARTY like a Cheryl Blossom party. -
"Archie's Girls?" Betty, Veronica, and the Rise of American Youth Culture, 1941-1950
ABSTRACT "ARCHIE'S GIRLS?" BETTY, VERONICA, AND THE RISE OF AMERICAN YOUTH CULTURE, 1941-1950 by Caroline Elizabeth Johnson This thesis uses the characters of Betty and Veronica of the Archie Comic series to explore the roles of adolescent females during the 1940s in the United States. The author utilizes feminist and art theory as well as relevant literature to argue that the writers of Archie Comics reflect and reify teenage experience through the characters of Betty and Veronica. Themes addressed include labor roles, dating habits, as well as teen involvement in consumer culture. By addressing the role of adolescent experience, the author hopes to expand conversations regarding women during the 1940s to include the impact of youth culture. The author concludes by suggesting Betty and Veronica represent a larger trend in American society regarding the way in which young women are conditioned to think and act in a particular manner via popular culture. "ARCHIE’S GIRL’S?” BETTY, VERONICA, AND THE RISE OF AMERICAN YOUTH CULTURE, 1941-1950 A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Caroline Elizabeth Johnson Miami University Oxford, Ohio 2016 Advisor: Dr. Kimberly Hamlin Reader: Dr. Mark Mckinney Reader: Dr. Stephen Norris ©2016 Caroline Elizabeth Johnson This Thesis titled "ARCHIE’S GIRL’S?” BETTY, VERONICA, AND THE RISE OF AMERICAN YOUTH CULTURE, 1941-1950 by Caroline Elizabeth Johnson has been approved for publication by The College of Arts and Science and Department of History ____________________________________________________ Dr. Kimberly Hamlin ______________________________________________________ Dr. -
Riverdale CW Revised Draft.Fdx
5,9(5'$/(UG5HYLVHG1HWZRUN'UDIW :ULWWHQE\5REHUWR$JXLUUH6DFDVD Chapter One: "The River's Edge" written by Roberto Aguirre-Sacasa Based on characters appearing in Archie Comics Publications BERLANTI PRODUCTIONS WARNER BROS. TELEVISION :DUQHU%URV(QWHUWDLQPHQW,QF 7KLVVFULSWLVWKHSURSHUW\RI:DUQHU%URV(QWHUWDLQPHQW,QF1RSRUWLRQRIWKLVVFULSWPD\EHSHUIRUPHGUHSURGXFHGRUXVHGE\ DQ\PHDQVRUGLVFORVHGWRTXRWHGRUSXEOLVKHGLQDQ\PHGLXPZLWKRXWWKHSULRUZULWWHQFRQVHQWRI:DUQHU%URV(QWHUWDLQPHQW,QF ACT ONE ICONIC SHOTS of an American SMALL TOWN. Beginning with: A “Welcome to Riverdale” sign. Its faded motto: “The Town with Pep!” A Male Teenager’s VOICE-OVER narrates: UNSEEN MALE TEEN (V.O.) There is an idea of Riverdale... WE SEE: Nondescript SUBURBAN STREETS, anonymous, mysterious. UNSEEN MALE TEEN (V.O.) ...of what kind of town it is, what sort of families live there... WE SEE: Riverdale’s MAIN DRAG. Store-fronts, local businesses. People, different ages, sizes, races, walking... UNSEEN MALE TEEN (V.O.) ...a notion that it exists unchanged and unchanging, as if frozen in a time-capsule... WE CYCLE THROUGH IMAGES OF: City Hall, Pickins Park, the Bijou Movie Theatre, the Fire Station, the 24-hour Diner, POP’S... UNSEEN MALE TEEN (V.O.) ...that it must be exactly how it presents itself to the outside world. Safe. Decent. Innocent. So that if you were looking at it from the window of a train, rushing by, you might wish you lived there... WE SEE: A DERELICT BUILDING, with boarded-up windows, brick walls covered in graffiti; a couple of skinny, possibly methed-out KIDS stumbling into the building’s dark DOORWAY... UNSEEN MALE TEEN (V.O.) ...but that’s only one aspect of it, and only on the surface.. -
{Dоwnlоаd/Rеаd PDF Bооk} Archie: Married Life Book 2
ARCHIE: MARRIED LIFE BOOK 2 PDF, EPUB, EBOOK Paul Kupperberg | 320 pages | 13 Sep 2012 | Archie Comic Publications, Inc | 9781879794993 | English | Mamaroneck, United States Archie: Married Life Book 2 PDF Book As Archie and Veronica prepare to leave for the reunion, Mr. Jessica Peffer "Neondragon". Metal Clay — The Complete Guide. Issue 37 takes place a year after the tragedy. Though the novelty of the series has worn off in this second book, I still enjoyed reading it, though I continue to be a little perplexed and unhappy with Mr. Just a moment while we sign you in to your Goodreads account. Wendy Jelbert. Lodge feeling so over the top evil. The drama all started when the new CEO of Archie came into the 70 plus year old company and wanted to shake the universe up. And that is only in the first year of this fascinating series. There are no discussion topics on this book yet. Tags: Alternate Reality , Archie. You know the saying: There's no time like the present Available from:. Find out what happens to all of your favorite Riverdale characters! Escape the Present with These 24 Historical Romances. Jul 04, Rosa rated it liked it Shelves: graphic-novels , young-adult. Published Aug by Archie Publications. I even remember looking for it at the comic shop when it started, but didn't find it. Get A Copy. Archie: Exploring Archie Andrews' life down two paths - if he had married girl next door Betty Cooper or wealthy socialite Veronica Lodge. More filters. He has yet to redeem himself and become the stuffy but still lovable Hiram Lodge that I knew in the old comics. -
RIVERDALE Script 10-30-15
RIVERDALE 3rd Revised Network Draft (103015) Written by Roberto Aguirre-Sacasa Chapter One: "The River's Edge" written by Roberto Aguirre-Sacasa Based on characters appearing in Archie Comics Publications BERLANTI PRODUCTIONS WARNER BROS. TELEVISION © 2015 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. ACT ONE ICONIC SHOTS of an American SMALL TOWN. Beginning with: A “Welcome to Riverdale” sign. Its faded motto: “The Town with Pep!” A Male Teenager’s VOICE-OVER narrates: UNSEEN MALE TEEN (V.O.) There is an idea of Riverdale... WE SEE: Nondescript SUBURBAN STREETS, anonymous, mysterious. UNSEEN MALE TEEN (V.O.) ...of what kind of town it is, what sort of families live there... WE SEE: Riverdale’s MAIN DRAG. Store-fronts, local businesses. People, different ages, sizes, races, walking... UNSEEN MALE TEEN (V.O.) ...a notion that it exists unchanged and unchanging, as if frozen in a time-capsule... WE CYCLE THROUGH IMAGES OF: City Hall, Pickins Park, the Bijou Movie Theatre, the Fire Station, the 24-hour Diner, POP’S... UNSEEN MALE TEEN (V.O.) ...that it must be exactly how it presents itself to the outside world. Safe. Decent. Innocent. So that if you were looking at it from the window of a train, rushing by, you might wish you lived there... WE SEE: A DERELICT BUILDING, with boarded-up windows, brick walls covered in graffiti; a couple of skinny, possibly methed-out KIDS stumbling into the building’s dark DOORWAY.. -
And Frank Tieri and Michael Walsh, Jughead: the Hunger (New York: Archie Comic Publications, 2017)
The Irish Journal of Gothic and Horror Studies 16 (Autumn 2017) Riverdale, Season 1 (CW, 2017) and Frank Tieri and Michael Walsh, Jughead: The Hunger (New York: Archie Comic Publications, 2017) Since its conception in 1941 by John L. Goldwater and Bob Montana, the Archie Comic series has been known for its wholesome and comedic image. The characters are sweet- natured young teenagers who endure high-school tribulations with a lively spirit and a keen eye for zany adventures. The storylines centre on adolescence and are often successfully structured around slapstick humour. In contrast to the original series, however, the recent renditions of this fictional world — specifically both the television series Riverdale and the comic Jughead: The Hunger — are anything but comedic and wholesome. Long gone is the family-friendly spirit of the mid-twentieth-century comics; now, Archie and his friends are entering the darker and more sinister worlds of the twenty-first-century gothic. Comic-book fans have been following the exploits of Archie and the gang since they made their first appearance. The original Archie cast is comprised of Archie Andrews, the all- American teenager; Betty Cooper, the sweet girl next-door; Veronica Lodge, the wealthy heiress; Jughead Jones, the sensible and witty best friend; and Cheryl Blossom, the attractive yet conniving classmate. At the height of superhero and fantastical comics’ popularity, Goldwater created a series with which the adolescent readership of mid-twentieth-century America could identify.1 Through the years, the comic series has reinvented itself in various spin-off projects, such as the Americana comic series, which focuses on a range of different decades; the Archie Meets comic series, which centres on meeting various pop-culture artists; the Life with Archie comic series, set in alternate universe; the Weird Mysteries, a cartoon television series reminiscent of Scooby Doo; and many other adaptations that explore a variety of genres but all retain the wholesome light-hearted nature of the original series. -
Kevin's Introduction Into the Series Gained So Much Interest That The
SAMPLE / ARCHIE LOVES KEVIN THE ARCHIES – A 75-YEAR-OLD TEEN Cut to 2014 and the gang from Riverdale COMIC BOOK FRANCHISE IS ABOUT High became well and truly immersed in the TO MAKE A SERIOUS 21ST CENTURY next Millennium with contemporary stories and COMEBACK WITH A STRONG GAY new characters. But, in one of pop culture’s most Kevin’s introduction CHARACTER. SUPERFAN, MATT shocking and tragic twists, Archie Andrews was MYERS, REPORTS. killed off! What’s more, he died defending his gay into the series gained friend from an assassin’s bullet, offering the tween so much interest that readership some fairly challenging subject matter. Meet Kevin Keller. the issue sold out, ARCHIE THE COMIC book series stretches back Over the last decade, Archie writers have to 1941 when the goofy teenage redhead was taken the series down a more contemporary and leading to the first first created by artist Bob Montana and based, dramatic path. When Kevin Keller debuted in ever reprint of an somewhat, on the popular Andy Hardy movies 2010 he became the first gay character in the starring Mickey Rooney and Judy Garland. Over series. Created by artist Dan Parent (who won Archie comic. the decades, the perennial teenager and his friends a GLAAD Award for his work), the handsome, have lived through World War II, the Cold War, buffed and blond Keller turned up in the storyline consumed Coca-Cola, screamed for The Beatles, Isn’t It Bromantic? He became the object of institution, naturally, attracted attention. boogied at discos, worn KISS face paint, became affection for series regular Veronica, who soon The issue sold out and remains the first and yuppies, and sent texts via mobile phones. -
A Growth Drive – by Archie-Fan
A Growth Drive – by Archie-Fan Betty Cooper and Veronica Lodge were enjoying a day of shopping at the mall. Betty enjoyed it more simply for the browsing and trying on outfits, while Veronica because of her family’s wealth purchased absolutely anything that she wanted. The two friends were making their way through the mall when they saw a small crowd gathered around a temporary kiosk. Curious the two friends made their way over. As they did they saw their friend Archie was one of the members of the crowd along with several other classmates. As they got closer they both saw Archie make his way out of the crowd. “Hey Archie-kins,” Veronica greeted him. “What’s going on here?” “It’s the Miss Mighty Riverdale junior bodybuilding contest sign-up,” Archie replied. “It’s for competitors under the age of twenty. I just signed up to be a judge.” “You’re into that sort of thing?” Betty asked surprised. “I’m into seeing any girl parade around in a bikini,” Archie replied. “Maybe you two should consider signing up for it.” “Don’t be silly Archie,” Veronica scoffed. “Why would we do something like that?” Just then a red-headed girl emerged from the crowd. Betty and Veronica both recognized her immediately as Cheryl Blossom. “It wouldn’t matter if you did because when I’m up there in a bikini all the boys will vote for me,” Cheryl stated confidently. “Isn’t that right Archie?” Archie nodded but then stopped when he saw the angry glares he was getting from both Betty and Veronica. -
For Immediate Release Team Behind Cw's Sleeper Hit
FOR IMMEDIATE RELEASE TEAM BEHIND CW’S SLEEPER HIT RIVERDALE SHARE HOW POP CULTURE SHAPED SHOW’S COMIC ORIGINS IN AUGUST EMMY® MAGAZINE (NoHo Arts District, Calif. — August 7, 2018) — The inspired minds behind the CW’s hit murder mystery series Riverdale fought hard for a place to pay tribute to the Archie Comics of their childhood. In the latest issue of emmy magazine, the cast and creators reflect on their reinvention of the beloved comic universe for a brand-new audience. The award-winning official publication of the Television Academy hits newsstands August 7. Although the show has become a massive success, Riverdale creator Roberto Aguirre-Sacasa initially struggled to find a place for his tribute to the Archie Comics series. After several failed story concept pitches, the CW showed interest in a storyline Aguirre-Sacasa describes as Twin Peaks-inspired. In the emmy cover story “Their Kind of Town,” the young cast shares how they strike a delicate balance between preserving the sacrosanct source material and modernizing the story for today’s social climate. “We’ve been able to keep the basic characteristics, like Betty is sweet and generous, Veronica is a little spoiled and very confident, and Archie is a bit aloof,” actress Lili Reinhart, who portrays Betty Cooper, explains. “But they’ve grown to be much deeper people.” One of the most prominent changes to the storyline is the absence of the dated love triangle between Archie, Betty and Veronica. “It would have been very problematic — when we’re in the middle of this very progressive, feminist movement where positive changes are happening — to encourage that kind of relationship on a show that targets young women,” actress Camila Mendes, who plays Veronica Lodge, says of the Betty-Veronica rivalry. -
<I>Riverdale:</I> Exciting Teen Drama Or Over-The-Top Spectacle?
Riverdale: exciting teen drama or over-the-top spectacle? graphic by Avery Hom Pro: Riverdale is a dramatic and engaging show By Valeria Torres-Olivares Every year TV networks need to find new ways of targeting and captivating teenage audiences. As more and more teenagers prefer Netflix, Hulu, and network apps, it gets increasingly harder for networks to gain a strong long-lasting audience hooked into their latest show. This past year, the CW hit the jackpot with their new show, Riverdale. Garnering 2.3 million same day viewers on its season two premiere, Riverdale proved it was not just a one season wonder. Adapted from the Archie comics, Riverdale took on a darker more melodramatic spin of the series. Throughout the history of the Archie comics, there have been several spinoffs and adaptations of the original that began in the 1940s. The show has been able to change a plethora of the material and show the viewer that anything is possible in the small town of Riverdale. In the first season, the show lacked much of an arc and overall a traditional narrative. While this lack of direction may not work well with most TV shows, the viewers of Riverdale seem to have taken a licking to the style. Much like a Mexican telenovela, every episode comes with a jampacked amount of drama, making up for the lack of an arc characteristic of typical shows. With this over-the-top amount of drama throughout the season, it is hard for viewers to get bored of the weekly content. This season, a singular murder mystery from season one has turned into a serial killer murdering the residents of Riverdale.