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ARRIRAW Anamorphic Creatively Adjust the Imagery As Needed

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ARRIRAW Anamorphic Creatively Adjust the Imagery As Needed ARRIRAW and Alexa LogC ProRes Made Easy Product Pricing The ARRI Camera Toolkit allows you to easily work with your ARRIRAW and Alexa ARRI Camera Toolkit for MacOSX (includes ARRI Alexa LogC Filter) $799 footage. ARRI Camera Toolkit for MacOSX & Cineon/DPX Pro for FCS $999 For Final Cut Pro and Motion users, our ARRI Alexa LogC filter allows you to instantly view your LogC footage in the Rec709 or P3 Colorspaces. No Rendering Features at a Glance ™ Required. Included with our toolkit is the ability to batch import a bunch of LogC movies. As each movie is imported, the ARRI Alexa LogC filter is attached and Compatible with Alexa v3.x and v4.x Firmware updates correctly set. Hours of tedious work is eliminated with the click of a button. Compatible with ARRIRAW from Alexa and D-21 cameras With the ARRIRAW QuickTime component, finder is fully aware of ARRIRAW files Renderless Alexa LogC filter for Final Cut Pro and includes support for Spotlight, Previews, and basic QuickTime Playback. Other applications that are QuickTime aware, will also work with ARRIRAW file Batch Import LogC ProRes or ARRIRAW with LogC filter format. Supports ARRIRAW from Third Party Recorders ARRI Camera Color correction plugin for FCP ARRI Alexa LogC Filter Exports to Any QuickTime Format Included with the ARRI Camera Toolkit is an instant color correction Final Cut Pro filter for LogC ProRes movies. You can batch import a bunch of LogC ProRes movies ARRIRAW Metadata Import Support using our custom Final Cut Pro importer plugin and have our ARRI Alexa LogC Final Cut Studio Sequence Presets & Rendering Camera filters automatically added to the footage. This saves the editor a great deal of time, when working with lots of footage. This filter uses ARRI’s own color User Selectable ASA and White Point science for accurate reproduction of colors. The filter is ideal for instant previews or User Selectable Real Time Debayer for Playback renders within Final Cut Pro or Motion. Compatible with Cineon/DPX Pro for FCS ARRI Camera Toolkit for MacOSX System Requirements Minimum Requirements: Recommended System: - Intel Mac - 12-Core Mac Pro - Mac OS X 10.5.8 - Mac OS X 10.6.4 (or later) - QuickTime 7.6.6 (or later) - QuickTime 7.6.6 (or later) - 1280 x 1024 display - Dual 1920 x 1200 displays - Final Cut Studio 3 - SAS, SATA, Fiber-Channel RAID or SAN - Final Cut Studio 3 LogC ProRes Before and After GT ARRI Alexa LogC Filter applied www.gluetools.com [email protected] © 2007-2011 Glue Tools, LLC. All rights reserved. Apple, the Apple logo, Mac, Macintosh, Final Cut Pro, Final Cut Studio, Color, and QuickTime P.O. Box 24124, Santa Barbara, CA 93121 are trademarks of Apple, Inc., registered in the U.S. and other countries. “ARRIRAW,” “Alexa,” “ARRIFLEX D-21,” “D-21,” are trademarks of +1 (805) 456-7997 ph • +1 (805) 456-7998 fax Arnold & Richter Cine Technik GmbH & Co. Betriebs KG ARRIRAW QuickTime Component Full Integration into Final Cut Pro ARRIRAW Metadata ARRIRAW is fully supported through QuickTime, which will preform all of the Along with the new ARRI Alexa LogC Camera plugin for Final Cut Pro, is a new Many hardware and software vendors offer the ability to embed Metadata importing, playback, debayer, Exposure, ASA and color correction functions to the Import plugin specifically built to batch import Alexa LogC ProRes movies. This information directly into the ARRIRAW frames. A feature of these components movie. All applications that use QuickTime can access all aspects of the ARRIRAW import plugin not only imports the movies, but also attaches a unique copy of is to retrieve these bits of information and make them available to your tools files. Applications including Final Cut Pro, Compressor and even iMovie, can import the ARRI Alexa LogC Camera, preset to your specific settings. With this tool or applications. Final Cut Studio support is provided by the ARRI Camera Toolkit. and play these files without any sort of conversion or preprocessing steps. For the alone, the editor can save hours of tedious work, attaching LUTs to each and With this package, Final Cut Studio will be able to embed the Metadata from ease of portability with other users, you can quickly and easily convert an ARRIRAW every movie. The editor can start the business of editing rather than color the ARRIRAW footage, and preserve it inside your project files. image sequence to any other QuickTime movie format. correcting. Also included is an Import Plugin specifically for ARRIRAW sequences. This ARRIRAW Spotlight Plugins Adjustable LogC Imagery plugin not only imports the ARRIRAW image sequence, but brings the The Spotlight Plugins enable your system to see inside the ARRIRAW image Included with the ARRI Camera Toolkit, is the “ARRI Alexa LogC Camera” filter for metadata from the ARRIRAW files right into the Final Cut Pro Project file. The header. The Finder can extract specific information from ARRIRAW files when it Final Cut Pro. This filter is designed to work with Alexa LogC ProRes movies. With import plugin can even generate an ARRIRAW color FxPlug for each and every does a “Get Info.” You can search for time code, frame rates, encoding information this filter attached to your footage in Final Cut Pro, you can dynamically adjust the clip imported automatically (with the clips settings properly set). or even “shot notes” from the “project” field. Simple shell scripts can also take color processing of your footage. No Rendering is necessary in most cases. LogC advantage of the spotlight services and sift through frames for specific data. footage can immediately be previewed in Rec 709 or DCI P3 Colorspaces, without With Glue Tool’s Cineon/DPX Components any rendering. The White Point and Exposure Indices can also be changed, to ARRI Camera Toolkit in conjunction with Glue Tools’ Cineon/DPX Pro For FCS ARRIRAW Anamorphic creatively adjust the imagery as needed. Should you require a rendered movie, the package allows users to export ARRIRAW footage to high quality dpx frames. Need to change the aspect ratio of your footage? The ARRI Camera Toolkit has ARRI Alexa LogC Camera Filter can generate 32-bit float imagery, perfectly The combination provides universal access of ARRIRAW footage to many the ability to unsqueeze your imagery using a number of popular aspect ratios, preserving the image integrity. The filter is 100% compatible with Alexa firmware industry-wide visual effects, editorial and color correction packages. without modifying the original. Preset Ratios include 1.78, 2.0, 2.35 or you can versions 3.x and 4.0. With the Cineon/DPX Pro for FCS package, the process of embedding time choose your own aspect ratio by entering a custom value. code, adding slate notes, adjusting the frame rate and exporting DPX files is significantly easier. It’s the ideal way for footage to be color corrected and then printed to film or used for broadcast. ARRIRAW Time Code Time code is loaded right into any QuickTime application that supports time code tracks. Reel names (time code track labels) can also be added for applications such as Final Cut Pro. During export from Compressor 3, time code from the ARRIRAW image sequences can be baked into your destination media. GT ARRI Alexa LogC Filter Anamorphic 2:1 unsqueeze.
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