Rick Ross to Queen’S ‘Fat Bottomed Girls’ but Copyright Said No

Total Page:16

File Type:pdf, Size:1020Kb

Rick Ross to Queen’S ‘Fat Bottomed Girls’ but Copyright Said No 14 Saturday, April 7, 2018 Saturday, April 7, 2018 15 ashton kutcher @aplusk I will be a will smith fan until I am a very old man. Los Angeles ctress Anne Hathaway slammed body shamers on her social media account, prepping them up for the weight she will soon gain for a movieA role. The “Dark Knight Rises” actress posted a video showing an intense workout regimen on Instagram with the message: “I am gaining weight for a movie role and it is going well. To all the people who are going to fat shame me in the upcoming months, it’s not me, it’s you. Peace.” Hathaway added as a post-script on Thursday: “I wanted to set this Rick Ross to Queen’s ‘Fat Bottomed Girls’ but copyright said no. Continued William Leonard Roberts II , known professionally by his stage name peace.” Rick Ross, is an American rapper and entrepreneur. In 2009, Ross Throughout the video, she is seen lifting weights, stretching, London album “Revamp”, founded the record label Maybach Music Group, on which he released plie-ing and performing other strength-training exercises for what lton Johns his studio albums Deeper Than Rap, Teflon Don, God Forgives, I appears to be a long time. (IANS) which sees the legendary singer Don’t, Mastermind, Hood Billionaire, Black Market, and Rather You Eand co-writer Bernie Taupin’s loved Than Me. Ross was also the first artist signed to Diddy’s management songs reinterpreted by artistes like Ed company Ciroc Entertainment. In early 2012, MTV named Ross as the Sheeran, Coldplay, Pink and Mary J. Hottest MC in the Game. Blige, released on Friday. Los Angeles The album, released on Virgin EMI, ctor Jake Gyllenhaal will produce spans an array of styles, shining a Aand act in “Welcome to Vienna”, an London light on John’s unparalleled influence adaptation of author Kevin Wignall’s ctress Emily Blunt across popular music of all genres, upcoming book “To Die in Vienna”. Asaid that when ranging from hip-hop/soul (Q-Tip, Focus Features has picked up film she first met her now- Mary J. Blige) to rock (The Killers, rights to the upcoming novel by Wignall, husband John Krasinski, Queens of the Stone Age) to pop reports hollywoodreporter.com. she wanted to marry him (Miley Cyrus, Lady Gaga and Pink). Gyllenhaal will essay ‘disarmingly soon’. Two songs from “Revamp” were Freddie, a civilian Speaking to earlier unveiled. “Don’t go breaking surveillance contractor publication, the 35-year- my heart” by Q-Tip and Demi Lovato who interrupts a break- old Blunt candidly was the first taster of the album. This in at his apartment revealed she knew she was followed by Lady Gaga’sIANS powerful) while he’s spying on wanted to marry Krasinski take on “Your song”. ( a Chinese academic ‘disarmingly soon’ after in Vienna. The they met- leading to their intruder escapes, engagement just 10 months but then comes ollywood star Tom Hanks’ war drama after meeting. Blunt was in back and tries to ‘Greyhound’ will hit the screens on April a relationship with crooner kill Freddie, making 5,H 2019. Michael Buble for three the American According to a report, the Sony Pictures film, years before meeting John contractor a hunted which stars Hanks, is based on C.S. Forester’s in 2008 and marrying in an man. Freddie’s only novel ‘The Good Shepherd.’ Aaron Schneider idyllic ceremony in Como hope for survival is is directing from Hanks’ script. ‘Greyhound’ is Italy two years later. that his pursuer doesn’t currently filming in Baton Rouge, Los Angeles. They have two daughters know the past he’s It is set in the early days of World War II as - Hazel and Violet. The running away from. an international convoy of 37 Allied ships, led ‘Devil Wears Prada’ star (IANS) by Hanks’ Captain Ernest Krause, crosses the revealed however that the treacherous North Atlantic while being hotly start of her romance was pursued by wolf packs of Nazi U-boats. unconventional as she Sony Pictures has also set “Grudge reboot explained a lunch with for an August 16, 2019 release. Directed by a friend was where it all ‘Lemon Tree’ Nicolas Pesce, the film is a re-imagining of began. (IANS) the supernatural thriller, for Ghost House and Good Universe. (PTI) hen Hiam Abbass, star the epic force of a hurricane. deem a potential hiding place of the Israeli-made film As she tells us, she’s suffered for terrorists. It is a beautiful W“Lemon Tree,” stares at the a lot in her life -- the loss spot, lovingly tended, a camera, there’s an uncanny of a husband, the absence powerful bond to the land resemblance to the haggard of her children, the pain of and a precious source of but proud woman who appears loneliness and, as director income for poor Salma. in Dorothea Lange’s iconic Eran Riklis subtly suggests, Even Mira (Rona Lipaz- Dust Bowl photograph. the double disempowerment Michael), the neglected wife Abbass plays Salma Zidane, of being a Palestinian among of the minister, considers the Jackie Chan a 45-year-old Palestinian Israelis, and a woman among order to chop down the trees woman desperately trying to Palestinians. arbitrary and unnecessary. April 7, 1954 hang on to the lemon grove her And now, with the Israeli But the two women live on family has tended for decades, defense minister (Doron opposite sides of the Green and she acts with perfectly Tavory) moving in next door, Line, in different worlds, and Actor, choreographer, and stuntman whose notable calculated minimalism. A Salma is about to lose her Mira’s sympathy from afar films include the Rush Hour trilogy, Enter the Dragon, rare smile or tear appears on precious lemon grove, which can do little to help Salma in Shanghai Noon, and The Karate Kid. He grew popular her painfully severe face with thuggish security agents her fight. (Washingtonpost) through his mix of comedy and stunts..
Recommended publications
  • Amici Curiae Brief of Erik Nielson, Charis E
    No. 15-666 __________________________________________ In the Supreme Court of the United States _____ ____ TAYLOR BELL, Petitioner, V. ITAWAMBA COUNTY SCHOOL BOARD, Respondent. _____ ____ On Petition for a Writ of Certiorari to the United States Court Of Appeals for the Fifth Circuit ______ ___ AMICI CURIAE BRIEF OF ERIK NIELSON, CHARIS E. KUBRIN, TRAVIS L. GOSA, MICHAEL RENDER (AKA “KILLER MIKE”) AND OTHER SCHOLARS AND ARTISTS IN SUPPORT OF PETITIONER _____ ____ CHARLES “CHAD” BARUCH Counsel of Record COYT RANDAL JOHNSTON JR. JOHNSTON TOBEY BARUCH 3308 Oak Grove Avenue Dallas, Texas 75204 (214) 741-6260 [email protected] Counsel for Amici Curiae __________________________________________ LEGAL PRINTERS LLC, Washington DC ! 202-747-2400 ! legalprinters.com i TABLE OF CONTENTS Table of Contents ........................................................ i Table of Authorities ................................................... ii Interests of Amici Curiae ........................................... 1 Summary of Argument .............................................. 3 Argument .................................................................... 6 A. “Fight the power”: The politics of hip hop .......... 6 B. “Put my Glock away, I got a stronger weapon that never runs out of ammunition”: The non- literal rhetoric of hip hop .................................. 12 C. “They ain’t scared of rap music—they scared of us”: Rap’s bad rap .............................................. 19 Conclusion ...............................................................
    [Show full text]
  • @Soulwestfest
    “Soul West Spotlights…” Grammy-nominated songwriter TEEDRA MOSES with Darius Mylik, TreLee feat. Tyree and DJ BornReady @ BLK Live 7306 E. Butherus Drive Scottsdale, AZ 85260 Friday, January 12th, 2018 7PM “Soul West Spotlights...” is an intimate concert series whose mission is to promote and support Soul Music, Culture and Education, as well as raise awareness and support for financial literacy through health and wealth initiatives. “Soul West Spotlights…” will be held at BLK Live in Scottsdale, AZ (www.blkliveaz.com) featuring a live concert series with the most Soulful R&B Singers and Musicians of our time. Expected to attract more than 300 music aficionados, Musicians and Educators; Soul West Spotlights… will present several national acts on stage, with the kickoff commencing Friday, January 12th, 2018 doors open at 7pm. A portion of the ticket proceeds will go to Pathways to the World, Inc. (a 501 C 3) non-profit that supports under-privileged youth, fragile families and veterans through education, job creation and supportive housing. Soul West Spotlights…Teedra Moses; born and raised in New Orleans, Louisiana to a gospel singing mother, Shirley Moses. In 2002, Teedra released her debut album Complex Simplicity which included fourteen tracks all self-penned by Moses with dominant production by Poli. In addition to executive producing and penning all the lyrics on her own project, Moses has written songs for other artists including Christina Milian, Mary J. Blige, Macy Gray, and a host of others. In working with Rick Ross, Moses is currently on “Family Ties” from Hood Billionaire, “Nobody” featuring Diddy and French Montana from the Mastermind album, and “Amsterdam "from one of the most anticipated albums of 2012, Rick Ross’ God Forgives I Don’t; Her songs have been showcased in HBO’s hit series “Insecure,” “Entourage,” Logo series Noah's Arc; movies such as Never Die Alone, Beauty Shop, Be Cool and The Skinny.
    [Show full text]
  • Rick Ross – Bio (Port of Miami 2) After Thirteen Triumphant Years Served In
    Rick Ross – Bio (Port of Miami 2) After thirteen triumphant years served in the coliseum of hip hop, Rick Ross has begun his victory lap towards rap legend. The catalyst for the leader of the Maybach Music Group’s longevity is consistency. After introducing himself in 2006 with a classic anthem (“Hustlin’”) and platinum debut (Port of Miami), the Slip-N-Slide franchise player spent the following decade plus dominating as both mogul and Top 10 scribe. While his mighty pen positioned him as peer to southern kings like T.I. and Gucci Mane and empowered him to stand bar-for-bar with the greatest to ever spit (Jay-Z, Andre 3000, Drake) and sing (Chris Brown, Usher, John Legend), Ross’ contribution to his craft and culture travels far deeper than rap. Grammy nominations and classic verses aside, “The Biggest Boss” graduated his unparalleled vision and insane work ethic from Carol City’s unforgiving corners to corner offices and corporate partnerships. Inside the music business, his MMG label catapulted the careers of future legends Meek Mill and Wale. Outside of the biz, he’s the brilliant owner of a litany of brands from spirits (Belaire, Bumbu) to comfort food franchises (Wingstop, Checkers). But after birthing nine stellar albums, Ross, like any great, has challenged himself to outdo his greatest work. He accomplishes that on his latest opus Port of Miami 2. “I felt album number 10 is a special one,” says Ross. “It’s a milestone period. It almost feels like Pac doing the double CD.” Rozay’s tenth studio composition as the sequel to his debut is apropos poetry.
    [Show full text]
  • NOV. 27- Dec. 3, 2014
    NOV. 27- DEC. 3, 2014 ----------------------------Cover Story • Les Misérables--------------------------- Ballads and Barricades By Jen Poiry-Prough ment supporting the melody lines that are always felt that American productions of Les some of the most beautiful phrases ever Misérables had a disadvantage because they For the past 5 years, Rich Najuch and written for the stage,” he says. “Cameron didn’t have the versatility of dialect that Brit- Joel Froomkin have produced delightful Macintosh called them ‘magic notes.’ This ish actors were able to employ,” he explains. holiday Supper Club shows at the New Hun- show is filled with themes that support the “In British productions, simply by changing tington Theatre. But to end the inaugural melody, but are absolutely breathtaking. It’s regional dialect the actors are not only able season of their main stage theatre Different one of the only shows I know where the au- to transform their characters, but they can Stages, they decided to do a bit of a 180. dience can hum the accompaniment. That’s also make clear statements regarding geo- Rather than a lighthearted holiday caba- extraordinary.” graphic location, social status and class.” ret show, they are mount- Another enhance- ing a grand production of ment Froomkin is bring- the most heart-wrenching, ing to his production tear-jerking and univer- centers on the characters sally beloved musical in themselves. He has turned history: Les Misérables. to the source material, What makes this sto- the Victor Hugo novel, to ry – about the oppressed
    [Show full text]
  • Hip Hop As Cultural Capital: Remixing Bourdieu's Theory to Affirm Cultural Wealth
    Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN: 2547-0044 http://ellids.com/archives/2019/03/2.3-Turner.pdf CC Attribution-No Derivatives 4.0 International License http://ellids.com/ Hip Hop as Cultural Capital: Remixing Bourdieu's Theory to Affirm Cultural Wealth Milanika Turner Hierarchical societies reproduce themselves through cultural resources that generate social value. The values attached to these so- cial and cultural resources are determined from the top social strata and then disseminated throughout society via mediums like education. Pitched as a supplement to mainstream pedagogy, hip-hop based edu- cation (HHBE) uses rap songs and lyrics as curricular resources to teach a variety of disciplines. HHBE has been inserted into teaching practice since the 1990s to enhance English language arts analyses (Hall 343; Morrell and Duncan-Andrade 89) in addition to providing context and relevancy for humanities and social science curricula (Stovall 587). However, the pedagogical potential of HHBE has thus far used hip hop lyrics as an accessory to reinforce the transmission of dominant social values through education instead of utilizing the in- herent value of hip hop as its own form of social and cultural capital. Applying Yosso’s conceptualization of community cultural wealth to rap music provides evidence of the social value of hip hop for educa- tion and broader society even after decades of negative characteriza- tions of the genre. Despite its popularity in the United States of America, hip hop culture is misunderstood by many. The popular discourse on rap music is unjustly negative. Throughout history black popular music has been blamed for the propagation of a number of social ills including the de- terioration of families, urban decline, and juvenile delinquency.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • SCHOOLED: Hiphop Composition at the Predominantly White University
    Syracuse University SURFACE Dissertations - ALL SURFACE August 2017 SCHOOLED: Hiphop Composition at the Predominantly White University Tessa Rose Brown Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Brown, Tessa Rose, "SCHOOLED: Hiphop Composition at the Predominantly White University" (2017). Dissertations - ALL. 764. https://surface.syr.edu/etd/764 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This dissertation asks what hiphop is doing in predominantly white higher-educational contexts, specifically in composition classrooms. Using ethnographic, autoethnographic, and historical methods, it finds that hiphop’s work in composition classrooms at PWIs is contradictory. This mixed-methods investigation suggests that the contradictory relation of white fans, students, and institutions to hiphop is shaped on the one hand by white listeners’ increasing identification with the historical struggles of African Americans under capitalism, and on the other hand, by disidentification or abjectification of African Americans in an effort to “win” the zero-sum game of capitalism. This contradiction results in a paradoxical situation where white fans—and white institutions—love hiphop and yet harbor antiblack views about the Black communities and Black students who make hiphop possible. However, the findings also suggest that identifying this tension offers writing instructors an opportunity to be more explicit about working towards anti-racist goals in the hiphop composition classroom. The dissertation’s historical study, ethnographic and autoethnographic studies, and review of contemporary hiphop and composition scholarship suggest that teaching and practicing reflexivity are core solutions to the paradoxical rhetorical action of hiphop in predominantly white spaces.
    [Show full text]
  • Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
    Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed.
    [Show full text]
  • Cultivating Racial Identity and Critical Voices Through Hip-Hop Recording Practices in the Music Classroom
    Journal of Media Literacy Education, 11(3), 20-36, 2019 DOI: 10.23860/JMLE-2019-11-3-3 ISSN: 2167-8715 “Deeper than Rap”: Cultivating racial identity and critical voices through Hip-hop recording practices in the music classroom Jabari Evans Northwestern University OPEN ACCESS Peer-reviewed article ABSTRACT Using a pilot program in one Chicago elementary school as a case study, this Citation: Evans, J. (2019). “Deeper article reports findings of an ethnographic investigation on the impact of Hip- than Rap”: Cultivating racial identity and critical voices through Hip-hop hop based music education at the elementary school level. The findings recording practices in the music describe how this program facilitated a process by which the youth classroom. Journal of Media Literacy participants were empowered through (a) identity building within a Education, 11(3), 20-36. Doi: community of practice, (b) musical expression as internal critical dialogue and 10.23860/JMLE-2019-11-3-3 an external critical voice and, (c) a classroom ethos supportive of expression Corresponding Author: related to contemporary Black youth subjectivity. The findings of this study Jabari M. Evans suggest that implementation of Rap music making as an in-school activity [email protected] involves creative use of computer and multimedia technologies to develop novel social skills and competencies in elementary school youth and thus, also Copyright: © 2019 Author(s). This is provides a framework for better promoting learning equity (race, ethnicity and an open access, peer-reviewed article edited by NAMLE, published by class) with digital media and cultural responsiveness in urban education.
    [Show full text]
  • BLACK COLLEGE TODAY for Today’S Black College Student Volume XXI Number 6 November/December $2.00 2014
    BLACK COLLEGE TODAY For Today’s Black College Student www.blackcollegetoday.com Volume XXI www.blackcollegetoday.blogspot.com Number 6 November/December $2.00 2014 Trey Songz: His Music Has Meaning Overcoming Obstacles Morgan State University: The HBI Equity Case 2014-2015 Black College SGA Presidents thescholarshipladydc.com: Has Schlarships For You Black College Today n2 September/October 2014 BLACK COLLEGE TODAY CONTENTS www.blackcollegetoday.com | www.blackcollegetoday.blogspot.com FOR TODAY’S BLACK COLLEGE STUDENT FEATURES NOVEMBER/DECEMBER 2013 | VOL. XVIII NO. 6 4 DID YOU KNOW BCTMGAZINE @BCTMAGAZINE Today’s Teachers Hold the Public Trust by James B. Ewers Jr. Ed.D. 6 COVER STORY Trey Songz 10 BLACK COLLEGE SGA PRESIDENTS 18 SCHOLARSHIPS Hot Scholarships for the month by Carla Dickerson 25 ENTERTAINMENT BRIEFS We’re giving you the JAMES DIMMOCK PHOTO CREDIT: Latest news on your TREY SONGZ favorite celebrities. among the most promising R&B artists 26 MORGAN STATE Court Affirms 32 COLLEGES & UNIVERSITIES Contributing Writers: Driscrimination in This Season Don’t Pass Steven M. Mootry II “HBI Equity Case” the Germs James B. Ewers Jr. Ed. D. by Charity B. Strothers by David J. Burton & Dr. Felicia Durden Pace J. McConkie Charity B. Strothers 34 EDUCATION Carla M. Dickerson Overcoming Obstacles 30 BEAUTY Crystal Styles by Felicia Durden Ph.D. So your hair goies “POOF” by Crystal Styles 35 FALL TOUR Black College Fall Tour September/October 2014 n3 Black College Today D id you know TODAY’S TEACHERS HOLD THE PUBLIC TRUST BY JAMES B. EWERS JR. ED.D. beginning would help me in the long in a positive direction.
    [Show full text]
  • Artikel-Nr. Komponist Titel Interpret/In Inhalt Cds Preis 0137702 Acoustic
    AKTION Gesamtliste Inhalt Artikel-Nr. Komponist Titel Interpret/in Preis CDs 0137702 Acoustic Soul India.Arie 1 5,50 € 0144812 The Way I Feel Shand, Remy 1 5,50 € 0160832 Legacy:The Greatest Hits Coll Boyz Ii Men 1 5,50 € 0383002 Dancing On The Ceiling Richie, Lionel 1 5,50 € 0640212 Let'S Get It On Gaye, Marvin 1 5,50 € 0640222 What'S Going On Gaye, Marvin 1 5,50 € 0656032 Songs For A Taylor Bruce, Jack 1 5,50 € 0656042 Things We Like Bruce, Jack 1 5,50 € 0761732 In The Jungle Groove Brown, James 1 5,50 € 1128462 No More Drama Blige, Mary J 1 5,50 € 1532592 Mama'S Gun Badu, Erykah 1 5,50 € 1596382 All The Greatest Hits Ross, Diana 1 5,50 € 1717881 Reflections - A Retrospective Blige,Mary J 1 5,50 € 1752030 Growing Pains Blige,Mary J 1 5,50 € 1756451 The Orchard Wright,Lizz 1 5,50 € 1773562 Year Of The Gentleman Ne-Yo 1 5,50 € 1781241 One Kind Favor B.B. King 1 5,50 € 1782745 Just Go Richie,Lionel 1 5,50 € 2714783 The Definitive Collection Jackson,Michael 1 5,50 € 2722270 I Want You Back! Unreleased MastersJackson,Michael 1 5,50 € 2724516 All Or Nothing Sean,Jay 1 5,50 € 2725654 Stronger withEach Tear Blige,Mary J 1 5,50 € 2732676 New Amerykah Part Two (Return Of TheBadu,Erykah Ankh) 1 5,50 € 2745084 Icon Brown,James 1 5,50 € 2745092 Icon Gaye,Marvin 1 5,50 € 2747250 Icon White,Barry 1 5,50 € 2747254 Icon Wonder,Stevie 1 5,50 € 2757674 Rokstarr (Special Edt.) Cruz,Taio 1 5,50 € Seite 1 von 142 Inhalt Artikel-Nr.
    [Show full text]
  • Battle Rap As a Critical Literacy Site and Model Abstract Critical Scholars
    24 Journal of Culture and Values in Education Volume 3 Issue 2, 2020 Johnson, M., Serious with the wordplay: Battle rap as a critical literacy site and model Serious with the Wordplay: Battle Rap as a Critical Literacy Site and Model Marcus W. Johnson, Ph.D.1* 1Curriculum and Instruction, Texas State University *[email protected] Received : 2020-07-25 Accepted : 2020-11-28 DOI: 10.46303/jcve.2020.11 How to cite this paper: Johnson, M.W. (2020). Serious with the Wordplay: Battle Rap as a Critical Literacy Site and Model. Journal of Culture and Values in Education, 3(2), 24-41. doi.org/10.46303/jcve.2020.11 This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 International license (https://creativecommons.org/licenses/by/4.0/) Abstract Critical scholars contend it must be the duty of those who are marginalized to create pedagogy that will empower themselves. As such, researchers continue to explore ways and means by which Black male students can engage with and enact literacy. While a significant amount of research has been conducted on hip-hop pedagogies and literacy, there lacks examination into how the specific element of battle rap functions as a location to cultivate the critical consciousness of students. This research seeks to highlight how the genre of battle rap can be a pedagogical tool of literary expression, while simultaneously shedding traditional standards of instruction which have constrained learning opportunities, particularly for Black male students. Critical literacy as a theoretical framework and critical discourse analysis (CDA) as a methodology are employed to advance battle rap as an effective instructional tool.
    [Show full text]