Appendix A.1: Interview Schedule of Black Male Participants
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(2001) 96- 126 Gangsta Misogyny: a Content Analysis of the Portrayals of Violence Against Women in Rap Music, 1987-1993*
Copyright © 2001 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN 1070-8286 Journal of Criminal Justice and Popular Culture, 8(2) (2001) 96- 126 GANGSTA MISOGYNY: A CONTENT ANALYSIS OF THE PORTRAYALS OF VIOLENCE AGAINST WOMEN IN RAP MUSIC, 1987-1993* by Edward G. Armstrong Murray State University ABSTRACT Gangsta rap music is often identified with violent and misogynist lyric portrayals. This article presents the results of a content analysis of gangsta rap music's violent and misogynist lyrics. The gangsta rap music domain is specified and the work of thirteen artists as presented in 490 songs is examined. A main finding is that 22% of gangsta rap music songs contain violent and misogynist lyrics. A deconstructive interpretation suggests that gangsta rap music is necessarily understood within a context of patriarchal hegemony. INTRODUCTION Theresa Martinez (1997) argues that rap music is a form of oppositional culture that offers a message of resistance, empowerment, and social critique. But this cogent and lyrical exposition intentionally avoids analysis of explicitly misogynist and sexist lyrics. The present study begins where Martinez leaves off: a content analysis of gangsta rap's lyrics and a classification of its violent and misogynist messages. First, the gangsta rap music domain is specified. Next, the prevalence and seriousness of overt episodes of violent and misogynist lyrics are documented. This involves the identification of attributes and the construction of meaning through the use of crime categories. Finally, a deconstructive interpretation is offered in which gangsta rap music's violent and misogynist lyrics are explicated in terms of the symbolic encoding of gender relationships. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Rick Ross – Bio (Port of Miami 2) After Thirteen Triumphant Years Served In
Rick Ross – Bio (Port of Miami 2) After thirteen triumphant years served in the coliseum of hip hop, Rick Ross has begun his victory lap towards rap legend. The catalyst for the leader of the Maybach Music Group’s longevity is consistency. After introducing himself in 2006 with a classic anthem (“Hustlin’”) and platinum debut (Port of Miami), the Slip-N-Slide franchise player spent the following decade plus dominating as both mogul and Top 10 scribe. While his mighty pen positioned him as peer to southern kings like T.I. and Gucci Mane and empowered him to stand bar-for-bar with the greatest to ever spit (Jay-Z, Andre 3000, Drake) and sing (Chris Brown, Usher, John Legend), Ross’ contribution to his craft and culture travels far deeper than rap. Grammy nominations and classic verses aside, “The Biggest Boss” graduated his unparalleled vision and insane work ethic from Carol City’s unforgiving corners to corner offices and corporate partnerships. Inside the music business, his MMG label catapulted the careers of future legends Meek Mill and Wale. Outside of the biz, he’s the brilliant owner of a litany of brands from spirits (Belaire, Bumbu) to comfort food franchises (Wingstop, Checkers). But after birthing nine stellar albums, Ross, like any great, has challenged himself to outdo his greatest work. He accomplishes that on his latest opus Port of Miami 2. “I felt album number 10 is a special one,” says Ross. “It’s a milestone period. It almost feels like Pac doing the double CD.” Rozay’s tenth studio composition as the sequel to his debut is apropos poetry. -
Dj Drama Mixtape Mp3 Download
1 / 2 Dj Drama Mixtape Mp3 Download ... into the possibility of developing advertising- supported music download services. ... prior to the Daytona 500. continued on »p8 No More Drama Will mixtape bust hurt hip-hop? ... Highway Companion Auto makers embrace MP3 Barsuk Backed Something ... DJ Drama's Bust Leaves Future Of The high-profile police raid.. Download Latest Dj Drama 2021 Songs, Albums & Mixtapes From The Stables Of The Best Dj Drama Download Website ZAMUSIC.. MP3 downloads (160/320). Lossless ... SoundClick fee (single/album). 15% ... 0%. Upload limits. Number of tracks. Unlimited. Unlimited. Unlimited. MP3 file.. Dec 14, 2020 — Bad Boy Mixtape Vol.4- DJ S S(1996)-mf- : Free Download. Free Romantic Music MP3 Download Instrumental - Pixabay. Lil Wayne DJ Drama .... On this special episode, Mr. Thanksgiving DJ Drama leader of the Gangsta Grillz movement breaks down how he changed the mixtape game! He's dropped .. Apr 16, 2021 — DJ Drama, Jacquees – ”QueMix 4′ MP3 DOWNLOAD. DJ Drama, Jacquees – ”QueMix 4′: DJ Drama join forces tithe music sensation .... Download The Dedication Lil Wayne MP3 · Lil Wayne:Dedication 2 (Full Mixtape)... · Lil Wayne - Dedication [Dedication]... · Dedicate... · Lil Wayne Feat. DJ Drama - .... Dj Drama Songs Download- Listen to Dj Drama songs MP3 free online. Play Dj Drama hit new songs and download Dj Drama MP3 songs and music album ... best blogs for downloading music, The Best of Music For Content Creators and ... SMASH THE CLUB | DJ Blog, Music Blog, EDM Blog, Trap Blog, DJ Mp3 Pool, Remixes, Edits, ... Dec 18, 2020 · blog Mix Blog Studio: The Good Kind of Drama.. Juelz Santana. -
Hip Hop As Cultural Capital: Remixing Bourdieu's Theory to Affirm Cultural Wealth
Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN: 2547-0044 http://ellids.com/archives/2019/03/2.3-Turner.pdf CC Attribution-No Derivatives 4.0 International License http://ellids.com/ Hip Hop as Cultural Capital: Remixing Bourdieu's Theory to Affirm Cultural Wealth Milanika Turner Hierarchical societies reproduce themselves through cultural resources that generate social value. The values attached to these so- cial and cultural resources are determined from the top social strata and then disseminated throughout society via mediums like education. Pitched as a supplement to mainstream pedagogy, hip-hop based edu- cation (HHBE) uses rap songs and lyrics as curricular resources to teach a variety of disciplines. HHBE has been inserted into teaching practice since the 1990s to enhance English language arts analyses (Hall 343; Morrell and Duncan-Andrade 89) in addition to providing context and relevancy for humanities and social science curricula (Stovall 587). However, the pedagogical potential of HHBE has thus far used hip hop lyrics as an accessory to reinforce the transmission of dominant social values through education instead of utilizing the in- herent value of hip hop as its own form of social and cultural capital. Applying Yosso’s conceptualization of community cultural wealth to rap music provides evidence of the social value of hip hop for educa- tion and broader society even after decades of negative characteriza- tions of the genre. Despite its popularity in the United States of America, hip hop culture is misunderstood by many. The popular discourse on rap music is unjustly negative. Throughout history black popular music has been blamed for the propagation of a number of social ills including the de- terioration of families, urban decline, and juvenile delinquency. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Lowering the Bar: the Effects of Misogyny in Rap Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2021 Lowering the Bar: The Effects of Misogyny in Rap Music John-Paul Mackey Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Lowering the Bar The Effects of Misogyny in Rap Music John-Paul Mackey California State University, Monterey Bay Music & Performing Arts May 2021 Mackey 1 Table of Contents Introduction 3 The Context of Rap Music 3 Definition and Aesthetics 3 Origins 4 Early History 5 Consumption and Popularity 8 Backlash and Criticism 9 The Context of Misogyny and Misogynoir 10 Misogyny, Misogynoir, and Hegemonic Masculinity 10 Origins 12 Sociological Impact 14 Health and Behavioral Impact 15 Impact on the Media 16 The Proliferation of Misogynistic Rap 18 History 18 Other Characteristics 19 Women’s Role 20 Deflections and Dismissals 22 Responsibility for Misogynistic Rap 23 Common Misogynistic Themes in Rap 26 Overview 26 Objectification of Women 27 Mackey 2 Derogatory Terms and Stereotypes 31 Distrust and Suspicion of Women 33 Violence Against Women 35 Misogyny in Eminem’s Music 38 Effects of Misogynistic Rap 39 Desensitization 39 Reduced Self-Esteem 41 Health and Behavioral Impact 42 Sociological Impact 43 Financial Rewards 45 Promotion and Airplay 46 Misogyny in Other Genres 47 A Changing Climate 49 Backlash and Criticism of Misogynistic Rap 49 The Role of Feminism 51 Topics by Female Rappers 53 Positive Developments 56 Looking Forward 61 Works Cited 65 Mackey 3 Introduction On July 12, 2020, rapper Megan Thee Stallion was shot in the foot, allegedly by fellow musician Tory Lanez. -
SCHOOLED: Hiphop Composition at the Predominantly White University
Syracuse University SURFACE Dissertations - ALL SURFACE August 2017 SCHOOLED: Hiphop Composition at the Predominantly White University Tessa Rose Brown Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Brown, Tessa Rose, "SCHOOLED: Hiphop Composition at the Predominantly White University" (2017). Dissertations - ALL. 764. https://surface.syr.edu/etd/764 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This dissertation asks what hiphop is doing in predominantly white higher-educational contexts, specifically in composition classrooms. Using ethnographic, autoethnographic, and historical methods, it finds that hiphop’s work in composition classrooms at PWIs is contradictory. This mixed-methods investigation suggests that the contradictory relation of white fans, students, and institutions to hiphop is shaped on the one hand by white listeners’ increasing identification with the historical struggles of African Americans under capitalism, and on the other hand, by disidentification or abjectification of African Americans in an effort to “win” the zero-sum game of capitalism. This contradiction results in a paradoxical situation where white fans—and white institutions—love hiphop and yet harbor antiblack views about the Black communities and Black students who make hiphop possible. However, the findings also suggest that identifying this tension offers writing instructors an opportunity to be more explicit about working towards anti-racist goals in the hiphop composition classroom. The dissertation’s historical study, ethnographic and autoethnographic studies, and review of contemporary hiphop and composition scholarship suggest that teaching and practicing reflexivity are core solutions to the paradoxical rhetorical action of hiphop in predominantly white spaces. -
The Matter of Black Lives: Black History and Experiences in the United States and the Question of Genocide 2017-2018, 2020 Project Report Dr
The Matter of Black Lives: Black History and Experiences in the United States and the Question of Genocide 2017-2018, 2020 Project Report Dr. Raz Segal, Director of the MAHG Program The goal of this project, which consisted, so far, of two workshops (4-5 March 2017 and 28 February-2 March 2018)—supported by a 2020 grant, GENS, the Holocaust Resource Center, and ARHU—is to discuss and examine the history and experiences of Black Americans in relation to new issues and questions in the study of modern genocide and mass violence, particularly race and racism; slavery, segregation, and mass incarceration; and sexual violence, reproductive violence, and social destruction. The Matter of Black Lives, therefore, places systematic violence against Blacks as a central element of United States history. The relevance of these topics for students in the United States cannot be overstated, and there is much research and educational potential in the intersection of these two fields. Indeed, significant collaborations both within and outside of Stockton have emerged through this project. As the attached programs of the two workshops show, colleagues at Stockton from the programs in Sociology and Anthropology, Criminal Justice, Literature, Economics, Communications, and Africana Studies have participated in the project. And a number of prominent scholars from outside of Stockton have become our partners, including Nan Woodruff from Pennsylvania State University, Susan O’Donovan from the University of Memphis, and Alfred Frankowski from Southern Illinois University in Carbondale. Furthermore, the project created new connections for Stockton faculty with a number of partners and organizations in Atlantic City and Pleasantville, where most of the sessions in both workshops took place. -
Download Camron Come with Me Torrent Cam’Ron – Come Home with Me [Album] Check out This Third Album from Cam’Ron Titled Come Home with Me
download camron come with me torrent Cam’ron – Come Home with Me [Album] Check out this third album from Cam’ron titled Come Home with Me . Published on May 14, 2002 via Def Jam. 1. Intro 2. Losing Weight, Pt. 2 ft. Juelz Santana 3. Oh Boy ft. Juelz Santana 4. Live My Life (Leave Me Alone) 5. Daydreaming ft. Tiffany 6. Come Home With Me ft. Juelz Santana & Jimmy Jones 7. Welcome to New York City ft. Jay-Z & Juelz Santana 8. Hey Ma ft. Juelz Santana, Freekey Zekey & Kay Slay 9. On Fire Tonight ft. Freekey Zekey 10. Stop Calling ft. McGruff & Freekey Zekey 11. I Just Wanna ft. Juelz Santana 12. Dead or Alive ft. Jimmy Jones 13. The ROC (Just Fire) ft. Memphis Bleek & Beanie Sigel 14. Boy Boy 15. Tomorrow. Tags: Related. Albums / by HH - December 20, 2019 1:31 am. Cam’ron – Purple Haze 2 [Album] Killa Cam finally releases the long-awaited sequel to his “Purple Haze” album. Tracks / by HH - November 24, 2017 12:52 pm. Ma$e – The Oracle [Cam’ron Diss] Out of nowhere, Ma$e has unleashed a new diss track going after Cam’ron titled “The Oracle.” Mixtapes / by HH - November 9, 2017 8:06 pm. Cam’ron – The Program [Mixtape] The Harlem rapper finally releases his official mixtape entitled “The Program.” Videos / by HH - July 8, 2016 1:51 pm. Cam’ron – Oh Yeah Ft. Juelz Santana [Video] Cam’ron delivers visual for the track featuring his fellow Dipset brother Juelz Santana. Albums / by HH - November 9, 2015 8:52 pm. -
Cultivating Racial Identity and Critical Voices Through Hip-Hop Recording Practices in the Music Classroom
Journal of Media Literacy Education, 11(3), 20-36, 2019 DOI: 10.23860/JMLE-2019-11-3-3 ISSN: 2167-8715 “Deeper than Rap”: Cultivating racial identity and critical voices through Hip-hop recording practices in the music classroom Jabari Evans Northwestern University OPEN ACCESS Peer-reviewed article ABSTRACT Using a pilot program in one Chicago elementary school as a case study, this Citation: Evans, J. (2019). “Deeper article reports findings of an ethnographic investigation on the impact of Hip- than Rap”: Cultivating racial identity and critical voices through Hip-hop hop based music education at the elementary school level. The findings recording practices in the music describe how this program facilitated a process by which the youth classroom. Journal of Media Literacy participants were empowered through (a) identity building within a Education, 11(3), 20-36. Doi: community of practice, (b) musical expression as internal critical dialogue and 10.23860/JMLE-2019-11-3-3 an external critical voice and, (c) a classroom ethos supportive of expression Corresponding Author: related to contemporary Black youth subjectivity. The findings of this study Jabari M. Evans suggest that implementation of Rap music making as an in-school activity [email protected] involves creative use of computer and multimedia technologies to develop novel social skills and competencies in elementary school youth and thus, also Copyright: © 2019 Author(s). This is provides a framework for better promoting learning equity (race, ethnicity and an open access, peer-reviewed article edited by NAMLE, published by class) with digital media and cultural responsiveness in urban education. -
Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In
Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In Love Beyonce BoomBoom Pow Black Eyed Peas Uptown Funk Bruno Mars Old Time Rock n Roll Bob Seger Forever Chris Brown All I do is win DJ Keo Im shipping up to Boston Dropkick Murphy Now that we found love Heavy D and the Boyz Bang Bang Jessie J, Ariana Grande and Nicki Manaj Let's get loud J Lo Celebration Kool and the gang Turn Down For What Lil Jon I'm Sexy & I Know It LMFAO Party rock anthem LMFAO Sugar Maroon 5 Animals Martin Garrix Stolen Dance Micky Chance Say Hey (I Love You) Michael Franti and Spearhead Lean On Major Lazer & DJ Snake This will be (an everlasting love) Natalie Cole OMI Cheerleader (Felix Jaehn Remix) Usher OMG Good Life One Republic Tonight is the night OUTASIGHT Don't Stop The Party Pitbull & TJR Time of Our Lives Pitbull and Ne-Yo Get The Party Started Pink Never Gonna give you up Rick Astley Watch Me Silento We Are Family Sister Sledge Bring Em Out T.I. I gotta feeling The Black Eyed Peas Glad you Came The Wanted Beautiful day U2 Viva la vida Coldplay Friends in low places Garth Brooks One more time Daft Punk We found Love Rihanna Where have you been Rihanna Let's go Calvin Harris ft Ne-yo Shut Up And Dance Walk The Moon Blame Calvin Harris Feat John Newman Rather Be Clean Bandit Feat Jess Glynne All About That Bass Megan Trainor Dear Future Husband Megan Trainor Happy Pharrel Williams Can't Feel My Face The Weeknd Work Rihanna My House Flo-Rida Adventure Of A Lifetime Coldplay Cake By The Ocean DNCE Real Love Clean Bandit & Jess Glynne Be Right There Diplo & Sleepy Tom Where Are You Now Justin Bieber & Jack Ü Walking On A Dream Empire Of The Sun Renegades X Ambassadors Hotline Bling Drake Summer Calvin Harris Feel So Close Calvin Harris Love Never Felt So Good Michael Jackson & Justin Timberlake Counting Stars One Republic Can’t Hold Us Macklemore & Ryan Lewis Ft.