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The Oscar Pettiford Orchestra Deep Passion Mp3, Flac, Wma
The Oscar Pettiford Orchestra Deep Passion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Deep Passion Country: Japan Released: 1997 Style: Big Band MP3 version RAR size: 1654 mb FLAC version RAR size: 1197 mb WMA version RAR size: 1789 mb Rating: 4.4 Votes: 735 Other Formats: AHX XM MP3 MP2 MP4 AHX AAC Tracklist 1 Nica's Tempo 3:48 2 Deep Passion 3:41 3 Smoke Signal 4:16 4 Sunrise-Sunset 3:58 5 Not So Sleepy 4:52 6 Perdido 4:02 7 Speculation 4:05 8 Two French Fries 2:49 9 The Pendulum At Falcon's Lair 3:00 10 The Gentle Art Of Love 3:36 11 Now See How You Are 5:12 12 I Remember Clifford 4:42 13 Aw! Come On 3:55 14 Somewhere 4:00 15 Laura 3:41 16 Little Niles 4:42 17 Seabreeze 2:57 Companies, etc. Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Copyright (c) – GRP Records, Inc. Manufactured By – MCA Victor, Inc. Distributed By – MCA Victor, Inc. Credits Alto Saxophone, Arranged By – Gigi Gryce Baritone Saxophone – Danny Bank (tracks: 1 to 6), David Kurtzer (tracks: 7 to 10), Sahib Shihab (tracks: 11 to 17) Bass – Whitey Mitchell (tracks: 3) Bass, Cello – Oscar Pettiford Drums – Osie Johnson (tracks: 1 to 10) French Horn – David Amram, Julius Watkins Harp – Betty Glamann (tracks: 12, 15 to 17), Janet Putnam (tracks: 3 to 5, 9, 10) Liner Notes [English] – Ralph J. Gleason Liner Notes [Japanese] – Makoto Gotoh Piano – Dick Katz (tracks: 11 to 17), Tommy Flanagan (tracks: 1 to 10) Remastered By – Paul Elmore Tenor Saxophone, Arranged By – Benny Golson (tracks: 11 to 17), Lucky Thompson (tracks: 1 to 10) Tenor Saxophone, Flute – Jerome Richardson Trombone – Al Grey (tracks: 11 to 17), Jimmy Cleveland (tracks: 1 to 10) Trumpet – Art Farmer (tracks: 1 to 15), Ernie Royal (tracks: 1 to 10), Kenny Dorham (tracks: 16, 17), Ray Copeland (tracks: 1 to 17) Notes Recorded in New York City. -
The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
Huntsville Town Council Resolution 338-15 on October 26, 2015
Town of Huntsville Staff Report Meeting Date: July 25, 2018 To: General Committee Report Number: CS-2018-24 Confidential: No Author(s): Teri Souter, Manager of Arts, Culture & Heritage Subject: Cultural Strategy Update Report Highlights • Cultural Strategic Plan update • Current internal/external situation review • Cultural Strategic visioning/inclusion encouraged for 2018-19 Recommendation That: Motion GC54-16 be rescinded; and Further That: the next term of Council be encouraged to consider an updated Cultural Strategy for the Corporation of the Town of Huntsville when identifying the Strategic Priorities for 2018-2022. Background The Town of Huntsville's Cultural Strategy 2011 contained 27 recommendations. Progress on the Cultural Strategy has been regularly reported. A status update "Culture Strategy Update" was presented to the Arts, Cultural and Heritage Advisory Committee on February 23, 2016: 25 of 27 goals were "finished/ongoing" and the remaining 2 were "started/needs attention." Some of the goals were completed or outdated. "Culture Strategy Direction" Report CS-2016-16 was then presented and Motion ACH8-16, including a commitment for community engagement and collaboration, was passed by the Advisory Committee: "The Manager of Arts, Culture & Heritage work via Advisory Committee, staff, sector professionals and stakeholders to draft a Huntsville Culture Strategy whitepaper, 2016 to 2019, to better reflect the direction of current council and to implement these directions." This motion was amended at General Committee on March 30, 2016. The amended motion GC54-16 is: "that The Manager of Arts Culture and Heritage work to draft a Huntsville Culture Strategy, 2016 to 2019, to better reflect the direction of current Council and further that the Manager of Arts, Culture and Heritage report back to committee." This was ratified via Council Resolution 94- 16, April 27, 2016. -
Debut Label Discography
Début Label discography Début was established in 1951 by Charles Mingus and possibly others. It was located at 4364 Bryon Avenue in New York City in 1952, relocated to the Grand Central Station in 1954. By 1956 it was located at 331 West 51st Street. Début recorded jazz and pop music. Fantasy Records acquired the Début Catalog in the early 1960’s. This Debut Label discography was compiled using Schwann catalogs from 1950 to 1957, The Jazz Discography Project Website (http://www.jazzdisco.org) and The American Record Label Directory and Dating Guide, 1940-1959 by Galen Gart, 10 Inch Series DLP-1 - Strings and Keys - Charles Mingus [1951] Body and Soul/Blue Moon/Blue Tide/What Is This Thing Called Love/Darn That Dream/Yesterdays DLP-2 - Jazz at Massey Hall Volume 1- Quintet - Various Artists [1952] Perdido/Salt Peanuts//Salt Peanuts Continued/All the Things You Are DLP-3 - Jazz at Massey Hall Volume 2 - Bud Powell [1952] Embraceable You/Sure Thing/Cherokee//Jubilee/Lullabye of Birdland/Basically Speaking DLP-4 - Jazz at Massey Hall Volume 3 - Charles Mingus [1952] Wee//Hot House/A Night in Tunisia DLP-5 - Jazz Workshop Volume 1-Trombone Rapport - J.J. Johnson, Kai Winding, Benny Green & Willie Dennis [1953] Move/Stardust//Yesterdays DLP-6 - Explorations - Ted Macero [1954] Teo/I’ll Remember April/How Low the Earth//Mitzi/Yesterdays/Explorations DLP-7 - Introducing Paul Bley - Paul Bley With Art Blakey and Charles Mingus [1954] Opus 1/Teapot/Like Someone In Love//Spontaneous Combustion/Split Kick/Can’t Get Started DLP-8 - The New Oscar Pettiford -
This Document Was Retrieved from the Ontario Heritage Act E-Register, Which Is Accessible Through the Website of the Ontario Heritage Trust At
This document was retrieved from the Ontario Heritage Act e-Register, which is accessible through the website of the Ontario Heritage Trust at www.heritagetrust.on.ca. Ce document est tiré du registre électronique. tenu aux fins de la Loi sur le patrimoine de l’Ontario, accessible à partir du site Web de la Fiducie du patrimoine ontarien sur www.heritagetrust.on.ca. ,~, -. ,,.. • . ~·' _, ' ~ • • ••,_II. - City Clerk's Ollice Secret1ri1t Christine Archibald Toronto and East York Community Council City Hall, 12'h Floor, West 100 Oueen Street West Toronto, Ontario M5H 2N2 IN THE MATTER OF THE ONTARIO HERITAGE ACT R.S.O. 1990 CHAPTER 0.18 AND ~!!Cte~VIEIO 915 KING STREET WEST AUG O2 2007 • CITY OF TORONTO, PROVINCE OF ONTARIO --------------- NOTICE OF INTENTION TO DESIGNATE TSCC 1559 - Massey Harris Lofts Ontario Heritage Trust 160 Carrier Drive, #200 10 Adelaide Street East Toronto, Ontario Toronto, Ontario M9W5Rl MSC 1·13 Take notice that Toronto City Council intends to designate the lands and buildings known municipally as 915 King Street West under Part IV of the Ontario Heritage Act. Reasons for Desig11ation Description • The property at 915 King Street West is worthy of designation under Part IV of the Ontario Heritage Act for its cultural heritage value or interest, and meets the criteria for municipal designation prescribed by the Province of Ontario under the three categories of design, historical and contextual value. Located on the south side of King Street West, west of Strachan Aven1;1e, the building was constructed as the administrative offices for the Massey Manufacturing Company, with additions after the finn beca1ne known as Massey-Har·ris Limited. -
Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)
Rotunda ROM Magazine Subject Index v. 1 (1968) – v. 42 (2009) 2009.12.02 Adam (Biblical figure)--In art: Hickl-Szabo, H. "Adam and Eve." Rotunda 2:4 (1969): 4-13. Aesthetic movement (Art): Kaellgren, P. "ROM answers." Rotunda 31:1 (1998): 46-47. Afghanistan--Antiquities: Golombek, L. "Memories of Afghanistan: as a student, our writer realized her dream of visiting the exotic lands she had known only through books and slides: thirty-five years later, she recalls the archaeoloigical treasures she explored in a land not yet ruined by tragedy." Rotunda 34:3 (2002): 24-31. Akhenaton, King of Egypt: Redford, D.B. "Heretic Pharoah: the Akhenaten Temple Project." Rotunda 17:3 (1984): 8-15. Kelley, A.L. "Pharoah's temple to the sun: archaeologists unearth the remains of the cult that failed." Rotunda 9:4 (1976): 32-39. Alabaster sculpture: Hickl-Szabo, H. "St. Catherine of Alexandria: memorial to Gerard Brett." Rotunda 3:3 (1970): 36-37. Keeble, K.C. "Medieval English alabasters." Rotunda 38:2 (2005): 14-21. Alahan Manastiri (Turkey): Gough, M. "They carved the stone: the monastery of Alahan." Rotunda 11:2 (1978): 4-13. Albertosaurus: Carr, T.D. "Baby face: ROM Albertosaurus reveals new findings on dinosaur development." Rotunda 34:3 (2002): 5. Alexander, the Great, 356-323 B.C.: Keeble, K.C. "The sincerest form of flattery: 17th-century French etchings of the battles of Alexander the Great." Rotunda 16:1 (1983): 30-35. Easson, A.H. "Macedonian coinage and its Hellenistic successors." Rotunda 15:4 (1982): 29-31. Leipen, N. "The search for Alexander: from the ROM collections." Rotunda 15:4 (1982): 23-28. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
Miles Davis Biografia E Discografia
Miles Davis Biografia e Discografia PDF generato attraverso il toolkit opensource ''mwlib''. Per maggiori informazioni, vedi [[http://code.pediapress.com/ http://code.pediapress.com/]]. PDF generated at: Tue, 05 Jan 2010 08:28:28 UTC Indice Voci Miles Davis 1 Discografia di Miles Davis 27 Note Fonti e autori delle voci 31 Fonti, licenze e autori delle immagini 32 Licenze della voce Licenza 33 Miles Davis 1 Miles Davis Miles Davis [1] Ritratto di Miles Davis (foto Tom Palumbo ) Nazionalità Stati Uniti d'America (crea redirect al codice) Genere Jazz Bebop Hard bop Jazz modale Fusion Periodo di attività 1944 - 1975, 1980 - 1991 Album pubblicati 92 Studio 53 Live 32 Raccolte 17 [2] Sito ufficiale miles-davis.com Si invita a seguire lo schema del Progetto Musica « Per me la musica e la vita sono una questione di stile. » [3] (Miles Davis ) Miles Dewey Davis III (Alton, 26 maggio 1926 – Santa Monica, 28 settembre 1991) è stato un compositore, trombettista jazz statunitense, considerato uno dei più influenti, innovativi ed originali musicisti del XX secolo. È molto difficile disconoscere a Davis un ruolo di innovatore e genio musicale. Dotato di uno stile inconfondibile ed una incomparabile gamma espressiva, per quasi trent'anni Miles Davis è stato una figura chiave del jazz e della musica popolare del XX secolo in generale. Dopo aver preso parte alla rivoluzione bebop, egli fu fondatore di numerosi stili jazz, fra cui il cool jazz, l'hard bop, il modal jazz ed il jazz elettrico o jazz-rock. Le sue registrazioni, assieme agli spettacoli dal vivo dei numerosi gruppi guidati da lui stesso, furono fondamentali per lo sviluppo artistico del jazz. -
F U S I O N Performance of Some Most Inspirational Spontaneous Music from a Quartet of Jazz Masters Who Were Destined Never to Play Together Again
F U S I O N performance of some most inspirational spontaneous music from a quartet of jazz masters who were destined never to play together again. Oscar Pettiford, one of the prime emancipators of the bass, died later that year; Bud Powell went to that great 52nd Street in the sky six years later. And three years after that, Coleman Hawkins was dead. A most precious recording, then – and it underscores yet again the gratitude that all jazz lovers owe to the people who ensure that such auspicious musical encoun- ters are preserved on record. The product of over-zealous recording, wherever and whenever jazz musicians appear, is a veritable avalanche of albums which range mostly from the abysmal to the sub-mediocre. But when, every once In a while the recor- dings are of this historical importance and musical dis- tinction, and then all can be forgiven. The four Essen tracks are eloquent testimony to the way in which Hawkins kept a responsive and open mind to changing jazz idioms. Here he was in the “fast” com- pany of three men who’d been in the vanguard of the bebop revolution, yet he adapted superbly. He fits in he first four sides of this album capture the momen- with the Bud Powell Trio as though he had worked with tous meeting of four great iconoclastic jazz figures. It that rhythm section for years. wasT a historic, magical moment when Coleman Hawkins, As a matter of fact, Pettiford had been on a Capitol Bud Powell, Oscar Pettiford and Kenny Clarke came record date with Hawkins in February 1945 when among together on the stage of the Grugahalie in Essen on the the titles recorded was the original that opens this album. -
The Ontario Culture Strategy Telling Our Stories, Growing Our Economy
The Ontario Culture Strategy Telling our stories, growing our economy Culture is everyday good living, a way of life, shared histories, values, beliefs, vitality, beauty, pride, play, sport, recreation, leisure, fashion, cultural industries, entertainment, live music, photography, publishing, architecture, civic spaces, art, design, interactive digital media, watching television, movies, learning, trying new things, language, books and magazines, crafts, humour, amateur and professional theatre, dance, opera, pow wows, maple syrup festivals, agricultural festivals, farmers’ markets, cultural institutions, museums, archives, historical societies, built heritage and cultural heritage landscapes, fishing, hunting and trapping, social interaction, social cohesion, citizen engagement, sustainability, the products of artists and entrepreneurs. Culture is tangible and intangible. Culture means good mental health, good relationships and enlarged spirits. Culture provides joy. Libraries are sanctuaries for many people. Food defines who we are and where we are from. Music is an essential part of human experience. Archaeology is very important to complement or fill gaps in the written record. Culture is the sharing of creative knowledge, skills and talents. It is volunteering, donating and working selflessly to build strong communities. Culture is bold. It is creativity and imagination. It is reflection and creative thinking. It is knowledge and understanding. It is innovation and technology. It is provocation and exploration of new ideas. Art must be democratic but must also go beyond consensus to be edgy and challenge us. Culture is an expression of our identity and history. It is an explanation and exploration of who we are. It is how we enjoy ourselves. It helps us understand where we live and presents Ontario to the rest of the world. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.