Kino Ken's Nominees for Best Technical Achievements
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Deliver Us to Cinema: the Prince of Egypt and Cinematic Depictions of Religious Texts
Deliver Us to Cinema: The Prince of Egypt and Cinematic Depictions of Religious Texts Kadii Lott Introduction There is a pervasive Hollywood culture of appropriating and commodifying biblical concepts and imagery into films that do not explicitly address the Abrahamic belief systems that consider the Old and New Testaments as sacred texts. Many such films received mixed reviews. Christian and Jewish groups have heavily criticised particular adaptations of scriptural stories, including Life of Brian,1 The Last Temptation of Christ,2 The Passion of Christ,3 and Noah,4 for their blasphemous or ill-intentioned treatment of biblical figures. Despite the protectiveness of religious people Kadii Lott received First Class Honours in Studies in Religion at the University of Sydney in 2020. 1 The 1979 religious satire reimagined the fictional life of a man named Brian who gets mistaken for Jesus. The film was considered blasphemous by some Christians who protested against the release and the film was banned in many countries upon its release, including in Ireland and Norway. See Ben Dowell, ‘BBC to dramatise unholy row over Monty Python’s Life of Brian’, The Guardian (21 June 2011), https://www.theguardian.com/media/ 2011/jun/21/bbc-monty-python-life-of-brian. Accessed 13 July 2020. 2 Scorsese’s depicted Jesus Christ dealing with worldly temptations like everyone else. This caused outrage amongst some Christian groups, even leading to an incident in Paris where a theatre showing the film was set on fire. See Steven Greenhouse, ‘Police Suspect Arson In Fire at Paris Theater’, The New York Times (25 October 1988), p. -
Neues Textdokument (2).Txt
Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
January 2015
January 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Each Month HDNet Movies rolls out the red carpet and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies th rd Always (Premiere) January 8 at 6:30pm The Missing (Premiere) January 3 at 8:00pm Starring Richard Dreyfuss, Holly Hunter, John Starring Tommy Lee Jones, Cate Blanchett, Evan Goodman, Audrey Hepburn. Directed by Steven Rachel Wood. Directed by Ron Howard. Spielberg. The Quick and the Dead January 3rd at 6:00pm Antwone Fisher (Premiere) January 2nd at 4:35pm Starring Sharon Stone, Gene Hackman, Russell Starring Derek Luke, Denzel Washington, Joy Bryant. Crowe, Leonardo DiCaprio. Directed by Sam Raimi. Directed by Denzel Washington. Tears of the Sun (Premiere) January 10th at th A Few Good Men January 10 at 6:30pm 9:00pm Starring Tom Cruise, Jack Nicholson, Demi Moore, Starring Bruce Willis, Monica Bellucci, Cole Hauser, Kevin Bacon. Directed by Rob Reiner. Tom Skerritt. Directed by Antoine Fuqua. Make kidScene your destination every day from 6:00am to 4:30pm. Check program schedule or www.hdnetmovies.com for all scheduled broadcasts. An American Tale January 1st at 6:00am Lego: The Adventures of Clutch Powers (Premiere) January 4th at 7:30am Featuring voices of: Christopher Plummer, Madeline Kahn, Dom DeLuise. -
Animating Revolt and Revolting Animation
ChApter one Animating Revolt and Revolting Animation The chickens are revolting! —Mr. Tweedy in Chicken Run Animated films for children revel in the domain of failure. To captivate the child audience, an animated film cannot deal only in the realms of success and triumph and perfection. Childhood, as many queers in particular recall, is a long lesson in humility, awkwardness, limitation, and what Kathryn Bond Stockton has called “growing sideways.” Stockton proposes that childhood is an essentially queer experience in a society that acknowledges through its extensive training programs for children that hetero- sexuality is not born but made. If we were all already normative and heterosexual to begin with in our desires, orientations, and modes of being, then presumably we would not need such strict parental guidance to deliver us all to our common destinies of marriage, child rearing, and hetero- reproduction. If you believe that children need training, you assume and allow for the fact that they are always already anarchic and rebellious, out of order and out of time. Animated films nowadays succeed, I think, to the extent to which they are able to address the disorderly child, the child who sees his or her family and parents as the problem, the child who knows there is a bigger world out there beyond the family, if only he or she could reach it. Animated films are for children who believe that “things” (toys, nonhuman animals, rocks, sponges) are as lively as humans and who can Downloaded from https://read.dukeupress.edu/books/chapter-pdf/106945/9780822394358-002.pdf by TEMPLE UNIVERSITY user on 07 January 2019 1. -
Peep and the Village
: • ANIMATION ON LOCATION • PffP AND THf BIG WIDf WORLD Kaj Pindal works on Peep and the Big Peep and Wide World in a slightly seedy building in downtown Toronto that houses the the Village NFB Ontario Studio. The office is stark, strictly functional, and full of bright nat· ural light. Drawings litter the tables, spilling onto the floor, and the animation camera and stand go almost unnoticed. Pindal's assistant, Craig Welch (a gra· duate of Sheridan College), is sometimes laborator, Rose Newlove. For 10 years drama, " ... you get very involved in the next door in 'The Tomb', the dark, by Patricia Thompson they ran the Animated Film Workshop story initially, and have a lot of fun on the black· hole editing room where, among for nine· to 18·year·olds in and around finishing - the sound and editing... My other chores, he sorts soundtracks. t was a year ago when I heard that, for Toronto, assisted by the Ontario Arts relationship to the animators is one of Since this series of three 10· minute the first time in many, many years, the Council and the Art Gallery of Ontario. support. Once there is something to see, films is for the three·to·five tiny tots IOntario Studio of the National Film Federenko was a summer student at the there is something to get involved group, the drawings are engagingly Board in Toronto was producing two National Film Board, Montreal, and this with." clean and simple (see them frolic animation projects: Peep and the Big led to Every Child (1978/79) which around these pages.. -
LAURENT BEN-MIMOUN CONCEPTUAL ILLUSTRATION, 3D CONCEPT DESIGN MATTE PAINTING, ART DIRECTION Portfolios
LAURENT BEN-MIMOUN CONCEPTUAL ILLUSTRATION, 3D CONCEPT DESIGN MATTE PAINTING, ART DIRECTION Portfolios: www.blueman.ws www.artstation.com/artist/blueman FILM DIRECTOR PRODUCTION/Reported To “ANT-MAN AND THE WASP” PEYTON REED MARVEL STUDIOS Concept Illustrator PD: Shepherd Frankel “STARFALL” JOE JOHNSTON DI BONAVENTURA PICTURES Conceptual Art/Illustrations PD: Barry Robinson “THOR: RAGNAROK” TAIKA WAITITI MARVEL STUDIOS Conceptual Art Director PD: Dan Hennah “THE DARK TOWER” NIKOLAJ ARCEL SONY PICTURES Concept Illustrator MEDIA RIGHTS CAPITAL PD: Dan Hennah, Chris Glass “ALICE IN WONDERLAND: THROUGH JAMES BOBIN WALT DISNEY PICTURES THE LOOKING GLASS” Director: James Bobin Concept Design for Prep & Post PD: Dan Hennah & Film Book Art “GUARDIANS OF THE GALAXY: VOL. 2” JAMES GUNN MARVEL STUDIOS Concept Illustrator PD: Scott Chamblis “PASSENGERS” MORTEN TYLDUM COLUMBIA PICTURES Concept Illustrator PD: Guy Dyas Production Design received an Academy Award nomination and WON the Art Directors Guild Award “INDEPENDENCE DAY: RESURGENCE” ROLAND EMMERICH TWENTIETH CENTURY FOX Concept Illustrator Director: Roland Emmerich 3D Designs/Concept Art PD: Barry Chusid “GHOSTBUSTERS” PAUL FEIG COLUMBIA PICTURES Concept Illustrator PD: Jefferson Sage ‘ORPHANS OF THE VOID” Spec Pilot K. MICHEL PARANDI K. MICHEL PARANDI Concept/3D/Art Director “THE ARK AND THE AARDVARK” JOHN STEVENSON UNIFIED PICTURES Visual Development (Animation) “BRILLIANCE” JULIUS ONAH LEGENDARY PICTURES Concept Illustrator PD: Dominic Watkins “UNTITLED GHOSTBUSTERS III” IVAN REITMAN COLUMBIA -
Thieves Target Does Not Arouse Catalytic Converters Workshop on Sexual Ethics at the Women’S Center Takes Religious Conservative Stance
Vol. 89 Issue 18 March 7, 2011 Hungry students line up for ASI Cookout 10th Annual OCMAs in Anaheim ...............................6 Learn more Scan to view ONLINE about ASI schol- EXCLUSIVES arships and elec- dailytitan.com tions by watching Dailytitan.com/ asicookout2011 dailytitan.com The Student Voice of California State University, Fullerton Discussion on sex Thieves Target does not arouse Catalytic Converters Workshop on sexual ethics at the WoMen’s Center takes religious conservative stance process of getting to more diverse Two men arrested on campus for discussion, which is why many RYAN LASKODI students felt the workshop was too the alleged theft of car components Daily Titan short. Susan Leavy, acting director of A discussion on sexual ethics was the Women’s Center who hosted HOW MUCH ARE THEY WORTH: intended to serve as an open forum the event with SisterTalk March 3 where anybody of any orientation in the Titan Student Union Pavilion Stolen catalytic converters are sold to scrap could come and share his or her C, said the workshop came about yards for around $100 to $150 and when sold to opinion. because they asked Johnson to do a individuals they can sell for up to $400. Sold new, The conversations, however, did noontime program on the subject. catalytic converters can cost around $1,500. not become very diverse. Johnson attends the church where ing charged with grand theft, receiving sto- The workshop was led by the Jones is a pastor and the two decid- WHAT IS IT: len property, possession of burglary tools Rev. Patricia Anne-Johnson, aca- ed to do the workshop together. -
Review Section Stealing from the Bees and Cooking with the Rats
Society and Animals 17 (2009) 91-95 www.brill.nl/soan Review Section Stealing from the Bees and Cooking with the Rats Mark von Schlemmer Department of Th eatre & Film, University of Kansas, 1621 W. 9th St., Lawrence, KS 66044, USA [email protected] Bee Movie. 2007. Steve Hickner and Simon J. Smith (Directors). DreamWorks. Animation. Ratatouille. 2007. Brad Bird and Jan Pinkava (Directors). Pixar Animation Studios/Walt Disney Films. Introduction Bee Movie and Ratatouille target mainstream American audiences. Th ey follow in the foot- steps of successful animated fi lms of recent years, with nonhuman animals as the protago- nists interacting with humans in familiar and amusing, if non-realistic, ways. Th e relationships that the main characters form with humans, although surprisingly coopera- tive, take distinctly diff erent turns and lead these fi lms in diff erent directions and with varying levels of authenticity and respectfulness to human-animal relationships. Bee Movie When Barry B. Benson (voiced by comedian Jerry Seinfeld) sets out to do some explora- tion, he discovers a friendly human fl orist named Vanessa (voiced by Renée Zellweger) with whom he can talk (though by doing so he is breaking a cardinal bee law) and who talks back to him in full understanding. Th rough this friendly relationship, Barry discovers that humans consume honey made by bees. With Vanessa’s aid, he fi les a class-action lawsuit on behalf of all bees against the honey distributors and wins the court case. All the honey is returned to the bees who then collectively decide they do not need to work so hard any- more and so they stop altogether.