Lista Cultural

Total Page:16

File Type:pdf, Size:1020Kb

Lista Cultural LISTA CULTURAL Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 1 LISTA CULTURAL LISTA CULTURAL O combate ao racismo é uma construção diária que nos leva a, constantemente, questionar nossas falas, visões e atitudes. É um caminho que precisa e deve ser traçado por todos. Ele começa pelo sim- ples ato de ouvir, para que possamos aprender e repensar o mundo. O Cescon Barrieu repudia todo e qualquer ato de racismo e discriminação e entende que está, juntam- ente com seus integrantes, buscando traçar esse caminho. A jornada é longa e certamente apresentará obstáculos. Por isso, contamos com todos para que ela seja repleta de aprendizado, incluindo sug- estões, críticas e correções de rota. Para ajudar a entender a questão e a desconstruir a estrutura do racismo que há em nossa sociedade, a Frente Étnico-Racial do Comitê de Equidade preparou uma lista com projetos, livros, filmes, museus e personalidades negras que você precisa conhecer. A ideia é que a lista seja colaborativa, para que possa ser constantemente atualizada de acordo com sugestões que nos sejam enviadas pelos integrantes do escritório. Informe-se, divulgue aos amigos e familiares, discuta, apure sua visão de mundo. Permita-se e faça com que a informação seja o primeiro passo nesse combate. Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 2 SUMÁRIO 4 25 Para Informar Artes Visuais 7 26 Para Ler Para seguir no Twitter 12 27 Para assistir Para seguir no Instagram 19 28 Para Ouvir Museus 22 28 Para apoiar e Podcasts fazer parte PARA INFORMAR Voz das Comunidades Jornal criado por Rene Silva dos Santos (@eurenesilva) aos 11 anos de idade para mostrar a realidade dos moradores do Morro do Adeus, o Voz das Comunidades traz notícias sobre em- preendedorismo nas comunidades, faz perfil de moradores notáveis e realiza companhas de arrecadação de doações, como a campanha Pandemia com Empatia. Para saber mais, visite: https://www.vozdascomunidades.com.br/ Uma Lista Para 365 Dias de Consciência Negra Em reportagem de novembro de 2018 publicada pelo The Intercept, a jornalista Cecília Olliveira organizou uma lista contendo 138 profissionais, acadêmicos e ativistas negros https://theintercept.com/2018/11/01/uma-lista-para-365-dias-de-consciencia-negra/ Especialistas discutem a luta antirracista no Brasil e nos EUA O colunista de Ecoa MM Izidoro se reúne com Stephanie Ribeiro, Tainá de Paula e Thiago Am- paro para falar sobre George Floyd e racismo no Brasil em debate promovido pelo Uol: https:// www.uol.com.br/mov/ao-vivo/2020/06/02/uol-debate-sobre-george-floyd-e-racismo-no- -brasil-e-nos-eua.htm?utm_source=chrome&utm_medium=webalert&utm_campaign=uol Um novo olhar sobre a pessoa negra; novas narrativas importam Palestra de Gabi Oliveira no Tedx Unirio: https://youtu.be/FYg-vQwm3Lo Central Única das Favelas (CUFA) Organização brasileira criada a partir da união entre jovens de várias favelas, principalmente negros, que buscavam espaços para expressarem suas atitudes, questionamentos ou simples- mente sua vontade de viver. A CUFA promove atividades nas áreas da educação, lazer, espor- tes, cultura e cidadania, como grafite, DJ, break, rap, audiovisual, basquete de rua, literatura, além de outros projetos sociais. Acesse: https://www.cufa.org.br/index.php Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 4 Central de Informações Vidas Negras Importam Informações consolidadas sobre petições existentes, doações e artigos sobre o tema. Acesse: https://vidasnegrasimportam.carrd.co/ Movimento Black Money Hub de inovação para inserção e autonomia da comunidade negra na era digital junto a trans- formação do ecossistema empreendedor negro, com foco em comunicação, educação e geração de negócios pretos. Tendo como diferencial o fomento do letramento identitário e do mindset de inovação ao ecossistema afroempreendedor, estimulamos o espírito inovador de empre- endedores e jovens negros para a criação de diferenciais competitivos no mercado. Acesse: https://movimentoblackmoney.com.br/ Mapa da Desigualdade Promovido pela Rede Nossa São Paulo, contém dados de 10 diferentes áreas e 53 indicado- res, o mapa da desigualdade mostra a realidade dos distritos da capital paulista através do “desigualtômetro”, que evidencia a diferença entre a melhor e a pior região para cada um dos indicadores. Acesse: https://www.nossasaopaulo.org.br/campanhas/#13 Potências Negras Organizada por Murilo Araújo (@musaraujo) do canal Muro Pequeno no Youtube, Potências Negras é uma série de 30 entrevistas com personalidades negras para ampliar as conversas sobre o universo negro. Acesse: https://www.youtube.com/watch?v=TGRaAvRBng4&list=PL- ruVqWRmH5cfx2-N4RjXto6r96atePjAT Jornalistas debatem racismo no Em Pauta da Globonews Painel de 6 jornalistas negros debate racismo no Brasil. Acesse: https://g1.globo.com/globo- news/globonews-em-pauta/playlist/jornalistas-debatem-racismo-no-em-pauta.ghtml AmarElo Prisma Projeto multiplataforma do músico Emicida implementado entre 27 de maio a 19 de junho, tem conteúdos criando novas perspectivas, numa jornada de transformação pessoal e social. Divididos em quatro Movimentos (Paz, Clareza, Compaixão e Coragem), a iniciativa estará dis- ponível em formato de vídeos (às quartas-feiras no YouTube), podcasts (às sextas-feiras nas plataformas de streaming), imagens e textos (nas redes sociais). Acesse: https://www.youtu- be.com/watch?v=Vw6G3o-KQe0&feature=youtu.be, https://open.spotify.com/show/0xfztI- 0qN9g4CuTpgcq5WS?si=ofeLWTnKRluJvSBJq9Nj_Q e @emicida (no twitter ou instagram) Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 5 Entrevista com Silvo Almeida no programa Roda Viva: Silvio Almeida advogado, é professor, jurista e filósofo. Acesse:https://youtu.be/L15AkiNm0Iw Sete videoaulas sobre pensadores negros e suas obras: O Centro de Pesquisa e Formação do Sesc liberou no Youtube vídeoaulas do ciclo “Intérpretes Negras (os) do Brasil”, realizado no ano passado com grandes pesquisadores e escritores ne- gros analisando a vida e a obra de ícones da literatura negra. Acesse: https://www.youtube. com/playlist?list=PLVx7TZKwHUi_i7aXoIJhWZAkc-ffNgnGj Entrevista de Nei Lopes no programa Roda Viva: Nei Lopes é compositor, cantor, escritor e estudioso das culturas africanas. Acesse: https:// youtu.be/uMK8D3flToA Entrevista de Sauanne Bispo para a Revista Época: Sauanne é uma empreendedora e fundou a agência Go Diáspora, que quer estimular turismo para a África. Acesse: https://epoca.globo.com/sociedade/a-jornada-contra-racismo-de-uma- -mulher-negra-nascida-na-elite-da-bahia-24500339 Ponte Jornalismo: Veículo de comunicação independente, constituído sob a forma de organização sem fins lucrati- vos criada “para defender os direitos humanos por meio do jornalismo, com o objetivo de ampliar as vozes marginalizadas pelas opressões de classe, raça e gênero e promover a aproximação entre diferentes atores das áreas de segurança pública e justiça, colaborando na sobrevivência da democracia brasileira”. Para conhecer o canal, acesse: https://ponte.org/ Armadilha da Identidade - Raça e Classe Nos Dias de Hoje (Asad Haider): Sauanne é uma empreendedora e fundou a agência Go Diáspora, que quer estimular turismo para a África. Acesse: https://epoca.globo.com/sociedade/a-jornada-contra-racismo-de-uma- -mulher-negra-nascida-na-elite-da-bahia-24500339 Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 6 Entrevista de Sauanne Bispo para a Revista Época: Sauanne é uma empreendedora e fundou a agência Go Diáspora, que quer estimular turismo para a África. Acesse: https://epoca.globo.com/sociedade/a-jornada-contra-racismo-de-uma- -mulher-negra-nascida-na-elite-da-bahia-24500339 Entrevista com Barack Obama no Programa do Pedro Bial: Barack Hussein Obama II é advogado e político norte-americano que serviu como o 44.º pre- sidente dos Estados Unidos de 2009 a 2017, sendo o primeiro negro a ocupar o cargo. Acesse: https://globoplay.globo.com/v/9029227/programa/ Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 7 PARA LER Eu sei porque o pássaro canta na gaiola | Maya Angelou Uma autobiografia que, ao mesmo tempo, é transformada em libertação e inspiração. O livro conta as histórias de abuso, racismo e outras lembranças dolorosas da vida de Marguerite Ann Johnson desde a infância até a adolescência. Quarto de despejo | Carolina Maria de Jesus Em formato de diário, Carolina, uma catadora de lixo, negra e favelada, retrata o cotidiano dos moradores da Favela do Canindé, em meio à transformação urbanística pela qual São Paulo passou na final da década de 50. O livro, publicado em 1960, narra as dificuldades enfrentadas à época pela população marginalizada. O que é racismo recreativo? | Adilson Moreira A partir da pergunta “de que forma devemos classificar expressões humorísticas que reproduzem estereótipos negativos sobre minorias raciais?”, o autor discute sobre reafirmações racistas que se apresentam através do humor, e como isso afeta não só a população negra, mas as minorias na sociedade. A origem dos outros | Toni Morrison Ganhadora do prêmio Nobel de literatura, Toni Morrison baseou seu livro a partir dos discursos que fez na universidade Harvard. Ela levanta questões históricas, políticas e literárias sobre o racismo e a radicalização da identidade. Para ela, a literatura é uma arma de combate contra essa opressão. Olhos D’água | Conceição Evaristo Em 15 contos, Conceição Evaristo, de maneira poética, foca na população negra do Brasil, sobretudo em seis mulheres diferentes que enfrentam as mesmas dificuldades: a pobreza, a desigualdade social e a violência. O livro venceu o Prêmio Jabuti em 2015. Cescon Barrieu Frente Étnico-Racial do Comitê de Equidade 8 Um defeito de cor | Ana Maria Gonçalves O romance conta a história de Kehinde, que é capturada na África com suas irmãs e enviada para o Brasil. Ao longo do livro, ela narra sua vida — marcada por estupros, castigos e mortes — e quais eram as estratégias de sobrevivência dos escravos. Ao longo da trama, a protagonista também busca pelo filho, perdido há décadas Escravidão Vol. 1: Do primeiro leilão de cativos em Portugal até a morte de Zumbi dos Palmares | Laurentino Gomes Laurentino Gomes dedica-se a uma nova trilogia de livros-reportagem, desta vez sobre a história da escravidão no Brasil.
Recommended publications
  • Liste Des Chaines /Filmes/Vods/Series
    Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Colonne1 Tunisia 1 Tunisia 2 Tunisia Nat 3 Elhiwar Ettounsi ATTESSIA Nessma Hannibal Telvza Tv Al Janoubia Tunisna MTunisia Sahel TV Al Mustakillah Zitouna Al Insen Carthage TV AR-MECCA CANAL ALGERIE ENTV Algeria 3 AR-Algerie-Tamazight-tv4 TV5 Samira Echorouk Echourouk News Echorouk Benna Ennahar Elheddaf Dzair Dzair News Numidia News El Djazairia 1 EL BILAD Beur Fadjr Bahia Berbere Al Magharibia 1 AlaoulaInterHD ALAoulaInter AR-AlAoula-Layoune Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com 2M Maroc Arryadia AR-Arrabiaa AlMaghrebia Assadissa Maroc Tamazight AR-Medi-1_TV AR-MBC1_HD AR-MBC_1 AR-MBC_2 AR-MBC2_HD AR-MBC_4 AR-MBC4_HD AR-MBC-MAX AR-MBC_MAX-HD AR-MBC-Action AR-MBC_Action-HD AR-MBC-DRAMA AR-MBC_Drama-HD AR-MBC_MASR AR-MBC-masr2 AR-MBC_Bollywood-HD AR-MBC_Bollywood AR-Rotana_Cinema-HD AR-Rotana-Cinema-EGY AR-Rotana-Cinema-KSA AR-Rotana_Aflam AR-Rotana_Masria-HD AR-Rotana-Masriya AR-Rotana-Clip AR-Rotana_Music-HD AR-Rotana-Music AR-Rotana-Khalijiya HD AR-Rotana-Khalijiya AR-Rotana_Classic-HD AR-Rotana-Classic AR-ART_Aflam_1 AR-ART_Aflam-2 AR-ART_Cinema AR-ART_Hekayat-1 AR-ART_Hekayat-2 AR-BeIn_Movies1_HD AR-BeIn_Movies2_HD AR-BeIn_Movies3_HD AR-BeIn_Movies4_HD Ar-Bein-Gourmet Ar-Bein-Junior Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Ar-BeinDrama AR-StarCinema-1 AR-StarCinema-2 AR-Toktok_Cima AR-Cima AR-AL-SHASHA-CINEMA AR-4G-AFLAM AR-4G-CIMA AR-4G-CLASSIC AR-4G-DRAMA AR-4G-FILM AR-CINEMA-1 AR-CINEMA-2 AR-CIMA-TUBE AR-CINEMA-TUBE AR-Darbaka-Aflam
    [Show full text]
  • Dolemite Is My Name
    DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number.
    [Show full text]
  • Actress Carey Mulligan to Receive the Artistic Achievement Award During the Centerpiece Presentation of ​Wildlife Costume Desi
    Media Contact: Nick Harkin / Matthew Bryant ​ Carol Fox and Associates 773.969.5033 / 773.969.5034 [email protected] [email protected] For Immediate Release: Sept. 12, 2018 ​ ACTRESS CAREY MULLIGAN TO RECEIVE THE ARTISTIC ACHIEVEMENT AWARD DURING THE CENTERPIECE PRESENTATION OF WILDLIFE ​ COSTUME DESIGNER RUTH CARTER (BLACK PANTHER, SELMA) TO ​ ​ BE HONORED WITH A CAREER ACHIEVEMENT AWARD AT THIS YEAR’S BLACK PERSPECTIVES TRIBUTE The Festival will also pay tribute to the legacy of actress and Festival co-founder Colleen ​ Moore and Chicago graphic artist Art Paul ​ ​ th CHICAGO – The 54 ​ Chicago International Film Festival, presented by Cinema/Chicago, ​ ​ ​ ​ ​ today announced Tributes to actress Carey Mulligan in conjunction with this year’s ​ ​ Centerpiece film Wildlife, and costume designer Ruth Carter as part of the Festival’s annual ​ ​ ​ ​ ​ Black Perspectives Program. The Festival will also celebrate posthumously two artists special ​ to Chicago, graphic designer Art Paul in conjunction with a screening of Jennifer Kwong’s Art ​ ​ ​ Paul of Playboy: The Man Behind the Bunny, and actress and Chicago International Film ​ Festival co-founder Colleen Moore, with a screening of The Power and the Glory (1933). The ​ ​ ​ ​ ​ ​ tributes will take place over the course of the Festival’s 12-day run at AMC River East 21 (322 E. Illinois St.) in Chicago, October 10-21, 2018. British actress Carey Mulligan is one of the paramount talents of her generation. Nominated for ​ ​ an Oscar®, a Golden Globe, and a SAG award for her radiant portrayal of the innocent teenage Jenny in An Education, Mulligan has delivered captivating performances across stage and ​ ​ ​ ​ screen, including Shame, The Great Gatsby, Inside Llewyn Davis, Mudbound, and this year’s ​ ​ ​ ​ ​ ​ Festival selection, Wildlife.
    [Show full text]
  • Wgaw: Behind the Screen
    DOLEMITE IS MY NAME - Scott Alexander & Larry Karaszewski - Writers (Starring Eddie Murphy, Keegan-Michael Key, Mike Epps) WGAW: BEHIND THE SCREEN Eddie Murphy portrays real-life legend Rudy Ray Moore, a comedy and rap pioneer who proved naysayers wrong when his hilarious, obscene, kung fu fighting alter ego, Dolemite, became a 1970s Blaxsploitation phenomenon. Sheryl Aronson: Please talk about the history of this movie and how you came to write it. Scott Alexander: Eddie came to us about 17 years ago and wanted to do a movie about Rudy Ray Moore. He was a big fan of Rudy’s. He pitched it to Larry and me, and we said let’s do it. We got with the real Rudy and heard all his war stories. However, when we tried to pitch the movie, nobody wanted it. Sheryl Aronson: Why do you think now the film was able to get made? Scott Alexander: We called in our chip. Larry and I had done the television show OJ Simpson. We decided to use our power for “good” and thought about the whole project. We reached out to Eddie again and said, “Let’s try it now.” Sheryl Aronson: Eddie Murphy is such a funny guy. In this film, he Adam Mervis: It comes out in 10 days. gets to show off his comedic side and his serious side. How did you write this role with him in mind? Sheryl Aronson: Is this your first feature film? Scott Alexander: We were writing for Eddie and all we cared about was Adam Mervis: This is my first big feature film.
    [Show full text]
  • Ruth Carter Ruth E. Carter's Unparalleled Ability to Develop An
    Ruth Carter Ruth E. Carter’s unparalleled ability to develop an authentic story through costume and character has made her one of the most sought after and renowned costume designers today. She is the 2019 Academy Award winner for “Best Costume Design” for her work on BLACK PANTHER, making history as the first African American to win in that category. She has also garnered two additional Academy Award nominations for Spike Lee’s MALCOM X (1993) and Steven Spielberg’s AMISTAD (1998) as well as an Emmy nomination in 2016 for the reboot of ROOTS. She has worked in the industry for over three decades and has been credited with over forty films and counting, collaborating with Spike Lee on over ten films beginning with SCHOOL DAZE and including DO THE RIGHT THING, MALCOLM X and OLD BOY. Carter is known for her research and diligence to the craft of costume design, specifically for her outstanding work for period ensemble films such as the highly praised Lee Daniels’ THE BUTLER, Ava Duvernay’s SELMA and MARSHALL, directed by Reginald Hudlin. Carter’s work will soon be seen in the Netflix film, DOLEMITE IS MY NAME, starring Eddie Murphy and directed by Craig Brewer, which will premiere in Fall 2019. This Summer, Carter began production on Paramount's highly-anticipated COMING 2 AMERICA, also directed by Craig Brewer and starring Eddie Murphy. In 2019, Carter received the "Career Achievement Award" and "Excellence in Sci-fi/Fantasy Film" from the Costume Designers Guild and the Critics’ Choice Award for "Best Costume Design” for BLACK PANTHER, among numerous other honors.
    [Show full text]
  • Loki Production Brief
    PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline.
    [Show full text]
  • WIFF-2019-Program-FULL-1.Pdf
    HOW TO WIFF 2 TICKET INFO 3 WHERE TO WIFF 4 WIFF VILLAGE/WIFF ALLEY 5 WHO WE ARE 6-7 SALUTE TO OUR SPONSORS 8-21 SPECIAL THANKS 22 A MESSAGE FROM VINCENT 23 A MESSAGE FROM LYNNE 24 A MESSAGE FROM THE MAYOR 25 FESTIVAL FACTS 26-27 MIDNIGHT MADNESS 28 SPECIAL SCREENINGS 29 WIFF PRIZE IN CANADIAN FILM 30 MARK BOSCARIOL 48-HOUR FLICKFEST 31 WIFF LOCAL 32 WOMEN OF WIFF 33 HOTDOCS SHOWCASE 34 SPOTLIGHT ON ARCHITECTURE 35 LES FILMS FRANCOPHONES 36 IN CELEBRATION OF MUSIC 37 TRIXIE MATTEL 38 LGBTQ2+ 39 SPOTLIGHT AWARD 40 TAKE IT FROM VINCENT 41 OPENING NIGHT FILM 42 CLOSING NIGHT FILM 43 FILM SYNOPSES 44-127 SCREENING CALENDAR 128-137 INDEX BY COUNTRY 138-139 1. PICK YOUR FILMS Films and showtimes can be found online at windsorfilmfestival.com, in the program book or at the box office. Film synopses are listed by title in alphabetical order, with their countries of origin noted. 2. TYPES OF TICKETS If you plan on seeing several films, consider a festival pass for an unlimited movie experience. Show your valid student card for discounted single tickets or festival passes. If you want to catch a show with a large group of 20+, our group sales packages will help you save. If tickets are sold out in advance a limited number of standby tickets will be available at the venue just before showtime. 3. BUY YOUR TICKETS Online – Purchase through your phone or computer by visiting our website. Print them off at home or bring them up on your mobile device.
    [Show full text]
  • WIFF-2019-Program.Pdf
    HOW TO WIFF 2 TICKET INFO 3 WHERE TO WIFF 4 WIFF VILLAGE/WIFF ALLEY 5 WHO WE ARE 6-7 SALUTE TO OUR SPONSORS 8-21 SPECIAL THANKS 22 A MESSAGE FROM VINCENT 23 A MESSAGE FROM LYNNE 24 A MESSAGE FROM THE MAYOR 25 FESTIVAL FACTS 26-27 MIDNIGHT MADNESS 28 SPECIAL SCREENINGS 29 WIFF PRIZE IN CANADIAN FILM 30 MARK BOSCARIOL 48-HOUR FLICKFEST 31 WIFF LOCAL 32 WOMEN OF WIFF 33 HOTDOCS SHOWCASE 34 SPOTLIGHT ON ARCHITECTURE 35 LES FILMS FRANCOPHONES 36 IN CELEBRATION OF MUSIC 37 TRIXIE MATTEL 38 LGBTQ2+ 39 SPOTLIGHT AWARD 40 TAKE IT FROM VINCENT 41 OPENING NIGHT FILM 42 CLOSING NIGHT FILM 43 FILM SYNOPSES 44-127 SCREENING CALENDAR 128-137 INDEX BY COUNTRY 138-139 1. PICK YOUR FILMS Films and showtimes can be found online at windsorfilmfestival.com, in the program book or at the box office. Film synopses are listed by title in alphabetical order, with their countries of origin noted. 2. TYPES OF TICKETS If you plan on seeing several films, consider a festival pass for an unlimited movie experience. Show your valid student card for discounted single tickets or festival passes. If you want to catch a show with a large group of 20+, our group sales packages will help you save. If tickets are sold out in advance a limited number of standby tickets will be available at the venue just before showtime. 3. BUY YOUR TICKETS Online – Purchase through your phone or computer by visiting our website. Print them off at home or bring them up on your mobile device.
    [Show full text]
  • St. Louis Filmmakers Showcase 2020
    20TH ANNUAL WHITAKER July 10-19, 2020 CINEMASTLOUIS.ORG 1 RESPONSIBLY 2 3 20TH ANNUAL WHITAKER ST. LOUIS FILMMAKERS SHOWCASE The Final Act The Whitaker St. Louis Filmmakers Showcase, an annual presentation of the nonprofit Cinema St. Louis, serves as the area’s primary venue for films made by local artists. The Showcase screens works that were shot in the St. Louis region or were written, directed, or produced by St. Louis-area residents or by filmmakers with strong local ties who are now working elsewhere. Because of the Covid-19 health crisis, the Showcase will be presented virtually in 2020. This short video provides more information on CSL’s decision to move its 2020 festivals and events online. CSL is partnering with Eventive, which also handles our ticketing, to present the Virtual Festival. The Showcase’s 15 film programs range from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. In addition to the film programs, which will be available for streaming anytime during the July 10-19 run of the Showcase, this year’s event features a series of free master classes focused on key aspects of making and distributing an independent narrative feature. These will be offered as live streams at specific times/dates during the Showcase, but recordings of the presentations will also be archived and available on Cinema St. Louis’ YouTube channel. The master classes are sponsored by the Chellappa-Vedavalli Foundation, which also is underwriting a $500 juried prize, the Essy Award, for the Best Film at the Showcase.
    [Show full text]
  • ABOUT RUTH E. CARTER Ruth E. Carter Is the 2019 Academy Award
    ABOUT RUTH E. CARTER Ruth E. Carter is the 2019 Academy Award winner for Achievement in Costume Design for Marvel’s "BLACK PANTHER” making history as the first African-American to win in the category. Carter wows audiences and dazzles critics alike with costumes inspired by traditional African tribal wear merged with a contemporary look delivering fashion and function, incorporating technology, and creating such authenticity, ownership, and empowerment for the characters and viewers; cementing her as one of the preeminent voices and experts on Afro aesthetics. A career spanning more than three decades in theater, cinema, and television, Carter’s depth of artistry flowing together with her creative instincts, passion for culture and history, empathy for people, enormous capacity for research, eye for detail, and ability to deliver the director’s vision while infusing her art makes her one of the most sought after and renowned costume designers in the world; earning her over forty film credits including two additional Academy Award nominations for "MALCOLM X” (1993) and "AMISTAD” (1998) and an Emmy nomination for the reboot of television mini-series "ROOTS” (2016). FILMOGRAPHY Carter has collaborated with a myriad of directors and visionaries starting with Spike Lee in "SCHOOL DAZE,” and working with him on 14 films including "DO THE RIGHT THING”, which is archived in the Library of Congress, "MALCOLM X, "MO BETTER BLUES," and "OLD BOY.” She joined forces with Robert Townsend making the iconic "FIVE HEARTBEATS,” with Keenan Ivory Wayans in "I’M GONNA GET YOU SUCKA,” and gritty "BABY BOY” and "ROSEWOOD” with the late John Singleton.
    [Show full text]
  • JANUARY 2020 SACSCOC Fully Reaffirms KENTUCKY STATE UNIVERSITY’S ACCREDITATION For1 Years
    GOOD NEWS JANUARY 2020 SACSCOC fully reaffirms KENTUCKY STATE UNIVERSITY’S ACCREDITATION for1 Years The Southern Association of Colleges and Schools Commission As the major accrediting body for public and private on Colleges (SACSCOC) reaffirmed Kentucky State University’s institutions of higher education in the 11 southernmost states, accreditation for the next 10 years. SACSCOC made the official SACSCOC accredits more than 780 universities and colleges in announcement during its annual meeting recently in Houston. Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, Virginia, as Kentucky State received the best possible review, with the well as Latin America. committee finding the University in full compliance and offering no recommendations or requests for continued Kentucky State University’s reaffirmation was the result of monitoring. a multiyear review process that included internal studies involving hundreds of people on campus and culminating “Today’s accreditation decision is a strong signal of institutional in a March 2019 site visit by a peer review committee from health at Kentucky State University,” said University President SACSCOC. SACSCOC has 84 standards with which institutions Dr. M. Christopher Brown II. “As a former SACSCOC must comply in order to gain or maintain accreditation. board member, I know firsthand the valuation that regional accreditation attests about the quality of our faculty, staff, and As part of the reaffirmation process, Kentucky State developed students.” a Quality Enhancement Plan, or QEP — a comprehensive plan for institutional improvement. Kentucky State’s QEP, “Learning President Brown added, “In order to achieve this distinction, that Works,” is a University-wide initiative to teach students an institution must meet specific standards of excellence skills that will aid them in career readiness and advancement.
    [Show full text]
  • The Echo: May 14, 2020; Eddie Murphy Returns to the Spotlight As
    5/14/2020, 9:00AM Eddie Murphy returns to the spotlight as Rudy Ray Moore “Dolemite is My Name” highlights an inyuential icon and era By ETHAN RICE Rudy Ray Moore (Eddie Murphy) struggles to xnd his place in the white-dominated movie industry in “Dolemite is My Name” On the streets of 1970’s Los Angeles, one comedy legend steps into the shoes of another as Eddie Murphy takes on the true story of struggling-artist-turned- unlikely-superstar Rudy Ray Moore. A little known but hugely inyuential artistic xgure, Moore was a struggling comic and musician who crafted stories from street poets and African heritage into a character act telling profane tales of outrageous exploits. Moore would go on to produce and star in multiple movies based on his characters, most famously a martial arts-wielding pimp named Dolemite. Directed by Craig Brewer, the 2019 Netyix-original biopic “Dolemite is My Name” (R) follows Moore’s journey from the invention of the Dolemite character to the 1975 release of the original movie. Murphy plays Moore as an earnest man deeply immersed in the culture of African American art and caught up in the thrall of Hollywood. Moore just can’t seem to catch a break, however. Already existing on the outskirts of industries dominated by powerful white men, he’s too broke, too fat and too out of date, stuck working a day job at the famous Dolphin’s of Hollywood record store to get by. He spends his days trying to get the store’s resident DJ, Roj (Snoop Dogg), to play his records and his nights delivering lame jokes as a club’s M.C., opening for his friend Ben (Craig Robinson) and his band.
    [Show full text]