Ruth Carter Ruth E. Carter's Unparalleled Ability to Develop An

Total Page:16

File Type:pdf, Size:1020Kb

Ruth Carter Ruth E. Carter's Unparalleled Ability to Develop An Ruth Carter Ruth E. Carter’s unparalleled ability to develop an authentic story through costume and character has made her one of the most sought after and renowned costume designers today. She is the 2019 Academy Award winner for “Best Costume Design” for her work on BLACK PANTHER, making history as the first African American to win in that category. She has also garnered two additional Academy Award nominations for Spike Lee’s MALCOM X (1993) and Steven Spielberg’s AMISTAD (1998) as well as an Emmy nomination in 2016 for the reboot of ROOTS. She has worked in the industry for over three decades and has been credited with over forty films and counting, collaborating with Spike Lee on over ten films beginning with SCHOOL DAZE and including DO THE RIGHT THING, MALCOLM X and OLD BOY. Carter is known for her research and diligence to the craft of costume design, specifically for her outstanding work for period ensemble films such as the highly praised Lee Daniels’ THE BUTLER, Ava Duvernay’s SELMA and MARSHALL, directed by Reginald Hudlin. Carter’s work will soon be seen in the Netflix film, DOLEMITE IS MY NAME, starring Eddie Murphy and directed by Craig Brewer, which will premiere in Fall 2019. This Summer, Carter began production on Paramount's highly-anticipated COMING 2 AMERICA, also directed by Craig Brewer and starring Eddie Murphy. In 2019, Carter received the "Career Achievement Award" and "Excellence in Sci-fi/Fantasy Film" from the Costume Designers Guild and the Critics’ Choice Award for "Best Costume Design” for BLACK PANTHER, among numerous other honors. .
Recommended publications
  • Executive Producer)
    PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime).
    [Show full text]
  • Commercial Counterhistory: Remapping the Movement in Lee Daniels’ the Butler
    Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S Commercial Counterhistory: Remapping the Movement in Lee Daniels’ The Butler LEIGH ANNE DUCK Lee Daniels’ The Butler () might seem an unlikely candidate for intervening in Hollywood’s civil rights genre, given both its nationalistic ending and its recuperation of iconic styles and images. This paper argues, however, that the film’s pastiche interrogates past cinematic tropes for race and space; in this sense, it proves counterhistorical, a term indicating not a lack of accuracy but a commitment to illuminating the role of visual media in shaping contemporary understandings of history and to encouraging fresh perspectives on the past. Examining the many forms of constraint produced by iconic images of black and gendered per- sonhood, the film also takes on the spatial icon with which many of these figures are associated – the southern plantation. Both exposing and challenging the ways in which spectacular accounts of southern racism occlude the geographic and political reach of African American movements against oppression, the film inconsistently insists on the importance of thinking across conven- tional demarcations of space and time. At these moments, it suggests possibilities for how even commercial cinema might contribute to new conceptions of black political history and possibility. We were right on the border: ten miles from Memphis and a million miles from the rest of the world. FBI agent Rupert Anderson (played by Gene Hackman) on his previous career as a small-town sheriff in Mississippi Burning () While Mississippi Burning, Alan Parker’s action-packed account of an FBI investigation into the disappearance of three civil rights workers, was widely lauded for its technical achievements, it became notorious almost immediately upon release for “whitewashing” the fight for African American rights.
    [Show full text]
  • 10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
    10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa.
    [Show full text]
  • Liste Des Chaines /Filmes/Vods/Series
    Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Colonne1 Tunisia 1 Tunisia 2 Tunisia Nat 3 Elhiwar Ettounsi ATTESSIA Nessma Hannibal Telvza Tv Al Janoubia Tunisna MTunisia Sahel TV Al Mustakillah Zitouna Al Insen Carthage TV AR-MECCA CANAL ALGERIE ENTV Algeria 3 AR-Algerie-Tamazight-tv4 TV5 Samira Echorouk Echourouk News Echorouk Benna Ennahar Elheddaf Dzair Dzair News Numidia News El Djazairia 1 EL BILAD Beur Fadjr Bahia Berbere Al Magharibia 1 AlaoulaInterHD ALAoulaInter AR-AlAoula-Layoune Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com 2M Maroc Arryadia AR-Arrabiaa AlMaghrebia Assadissa Maroc Tamazight AR-Medi-1_TV AR-MBC1_HD AR-MBC_1 AR-MBC_2 AR-MBC2_HD AR-MBC_4 AR-MBC4_HD AR-MBC-MAX AR-MBC_MAX-HD AR-MBC-Action AR-MBC_Action-HD AR-MBC-DRAMA AR-MBC_Drama-HD AR-MBC_MASR AR-MBC-masr2 AR-MBC_Bollywood-HD AR-MBC_Bollywood AR-Rotana_Cinema-HD AR-Rotana-Cinema-EGY AR-Rotana-Cinema-KSA AR-Rotana_Aflam AR-Rotana_Masria-HD AR-Rotana-Masriya AR-Rotana-Clip AR-Rotana_Music-HD AR-Rotana-Music AR-Rotana-Khalijiya HD AR-Rotana-Khalijiya AR-Rotana_Classic-HD AR-Rotana-Classic AR-ART_Aflam_1 AR-ART_Aflam-2 AR-ART_Cinema AR-ART_Hekayat-1 AR-ART_Hekayat-2 AR-BeIn_Movies1_HD AR-BeIn_Movies2_HD AR-BeIn_Movies3_HD AR-BeIn_Movies4_HD Ar-Bein-Gourmet Ar-Bein-Junior Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Ar-BeinDrama AR-StarCinema-1 AR-StarCinema-2 AR-Toktok_Cima AR-Cima AR-AL-SHASHA-CINEMA AR-4G-AFLAM AR-4G-CIMA AR-4G-CLASSIC AR-4G-DRAMA AR-4G-FILM AR-CINEMA-1 AR-CINEMA-2 AR-CIMA-TUBE AR-CINEMA-TUBE AR-Darbaka-Aflam
    [Show full text]
  • Dolemite Is My Name
    DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number.
    [Show full text]
  • Read It Here
    FILED: NEW YORK COUNTY CLERK 12/03/2015 05:43 PM INDEX NO. 159710/2015 NYSCEF DOC. NO. 9 RECEIVED NYSCEF: 12/03/2015 SUPREME COURT OF THE STATE OF NEW YORK COUNTY OF NEW YORK ---------------------------------------------------------------- X : SEAN PENN, : Index No. 159710/2015 : Plaintiff, : : v. : : LEE DANIELS, an individual, and : JOHN DOES 1-100, : : Defendants. : ---------------------------------------------------------------- X MEMORANDUM OF LAW IN SUPPORT OF LEE DANIELS’ MOTION TO DISMISS STROOCK & STROOCK & LAVAN LLP Counsel for Lee Daniels 180 Maiden Lane New York, New York 10038 (212) 806-5400 – and – Southeast Financial Center 200 South Biscayne Blvd., Suite 3100 Miami, Florida 33131 Deadline.com(305) 358-9900 TABLE OF AUTHORITIES Page(s) Cases 600 West 115th Street Corp. v. Von Gutfeld, 80 N.Y.2d 130 (1992) ..................................................................................................... Page 11 Alianza Dominiciana, Inc. v. Luna, 229 A.D.2d 328 (1st Dep’t 1996) ................................................................................... Page 24 Alliance Network, LLC v. Sidley Austin, LLP, 43 Misc. 3d 848(Sup. Ct. N.Y. Cnty. March 20, 2014) .................................................... Page 5 Aronson v. Wiersma, 65 N.Y.2d 592 (1985) ....................................................................................................... Page 8 Basis Yield Alpha Fund (Master) v. Goldman Sachs Grp., Inc., 115 A.D. 128 (1st Dep’t 2014) ........................................................................................
    [Show full text]
  • Actress Carey Mulligan to Receive the Artistic Achievement Award During the Centerpiece Presentation of ​Wildlife Costume Desi
    Media Contact: Nick Harkin / Matthew Bryant ​ Carol Fox and Associates 773.969.5033 / 773.969.5034 [email protected] [email protected] For Immediate Release: Sept. 12, 2018 ​ ACTRESS CAREY MULLIGAN TO RECEIVE THE ARTISTIC ACHIEVEMENT AWARD DURING THE CENTERPIECE PRESENTATION OF WILDLIFE ​ COSTUME DESIGNER RUTH CARTER (BLACK PANTHER, SELMA) TO ​ ​ BE HONORED WITH A CAREER ACHIEVEMENT AWARD AT THIS YEAR’S BLACK PERSPECTIVES TRIBUTE The Festival will also pay tribute to the legacy of actress and Festival co-founder Colleen ​ Moore and Chicago graphic artist Art Paul ​ ​ th CHICAGO – The 54 ​ Chicago International Film Festival, presented by Cinema/Chicago, ​ ​ ​ ​ ​ today announced Tributes to actress Carey Mulligan in conjunction with this year’s ​ ​ Centerpiece film Wildlife, and costume designer Ruth Carter as part of the Festival’s annual ​ ​ ​ ​ ​ Black Perspectives Program. The Festival will also celebrate posthumously two artists special ​ to Chicago, graphic designer Art Paul in conjunction with a screening of Jennifer Kwong’s Art ​ ​ ​ Paul of Playboy: The Man Behind the Bunny, and actress and Chicago International Film ​ Festival co-founder Colleen Moore, with a screening of The Power and the Glory (1933). The ​ ​ ​ ​ ​ ​ tributes will take place over the course of the Festival’s 12-day run at AMC River East 21 (322 E. Illinois St.) in Chicago, October 10-21, 2018. British actress Carey Mulligan is one of the paramount talents of her generation. Nominated for ​ ​ an Oscar®, a Golden Globe, and a SAG award for her radiant portrayal of the innocent teenage Jenny in An Education, Mulligan has delivered captivating performances across stage and ​ ​ ​ ​ screen, including Shame, The Great Gatsby, Inside Llewyn Davis, Mudbound, and this year’s ​ ​ ​ ​ ​ ​ Festival selection, Wildlife.
    [Show full text]
  • Wgaw: Behind the Screen
    DOLEMITE IS MY NAME - Scott Alexander & Larry Karaszewski - Writers (Starring Eddie Murphy, Keegan-Michael Key, Mike Epps) WGAW: BEHIND THE SCREEN Eddie Murphy portrays real-life legend Rudy Ray Moore, a comedy and rap pioneer who proved naysayers wrong when his hilarious, obscene, kung fu fighting alter ego, Dolemite, became a 1970s Blaxsploitation phenomenon. Sheryl Aronson: Please talk about the history of this movie and how you came to write it. Scott Alexander: Eddie came to us about 17 years ago and wanted to do a movie about Rudy Ray Moore. He was a big fan of Rudy’s. He pitched it to Larry and me, and we said let’s do it. We got with the real Rudy and heard all his war stories. However, when we tried to pitch the movie, nobody wanted it. Sheryl Aronson: Why do you think now the film was able to get made? Scott Alexander: We called in our chip. Larry and I had done the television show OJ Simpson. We decided to use our power for “good” and thought about the whole project. We reached out to Eddie again and said, “Let’s try it now.” Sheryl Aronson: Eddie Murphy is such a funny guy. In this film, he Adam Mervis: It comes out in 10 days. gets to show off his comedic side and his serious side. How did you write this role with him in mind? Sheryl Aronson: Is this your first feature film? Scott Alexander: We were writing for Eddie and all we cared about was Adam Mervis: This is my first big feature film.
    [Show full text]
  • Eddie Murphy Reprises His Role As the Ever-Charming Prince Akeem and Leads an All-Star Cast for the Much-Anticipated Sequel, COMING 2 AMERICA
    COMING 2 AMERICA - An American Marvel! Eddie Murphy reprises his role as the ever-charming Prince Akeem and leads an all-star cast for the much-anticipated sequel, COMING 2 AMERICA. Three decades and three beautiful daughters later, Akeem prepares to take over the reigns of his homeland of Zamunda. As antiquated gender roles are being challenged within his home, he is also faced with a new dilemma on the outside. While tradition has always required a male heir to take the throne, Akeem feels torn between following custom and creating change. While considering his eldest daughter, Meeka, who is the strongest choice, his rival, General Izzi, is plotting a union of dynasties with his son, Idi, as Meeka’s groom. Meanwhile, an ailing King Joffer delivers the shocking news that Akeem has a long-lost son, Lavelle, in Queens. After an unexpected turn of events, Akeem, now the King of Zamunda, along with his trusted confidante, Semmi, return to New York to tend to this unfinished royal family business. Upon finding Lavelle, Akeem convinces him to travel to Zamunda in order to learn the customs of royal life in preparation for becoming the heir to the throne. While Akeem smooths tensions with his wife and three daughters, General Izzi decides that his daughter, Bopoto, will become Lavelle’s wife. All the while, Lavelle is falling in love with his royal barber, Mirembe, who has dreams of owning her own barbershop. Arsenio Hall returns as Semmi, alongside James Earl Jones as King Jaffe Joffer, Shari Headley as Lisa, John Amos as Cleo McDowell, Louie Anderson as Maurice and the legendary barbershop crew who sparked the laughs in 1988 for COMING TO AMERICA.
    [Show full text]
  • Florida Southern College Assessing the Vanishing Lesbian in Book-To
    Florida Southern College Assessing the Vanishing Lesbian in Book-to-Film Adaptations: A Critical Study of Rebecca, Fried Green Tomatoes, and Black Panther Felicia Coursen Thesis Advisor: Dr. Moffitt May 2, 2021 Coursen 2 A Framework for Understanding the Vanishing Lesbian Popular media consistently disregards lesbian voices and identities. The film industry, as a facet of popular media, often neglects to tell lesbian stories. When films do include lesbian characters, the depictions are often problematic and grounded in stereotypes. Literary critic and queer theorist Terry Castle argues the following in her book, The Apparitional Lesbian: Female Homosexuality and Modern Culture: “The lesbian remains a kind of ‘ghost effect’ in the cinema world of modern life: elusive, vaporous, difficult to spot – even when she is there, in plain view, mortal and magnificent, at the center of the screen. Some may even deny she exists at all” (2). Castle explains the “ghost effect” of lesbian characters in cinema, which is better identified as the process of lesbian erasure. Although the two terms are synonymous, “lesbian erasure” provides a more clear-cut verbalization of this process (i.e., there once were lesbian characters, but they are now erased). Lesbian erasure is a direct result of the following: (1) the absence of lesbian characters, (2) the inclusion of only one-dimensional/stereotyped lesbian representation, and/or (3) the use of subversion and subtextualization to hide lesbian characters from audiences. Book-to-film adaptations reveal the ghost effect most clearly. Lesbians in book-to-film adaptations are not only apparitional; they vanish right before the viewers’ eyes.
    [Show full text]
  • Confronting Historical Stereotypes of African Americans on the Big Screen Melissa Ann Garrett Iowa State University
    Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2017 Contemporary portrayals of blacks and mixed- blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen Melissa Ann Garrett Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the African American Studies Commons, Film and Media Studies Commons, and the Journalism Studies Commons Recommended Citation Garrett, Melissa Ann, "Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen" (2017). Graduate Theses and Dissertations. 15307. https://lib.dr.iastate.edu/etd/15307 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen by Melissa Ann Garrett A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Tracy Lucht, Major Professor Daniela Dimitrova Linda Shenk The student author and the program of study committee are solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2017 Copyright © Melissa Ann Garrett, 2017.
    [Show full text]
  • 72Nd Emmy Awards Producer Release 2020
    July 23, 2020 GUY CARRINGTON, REGINALD HUDLIN, DAVID JAMMY AND IAN STEWART JOIN JIMMY KIMMEL AS EXECUTIVE PRODUCERS OF THE ‘72nd EMMY® AWARDS,’ AIRING SUNDAY, SEPT. 20, ON ABC Production Company Done+Dusted to Produce Telecast Jimmy Kimmel Previously Announced as Host of Television’s Most Celebrated Event of the Year Emmy® Award-nominated producers Guy Carrington, Reginald Hudlin, David Jammy and Ian Stewart will executive produce the “72nd Emmy® Awards” along with previously announced host and executive producer Jimmy Kimmel. Television’s biggest night will be broadcast SUNDAY, SEPT. 20 (8:00-11:01 p.m. EDT / 6:00-9:01 p.m. MDT / 5:00-8:02 p.m. PDT), on ABC. Production company Done+Dusted will produce the telecast. Additional details regarding production of the show will be announced at later time. “I’m excited to collaborate with this outstanding team as we produce a show that celebrates the best of what we do and reflects this moment in history,” said Hudlin. “The world has been turned upside-down by a pandemic, but television has remained our steadfast friend through it all, and we want to come together to honor this friend of ours that informs, entertains and oftentimes uplifts us when we need it most,” said Ian Stewart of Done+Dusted. “How we accomplish that on Emmy night is a question we’re all grappling with, but any stumbling block can be a stepping stone, depending on how you use it.” “Each year Done + Dusted has produced the Emmys, they’ve brought new ideas and a great collaborative spirit; and with the addition of Reggie Hudlin, it promises to be a truly exceptional night,” said Frank Scherma, Television Academy chairman and CEO.
    [Show full text]