The Lib Dem Conference
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Festival at a Glance
FESTIVAL AT A GLANCE WEDNESDAY 22 10:00-11:00 BREAK 11:30-12:30 BREAK 14:00-15:00 BREAK 15:45-16:45 BREAK 17:45-18:30 18:30-21:00 P Masterclass: 11:00-11:30 P Meet the Controllers: 12:30-14:00 F Gamechanger: 15:00-15:45 P Edinburgh Does 16:45-17:45 L MacTaggart Lecture: Free coaches to The FH Screening: Love Island T Channel 4 Charlotte Moore, L It’s all about me... SA Music from Nancy Daniels, T How to Cash In Catchphrase with B Branded Michaela Coel Museum of Scotland Vanity Fair, ITV. S Meet the Controller: Random Acts Live Pitch BBC One on TV: Joanna Lumley Hannah Haynes, Discovery on the Streaming Roy Walker Entertainment Network depart from the EICC Exclusive Preview Damian Kavanagh, 11:00 - 12:00 F Tomorrow’s World with Clive Tulloh Harpist and Composer S Meet the Controller: Goldrush S Meet the Cocktail Reception 18:30 - 19:15 of Episode One with BBC Three SA Music from of TV 12:45 - 13:45 Zai Bennett, Sky UK 15:10 -15:40 Controllers: Richard 16:45 - 17:35 Cast & Crew Q&A 19:00 - 20:30 MK Too Posh Hannah Haynes, S The Insider’s Guide T Meet the Canadians: MK Commissioner LF Lightning Talk: Watsham, Hilary Rosen BT Pre-MacTaggart & Steve North, UKTV to Produce? Harpist and Composer to Building Your Opportunities for Interview: Luke Hyams, How to make a Lecture Drinks A+E Networks Opening UK Producers Green Production 16:45 - 17:35 P5 Speed Meetings: Audience on YouTube Head of Originals, MK Introductory Night Reception: The 12:45 - 13:30 15:10 - 15:40 10:00 - 16:00 MK Lessons from YouTube EMEA Address: SA Join us for a Museum of -
The Future of The
The Future of Public Service Broadcasting Some thoughts Stephen Fry Before I can even think to presume to dare to begin to expatiate on what sort of an organism I think the British Broadcasting Corporation should be, where I think the BBC should be going, how I think it and other British networks should be funded, what sort of programmes it should make, develop and screen and what range of pastries should be made available in its cafés and how much to the last penny it should pay its talent, before any of that, I ought I think in justice to run around the games field a couple of times puffing out a kind of “The BBC and Me” mini‐biography, for like many of my age, weight and shoe size, the BBC is deeply stitched into my being and it is important for me as well as for you, to understand just how much. Only then can we judge the sense, value or otherwise of my thoughts. It all began with sitting under my mother’s chair aged two as she (teaching history at the time) marked essays. It was then that the Archers theme tune first penetrated my brain, never to leave. The voices of Franklin Engelman going Down Your Way, the women of the Petticoat Line, the panellists of Twenty Questions, Many A Slip, My Word and My Music, all these solid middle class Radio 4 (or rather Home Service at first) personalities populated my world. As I visited other people’s houses and, aged seven by now, took my own solid state transistor radio off to boarding school with me, I was made aware of The Light Programme, now Radio 2, and Sparky’s Magic Piano, Puff the Magic Dragon and Nelly the Elephant, I also began a lifelong devotion to radio comedy as Round The Horne, The Clitheroe Kid, I’m Sorry I’ll Read That Again, Just A Minute, The Men from The Ministry and Week Ending all made themselves known to me. -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
Jan / Feb 2019 Welcome to Towner Cinema
jan / feb 2019 Welcome to towner cinema From Japanese master Hirokazu Kore-eda’s WIDOWS 5, 6, 10 Jan criminal family of misfits in Shoplifters to Yorgos Steve McQueen, 2018 (15) 130m Lanthimos’ vision of the court of Queen Anne in Turner Prize-winning artist turned Academy The Favourite, our new release dramas offer a Award-winning director, Steve McQueen, returns wealth of captivating stories this season. with this heist caper starring Viola Davis. We also bring you brand new documentaries – RBG explores Supreme Court Justice Ruth Bader Ginsberg’s rise to fame as a pop culture icon; while Bergman: A Year in a Life charts the work of filmmaker Ingmar Bergman over the course of 1957, a landmark year in his career. To coincide with this, we will screen the two films he produced that year, Wild Strawberries and The Seventh Seal. February means LGBT History Month, and we’re RBG 12, 17 Jan proud to partner once again with our friends at Betsy West & Julie Cohen, 2018 (PG) 98m Eastbourne Rainbow and Bourne Out to bring At 84, Supreme Court Justice Ruth Bader Ginsburg has forged a legal legacy while you a very special screening of Before Stonewall, becoming an unexpected pop culture icon. in recognition of the 50th anniversary of the Stonewall riots in New York. Further special events this season include a screening of Jacques Demy’s Les Demoiselles de Rochefort in partnership with the Overnight Film Festival, and the recent restoration of Jean Cocteau’s Orphée, a film which demands to be seen on the big screen. -
Masculinity in Comic Midlife Crisis in Michael Winterbottom's Trip Series
139 LUCIA KRÄMER The Imitation Competition: Masculinity in Comic Midlife Crisis in Michael Winterbottom's Trip Series "It's not about the destination, it's about the journey." (S1E5)1 1. Introduction Although the comedy programme examined in this article is simply, and somewhat self-deprecatingly, called The Trip (2010-), rather than 'The Journey' or some other title with more gravitas, the implications of the overarching metaphor are independent of genre. The geographical journey evokes the theme of the journey of life: its phases; the events, obstacles and detours on the way; the persons encountered during the journey, as well as its inevitable destination, i.e. death. This article examines how Michael Winterbottom's Trip series uses this metaphor to present its two middle-aged male protagonists – played by the British comedy stars Steve Coogan and Rob Brydon as fictionalised versions of themselves2 – in a way that combines the ridiculous with the absurd by evoking what Martin Esslin, in his seminal book on The Theatre of the Absurd, called a "sense of metaphysical anguish at the absurdity of the human condition," fuelled by the "senselessness of life" (1980, 23-24) and the elusiveness of a sense of self. In fact, the statement from the character of Steve Coogan in The Trip that precedes this article self-referentially encapsulates the life situation of its two main characters as well as the non-teleological structure of the programme.3 After a general introduction to the Trip series, the initial focus of the following analysis will be on the show's extensive use of intertextuality and the protagonists' obsession with performance. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Read Book Reframing the Past : History, Film and Television Ebook
REFRAMING THE PAST : HISTORY, FILM AND TELEVISION PDF, EPUB, EBOOK Mia E. M. Treacey | 180 pages | 16 Mar 2016 | Taylor & Francis Ltd | 9781138815872 | English | London, United Kingdom Reframing the Past : History, Film and Television PDF Book Mary Bellis. This is what happened when Palema Anderson decided to be a part of Sacha Baron Cohen's seminal Borat — she was down for the ride, even if it meant that her then-husband was furious with her for participating. Her path was fraught: she was reportedly repeatedly harassed for being a woman, and only fragments exist of her first major film , Hatsu Sugata , which she made in at the age of Jonah Hill and Channing Tatum deliver some of the funniest performances of their careers, to be sure, but the true stand-out moment comes near the end when the original stars of 21 Jump Street are revealed to be on the same case as Hill and Tatum. This volume contends that we need to look beyond political and ideological contestations to a deeper level of. According to an interview with MTV , the six-minute shot was indeed one take. Reframing the Past traces what historians have written about film and television from until the early s. Reframing the Past traces what historians have written about film and television from until the early s. Cullen, Jim. Oxford: Blackwell, Starring John Cho and Kal Penn at an early stage in their careers, the film is a goofy and raunchy buddy comedy about a desperate search for some late-night fast food. She is known for her independent films and documentaries, including one about Alexander Graham Bell. -
Atomic Blonde
PROGRAMME ATOMIC BLONDE “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards SEPTEMBER 2017 • ISSUE 150 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN SEPTEMBER CONTENTS Films At A Glance 16-17 Rants & Pants 27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 Slack Bay Sun 4.30-5.30 Bonkers, surreal, straight faced, disgusting comedy. Back to the Rex by no demand at all. Don’t miss. See page 24 SEAT PRICES Circle £9.50 FILMS OF THE MONTH Concessions/ABL £8.00 Back Row £8.00 Table £11.50 Concessions/ABL £10.00 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 Matinees - Upstairs £5, Downstairs £6.50, Royal Box £10 Disabled and flat access: through the gate on High Street (right of From the Land Girls Trip apartments) of The Moon Raunchy, raucous and sassy… a Back at the Rex for Marion Cotillard freewheeling focus on friendship. driven by the destructive notion of A fun chic-flick for September. Director: James Hannaway love itself… Fabulous. See page 10 See page 15 01442 877999 Advertising: Chloe Butler 01442 877999 Artwork: Demiurge Design Luxury in 01296 668739 The Rex High Street (Three Close Lane) “every detail Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Final Portrait Maudie THIRTEEN INTERIOR DESIGN Geoffrey Rush is on his wittiest A gentle film to break your heart “ Unhesitatingly The Rex (Oscar) form as 20thC Italian painter with infectious positivity. Sally is the best cinema I have and sculptor Giacometti. -
Mark Davies Editor
Mark Davies Editor Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Credits Film Production Company Notes HOME ALONE 20th Century Studios / Dir: Dan Mazer 2021 Disney+ Prod: Hutch Parker, Jeremiah Samuels, Dan Wilson with Rob Delaney, Aisling Bea, Kenan Thompson THE EXCHANGE Who's On First Films Dir: Dan Mazer 2021 Prod: Simon Horsman, Jeffrey Soros, Dan Hine (with Ed Oxenbould) BORAT SUBSEQUENT Four by Two Films / Amazon Dir: Jason Woliner MOVIEFILM Prod: Sacha Baron Cohen, Monica 2020 Levinson, Anthony Hines EVERYBODY'S TALKING Warp / Film 4 / New Regency / Additonal editing ABOUT JAMIE 20th Century Studios Dir: Jonathan Butterell 2020 Prod: Barry Ryan, Mark Herbert, Peter Carlton (with Max Harwood, Lauren Patel, Richard E. Grant, Sharon Horgan, Sarah Lancashire) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SUPERVIZED Merlin Films Dir: Steve Barron 2019 Prods: Steve Barron & Kieran Corrigan (with Hiran Abeysekera, Elya Baskin & Tom Berenger) DORA AND THE LOST Paramount Pictures Additional editing CITY OF GOLD Dir: James Bobin Prod: Kristin Burr (with 2019 Isabela Moner, Benicio Del Toro, Michael Peña, Eva Longoria) LONDON FIELDS Muse Films / Hero Films As Consultant Editor 2015 Dir: Matthew Cullen Prods:Jordan Gertner & Chris Hanley (with Billy Bob Thornton, Amber Heard and Johnny Depp) MAY THE BEST MAN What If It Barks Dir:Andrew O’Connor WIN Films/MGM/Orion Pictures Prods:Lee Hupfield, Ray Marshall, 2014 Andrew O'Connor and Matthew Robinson (with Rosa Salazar, Whitmer Thomas and Drew Tarver) **Official Selection SXSW Film Festival Austin Tx** ALAN PARTRIDGE: Baby Cow Films Additional editing ALPHA PAPA Dir: Declan Lowney 2013 Prods: Kevin Loader and Henry Normal (with Steve Coogan, Nigel Lindsay, Colm Meaney and Karl Theobald) Television Production Company Notes MAN VS. -
2013 NOMINATIONS (Presented in 2014)
2013 NOMINATIONS (presented in 2014) BEST FILM 12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca GRAVITY Alfonso Cuarón, David Heyman PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward OUTSTANDING BRITISH FILM GRAVITY Alfonso Cuarón, David Heyman, Jonás Cuarón MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope RUSH Ron Howard, Andrew Eaton, Peter Morgan SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER COLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good Vibrations KELLY MARCEL (Writer) Saving Mr. Banks KIERAN EVANS (Director/Writer) Kelly + Victor PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril SCOTT GRAHAM (Director/Writer) Shell FILM NOT IN THE ENGLISH LANGUAGE THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge Sørensen BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima METRO MANILA Sean Ellis, Mathilde Charpentier WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul DOCUMENTARY THE ACT OF KILLING Joshua Oppenheimer THE ARMSTRONG LIE Alex Gibney BLACKFISH Gabriela Cowperthwaite TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney ANIMATED FILM DESPICABLE ME 2 Chris Renaud, Pierre Coffin FROZEN Chris Buck, Jennifer Lee MONSTERS UNIVERSITY Dan Scanlon DIRECTOR 12 YEARS A SLAVE Steve McQueen AMERICAN HUSTLE David O. -
Production Information Release Date: September 9, 2010 Running Time
Production Information Release Date: September 9, 2010 Running time: 107 min Rating: M Detectives Christopher Danson and P.K. Highsmith (Dwayne Johnson and Samuel L. Jackson) are the baddest and most beloved cops around. They don’t get tattoos – other men get tattoos of them. Two desks over and one back, sit Detectives Allen Gamble (Will Ferrell) and Terry Hoitz (Mark Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes – they’re “the Other Guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into the city’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff? Columbia Pictures presents a Gary Sanchez / Mosaic production, The Other Guys . The film stars Will Ferrell, Mark Wahlberg, Eva Mendes, Michael Keaton, Steve Coogan, Ray Stevenson, with Samuel L. Jackson and Dwayne Johnson. Directed by Adam McKay. Produced by Will Ferrell, Adam McKay, Jimmy Miller, and Patrick Crowley. Written by Adam McKay & Chris Henchy. Executive Producers are David Householter, Chris Henchy, and Kevin Messick. Director of Photography is Oliver Wood. Production Designer is Clayton Hartley. Editor is Brent White, A.C.E. Costume Designer is Carol Ramsey. Music by Jon Brion. ABOUT THE FILM Not every cop can be a hero. It takes all kinds to fill a police force – you got your superstars, the guys who get the medals, your hot shots, glory boys, vets – and then… there are the other guys.