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Film, Media, & Journalism Studies Film, Media, & Journalism Studies 2021 New and Forthcoming Titles COLUMBIA UNIVERSITY PRESS CUP.COLUMBIA.EDU Letter from the editors: We are very excited to be sharing with you the 2021 Film, Media, and Journalism Studies catalog. The recent resurgence of interest in the work of William Greaves is complemented and enhanced by the publication of William Greaves, edited by Scott MacDonald and Jacqueline Najuma Stewart. The book is the first comprehensive overview of Greaves’s career and illuminates how his films became a powerful tool for transforming how Black Americans were perceived by others and how they saw themselves. We also have three new books from our Film and Culture series that showcase the place of film on local and global levels. Debashree Mukherjee’s Bombay Hustle is an ambitious history of the city’s film culture that offers new insights into media, modernity, and the late colonial city. Moving a few years ahead and across the globe, Keep ’Em in the East, by Richard Koszarski, describes how New York City’s independent and Black filmmakers as well as studio productions changed the direction of American cinema. Finally, the exertion of and resistance to American cultural influence is told via the history of movie theaters in Ross Melnick’s Hollywood’s Embassies. We continue to publish books for students, researchers, and teachers in Wallflower’s Short Cuts series. These short introductory volumes provide focused accounts of key topics in contemporary film studies. This year, Terence McSweeney offers a close reading of recent superhero films, teasing out the ideological content hidden beneath the special effects. Karen McNally returns to classical Hollywood, examining Tinseltown’s long history of self-mythologizing through narratives of the meteoric rise (and fall) of movie stars, in The Stardom Film. And Warren Buckland’s Narrative and Narration provides a concise, clear, and thorough overview of narrative strategies in film, from classical Hollywood to contemporary “puzzle films.” A multiplicity of threats to journalism and the free flow of reliable information has seemingly become a permanent feature of contemporary life. In Media Capture, edited by Anya Schiffrin, journalists and scholars examine the changing nature and peril of new forces seeking to take control of media around the world. Nikki Usher’s News for the Rich, White, and Blue considers how the collapse of local journalism has skewed news coverage to suit particular audiences and addresses the prospects for achieving a more equitable future in news. In Regardless of Frontiers, edited by Lee C. Bollinger and Agnes Callamard, contributors analyze the challenges to norms on the flow of information from the rise of populism and authoritarian governments to the disruptions introduced by the internet. Reporters themselves are also confronting new threats to their work and personal safety, and Susan McGregor’s Information Security Essentials examines how journalists can protect themselves. Finally, Francesco Marconi’s Newsmakers breaks down the pros and cons of how journalists can and should use AI in their reporting. We hope you share our enthusiasm and excitement for these books. Thank you for your interest, and we look forward to future conversations. Sincerely, Philip Leventhal, senior editor for film, media, and journalism studies Ryan Groendyk, editor for Wallflower 2 ORDER ONLINE AND SAVE 20% ON FILM, MEDIA, AND JOURNALISM STUDIES TITLES. ENTER CODE CONF. TABLE OF CONTENTS FILM HISTORY/FILM THEORY Film History/Film Theory...........................3 Hollywood's Embassies Wallflower..........................................................7 How Movie Theaters Short Cuts (Wallflower)................................8 Projected American Power Austrian Film Museum...............................9 Around the World Hitchcock Annual.......................................10 Ross Melnick Journalism Studies.....................................11 Media Studies.............................................13 Best of the backlist...................................19 Ordering information................................21 Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood Manuscript queries and proposals can be sent films but also by lavish movie theaters that were to the film, media, and journalism studies editor, owned and operated by the major American Philip Leventhal at [email protected]. film companies. In a history that stretches from Wallflower submissions can be sent to Buenos Aires and Tokyo to Johannesburg and Ryan Groendyk at [email protected]. Cairo, Ross Melnick considers these movie houses as cultural embassies. $35.00 / £30.00 paper 978-0-231-20151-3 $145.00 /£120.00 cloth 978-0-231-20150-6 October 2021 432 pages 50 illus. FILM AND CULTURE SERIES “Keep ’Em in the East” Kazan, Kubrick, and the For a complete listing of Columbia’s titles or for Postwar New York Film more information about any book in this catalog, Renaissance visit our website, cup.columbia.edu. Richard Koszarski Most titles in this catalog published by Columbia University Press are available worldwide from the press. If no UK price appears for a title, it is most likely available from Columbia only in the United States, its possessions, and Canada. Richard Koszarski chronicles the compelling and often surprising origins of New York’s postwar film renaissance. He examines the Titles published by Transcript Publishing, social, cultural, and economic forces that shaped Jagiellonian University Press, and Tulika Books are New York filmmaking, from Black filmmakers available from Columbia only in North America. and low-budget productions to city politics and To order titles from these publishers in other parts union regulations. of the world, please contact each press directly. $40.00 / $34.00 paper 978-0-231-20099-8 $145.00 / £120.00 cloth 978-0-231-20098-1 July 2021 480 pages 32 illus. FILM AND CULTURE SERIES FOR MORE INFORMATION, VISIT CUP.COLUMBIA.EDU. 3 FILM HISTORY/FILM THEORY William Greaves Bombay Hustle Filmmaking as Mission Making Movies in a Edited by Scott Colonial City MacDonald and Debashree Mukherjee Jacqueline Najuma Stewart This volume provides the first comprehensive Debashree Mukherjee offers a panoramic history overview of Greaves’s remarkable career. It of early Bombay cinema and its consolidation in brings together a wide range of material, the 1930s. Bombay Hustle provides vital insight including essays from critics and scholars, into practices of modernity and political, social, Greaves’s own writings, an extensive meta- and technological change in late colonial India. interview with Greaves,and conversations with $30.00 / £24.00 paper 978-0-231-19615-4 his wife and collaborator Louise Archambault $105.00 / £88.00 cloth 978-0-231-19614-7 Greaves. 2020 448 pages 66 illus. $35.00 / £30.00 paper 978-0-231-119959-9 FILM AND CULTURE SERIES $145.00 / £120.00 cloth 978-0-231-19958-2 May 2021 472 pages 50 illus. and color insert Chinese Film Classics, Nagarik 1922–1949 Volume 1 Christopher Rea Edited by Ira Bhaskar Translated by Rani Ray Chinese Film Classics, 1922–1949 is an essential Set in Calcutta in the aftermath of Partition, guide to the first golden age of Chinese cinema. Ritwik Ghatak’s Nagarik (released in 1977 after Christopher Rea reveals the uniqueness and Ghatak’s death in 1976) chronicles the struggles complexity of Republican China’s cinematic of a refugee family from East Bengal as they masterworks, from the comedies and melo- desperately strive to survive in a metropolis that dramas of the silent era to talkies and musicals is unable to address the necessities of thousands of the 1930s and 1940s. of people pouring in from across the border. $14.00 cloth 978-81-9-412604-1 $30.00 / £25.00 paper 978-0-231-18813-5 $120.00 /£93.00 cloth 978-0-231-18812-8 June 2021 88 pages 8 illus. May 2021 400 pages 140 illus. TULIKA BOOKS 4 ORDER ONLINE AND SAVE 20% ON FILM, MEDIA, AND JOURNALISM STUDIES TITLES. ENTER CODE CONF. FILM HISTORY/FILM THEORY Absence in Cinema Anxious Cinephilia The Art of Showing Pleasure and Peril at the Nothing Movies Justin Remes Sarah Keller Justin Remes demonstrates how omissions of The advent of new screening practices and viewing expected elements can spur viewers to interpret habits in the twenty-first century has prompted and understand the nature of film in new ways. debate over what it means to be a “cinephile.” Sarah Through a careful analysis of a broad array of Keller places these competing visions in historical avant-garde works, Absence in Cinema reveals that and theoretical perspective, tracing how the love of films must be understood not only in terms of what movies intertwines with anxieties over the content they show but also what they withhold. and impermanence of cinematic images. $30.00 / £25.00 paper 978-0-231-18087-0 $28.00 / £22.00 paper 978-0-231-18931-6 $95.00 / £78.00 cloth 978-0-231-18930-9 $95.00 / £78.00 cloth 978-0-231-18086-3 2020 320 pages 27 illus. 2020 264 pages 15 illus. FILM AND CULTURE SERIES FILM AND CULTURE SERIES Hollywood's Artists Spaces Mapped and The Directors Guild Monstrous of America and the Digital 3D Cinema and Construction of Visual Culture Authorship Nick Jones Virginia Wright Wexman Virginia Wright Wexman offers a groundbreaking Spaces Mapped and Monstrous explores the paradox- history of how movie directors became cinematic ical nature of 3D cinema and its place in today’s auteurs that reveals and pinpoints the influence of visual landscape. Considering 3D’s distinctive the Directors Guild of America. Hollywood’s Artists visual qualities and its connections to wider digital sheds new light on the ways in which the DGA has culture, Nick Jones situates the production and shaped the role and image of directors both within exhibition of 3D cinema within a web of aesthetic, the Hollywood system and the culture at large. technological, and historical contexts. $30.00 / £24.00 paper 978-0-231-19569-0 $35.00 / £27.00 paper 978-0-231-19423-5 $90.00 / £74.00 cloth 978-0-231-19568-3 $140.00 / £115.00 cloth 978-0-231-19422-8 2020 312 pages 2020 304 pages 38 illus.
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