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Vimeo Link for ALL of Bruce Jackson's and Diane Virtual March 9, 2021 (42:6) Alfred Hitchcock: PSYCHO (1960, 109 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to Psycho Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Director Alfred Hitchcock Writing Joseph Stefano adapted the screenplay from the Robert Bloch novel. Producer Alfred Hitchcock Music Bernard Herrmann Cinematography John L. Russell Editing George Tomasini John Anderson...California Charlie Mort Mills...Highway Patrol Officer The film was nominated for four Oscars in 1961, was Virginia Gregg, Paul Jasmin, and Jeanette Nolan...the nominated for Best Film of 1960 by the legendary voice of Norma "Mother" Bates (uncredited). The French film journal Cashiers du Cinéma and was three voices were used interchangeably, except for the entered into the National Film Registry in 1992. last speech, which was performed by Gregg. Anthony Perkins...Norman Bates Alfred Hitchcock (b. August 13, 1899 in London, Janet Leigh...Marion Crane England—d. April 29, 1980, age 80, Los Angeles, Vera Miles...Lila Crane CA) was nominated for 5 Academy Awards but he John Gavin...Sam Loomis only won the Thalberg Award in 1980. That was a Martin Balsam...Private Investigator Milton Arbogast very good year for him: he also received a Legion of John McIntire...Deputy Sheriff Al Chambers Honor from the French government and a knighthood Simon Oakland...Dr. Richmond from the queen. Directors Eric Rohmer and Claude Frank Albertson...Tom Cassidy Chabrol wrote of him, “Hitchcock is one of the Pat Hitchcock...Caroline greatest inventors of form in the history of cinema. Vaughn Taylor...George Lowery Perhaps the only filmmakers who can be compared Lurene Tuttle...Mrs. Chambers Hitchcock—PSYCHO—2 with him in this respect are Murnau and Eisenstein…. (Anna and the King of Siam, 1946), and 1942’s Best Here, form does not merely embellish content, but Music, Scoring of a Dramatic Picture (Citizen Kane, actually creates it.” François Truffaut wrote that 1941). He was also nominated for a Grammy in 1977 Hitchcock had “a unique ability to film the thoughts for Best Album of Original Score Written for a of his characters and make them perceptible without Motion Picture or Television Special (Taxi Driver, resorting to dialogue,” 1976). Hermann composed and that he was “almost for 85 films and TV shows unique in being able to including, 2013 The film directly, that is, Audition (Short), 2012 The without resorting to Man in the Silo, 1998 explanatory dialogue, Psycho, 1976 Obsession, such intimate emotions as 1976 Taxi Driver, 1974 It's suspicion, jealousy, Alive, 1973 Sisters, 1968 desire, and envy.” Critic The Bride Wore Black, Andrew Sarris wrote, 1966 Fahrenheit 451, 1965 “What has been most Convoy (TV Series), 1964 disturbing in Hitchcock’s films–the perverse ironies, Marnie, 1959-1963 The Twilight Zone, 1963 Jason the unresolved ambiguities, the switched and the Argonauts, 1962 Cape Fear, 1962 Tender Is protagonists–now mark him as a pioneer in the the Night, 1961 Gunsmoke (TV Series), 1960 Psycho, modern idiom in which nothing is what it seems on 1959 Journey to the Center of the Earth, 1959 North the surface.” Hitchcock left nothing to chance, not by Northwest, 1958 The 7th Voyage of Sinbad, 1958 even that famous image of him as the plump solemn The Naked and the Dead, 1958 Vertigo, 1957 A Hatful joker with a taste for the macabre: that was the of Rain, 1956 The Man Who Knew Too Much, 1956 product of a PR company he set up in the 1930s. The Man in the Gray Flannel Suit, 1955 Prince of Hitchcock began in film as a title designer and art Players, 1954 The Egyptian, 1953 King of the Khyber director, and he claimed he storyboarded (made scene Rifles, 1953 Beneath the 12-Mile Reef, 1952 The and motion sketches) for every shot in every one of Snows of Kilimanjaro, 1952 5 Fingers, 1951 On his 62 films. Some of his films are Frenzy (1972), The Dangerous Ground, 1951 The Day the Earth Stood Birds (1963), Psycho (1960), North by Northwest Still, 1947 The Ghost and Mrs. Muir, 1946 Anna and (1959), Vertigo (1958), The Man Who Knew Too the King of Siam,1943 Jane Eyre, 1942 The Much (1956), To Catch a Thief (1955), Rear Window Magnificent Ambersons, 1941 The Devil and Daniel (1954), Dial M for Murder (1954), Rope (1948), Webster, 1941 Citizen Kane. Notorious (1946), Spellbound (1945), Lifeboat (1944), Suspicion (1941), Rebecca (1940), The Lady Vanishes John Lowell Russell Jr. (b. May 15, 1905, Brooklyn, (1938), The 39 Steps (1935), The Man Who Knew Too New York--July 22, 1967, Los Angeles, California) Much (1934) Blackmail (1930, the first British talkie), was an American cinematographer who was known and The Lodger (1926). for his work on films like Psycho (for which he earned an Academy Award nomination) as well as his Bernard Herrmann (b. June 29, 1911 in New York extensive work on TV. These are some of the films he City, NY—d. December 24, 1975, age 64, in shot: Backtrack! (1969), Out of Sight (1966), Hollywood, CA) won two Academy Awards in 1977 Billie (1965), Psycho (1960), Hell's for Best Music, Original Score (Taxi Driver, 1976) Crossroads (1957), Star in the Dust (1956), and in 1942 for Best Music, Scoring of a Dramatic Indestructible Man (1956), When Gangland Picture (All That Money Can Buy, 1941). He was also Strikes (1956), The Vanishing American (1955), nominated for 3 Academy Awards including, 1977’s Headline Hunters (1955), Lay That Rifle Best Music—Original Score (Obsession, 1976), Down (1955), Double Jeopardy (1955), The Eternal 1947’s Best Music, Scoring of a Dramatic or Comedy Sea (1955), The Atomic Kid (1954), Tobor the Picture Great (1954), Make Haste to Live (1954), Hell's Half Acre (1954), Geraldine (1953), Champ for a Hitchcock—PSYCHO—3 Day (1953), The Beast from 20,000 Fathoms (1953), Academy Award for Best Supporting Actor for his City That Never Sleeps (1953), Problem Girls (1953), second film, Friendly Persuasion (1956), but is best Sword of Venus (1953), Invasion U.S.A. (1952), Arctic remembered for playing Norman Bates in Alfred Flight (1952), Park Row (1952), Government Agents Hitchcock's Psycho (1960). His other films include vs. Phantom Legion (1951), The Man from Planet Fear Strikes Out (1957), The Matchmaker (1958), On X (1951), The Golden Gloves Story (1950), Guilty of the Beach (1959), Tall Story (1960), The Trial (1962), Treason (1950), The Green Promise (1949), Phaedra (1962), Five Miles to Midnight (1962), Moonrise (1948), Macbeth (1948), and So This Is New Pretty Poison (1968), Murder on the Orient Express York (1948). (1974), Mahogany (1975), The Black Hole (1979), North Sea Hijack (1980), and Crimes of Passion George Tomasini (b. April 20, 1909, Springfield, (1984). Massachusetts—d. November 22, 1964, Hanford, California) was an American film editor who had a decade long collaboration with director Alfred Hitchcock, editing nine of his movies between 1954 and 1964. Tomasini edited many of Hitchcock's best- known works, such as Rear Window (1954), Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963), as well as other well-received films such as Cape Fear (1962). Tomasini was known for his innovative film editing which, together with Hitchcock's stunning techniques, redefined cinematic language. His dialogue overlapping and use of jump cuts for exclamation points was dynamic and innovative (such as in the scene in The Birds where the car blows up at the gas station and Tippi Hedren's character watches from a window, as well as the infamous "shower scene" in Psycho). According to Janet Leigh (July 6, 1927 – October 3, 2004) was an Paul Monaco, “Tomasini's most important work with American actress whose career spanned over five Hitchcock was the memorable shower scene in decades. Raised in Stockton, California by working- Psycho (1960). Its aesthetic and dramatic class parents, Leigh was discovered at 18 by actress accomplishment was achieved largely through the Norma Shearer, who helped her secure a contract with editor's skill. The completed forty-five second Metro-Goldwyn-Mayer. Leigh had her first formal sequence that Hitchcock originally storyboarded was foray into acting, appearing in radio programs before compiled by Tomasini from footage shot over several making her film debut in the drama The Romance of days that utilized a total of over seventy camera Rosy Ridge (1947). Early in her career, she appeared setups. From that mass of footage, Tomasini selected in several popular films for MGM which spanned a sixty different shots, some of them very short, through wide variety of genres, including Act of Violence which he elected to rely heavily on the techniques of (1948), Little Women (1949), Angels in the Outfield 'associative editing'.” On a 2012 listing of the 75 best (1951), Scaramouche (1952), The Naked Spur (1953), edited films of all time, compiled by the Motion and Living It Up (1954). Leigh played mostly Picture Editors Guild based on a survey of its dramatic roles during the latter half of the 1950s, in members, four films edited by Tomasini for Hitchcock such films as Safari (1956) and Orson Welles's film appear. No other editor appeared more than three noir Touch of Evil (1958), but achieved her most times on this listing. The listed films were Psycho, lasting recognition as the doomed Marion Crane in Vertigo, Rear Window, and North by Northwest.
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