DOCSLIB.ORG

Exhibits Registrations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

May ’07 6 SUNDAY 14 MONDAY 18 FRIDAY 24 THURSDAY DILL JONES MEMORIAL CONCERT: The AFTERNOON AT THE OPERA: Norma. SANDWICHED IN: The Photography Club SOUNDSWAP: Video archivist/historian Dick Smolens Swingtet performs in a con- Although he composed just ten operas in of Long Island presents an encore perfor- Peter Irwin and the Long Island Music Hall cert sponsored by the Music Advisory Coun- his short life, Vincenzo Bellini left a legacy mance of Musical Images, its annual slide of Fame host an evening of music by jazz cil. 3 p.m. Story in this issue. of gorgeous, melodic bel canto melodies in presentation with music. 12:10 p.m. legend John Coltrane. 7:30 p.m. Story in this several memorable operas. In Norma — WAY OFF BROADWAY: Naomi Belts issue. considered by many to be his masterpiece Broadway. Cabaret singer Naomi Zeitlin per- — Bellini dramatizes the Roman occupation forms an energetic program of Broadway of ancient Gaul and the love affair between standards blended with a touch of jazz and a Druid priestess, Norma, and her Roman blues. 8 p.m. EXHIBITS 7 MONDAY lover, Pollione. Video excerpts will accom- pany this presentation by professor James FRIDAY COMMUNITY BLOOD DRIVE: Help us Kolb. Sponsored by Music Advisory Coun- 25 In the Main Gallery help others! Sign up at the Information Desk cil and Friends of the Library. 4 p.m. ELIZABETH YAARI: Silk Paintings, or by calling 883-4400, Ext. 136. Walk-ins welcome! Refreshments provided. Activities through May 25. The artist conducts a SATURDAY workshop on Saturday, May 19 from 2 to 4 for children will be provided for parents and 19 p.m. Sponsored by The Art Advisory Coun- caregivers who wish to donate. Co-spon- THE JOY OF ART: Workshop with Eliza- cil. Story in this issue. sored by the library’s Staff Association and beth Yaari , whose silk paintings on on ex- the Health Advisory Council. 3 to 8 p.m. TUESDAY hibit in the Main Gallery. Register at In the Photography Gallery 15 [email protected]. Story in this THE PHOTOGRAPHY CLUB OF LONG THE HAPPILY EVER AFTER IN MAR- issue. 2 to 4 p.m. ISLAND: 28th Annual Exhibition, May 3 RIAGE: Bridging the Gap Between Fantasy through June 30. Look for Musical Images, and Reality. Dr. Lorraine Marxer, a licensed a slide presentation with music on Wednes- psychologist with many years of experi- day, May 16 at 8 p.m. and again on Friday, 8 TUESDAY ence in marital counseling, will discuss what May 18 at 12:10 p.m. Story in this issue. can be done to maintain joy in a relationship AARP DRIVER SAFETY: For Port Washing- and ways to create a deeper sense of mari- In the Community Gallery ton residents over 55. Registration begins tal satisfaction and commitment. Sponsored 20 SUNDAY May 8 for a class to take place on Saturday, by the Health Advisory Council. 7:30 p.m. SENIORS PAINT THE TOWN: Paintings by June 9. A check for $10 payable to AARP is Port Washington Senior Citizen’s, Inc. art due at time of registration class. Story in this issue. HYPERTENSION SCREENING: Free SANDWICHED IN: Star Wars: May the Fan blood pressure screening conducted by St. Film Be with You. Even after 30 years, in- Francis Hospital. 11 a.m. to 2 p.m. terest in George Lucas’ Sci-Fi epic is at an REGISTRATIONS WEDNESDAY TOPICAL TUESDAY: The Great Online 16 all-time high. When the original Star Wars Beginning May 1 Shopping Adventure! Learn how to use the WEDNESDAY MATINEE: A Centenary trilogy returned to theaters in 1997, movie Internet to find the exact item that you’re Tribute to Katharine Hepburn. State of the fans who had grown up with the film be- Panic-Free Finals . .See May 22 looking for at the lowest price. You’ll also dis- Union (1948-123 min.). A presidential can- came inspired to make their own Star Wars films. Now in their 20s and 30s, armed with Beginning May 8 cover a number of resources for store cou- didate (Spencer Tracy) is caught between pons and Internet retailer savings codes. the support of his loyal wife (Hepburn) and video cameras and powerful home comput- AARP Driving Course . See May 8 Most importantly, the program will provide the schemes of an ambitious newspaper ers used for editing and special effects, you with the information that you will need owner (Angela Lansbury). Anthony Veiller these weekend directors created a genre to feel safe and secure about shopping and Myles Connolly adapted the Pulitzer that became known as fan films. Many of online. Join Tony Traguardo for a fun look Prize-winning play by Howard Lindsay and their homespun creations rival the original at the vast world of online retail. Sponsored Russel Crouse for producer/director Frank KOREAN DANCE: Young Ok Hong will movies and are now a permanent part of the by the Friends of the Library. Refreshments Capra. 12 noon. perform a program of Korean dances in cel- Star Wars universe. Clive Young will show TUESDAY will be served. 7:30 p.m. ebration of Asian Heritage Month. She has some of these films and discuss the history 1 LIBRARY BOARD OF TRUSTEES meets. danced at the Olympic Games in Mexico of the growing fan film movement. Clive is A CENTENARY TRIBUTE TO KATH- Executive session at 7 p.m. The public is and South Korea. In addition, musician and Senior Editor of ProSound News and has ARINE HEPBURN: Tonight we begin our invited at 7:30 p.m. storyteller Soh Young Lee-Segedo will nar- written for MTV, VH1, American Songwriter salute to this screen legend with Mary of CONVERSATIONS FROM MAIN rate a history of Korean dance and culture. and many other publications. 12:10 p.m. Scotland (1936-123 min.). Hepburn stars as STREET: Meet Valentino Achak Deng. Mr. This project is made possible in part, with the tempestuous queen whose claim to the public funds from the New York State Coun- “JOURNEY TO THE DAY” (1960-90 min.). WEDNESDAY Deng is the subject of Dave Eggers’ new Six patients at a state mental hospital gather crown of England may cost her her life! 9 What Is the What, cil on the Arts Decentralization Program, book, a fictionalized ac- Dudley Nichols scripted, from Maxwell WEDNESDAY MATINEE: A Centenary administered by the Long Island Arts Coun- for a group therapy session in author Roger count of Mr. Deng’s life from the time he O. Hirson’s episode of Playhouse 90, which Anderson’s play, for director John Ford. Tribute to Katharine Hepburn. Holiday was a small boy in Sudan through his first cil at Freeport and the Korean American 7:30 p.m. Story in this issue. (1938-96 min.). Screenwriters Donald Association. 2 p.m. originally aired on April 22, 1960. John years as a refugee in the United States. Co- Frankenheimer directed. The cast includes Ogden Stewart and Sidney Buchman sponsored by the Library, Dolphin Book adapted Philip Barry’s play about a charm- Mary Astor, James Dunn, James Gregory, Shop and the Landmark. At Landmark on Steven Hill, Janice Rule, Vivian Nathan, Pe- ing non-conformist (Cary Grant) and the Main Street. 7:30 p.m. New York society girl he falls for (Kate). ter Votrian, and Mike Nichols in his first George Cukor’s classic co-stars Lew Ayres, PHOTOGRAPHY CLUB OF LONG IS- dramatic role. Television producer Bob Waldman will introduce. 7:30 p.m. WEDNESDAY Edward Everett Horton, Binnie Barnes and LAND presents Musical Images, its slide MONDAY 2 presentation with music. (Note: the 2005 21 Henry Daniell. 12 noon WEDNESDAY MATINEE: Pride and Preju- and 2006 editions are available in our circu- LIBRARY FOUNDATION: The Port Wash- dice (1940-118 min.). Spirited Elizabeth READING GROUP: A discussion of Evening lating DVD collection.) 8 p.m. ington Library Foundation meets at 7 p.m. Bennet (Greer Garson) finds herself drawn of Long Goodbyes by Paul Murray, facilitated to scowling bachelor Mr. Darcy (Laurence by Lee Fertitta. 7 p.m. “MADEINUSA” (2005-100 min.). Madein- Olivier). Screenwriters Aldous Huxley and usa (Magaly Solier) is a sweet-faced 14- TUESDAY year-old who lives in a dirt-floor house and 29 Jane Murfin adapted Jane Austen’s novel for director Robert Z. Leonard. Also, Rudolf dreams of a world beyond her Peruvian vil- “HALF NELSON” (2006-107 min.). Brook- lage. She is drawn to Salvador (Carlos de la lyn junior high school teacher Dan Dunne Ising’s cartoon, The Fishing Bear (1940-8 THURSDAY min.). 12 noon 17 Torre), a young geologist who has been im- (Ryan Gosling) has a secret – he’s a drug THURSDAY READING GROUP: A discussion of The prisoned by the townspeople. Director addict. When his student Drey (Shareeka 10 World is Flat Carlos Llosa also scripted. Also, Polish ani- Epps) catches him smoking crack in the by Thomas L. Friedman, fa- DIRECTOR’S CUT: Film expert John Bosco cilitated by Lee Fertitta. 1:30 p.m. mator Tomek Baginski’s short Fallen Art bathroom, the two enter into a wary friend- will screen and discuss Children of Men (2004-5 min.), in which army officers nur- ship. Director Ryan Fleck scripted this (2006-109 min.). Director Alfonso Cuaron ture their insanities at a forgotten military drama with Anna Boden. 7:30 p.m. THURSDAY also co-scripted this adaptation of P.D. base. This screening comes to us from Film 3 James’s novel about a near-future world Movement, an organization that makes out- SENIOR CONNECTIONS: Information and where women can no longer bear children.
Recommended publications
  • Before the Forties

    Before the Forties

    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY

  • Summer Classic Film Series, Now in Its 43Rd Year

    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
  • Screwball Syll

    Screwball Syll

    Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny.
  • Understanding Screenwriting'

    Understanding Screenwriting'

    Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges.
  • La Fiera De Mi Niña Un Manicomio Bien Construido

    La Fiera De Mi Niña Un Manicomio Bien Construido

    LA FIERA DE MI NIÑA Bringing up baby Howard Hawks, 1938 UN MANICOMIO BIEN CONSTRUIDO Adaptación de un relato corto de Hagar Wilde (1905-1971) publicado en 1937 por el magazine Collier’s Weekly. “Yo trabajaba para la RKO cuando leí una historia maravillosa. Su autora, Hagar Wilde, nunca había escrito para el cine, así que Dudley Nichols la ayudó con el script.” 1 El título original es Bringing up Baby, traducible al español como Educando a Baby. Baby es el nombre de un leopardo, mascota de la protagonista. En España, el film se exhibió como La fiera de mi niña, título bastante ambiguo porque puede referirse a la chica o al leopardo. Sinopsis: El paleontólogo David Huxley acaba de recibir la clavícula intercostal de un brontosaurio, único hueso que le faltaba para completar el esqueleto. Para ser el hombre más feliz de la tierra sólo necesita conseguir una donación de un millón de dólares para su museo y casarse al día siguiente con Alice, su prometida y seria colaboradora. Sin embargo, el día antes de la boda irrumpe en su vida Susan, una joven llena de vitalidad y absurda hasta el extremo de ofrecerle un leopardo por mascota. Tras un comienzo accidentado, David entiende que su felicidad está más cerca de la loca Susan que de la fósil Alice. “Toda la película es completamente exagerada. Creo que su gran defecto es que no hay nadie normal en ella. Pero no me di cuenta hasta que la película estuvo terminada. Aun así, Harold Lloyd me dijo que era la comedia mejor construida que había visto nunca.
  • And the Oscar Goes To

    And the Oscar Goes To

    SOCIETY & CULTURE Oscar de la Renta with Spanish socialite and exhibits former fashion model Naty Abascal in the 1960s. AND THE OSCAR GOES TO... As the Museum of Fine Arts pays tribute to prolific fashion designer Oscar de la Renta, local style icons look back on his impact on both their lives and the world. By Michele Meyer The first major fashion exhibit at The Museum of Fine Arts, Houston began with one phone call, when philanthropist Lynn Wyatt rang up Museum Director Gary Tinterow. Having seen a tribute to the late, great Oscar de la Renta at San Francisco’s de Young museum, Wyatt believed Houston should stage its own showcase of the dapper designer. After all, he’d often visited our city and had clad not only Audrey Hepburn, Taylor Swift, Oprah Winfrey and every first lady of the United States—from Nancy Reagan to Michelle Obama— but also many local fashionistas, Wyatt among them. Needless to say, Tinterow agreed. Rest assured that the resulting exhibit, The Glamour and Romance of Oscar de la Renta—on view through Jan. 28—is no knock-off. Not only did de la Renta’s heirs and French label Pierre Balmain share corporate and personal archives, but some of Houston’s best-dressed denizens opened their own closets to the MFA. Each section features gorgeous garb loaned by Wyatt; former Mayor Bob Lanier’s wife, Elyse Lanier; fine arts patron Rosanette Cullen; anesthesiologist Yvonne Cormier; and former first lady Laura Bush. “He told me he had a special affection for the women of Houston because they had style and wore their clothes beautifully,” Cormier says.
  • Quentin Tarantino Retro

    Quentin Tarantino Retro

    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
  • 3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie

    3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie

    1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
  • ABCD Online Programme Note Bringing up Baby 20

    ABCD Online Programme Note Bringing up Baby 20

    ABCD Film Society Registered Charity no. 292723 [email protected] www.abfilms.org.uk Welcome to the opening film in ABCD's new Online programme which we hope will provide you with some cinematic sustenance in these Covid restricted days Bringing Up Baby USA 1938 102mins Cert U In this engagingly bizarre story, soppy socialite Susan Vance (Katharine Hepburn) and absent-minded palaeontology professor David Huxley (Cary Grant) hunt for her missing pet leopard (the Baby of the title) and a fossil - the latter stolen by the heroine’s dog, while Major Horace Applegate (Charles Ruggles) makes loony 'phone calls (don’t ask!). All the increasingly befuddled Huxley is trying to do is secure a $1 million donation for his museum. Director Hawks’ priceless farce is high on the list of the all-time great American film comedies, being distinguished by a truly witty screenplay (by Dudley Nichols and Hagar Wilde - based on the latter’s story) that’s packed with endless funny situations and hilarious lines. Hawks takes all the nonsense, as you must with farce, at a breathless gallop, frantically picking up the pace into a frenzy. Bringing Up Baby is most fondly remembered for the delightful, delirious, slapstick playing from a perfectly matched Hepburn and Grant. Adding enormously to its appeal, not one of the magnificent supporting cast puts a foot wrong - Ruggles is hilarious, May Robson is superbly bewildered as Aunt Elizabeth and Fritz Feld has a field day as the psychiatrist. An admired classic today, the film (surprisingly) flopped commercially on its release, perhaps because Hepburn was then suffering under the soubriquet of ‘box-office poison’, because of disputes with her studio.
  • Ruth Prawer Jhabvala's Adapted Screenplays

    Ruth Prawer Jhabvala's Adapted Screenplays

    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G

    Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G

    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
  • Scaurs. Car W - - Caro O and Newcomers

    Scaurs. Car W - - Caro O and Newcomers

    Sunday, April 7, 1968 3 rm JO- 11- (&ett scaurs. car W - - caro o and newcomers. Two hoped-fo- r 0 Bv HAUVEY 0 To Eternity years ago, appearance, the ELLIOTT True. For the past seven something extra is added for From Here their of The who had Dally Tar Heel Staff or eight years, nominees have Oscar's 40th birthday. Last On The Waterfront. Other ever heard of Faye presenters of the awards are It's Oscartime again! year, a segment spotlighting Oscar-winne- rs shown will be: Runaway, Michael J. Pollard, culled from all areas of been almost exclusively Dustin After months of arguing British. Filmgoers were begin- the Oscar-winne- rs for Best Audrey Hepburn in Roman Hoffman, or Katharine Hollywood stardom. Some of whether Ross? And who Hollywood's brightest lights The Graduate was a ning to wonder if the American Song throughout the years was Holiday would ever I-- V t V suspect Oscar-winni- ng well-receive- The better film that Bonnie d. year, the Humphrey Bogard in that will be giving out Oscars this and film industry had any future. This performances r Clyde, wondering where five This year, however, the entire history of the Awards African Queen could ever be year. Best Song Ingred Bergman in Anas-tas- ia brought out of pretty-bo-y War- Wood whatever nominees were tables are turned. Only three is reviewed, using film clips r . ren Natalie - . going actor-nomine- Beatty or George to come from try to out of 20 es from 33 Oscar winners.