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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 02-25-2019 Grit 2/25 Mon 2/26 Tue 2/27 Wed 2/28 Thu 3/1 Fri 3/2 Sat 3/3 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: Raw Edge Movie: The Fastest Gun Alive 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1956 TV-PG V; 1956 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- Movie: Tomahawk Movie: The Sheepman 08:00A 08:30A ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- TV-PG L, V; 1951 TV-PG V; 1958 08:30A CC CC 09:00A ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of -
Studying Literacy As Situated Social Practice
Studying Literacy as Situated Social Practice: The Application and Development of a Research Orientation for Purposes of Addressing Educational and Social Issues in South African Contexts Mastin Prinsloo Town Thesis presented for the Degree of DOCTOR OF PHILOSOPHY Cape of Department of Social Anthropology Graduate School in Humanities UnivesityUNIVERSITY OF CAPE TOWN Supervisor Associate Professor Andrew Spiegel September 2005 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University DECLARATION I declare that this thesis is my own work, except where indicated, and has not been submitted before for any degree or examination at any other university. Signed: signature removed Mastin Prinsloo September 2005 DEDICATION This thesis is dedicated to the memory of my mother Isabelle, and to my son Ben. ACKNOWLEDGEMENTS I would like to thank my supervisor, Associate Professor Andrew Spiegel wholeheartedly for his support and commitment from the inception to the completion of this research. IV Abstract This is a study of the application in South Africa of a social practices approach to the study of literacy. A social practices approach conceptualizes literacy practices as variable practices which link people, linguistic resources, media objects, and strategies for meaning-making in contextualized ways. These literacy practices are seen as varying across broad social contexts, and across social domains within these contexts, and they can be studied ethnographically. -
Facts to Confirm
Evaluating the experience of the Olympic and Paralympic Games in the career histories of elite equestrian athletes By Donna de Haan A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University March 2015 © D. de Haan 2015 ABSTRACT Equestrian sport has been present on the Modern Olympic programme since 1900 with Para-Equestrian Dressage making its debut at the 1996 Paralympic Games. Due to the combined governance of Olympic and Paralympic versions of the sport, the mixed gender of competition and the potential age range of competitors, equestrian sport provides an opportunity through which to understand a unique context of athlete experience. This thesis has sought to identify and evaluate athlete experience within the context of the Olympic and Paralympic Games and to place this experience within the wider career histories of members of the British Equestrian Team. This study utilised a combination of a systematic literature review methodology and ethnographic data collection and analysis with a critical realist approach, creating a framework that values interpretive insights into how the subjects perceive and construct their world whilst at the same time considering ways in which the literature and individual subjects identify, comment on, and frame the reality of the world of equestrian sport. This study has resulted in the emergence of six themes pertaining to experiencing the games; equestrian sporting culture, identity, values, challenges, performance support and success. Results show many similarities and shared experiences for both the Olympic and Paralympic equestrian athletes. The differences regarding the lived experience for these athletes are predominantly associated with the development of the sport, the relative short Paralympic history of equestrian sport in comparison to the Olympic disciplines, and the place of the Games in the context of the riders’ career histories. -
European Technology on the Great Plains
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Nebraska Anthropologist Anthropology, Department of 2008 Technological Introductions and Social Change: European Technology on the Great Plains Andrew LaBounty Follow this and additional works at: https://digitalcommons.unl.edu/nebanthro Part of the Anthropology Commons LaBounty, Andrew, "Technological Introductions and Social Change: European Technology on the Great Plains" (2008). Nebraska Anthropologist. 39. https://digitalcommons.unl.edu/nebanthro/39 This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska Anthropologist by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Technological Introductions and Social Change: European Technology on the Great Plains Andrew LaBounty Abstract: This paper will explore the changing structure of American Indian society with the introduction of Euro-American technology and practices on the Plains. I intend to compare and contrast social aspects of Indian culture before and after contact, including the presence and intensity of marriage exchanges, levels of exogamy, the intensity ofpolygyny, and degree ofstratification among native groups. These comparisons will shed light on the mechanisms of culture change, showing the entire process to be gradual and often due to conscious, immediately beneficial decisions. Introduction Technological introductions and innovations are a key aspect of cultural change, as technology tends to evolve according to cultural needs. In some cases however, technology has also been a primary cause of culture change. This has been especially evident in the Great Plains among the American Indians in the 17th and 18th centuries, as European explorers and traders introduced new technologies. -
Second Show Announced – Thursday October 25Th >>> New Tickets Onsale Thursday 27 September 9Am > Ticketmaster Details Below
Solid Entertainment, ZM and Groove Guide proudly present……. >>>SECOND SHOW ANNOUNCED – THURSDAY OCTOBER 25TH >>> NEW TICKETS ONSALE THURSDAY 27 SEPTEMBER 9AM > TICKETMASTER DETAILS BELOW Original press release follows: Solid Entertainment are delighted to announce that ELLIE GOULDING will be playing her first ever show in New Zealand at The Studio in Auckland on Friday October 26th. Ellie arrives with perfect timing – a highly anticipated brand new second album Halcyon, an artist capturing hearts and imaginations everywhere she plays, and embarking on a year set to take her stratospheric! Ellie Goulding’s astounding voice has always been a universally acclaimed centrepiece. Her live shows ricochet from electropop dynamite immersed in dance beats from dubstep to electronica all the way through to sparse ‘folktronica’, where her multi-textured voice marks Ellie as one of this generations’s most enthralling, singular and compelling songwriters. UK based Ellie Goulding first rose to prominence in 2010 when she topped the BBC Sound of 2010 poll and won the Brit Awards Critics Choice Award, becoming only the second artist (after Adele in 2008) to scoop both these awards in the same year. Goulding’s debut album Lights went straight to Number 1 in the UK and garnered the hit singles Starry Eyed, Under The Sheets, and Guns and Horses. Since the albums release in 2010 it has slowly but surely spread it’s magic around the world. The album’s title track Lights was released in the US in March 2011 and in recent weeks has completed a staggering record-breaking climb. Now , 18 months later, and during its thirty third week on the chart, the song reached a peak position of Number 2 in the Billboard Hot 100, whilst the album has gone double-platinum. -
Der US-Amerikanische Western in Den Deutschen Kinos (1933-1960): Eine Filmografie 2011
Repositorium für die Medienwissenschaft Jonas Wegerer Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie 2011 https://doi.org/10.25969/mediarep/12759 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wegerer, Jonas: Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 128). DOI: https://doi.org/10.25969/mediarep/12759. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0128_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 128, 2011: Western. Redaktion und Copyright dieser Ausgabe: Jonas Wegerer. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0128_11.html Letzte Änderung: 13.9.2011. Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie Zusammengestellt von Jonas Wegerer Liste 1: Zwischen 1949 und 1960 in deutschen Kinos 1960 sind mehr als 650 Western erstaufgeführt wor- erstaufgeführte amerikanische Western den, fast ein neuer Western pro Woche. Liste 2: Zwischen 1933 und 1940 in deutschen Kinos erstaufgeführte amerikanische Western In Liste 1 sind alle Western, die zwischen 1945 und 1960 in den deutschen Kinos erstaufgeführt wurden, mit deutschem Verleihtitel, Datum der Erstauffüh- rung und Originaltitel und Produktionsjahr, verzeich- Der Western, das „amerikanische Genre par excel- net. -
An Analysis of Superhero Genre in Captain America the Winter Soldier Film
AN ANALYSIS OF SUPERHERO GENRE IN CAPTAIN AMERICA THE WINTER SOLDIER FILM A Thesis Submitted to Adab and Humanities Faculty In partial Fulfillment of the Requirements for the degree of Strata One NURAINI RISMAWATI 1110026000065 ENGLISH LETTERS DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2015 ABSTRACT Nuraini Rismawati, An Analysis of Superhero Genre in Captain America The Winter Soldier Film. A Thesis: English Letters Department, Adab and Humanities Faculty, State Islamic University of Syarif Hidayatullah Jakarta, 2015. Captain America The Winter Soldier (2014) film directed by Anthony Russo and Joe Russo is the unit analysis of this research. The writer uses this film to reveal it as the superhero genre. The purpose of this research is to know how superhero genre stands as the specific genre through six elements, which are setting, iconography, location, narratives events, characters, and plot structure by Jane Stokes and concepts of superhero genre by Peter Coogan. The writer uses qualitative descriptive analysis method to analyze it. The data are collected from the film that analyzed by structuralism approach. The Result of this research shows that Superhero genre can be a specific genre and stand as its own genre. The writer finds that many of reviews are not mention this film as superhero genre. The writer makes it clear and invite for every critics or researchers to tell superhero genre as the main genre without mention others genre in the reviews of any superhero film. Keywords: Captain America The Winter Soldier, Genre, Superhero film. i DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due knowledge has been made in the text. -
The West Point Class of 1861 and the First Manassas Campaign
University of Mary Washington Eagle Scholar Student Research Submissions Spring 5-8-2020 Faithful Unto Death: The West Point Class of 1861 and the First Manassas Campaign Jessie Fitzgerald Follow this and additional works at: https://scholar.umw.edu/student_research Part of the United States History Commons Recommended Citation Fitzgerald, Jessie, "Faithful Unto Death: The West Point Class of 1861 and the First Manassas Campaign" (2020). Student Research Submissions. 322. https://scholar.umw.edu/student_research/322 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. Faithful Unto Death: The West Point Class of 1861 and the First Manassas Campaign Jessie Fitzgerald History 485: Historical Research Dr. Porter Blakemore April 24, 2020 The West Point Class of 1861 graduated on the eve of the American Civil War as a class defined by regional and political lines. As the secession crisis heated up, cadets appointed from southern states resigned and went south, some just two weeks shy of graduating, while northern cadets remained at West Point. Two months after graduation, the class exhibited their military ability and the value of their training during the Manassas Campaign in July of 1861. They also demonstrated a commitment of duty to the causes and countries they fought for. Furthermore, they showed devotion to each other, even as they fought on opposite sides of the war. The Civil War careers of six exemplary members of the class demonstrated the influence and significance of West Point to the war. -
Envisioning the Aeroplane: Comparing the Spectrum Of
ENVISIONING THE AEROPLANE: COMPARING THE SPECTRUM OF RESPONSES IN THE AMERICAN AND BRITISH ARMIES TO A TECHNOLOGY WITHOUT PRECEDENT, 1903-1939 A Dissertation by LORI ANN HENNING Submitted to the Office of the Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Jonathan Coopersmith Committee Members, Brian Linn Chester Dunning Adam Seipp Peter Hugill Head of Department, David Vaught May 2015 Major Subject: History Copyright 2015 Lori Ann Henning ABSTRACT This work examines the unique threat and opportunity posed by aviation to the horse cavalry in the 1900s through the 1930s and how cavalrymen responded. During that period, the American and British cavalries encountered advancing technologies that threatened to change war and directly alter cavalry’s armament, tactics, and overall role. With airplanes as with bicycles and other new technologies, cavalry officers were cautious. Rather than uncritically embracing or rejecting new technologies completely, cavalrymen tested them before coming to conclusions. Cavalrymen cautiously examined the capabilities of airplanes, developed applications and doctrine for joint operations, and in the United States, even tried to develop their own specially designed aircraft. Airplanes promised to relieve the cavalry of low-priority missions, not threaten its existence. Instead of replacing the cavalry in the 1910s-1930s, airplanes worked cooperatively with cavalry in reconnaissance, security, communication, protection, and pursuit, a cooperation tested in maneuvers and officially blessed in both British and American doctrine. Just as cavalrymen became dependent on the close working relationship with airplanes in the 1920s-30s, this relationship altered drastically as aviation priorities and doctrine shifted to independent strategic bombardment from tactical support of ground troops.