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Realización Del Episodio Piloto De Un Concurso De Televisión Original En El Estudio De TV Del Campus De Gandía”

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Realización Del Episodio Piloto De Un Concurso De Televisión Original En El Estudio De TV Del Campus De Gandía” UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITÈ CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “Realización del episodio piloto de un concurso de televisión original en el estudio de TV del Campus de Gandía” TRABAJO FINAL DE GRADO Autor: Jose San Joaquín Deusa Tutor: Ricardo Cobo del Prado Reverte GANDIA, 2018 RESUMEN El concurso es un género televisivo que lleva presente en las parrillas de progra- mación desde los inicios de las primeras cadenas de televisión. Por esta razón, el presente se basa en este formato, con el fin de apostar por el entretenimiento y el humor sin dejar de lado la divulgación y cultura. En las siguientes páginas se refleja el proceso por el que pasa un formato original desde su ideación inicial hasta la realización de su programa piloto en el estudio de TV del Campus de Gandía. Además, comprenderán los procesos creativos efectuados con el fin de crear los recursos necesarios en la grabación final (iden- tidad gráfica, escenografía virtual, realización, música, escaleta, guion, etc.). Por otra parte, también se llevará a cabo una planificación que analizará las ne- cesidades técnicas y humanas para realizar el proyecto de la forma más eficaz y eficiente posible utilizando las instalaciones del Campus de Gandía. Finalmente, se realizará el producto final utilizando el material capturado en el plató y se preparará para una posible estrategia de distribución en el mercado audiovisual. PALABRAS CLAVE: realización, televisión, concurso, virtual, piloto ABSTRACT The game show genre has been present in TV listings since the beginning of the first networks. For this reason, the present is based on this TV format to pull for entertainment and comedy contents without putting both knowledge and culture apart. The following pages reflect the process that takes an original format from its first conception to the production of a pilot episode in the Campus de Gandia TV stu- dio. In addition to that, they will cover every creative process made to create the resources needed for the recording session (graphics, virtual set, production, mu- sic, running order, script, …). On the other hand, the planning process will analyze both technical and human needs to accomplish the project in the most effective and efficient way possible using the Campus of Gandia’s premises. Lastly, the final product will be built using the footage and it will be prepared for the audiovisual market. KEYWORDS: television, production, game show, virtual, pilot 2 ÍNDICE 1. INTRODUCCIÓN ........................................................................................... 5 1.1. PRESENTACIÓN .................................................................................... 5 1.2. OBJETIVOS ............................................................................................. 5 1.3. METODOLOGÍA ...................................................................................... 5 1.4. ETAPAS ................................................................................................... 6 1.5. PROBLEMAS .......................................................................................... 7 2. ESTADO DE LA CUESTIÓN .......................................................................... 8 2.1. ANTECEDENTES EN LA RADIO ............................................................ 8 2.2. PRIMEROS CONCURSOS EN TELEVISIÓN ....................................... 10 2.3. EL ESCÁNDALO DE LOS AÑOS 50 ..................................................... 12 2.4. LOS CONCURSOS MÁS LONGEVOS .................................................. 13 2.5. EL CASO ESPAÑOL ............................................................................. 16 3. EL PROGRAMA ........................................................................................... 19 3.1. ANÁLISIS DE LAS INSTALACIONES ................................................... 19 3.2. FORMATO ............................................................................................. 21 3.3. ESCENOGRAFÍA .................................................................................. 23 3.4. GRAFISMO ............................................................................................ 25 3.5. MÚSICA ................................................................................................. 28 4. LA GRABACIÓN .......................................................................................... 30 4.1. PRUEBAS PREVIAS ............................................................................. 30 4.2. PLANIFICACIÓN ................................................................................... 31 4.3. DÍA DE GRABACIÓN ............................................................................ 33 4.4. POSPRODUCCIÓN ............................................................................... 35 5. CONCLUSIONES ......................................................................................... 36 6. BIBLIOGRAFÍA ............................................................................................ 37 3 TABLA DE ILUSTRACIONES Ilustración 1. Grabación de Vox Pop [1935] ....................................................... 9 Ilustración 2. Grabación de Spelling Bee [1938] ............................................... 10 Ilustración 3. Panel de What's My Line? [1952] ................................................ 11 Ilustración 4. Van Doren (izda.) y Stempel (dcha.) en Twenty-One [1956] ....... 12 Ilustración 5. Grabación de The Price Is Right [1978] ...................................... 14 Ilustración 6. Sajak (izda.) y White (dcha.) en Wheel of Fortune [1983] ........... 14 Ilustración 7. Carpenter (izda.) en Who Wants to Be a Millionaire? [1999] ...... 15 Ilustración 8. Grabación de Un, dos, tres... responda otra vez [1972] .............. 16 Ilustración 9. Grabación de La Ruleta de la Fortuna [1990] ............................. 17 Ilustración 10. Joan Monleón y "Monleonetes" con "La paella russa" [1990] ... 18 Ilustración 11. Control de realización del estudio de TV ................................... 19 Ilustración 12. Plató del estudio de TV del Campus de Gandía [2018] ............ 20 Ilustración 13. Esbozo original del decorado [2018] ......................................... 23 Ilustración 14. Vista previa del set (izda.) en Cinema 4D y resultado (dcha.)... 24 Ilustración 15. Fotograma de la primera secuencia de la cabecera ................. 25 Ilustración 16. Vista previa de grafismo en Adobe Illustrator ............................ 26 Ilustración 17. Animación de grafismo en Adobe After Effects ......................... 26 Ilustración 18. Vista previa de la escena de la cabecera en Cinema 4D .......... 27 Ilustración 19. Vista previa de la sintonía, base final y ráfaga .......................... 29 Ilustración 20. Vista previa de los gradientes en Adobe Photoshop ................. 30 Ilustración 21. Set real preparado para la grabación ........................................ 32 Ilustración 22. Vista del monitor auxiliar desde el escenario ............................ 32 Ilustración 23. Presentador y concursantes en el ensayo general ................... 33 Ilustración 24. Fotograma del ensayo general.................................................. 33 Ilustración 25. Error de cuadrícula de la cámara 2 ........................................... 34 Ilustración 26. Granulado (izda.), atril (dcha.) y resultado final (abajo) ............ 35 Ilustración 27. Vista previa del proyecto en Adobe Premiere ........................... 35 4 1. INTRODUCCIÓN 1.1. PRESENTACIÓN El género del concurso televisivo está presente en las parrillas de programación de las cadenas de televisión desde los inicios de este medio. Las siguientes pá- ginas contienen todos los pasos que han sido necesarios para la realización de un concurso de televisión original utilizando las instalaciones del Campus de Gandía de la Universidad Politécnica de València. 1.2. OBJETIVOS El principal objetivo es conseguir un producto profesional listo para presentar al mercado audiovisual sacando el mayor partido y rendimiento de los recursos del estudio de TV mediante las técnicas tanto aprendidas tanto en el grado como por cuenta propia. Entre los objetivos secundarios del presente proyecto cabe destacar la consoli- dación de conocimientos en las tareas previas a la grabación, la adquisición de confianza necesaria para poder trabajar en un nivel profesional, el cumplimiento con los plazos y tiempos de trabajo establecidos y, por último, la resolución de problemas e imprevistos. 1.3. METODOLOGÍA El proyecto se ha realizado utilizando diferentes medios y técnicas. La realización del programa propiamente dicho se hizo utilizando las instalacio- nes del Campus de Gandía, ayudado tanto por el personal docente y técnico como por diferentes compañeros de titulación elegidos por sus conocimientos y soltura en la función en la que se les necesitaba. La generación de elementos necesarios para la realización en directo, así como la posproducción, fue me- diante recursos propios. 5 1.4. ETAPAS El proyecto, como cualquier producto audiovisual, se ha dividido en 3 etapas: 1. PREPRODUCCIÓN a. Análisis de las instalaciones. Se han analizado las instalaciones y recursos para conocer a fondo qué se puede y qué no se puede llegar a hacer con los medios de los que se disponen. b. Búsqueda de referentes. La creación de cualquier elemento ha sido precedida por una búsqueda de referentes sólidos y de autoridad en su campo, ya sea con la música, la escenografía o el grafismo.
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