The Complete Stories of J. G. Ballard Free
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Near Vermilion Sands: the Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard
Near Vermilion Sands: The Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard Chris Beckett ‘We had entered an inflamed landscape’1 When Raine Channing – ‘sometime international model and epitome of eternal youthfulness’2 – wanders into ‘Topless in Gaza’, a bio-fabric boutique in Vermilion Sands, and remarks that ‘Nothing in Vermilion Sands ever changes’, she is uttering a general truth about the fantastic dystopian world that J. G. Ballard draws and re-draws in his collection of stories set in and around the tired, flamboyant desert resort, a resort where traumas flower and sonic sculptures run to seed.3 ‘It’s a good place to come back to,’4 she casually continues. But, like many of the female protagonists in these stories – each a femme fatale – she is a captive of her past: ‘She had come back to Lagoon West to make a beginning, and instead found that events repeated themselves.’5 Raine has murdered her ‘confidant and impresario, the brilliant couturier and designer of the first bio-fabric fashions, Gavin Kaiser’.6 Kaiser has been killed – with grim, pantomime karma – by a constricting gold lamé shirt of his own design: ‘Justice in a way, the tailor killed by his own cloth.’7 But Kaiser’s death has not resolved her trauma. Raine is a victim herself, a victim of serial plastic surgery, caught as a teenager in Kaiser’s doomed search for perpetual gamin youth: ‘he kept me at fifteen,’ she says, ‘but not because of the fashion-modelling. He wanted me for ever when I first loved him.’8 She hopes to find in Vermilion Sands, in its localized curvature of time and space, the parts of herself she has lost on a succession of operating tables. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Baudrillard's Bastards: 'Pataphysics After the Orgy
SEMIOPHAGY: JOURNAL OF PATAPHYSICS VOL. III, WINTER, 2010 AND EXISTENTIAL SEMIOTICS Baudrillard’s Bastards: ’Pataphysics After the Orgy – Some Lessons for Journalists Peter Hulm Most thinkers write badly because they tell us not only their thoughts but also the thinking of the thoughts. – Nietzsche (1878), Human, All Too Human, Aphorism 188. The Invisible Philosopher Let’s start with the ‘pataphysian himself: • The consumer “no more ‘believes' in advertising than the child believes in Father Christmas, but this in no way impedes his capacity to embrace an internalized infantile situation, and to act accordingly” (1968/2005:182). • “Information is directly destructive of meaning and signification” (1981b/1994:79). • “The Gulf War did not take place” (1991/1995). 1 SEMIOPHAGY: JOURNAL OF PATAPHYSICS VOL. III, WINTER, 2010 AND EXISTENTIAL SEMIOTICS From his earliest writings Jean Baudrillard has been a media provocateur of such Nietzschean brilliance that it has blinded many theorists to the depth and originality of his critique of the news business and television in the DisInformation Age. In addition to smarting at his accurate and aphoristic barbs about current affairs production, mainstream media feels even stronger resentment at his dismissal of the industry’s claims to be a major force in shaping public consciousness. For Baudrillard, scientific jargon, Wall Street, disaster movies and pornography have deeper impact on our imaginations than the news industry. Television and written media, he wrote in 1970, have become narcotic and tranquilizing for consumers in their daily servings of scary news and celebrity fantasies. Only 9/11, he later declared with his usual withering acerbity, has been able to break through the non- event barrier erected by media to the world (2001).1 To recognize the accuracy of Baudrillard’s daily observations, therefore, it is no surprise that we need to turn to a financial statistician, Nassim Nicholas Taleb. -
Contents PROOF
PROOF Contents Acknowledgements vii Notes on Contributors viii Introduction 1 Jeannette Baxter and Rowland Wymer Part I ‘Fictions of Every Kind’: Form and Narrative 1 Ballard’s Story of O: ‘The Voices of Time’ and the Quest for (Non)Identity 19 Rowland Wymer 2 Ballard/Atrocity/Conner/Exhibition/Assemblage 35 Roger Luckhurst 3 Uncanny Forms: Reading Ballard’s ‘Non-Fiction’ 50 Jeannette Baxter Part II ‘The Angle Between Two Walls’: Sex, Geometry and the Body 4 Pornographic Geometries: The Spectacle as Pathology and as Therapy in The Atrocity Exhibition 71 Jen Hui Bon Hoa 5 Disaffection and Abjection in J. G. Ballard’s The Atrocity Exhibition and Crash 88 Emma Whiting 6 Reading Posture and Gesture in Ballard’s Novels 105 Dan O’Hara Part III ‘Babylon Revisited’: Ballard’s Londons 7 The Texture of Modernity in J. G. Ballard’s Crash, Concrete Island and High-Rise 123 Sebastian Groes v September 30, 2011 17:22 MAC/BAXI Page-v 9780230_278127_01_prex PROOF vi Contents 8 J. G. Ballard and William Blake: Historicizing the Reprobate Imagination 142 Alistair Cormack 9 Late Ballard 160 David James Part IV ‘The Personal is Political’: Psychology and Sociopathology 10 Empires of the Mind: Autobiography and Anti-imperialism in the Work of J. G. Ballard 179 David Ian Paddy 11 ‘Going mad is their only way of staying sane’: Norbert Elias and the Civilized Violence of J. G. Ballard 198 J. Carter Wood 12 The Madness of Crowds: Ballard’s Experimental Communities 215 Jake Huntley 13 ‘Zones of Transition’: Micronationalism in the Work of J. G. -
Body and Space in J. G. Ballard's Concrete Island and High-Rise
Universidade Federal de Minas Gerais Faculdade de Letras Pedro Henrique dos Santos Groppo Body and Space in J. G. Ballard’s Concrete Island and High-Rise Minas Gerais – Brasil Abril – 2009 Groppo 2 Acknowledgments I would like to thank Prof. Julio Jeha for the encouragement and support. He was always open and willing to make sense of my fragmentary and often chaotic ideas. Also, thanks to CNPq for the financial support. And big thanks to the J. G. Ballard online community, whose creativity and enthusiasm towards all things related to Ballard were captivating. Groppo 3 Abstract The fiction of J. G. Ballard is unusually concerned with spaces, both internal and exterior. Influenced by Surrealism and Freudian psychoanalysis, Ballard’s texts explore the thin divide between mind and body. Two of his novels of the 1970s, namely Concrete Island (1974) and High-Rise (1975) depict with detail his preoccupation with how the modern, urban world pushes man to the point where an escape to inner world is the solution to the tacit and oppressive forces of the external world. This escape is characterized by a suspension of conventional morality, with characters expressing atavistic tendencies, an effective return of the repressed. The present thesis poses a reading of these two novels, aided by analyses of some of Ballard’s short stories, with a focus on the relation between bodies and spaces and how they project and introject into one another. Such a reading is grounded on theories of the uncanny as described by Freud and highlights Ballard’s kinship to Gothic fiction. -
Ballard, Smithson, and the Biophilosophy of the Crystal Aidan
Ballard, Smithson, and the Biophilosophy of the Crystal Aidan Tynan (Cardiff University) 1. Landscapes of Spatiotemporal Crisis How should ecocriticism proceed when considering the apocalyptic landscapes of Ballard’s early tetralogy? The Wind from Nowhere (1962), The Drowned World (1962), The Drought (1964), and The Crystal World (1966) provide scenarios in which small groups of survivors struggle to adapt to radical and destructive environmental changes. While we can position these novels broadly within the disaster tradition of British science fiction as represented by John Wyndham, John Christopher and others, they stand apart from this field by featuring characters who accept their fate with unusual resignation, almost apathy. Ballard’s language often reflects the cold detachment of scientific discourse, but no technological fixes emerge in these narratives to resolve the respective ecological crises of devastating winds, melting icecaps, desertification, and the crystallisation of matter. Whatever heroism Ballard’s protagonists possess is to be found in their willingness to embrace the challenges posed by the catastrophe and attain a state of mind adequate to it. The dominant trend in scholarship (Pringle 1984; Luckhurst 1997; Francis 2011) has been to follow Ballard’s own lead and to regard these landscapes as symbolic manifestations of psychological states or external realisations of ‘inner space’, but an ecocritical analysis cannot be satisfied with this. Indeed, it is increasingly difficult not to read these works ecologically and materially and in relation to our own climate emergency. An alternative trend has thus emerged in recent years showing an eagerness to attribute to Ballard a prescience with respect to concerns about environmental change. -
The Complete Stories: V. 2 Ebook
THE COMPLETE STORIES: V. 2 PDF, EPUB, EBOOK Isaac Asimov | 464 pages | 20 Mar 2012 | HarperCollins Publishers | 9780006480167 | English | London, United Kingdom The Complete Stories: v. 2 PDF Book A teenage horror buff is so smitten with a sexy classmate that he helps her use black magic on their loathsome English teacher, with shocking and bewildering results. Another adventure begins. Warner Bros. Recombine in every possible way. Don't expect too much kindness from Mr Dahl though -- the man must have had more than his fair share of demons to exorcise. From the very beginning technological innovation has replaced the delineated notion of "place" with an increasing number of meaningless, formless "spaces. Bates imposes a curfew in the open city of Los Angeles in an attempt to curb resistance activity; Donovan and Ham make plans to hit a Visitors' conference. Domestic Television Distribution. Dec 31, Ignatius Vonnegut rated it liked it. Will have to go out and buy this book as I have to give it back to the library. The women on their balconies are interchangable. Add the first question. Would recommend for those looking for excellent science fiction stories with a more literary bent. See 2 questions about The Complete Short Stories…. The one where two men conspire to sleep with each other's wives without the women's knowledge and therefore consent is hugely problematic and shouldn't be published without context, as it is done in the introduction for another story called 'Bitch'. Its title was inspired by a highly inaccurate and sensationalized article about the crash that blinded him, which claimed he had been shot down instead of simply having to land because of low fuel. -
This Month's Issue of Fantasy and Science Fiction
Including Venture Science Fiction NOVEL The Productions of Time (1st of 2 parts) JOHN BRUNNER 4 SHORT STORIES Matog JOAN PATRICIA BASCH 45 The Seven Wonders of the Universe MOSE MALLETTE 70 For the Love of Barbara Allen ROBERT E. HOWARD 82 A Matter of Organization FRANK BEQUAERT 91 Near Thing ROBIN SCOTT 99 Come Lady Death PETERS. BEAGLE 114 FEATURES Cartoon GAHAN WILSON 44 Books JUDITH MERRIL 57 Meteroid Collision THEODORE L. THOMAS 89 Letter to A Tyrant King (verse) BILL BUTLER 90 Science: BB Or Not BB, That Is the Question- ISAAC ASIMOV 103 F&SF Marketplace 129 Cover by Gray Morrow (illustrating "The Productiom of Time") Joseph W. Ferman, PUBLISHER Edward L. Ferman, EDITOR Ted White, ASSISTANT. EDITOR Isaac Asimov, SCIENCE EDITOR Judith Merril, BOOK EDITOR Robert P. Mills, CONSULTING EDITOR Dale Beardale, CIRCULATION MANAGER The Magazine of Fantasy and Science Fiction, Volume 31, No. 2, Whole No. 183, Aug, 1966. Published monthly by Mercury Press(;Inc., at 50; a copy. Annual subscription 15.00; $5.50 in Canada and the Pan American nion, $6.00 in all other countJ·ies. PubllcatiOfl office, 10 Ferry Street, Concord, N. H. 03301. Editorial and general mail should be setd to 341 East 5Jrd St., New York, N. Y. lOOZZ. Second Class postage paid at Concord, N.H. Printed in U.S.A. @ 1966 by Mercury Press, Inc. All rights including translatio1ts into other languages, reserved. Submissions must be accompanied by stamped, self-addressed envelopes; tile Publisher assumcs no re$/>o11sibility for return of unsolicited mallltscripts. That the antics of lunatics can provide some unusual theatrical ef· fects was recently demonstrated in a play by Peter Weiss ("Marat/ Sade")-a play based on the fact that the inmates of Charenton Asylum did perform "therapeutic" theatrical entertainments (in the early 1800's) which were, in fact, devised and directed by the notori ous Marquis De Sade (himself an inmate). -
Is Dead: JG Ballard's Post-Humanist Myths of the Near Future
”Sex(ual identity) Is Dead : J.G. Ballard’s Post-Humanist Myths of the Near Future,” Didier Girard To cite this version: Didier Girard. ”Sex(ual identity) Is Dead : J.G. Ballard’s Post-Humanist Myths of the Near Future,”. ESSE 6, Aug 2002, starsbourg, France. halshs-02568862 HAL Id: halshs-02568862 https://halshs.archives-ouvertes.fr/halshs-02568862 Submitted on 10 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Out of nowhere, To Jovan Kostov, Topsy-turvy. Sex (ual identity) is Dead : J. G. Ballard’s Post-Humanist Myths of the Near Future Didier Girard Je marchais fier parmi les héros, Le ciel brillait d’étoiles, Et une étoile, comme un héros du ciel d’Anou Est tombée vers moi. J’ai voulu la porter, elle était trop lourde. J’ai voulu la pousser, je n’ai pu la bouger. Autour d’elle, les gens du pays s’assemblaient Et lui baisaient les pieds. Je l’ai aimée et je me suis penchée sur elle Comme on se penche sur une femme Je l’ai soulevée et déposée à tes pieds Et toi tu l’as rendue égale à moi. -
Judith Merril: a Primary and Secondary Bibliography
Missouri University of Science and Technology Scholars' Mine English and Technical Communication Faculty Research & Creative Works English and Technical Communication 01 Dec 2006 Judith Merril: A Primary and Secondary Bibliography Elizabeth Cummins Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/eng_teccom_facwork Part of the English Language and Literature Commons Recommended Citation Cummins, Elizabeth. "Judith Merril: A Primary and Secondary Bibliography." College Station, Texas, Cushing Library, Texas A & M: The Center for the Bibliography of Science Fiction and Fantasy, 2006. This Book is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in English and Technical Communication Faculty Research & Creative Works by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. -
Iterative Architecture: a Ballardian Text Brian Baker
21: A Journal of Contemporary and Innovative Fiction Iterative Architecture: a Ballardian Text Brian Baker Instructions/ Introduction Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution.* Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden. * You may find scissors a useful accessory ♣♠♥♦ Clubs ♣ Architecture (A♣). Physical space is crucial to the Ballardian imaginary, from the eponymous tower block in HighRise (1975) to the ‘gated communities’ and science parks of SuperCannes (2000) and Millennium People (2003). Counterposed to images of flight and transcendence found in many of his stories, the urban environment is often an imprisoning space. In his online article ‘J.G. Ballard and the Architectures of Control’ Ballardian » J.G. Ballard & Architectures of Control, Dan Lockton argues that ‘One of the many ‘obsessions’ running through Ballard’s work is what we might characterise as the effect of architecture on the individual’, while complicating his argument by acknowledging the mutual implication of inner and outer, psychological and environment: this blurring being Ballard’s method of ‘reflecting the participants’ mental state in the environment itself’. 1 Lockton also suggests that ‘[t]he architecture […] acts as a structure for the story’ in locating the protagonist and ‘plot’ firmly in an ‘obsessively explained and expounded’ architecture.