David Langbiography and W Orks
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Suffering and Social Conscience in the Passion Genre from JS Bach's
Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Johann Jacob Van Niekerk A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Giselle Wyers, Chair Geoffrey Boers Shannon Dudley Program Authorized to Offer Degree: School of Music ©Copyright 2014 Johann Jacob Van Niekerk University of Washington Abstract Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Chair of the Supervisory Committee: Giselle Wyers Associate Professor of Choral Music and Voice The themes of suffering and social conscience permeate the history of the sung passion genre: composers have strived for centuries to depict Christ’s suffering and the injustice of his final days. During the past eighty years, the definition of the genre has expanded to include secular protagonists, veiled and not-so-veiled socio- political commentary and increased discussion of suffering and social conscience as socially relevant themes. This dissertation primarily investigates David Lang’s Pulitzer award winning the little match girl passion, premiered in 2007. David Lang’s setting of Danish author and poet Hans Christian Andersen’s “The Little Match Girl” interspersed with text from the chorales of Johann Sebastian Bach’s St. Matthew Passion (1727) has since been performed by several ensembles in the United States and abroad, where it has evoked emotionally visceral reactions from audiences and critics alike. -
University Musical Society the Milliard Ensemble
UNIVERSITY MUSICAL SOCIETY THE MILLIARD ENSEMBLE David James, Countertenor John Potter, Tenor Rogers Covey-Crump, Tenor Gordon Jones, Baritone Tuesday Evening, March 5, 1991, at 8:00 Rackham Auditorium, Ann Arbor, Michigan Sound Patterns Tu civium primas ......................... Anonymous (c. 14th century) Alma polls religio - Axe poli cum artica ............... Anorrymous (c. 14th century) Reginarum dominam ....................... .Anonymous (c. 1170) Summa ............................. Arvo Part (b. 1935) Verbum bonum et suave ..................... .Anonymous (c. 1170) Musicalis sciencia Sciencie laudabili ................. Anonymous (c. 14th century) Glorious Hill .......................... Gavin Bryars (b. 1943) INTERMISSION Miraculous love's wounding .................. .Thomas Morley (1557-1602) Thomas gemma Cantuarie .................... .Anorrymous (14th century) In nets of golden wyers ..................... Thomas Morley (1557-1602) Tu solus qui facis mirabilia ................... Josquin Desprez (c. 1440-1521) Litany for the Whale ........................ John Cage (b. 1912) Prest est mon mal ..................... Cornelius Verdonck (1563-1625) Joy, mirth, triumphs ...................... Henry Purcell (1659-1695) Gloria from Messe de Nostre Dame ............. Guillaume de Machaut (c. 1300-1377) The Milliard Ensemble appears by arrangement with Beverly Simmons, Artist Representative, Cleveland, Ohio. The Hillard Ensemble records for ECM, EMI, and Harmonia Mundi France. Copies of this title page are available in larger print; -
Arvo Pärt Da Pacem
ARVO PÄRT DA PACEM ACKNOWLEDGMENTS Cover: Ash Tree by Sebastian Spreng (b. 1956) © 2005 Photo of EPCC: Tarvo Hanno Varres All texts and translations © harmonia mundi usa except as noted. Publisher: Universal Edition, A.G., Vienna, and Universal Edition Inc., New York. Nigulistekirik Organ by Rieger-Klosa, 1981. 4 manuals (including a Vox Humana register heard in “Salve Regina” at 3:18) and Pedal. Tracks 1 & 5: Recorded January 2006, Nigulistekirik, Tallinn, Estonia Tracks 2–4, 6, 8 & 9: Recorded September 2005, Nigulistekirik, Tallinn, Estonia Track 7: PAUL HILLIER Recorded October 2004, Tallinn Methodist Church, Estonia Estonian Philharmonic Chamber Choir with Christopher Bowers-Broadbent organ 2005, 2006 harmonia mundi usa 1117 Chestnut Street, Burbank, California 91506 Executive Producer: Robina G. Young Sessions Producers: Robina G. Young & Brad Michel Balance Engineer & Editor: Brad Michel DSD Engineer: Chris Barrett Recorded, edited & mastered in DSD 1 ARVO PÄRT / DA PACEM / Estonian Philharmonic Chamber Choir / Paul Hillier HMU 807401 © harmonia mundi ARVO PÄRT (b. 1935) 1 Da pacem Domine (2004) 5:45 2 Salve Regina (2001/2) 12:51 Zwei slawische Psalmen (1984 / 1997) 7:53 3 Psalm 117 3:47 4 Psalm 131 4:06 5 Magnificat (1989) 7:13 • Kaia Urb soprano 6 An den Wassern zu Babel (1976 / 1984 / 1991) 7:14 • Kaia Urb soprano • Tiit Kogerman tenor • Aarne Talvik bass 7 Dopo la vittoria (1996 / 1998) 11:11 8 Nunc dimittis (2001) 6:56 • Kaia Urb soprano 9 Littlemore Tractus (2000) 5:27 ESTONIAN PHILHARMONIC CHAMBER CHOIR Christopher Bowers-Broadbent organ (2, 6, 9) PAUL HILLIER 2 ARVO PÄRT / DA PACEM / Estonian Philharmonic Chamber Choir / Paul Hillier HMU 807401 © harmonia mundi da pacem Motets by Arvo Pärt his collection of shorter sacred works by Arvo texts? What for example is the listeners’ opinion of Mary including instrumental music (perhaps especially Pärt includes some of his newest compositions as and her song [cf. -
Pelle Gudmundsen-Holmgreen Mixed Company Theatre of Voices London Sinfonietta Paul Hillier Pelle Gudmundsen-Holmgreen 1
Pelle Gudmundsen-Holmgreen Mixed Company Theatre of Voices London Sinfonietta Paul Hillier Pelle Gudmundsen-Holmgreen 1. Run (2012) . For ten players . .6:20 2. Turn II (2012) . For 4 voices, flute, harp, guitar, and percussion ���������������14:50 Mixed Company 3. Song (2010) . For 4 voices . 11:32 Theatre of Voices 4. Play (2010, rev. 2012). For 14 instruments . .10:39 Else Torp, soprano 5. Sound I (2011). For 4 voices . .5:32 Signe Asmussen, mezzo-soprano Chris Watson, tenor 6. Sound II (2012) . For 4 voices . 7:31 Jakob Bloch Jespersen, bass 7. Company (2010). For 4 voices and 14 instruments . 11:21 London Sinfonietta Total: 67:44 Ileana Ruhemann, flute Timothy Lines, clarinet John orford, bassoon World premiere recording. Recorded live in The Black Diamond, Copenhagen. Elise Campbell, horn Robert Holliday, trombone Jonathan Morton, violin I Joan Atherton, violin II Steve Burnard, viola Zoë Martlew, cello Enno Senft, double bass Helen Tunstall, harp Timothy Palmer, percussion oliver Lowe, percussion Steve Smith, guitar Paul Hillier, conductor Dacapo is supported by the Danish Arts Foundation Committee “Mixed Company”: The company foregathered to play PLAY and CoMPANY is a mixed company of two different ensembles from two different countries, united by the happy example of Dowland’s wanderings four centuries ago. The music stems from the pens of two contrarian composers: a contemporary Dane writing for an English instrumental ensemble and a Danish vocal group that is both Danish and English, and the aforementioned Englishman whose most famous SoNG – Lacrimae – was most likely composed in Denmark. We find ourselves therefore in very mixed company, with all the many pleasant undertones that such a phrase can evoke, in which the SoUNDs of Dowland’s tears TURN about, first setting the mood and then changing it. -
Arvo Pärt's Te Deum
Arvo Pärt’s Te Deum : A Compositional Watershed STUART GREENBAUM Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy (by thesis and musical composition) July 1999 Faculty of Music The University of Melbourne Abstract A critical analysis of Arvo Pärt’s Te Deum (1984-85) is conducted in light of his tintinnabuli style. The origin of this style is traced back to 1976, placing Te Deum in the middle of the tintinnabuli period. Te Deum is a major work lasting nearly half an hour, written for three choirs, strings, prepared piano and tape. The introduction to the thesis provides an overview of the composer and styles with which he is aligned. Definitions of minimalism, spiritual minimalism and tonality are contextualised, with reference to Pärt’s compositional technique, aesthetic and development. The work is analysed syntactically and statistically in terms of its harmonic mode, its textural state and orchestration, its motivic construction, and the setting of the Te Deum text. The syntactic function of these parameters are viewed in dialectical terms. Analysis is conducted from the phenomenological standpoint of the music ‘as heard’, in conjunction with the score. Notions of elapsed time and perceived time, together with acoustical space, are considered in the course of the analysis. The primary sound recording is compared to other sound recordings, together with earlier versions of the score and revisions that have accordingly taken place. The composer, Arvo Pärt, was interviewed concerning the work, and the analysis of that work. Pärt’s responses are considered in conjunction with other interviews to determine why he pursued or tackled some questions more than others. -
David Lang's Death Speaks, with Bryce Dessner, Shara Worden
Preview: David Lang's Death Speaks, with Bryce Dessner1, 1S/2h0a/r1a2 Worden &Owen Pallett - Glide Maga… Enter Email Features Preview: David Lang's Death Speaks, with Email Address: Enter Email Bryce Dessner, Shara Worden & Owen Pallett By Peter Zimmerman January 20, 2012 …more Glide stuff related to this article » New s: Sufjan Stevens, Serengeti & Son Lux Tease Forthcoming Beak & Claw EP On Wednesday, January 25, 2012, Stanford University's Lively Arts Series will host the world premiere of Pulitzer Prize-winning composer David Lang's (Stanford '78) piece, Death Speaks. Commissioned by Lively Arts » New s: yMusic & Shara Worden Offer Free and Carnegie Hall, Death Speaks makes its debut at Stanford's Dinkelspiel Auditorium. The first part of the Unreleased Track program includes Lang's 2007 work, The Little Match Girl Passion (winner of the 2008 Pulitzer Price and 2010 » CD: yMusic - Beautiful Mechanical Grammy Award). Passion features Paul Hillier's Theatre of Voices ensemble, which rarely travels to the United States for performances. A post-performance discussion with Lang immediately follows the performances. » CD: My Brightest Diamond - All Things Will Unwind “Death Speaks was commissioned specifically to go on a program with my piece The Little Match Girl Passion,” » Feature: My Brightest Diamond Continues To says Lang. “The opportunity came without many other parameters, so there were a lot of questions I had to Add It All Up With All Things Will Unwind answer. What would it be like to put together an ensemble of successful indie composer/performers and invite them back into classical music, the world from which they sprang? I asked rock musicians Bryce Dessner, » New s: My Brightest Diamond Set To Release Owen Pallett, and Shara Worden to join me, and we added Nico Muhly, who although not someone who left Album in October classical music is certainly known and welcome in many musical environments. -
Heinric H Sc H
HeinricH scHütz The Complete Narrative Works Ars nova copenhagen, Paul Hillier HeinricH scHütz (1585-1672) CD 1 Lukas-Passion SWV 480 (1666) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �52:41 The Complete Narrative Works Historia des Leidens und Sterbens unsers Herrn und Heilandes Jesu Christi nach dem Evangelisten St. Lukas Ars nova copenhagen, Paul Hillier 1 Eingang 1:34 2 Evangelist: Es war aber nahe das Fest der süßen Brot 14:03 3 Evangelist: Und er ging hinaus nach seiner Gewohnheit 9:17 4 Evangelist: Die Männer aber, die da Jesum hielten 3:19 5 Evangelist: Und der ganze Haufe stund ab ����������������������������������������������������������������������������7:19 6 Evangelist: Aber sie lagen ihm an mit großen Geschrei 11:09 7 Evangelist: Da aber der Hauptmann sahe ������������������������������������������������������������������������������3:54 8 Beschluß 2:07 Johan Linderoth, evangelist Jakob Bloch Jespersen, Jesus CD 2 Weihnachtshistorie SWV 435 (c� 1660) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �34:43 1 Eingang 1:18 2 Evangelist 2:57 3 Intermedium 1 Der Engel zu den Hirten -
DAVID LANG / the Little Match Girl Passion / Theatre of Voices / Ars Nova / Paul Hillier HMU 807496 © Harmonia Mundi DAVID LANG (B
Acknowledgements DAVIDthe little match girl LANG passion cover illustration: suzanne Bocanegra, Knitting Lesson, 1854, 2002 Theatre of Voices Photo credits: Benjamin ealovega (P. Hillier), Judith Haug (miriam Andersén) Ars Nova Copenhagen matthew Power (c. watson), morten skovgaard (Ars nova, e. torp) kasper tuxen (Jacob Bloch Jespersen): Paul Hillier Brad michel Publisher: Red Poppy (AscAP) administered exclusively worldwide by g. schirmer, Inc. / sung texts used by courtesy of g. schirmer, Inc. on behalf of Red Poppy All texts and translations © harmonia mundi usa 2009 harmonia mundi usa 1117 chestnut street, Burbank, california 91506 Recorded november 2008 at stavnsholt kirke, copenhagen, denmark Producer: Robina g. Young Recording engineer & editor: Brad michel dsd engineer: chris Barrett Recorded, edited & mastered in dsd PRODUCTION USA 1 DAVID LANG / The Little Match Girl Passion / Theatre of Voices / Ars Nova / Paul Hillier HMU 807496 © harmonia mundi dAVId lANG (b. 1957) the little match girl passion & other works the little match girl passion (2007) Winner of the 2008 Pulitzer Prize 35’05 la passion de la petite fille aux alumettes die passion vom kleinen mädchen mit den schwefelhölzern text by DaviD Lang after H.c. Andersen, H.P. Paull, Picander & st. matthew 1 | come, daughter 3’41 16 | for love is strong (2007) 11’20 2 | it was terribly cold 2’58 car l’amour est fort • denn liebe ist stark text by DaviD Lang after Song of Songs 3 | dearest heart 0’46 17 | (2001) 4 | in an old apron 1’17 I lie 5’13 je me couche • lieg ich 5 -
Biografie Paul Hillier | Dirigent
BIOGRAFIE PAUL HILLIER | DIRIGENT Paul Hillier, Gründer des Hilliard Ensembles und des dänischen Vokalensembles Theatre of Voices, zählt zu den vielseitigsten Künstlern. Seine Karriere umfasst Gesang, Dirigieren, Komposition und die Publikation über Musik. Von 2001 bis 2007 war er Chefdirigent des Estnischen Philharmonischen Kammerchors und ist seit 2003 Chefdirigent von Ars Nova Kopenhagen. 2008 wurde er zum Chefdirigenten des Chamber Choir Ireland und zum Künstlerischer Leiter des Coro Casa da Musica Porto ernannt. Im gleichen Jahr gründete er seinen eigenen Verlag Theatre of Voices Edition (www.tov-edition.com). In 2009 war er Künstler in Residence am Institute for Sacred Music der Yale University. 2010 erhielt er seinen zweiten Grammy für David Langs The Little March Girl Passion. Seine über 150 Einspielungen, darunter sieben Solo-CDs, für harmonia mundi, Dacapo Records u.a. fanden weltweit große Beachtung und sind mit zahlreichen Preisen ausgezeichnet worden. Hillier arbeitet regelmäßig mit den führenden Kammerchören weltweit wie dem Danish National Radio Choir, NDR Rundfunkchor, Rundfunkchor Berlin, Houston Chamber Choir, Estnischer Philharmonischer Kammerchor zusammen und ist Gastdirigent von Orchestern wie London Sinfonietta, St. Paul Chamber Orchestra, Concerto Copenhagen, Athelas Sinfonietta, Tallinn Chamber Orchestra, Irish Baroque Orchestra, Ensemble Remix, Concerto Palatino, Estonian State Symphony Orchestra, Copenhagen Philharmonic, South Denmark Philharmonic, Taiwan Symphony Orchestra, Tokyo Philharmonic Orchestra, Orquestra Sinfónica do Porto und dem Utah Symphony Orchestra. Auftritte führten ihn zu Festivals wie Bergen International Festival, RheinVokal Festival, Musikfest Berlin, BBC Proms, Edinburgh Festival, Hong Kong Arts Festival und an die Royal Danish Opera. Eine enge Zusammenarbeit verbindet ihn mit dem Kronos Quartet, Peter Sellars, Bobbie McFarren, Tim Rushton und Richard Alston. -
Biography and Reviews EPCC April 2016
1 Elm St, Windsor VT 05089 Telephone: (802) 674-4478 E-mail: [email protected] Fax: (209) 439-3492 www.newworldclassics.com Biography The Estonian Philharmonic Chamber Choir (EPCC) is one of the best-known choirs in the world. The EPCC was founded by Tõnu Kaljuste in 1981, who was the artistic director and chief conductor for twenty years. In 2001–2007, the English musician Paul Hillier took over; between the years 2008–2013 the artistic director and chief conductor was Daniel Reuss. In the fall of 2014, Latvian Kaspars Putnins assumed the title of Artistic Director. The repertoire of the choir extends from Gregorian chant and baroque to the music of the 21th century, with a special focus on the work of Estonian composers (Arvo Pärt, Veljo Tormis, Erkki-Sven Tüür, Galina Grigoryeva, Toivo Tulev, Tõnu Kõrvits, Helena Tulve). Each season the choir gives about 60–70 concerts in Estonia and abroad. The EPCC has cooperated with a number of outstanding conductors and orchestras – Claudio Abbado, Helmuth Rilling, Eric Ericson, Ward Swingle, Neeme Järvi, Paavo Järvi, Nikolai Alekseyev, Olari Elts, Andrew Lawrence-King, Roland Böer, Frieder Bernius, Stephen Layton, Marc Minkowski, Christoph Poppen, Sir Colin Davis, Louis Langree, Paul McCreesh; with Norwegian, Australian, Lithuanian, Prague and Stuttgardt Chamber Orchestras, London Symphony Orchestra, Mahler Chamber Orchestra, Berlin Rundfunk Orchestra, Concerto Copenhagen, Concerto Palatino, Salzburg Camerata, Les Musiciens du Louvre-Grenoble, London Symphony Orchestra, Basel Chamber Orchestra -
MEDIEVAL and TUDOR SACRED and SECULAR MUSIC Some Select Recordings Compact Disc; Cassette Tape; (See Final Note Re Access)
MEDIEVAL AND TUDOR SACRED AND SECULAR MUSIC Some Select Recordings compact disc; cassette tape; (see final note re access) (1) CD 789.ANON 6 Gregorian Chant: Death and Resurrection; Chant for Good Friday, Easter Sunday, and Ascension Day, performed by the Choralscola of the Benedictine Abbey of Münsterschwarzach, dir. Fr. Godehard Joppich OSB (rec. 1981- 2); Archiv Galleria 427 120-2 (booklet with full texts, in Latin and English). See also survey articles on 'Gregorian and Old Roman Chant' and 'Gregorian Chant' in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie [Caian] (20 vols, London, 1980; also available online at: http://www.grovemusic.com), Vol. 7, pp. 693-7, 697-8 (Caius Lib.: Ref 780.3 G), and James McKinnon, 'The Emergence of Gregorian Chant in the Carolingian Era', in James McKinnon (ed.), Man & Music; Antiquity and the Middle Ages; From Ancient Greece to the 15th Century (Houndmills, 1990), Chap. IV (Caius Lib.: 780.9 M). The fullest and most technical account of this chant tradition and its historical evolution is Kenneth Levy, Gregorian Chant and the Carolingians (Princeton, 1998) (Caius Lib.: 782.3222 L); or see Richard Crocker and David Hiley (eds), The Early Middle Ages to 1300 (New Oxford History of Music, II; Oxford, 1990), Chap. IV (Caius Lib.: 780.9 NO). For detailed context and practice see also John Harper, The Forms and Orders of Western Liturgy, from the Tenth to the Eighteenth Century; A Historical Introduction and Guide for Students and Musicians (Oxford, 1991), Chap. 9 on 'Holy Week and Easter' (Caius Lib.: 264.02 H), and for insights into the relation of chant to conventionalised speech see John Stevens, Words and Music in the Middle Ages; Song, Narrative, Dance and Drama, 1050-1350 (Cambridge, 1986), pp. -
Biografie Paul Hillier
BIOGRAFIE PAUL HILLIER | DIRIGENT Paul Hillier, Gründer des Hilliard Ensembles und des dänischen Vokalensembles Theatre of Voices, zählt zu den vielseitigsten Künstlern. Seine Karriere umfasst Gesang, Dirigieren, Komposition und die Publikation über Musik. Er ist ein engagierter Verfechter der Musik von Steve Reich und Arvo Pärt. Seine über 150 Einspielungen, darunter sieben Solo-CDs, fanden weltweit große Beachtung und sind mit zahlreichen Preisen ausgezeichnet worden, darunter zwei Grammys in der Kategorie „Best Choral Recording“ für Arvo Pärts Da Pacem mit dem Estnischen Philharmonischen Kammerchor und David Langs The Little March Girl Passion mit Ars Nova Kopenhagen und Theatre of Voices (Harmonia Mundi). Paul Hillier ist Chefdirigent von Ars Nova Kopenhagen, Chamber Choir Ireland, Künstlerischer Leiter von Theatre of Voices und des Coro Casa da Musica Porto. Von 2001 bis 2007 war er Chefdirigent des Estnischen Philharmonischen Kammerchors. Hillier arbeitet regelmäßig mit den führenden Kammerchören weltweit wie dem Danish National Radio Choir, NDR Rundfunkchor, Rundfunkchor Berlin, Houston Chamber Choir, Estnischer Philharmonischer Kammerchor zusammen und ist Gastdirigent von Orchestern wie London Sinfonietta, St. Paul Chamber Orchestra, Concerto Copenhagen, Athelas Sinfonietta, Tallinn Chamber Orchestra, Irish Baroque Orchestra, Ensemble Remix, Concerto Palatino, Estonian State Symphony Orchestra, Copenhagen Philharmonic, South Denmark Philharmonic, Taiwan Symphony Orchestra, Tokyo Philharmonic Orchestra, Orquestra Sinfónica do Porto und dem Utah Symphony Orchestra. Auftritte führten ihn zu Festivals wie Bergen International Festival, RheinVokal Festival, Musikfest Berlin, BBC Proms, Edinburgh Festival, Hong Kong Arts Festival und an die Royal Danish Opera. Eine enge Zusammenarbeit verbindet ihn mit dem Kronos Quartet, Peter Sellars, Bobbie McFarren, Tim Rushton und Richard Alston. Paul Hillier wurde in Dorchester geboren und hat an der Guildhall School of Music and Drama in London studiert.