CHAPTER 1 INTRODUCTION 1.1 Background Character

Total Page:16

File Type:pdf, Size:1020Kb

CHAPTER 1 INTRODUCTION 1.1 Background Character CHAPTER 1 INTRODUCTION 1.1 Background Character development is an important element that we can find in the literature, one of them is in the film. Character development will change slowly time by time depends where they are and from good or bad things you learn, one of the factor is a dog, as a pet. For some people, dog is just like an animal and did not have a meaningful value. For dog lovers, dog is everything for their life. Dog is a true friend and friendship for some people. The writer is interested to analyze this topic because the writer has a dog. The writer has a lot of experience with dogs since her childhood. One of these experiences is her dog change her behavior. When she was a kid, she was rude to the people, but time by time because of the influences of dog’s behavior, she could to be more caring to the people. Not only that, her dog could make her more sympathy to other people. For the writer, dog is not like a just a pet, animal, or another something but, dog is a friend and family. This is not only physically that she loves her dog, but emotionally too. The writer so take care of her dog. No one can hurt her dog. She always wants to be near with her dog. Her dog teaches a big affection for her. Character development of the writer who did not know what the meaning of affection before, she can get from a dog. Because of her love and relationship to her dog, the writer also has stuffs such as doll, bag, watch, necklace, etc that 1 2 concerns with a dog. The writer likes all pages that has a relation with the dog, including “Dog Whisperer” , the reality show that gives a lot of input, advice, lesson, and the most important is taught me how the relationship between the dog and the person’s character (the owner). Based on my own experiences, the writer wants to explore a film having similar plot with my developing behavior by a presence of a dog with a thesis entitled “Impact of The Presence of Dog To The Development of John’s Character in “Marley & Me” Film As Seen Through Liberal Humanism Views.” David Frankel is the director of this film. Frankel is an American director, screenwriter and also producer. He makes many films such as: Miami Rhapsody, Dear Diary, Just Like You Imagined, The Devil Wears Prada, Marley & Me, The Big Year, Hope Springs, One Chance and Magyk. He won many awards from his film. Dear Diary is a film which won Academy Award for Best Live Action Short. Besides that, Marley & Me, The Devil Wears Prada and Hope Spring are the film that won the successful studio films. Frankel makes “Marley & Me” film because he enjoys the book and cries at it. He also has five dogs and he loves them. The story of “Marley & Me” is a real story that happens to him and he wants to capture it to this film. He chooses dog because he thinks that dogs are easy than the babies. Dogs act what they want yet if they are trained, they can be obedient. Besides that, Frankel also wants to show the relation between dog elements and human elements. Frankel feels the same with John Grogan (real person in real story), in house, they have the furniture half- eaten and there are many things that are chewed by dog. In the end, Frankel realizes that dog helps to give us a source of humor and also solace. 3 Scott Frank and Don Roos are the script writer of this film. Frank is an American screen writer and director. He makes many scripts of film, one of them is One of Sight. It was nominated for an Academy Award and received an Edgar Award, a National Society of Film Critics Award, and a Writers Guild of America Award. Don Roos is also an American screen writer and director of film. He won Best First Feature Independent Spirit Award, for The Opposite of Sex. Frank and Roos make the script and give to Frankel. For the first time, Frankel ignored and did not want the script because he did not know about the story or the movie. After that, Frankel read the draft of the script from Frank and Roos. Frankel found there was no plot to speak of and it had an emotional narrative. That is why Frankel accepts this script and makes this script into the film and it is succesful film that can be in box office for two weeks. “Marley & Me” tells about a relationship between a dog (Marley) and 1 family, John’s family. “ Marley & Me” film is a good choice for all those who want to watch even watched with family. “ Marley & Me” got a positive response from goodreads.com, most of the people in comment. They like the story and really touching their heart and 53% positive rating on Metacritic . Since the film opened, “Marley & Me” film grossed much money over the four-day weekend and maintains for 2 weeks at box office placed number 1. “Marley & Me” film also won awards such as: BMI Film & TV Awards with category BMI Film Music Award and Teen Choice Award with category Choice Movie: Bromantic Comedy. In “Marley & Me”, the main character was John Grogan and his dog Marley. John had been married with Jenny Grogan. John and Jenny have a 4 similar job, a journalist. After marriage, John saw Jenny that she wanted a child. John told to his best friend about that and then his best friend suggested him to give John’s wife a dog because of John was not ready to have a child. John gave a dog to Jenny that John named him Marley (from Bob Marley singer). Time by time, Marley grew up and getting very naughty. In the process of handling Marley’s naughty, John got many lessons about life. John become more understand about the meaning of love, one of them is love to his family. One day, John had an argument with his wife because of Jenny has been saturated with Marley’s bad behavior. This is a hard time for John because he has to choose between Marley or his family. For John, Marley is a member of family and not just a dog. In the end, Marley getting older and he got a disease. Jenny has been able to accept Marley again along John and Jenny’s kid were grown. For the first time, when Marley got that disease, he can be helped by a doctor. But for the second time, Marley cannot be helped. John was so sad because a doctor gave John 2 choices: let him go or let him still alive with suffer. John does not want to see Marley suffer, so John let him go and buried Marley in his backyard. From Marley, John gets many lessons life. For example is when John was not ready to have child, but after the presence of Marley, John was ready to have children and develop his family. In this research, the writer uses a previous study from Nadhrah (2010) thesis about “A Psychological Analysis on Two Main Characters’ In the Film of “Marley & Me”, there is an explanation about two characteristic between Jenny & Marley. This will help the writer more understand about Marley how it 5 develops, the problems, methods, analysis, and the results. Besides that, the writer wants get a role model about the structure in writing thesis. In this research the writer used Liberal Humanism theory. Liberal Humanism is a theory that focuses of the language of it. Text of language on the literature is an important point to be analyzed in Liberal Humanism. So, in analyzed Liberal Humanism, it likes when you tells about interpretation text according to the text. Interpretation text here is a text you analysis use own text according to the text (literary work that you want analysis). Liberal Humanism is also known as Formalism. Formalism is the theory that focuses on intrinsic element like plot, setting, theme, character and symbols through the text. The writer will analyze the development of the character through the intrinsic elements and focus on text analysis. In Liberal Humanism, the writer also used ten tenets theory by Peter Barry. The writer explained each point of ten tenets related to character development of John in “Marley & Me”. The relation between people and dog is a reason why the writer interested to find the impact of how a dog can have an impact of development character of John in “Marley & Me” film directed by David Frankel. 1.2 Problem Formulation 1. How is the impact of the dog presence to the main character? 2. What lessons are learned by the main character after the presence of dog in his life? 3. How is the influence of a dog to the development of the main character’s in relation to his family? 6 1.3 Scope and Limitation The scope of this study is a film entitled “Marley & Me” directed by David Frankel. The limitation of this research is the main character, John and Marley. 1.4 Goals and Function The goals of this research are: 1. To find out John’s changing behaviour before and after the presence of Marley to study about the character and characterization; 2. To find out the lesson learned got by John related to the presence of Marley in his life through Cesar Millan’s theory; 3.
Recommended publications
  • Theaters 3 & 4 the Grand Lodge on Peak 7
    The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall
    [Show full text]
  • Ordinary Heroes: Depictions of Masculinity in World War II Film a Thesis Submitted to the Miami University Honors Program in Pa
    Ordinary Heroes: Depictions of Masculinity in World War II Film A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Robert M. Dunlap May 2007 Oxford, Ohio Abstract Much work has been done investigating the historical accuracy of World War II film, but no work has been done using these films to explore social values. From a mixed film studies and historical perspective, this essay investigates movie images of American soldiers in the European Theater of Operations to analyze changing perceptions of masculinity. An examination of ten films chronologically shows a distinct change from the post-war period to the present in the depiction of American soldiers. Masculinity undergoes a marked change from the film Battleground (1949) to Band of Brothers (2001). These changes coincide with monumental shifts in American culture. Events such as the loss of the Vietnam War dramatically changed perceptions of the Second World War and the men who fought during that time period. The United States had to deal with a loss of masculinity that came with their defeat in Vietnam and that shift is reflected in these films. The soldiers depicted become more skeptical of their leadership and become more uncertain of themselves while simultaneously appearing more emotional. Over time, realistic images became acceptable and, in fact, celebrated as truthful while no less masculine. In more recent years, there is a return to the heroism of the World War II generation, with an added emotionality and dimensionality. Films reveal not only the popular opinions of the men who fought and reflect on the validity of the war, but also show contemporary views of masculinity and warfare.
    [Show full text]
  • The Young Victoria Production Notes
    THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her.
    [Show full text]
  • Anjelica Huston
    www.hamiltonhodell.co.uk Anjelica Huston Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company WAITING FOR ANYA Horcada Ben Cookson Goldfinch/Fourth Culture Films Assemblage Entertainment/AMBI ARCTIC DOGS Magda (Voice) Aaron Woodley Group JOHN WICK: CHAPTER 3 - PARABELLUM The Director Chad Stahelski Lionsgate/Summit Entertainment Indian Paintbrush/Twentieth ISLE OF DOGS Mute Poodle (Voice) Wes Anderson Century Fox TROUBLE Maggie Theresa Rebeck Washington Square Films THIRST SECRET Narrator (Voice) Nathan Silver Yellow Bear Films Bron Studios/XYZ Films/Gilbert THE CLEANSE Lily Bobby Miller Films TINKER BELL AND THE LEGEND OF THE NEVERBEAST Queen Clarion (Voice) Steve Loter Disneytoon Studios JAMES MCNEILL WHISTLER AND THE CASE FOR BEAUTY Narrator (Voice) Norman Stone 1A Productions/Film Odyssey THE PIRATE FAIRY Queen Clarion (Voice) Peggy Holmes Disneytoon Studios Roberts Gannaway/Peggy Walt Disney Pictures/Disneytoon SECRET OF THE WINGS Queen Clarion (Voice) Holmes Studios HORRID HENRY: THE MOVIE Miss Battle-Axe Nick Moore Vertigo Films THE BIG YEAR Annie Auklet David Frankel Fox 2000 Mandate Pictures/Summit 50/50 Diane Jonathan Levine Entertainment Jean-Loup Felicioli/Alain A CAT IN PARIS Claudine (Voice) France 3 Cinéma/Lumière Gagnol WHEN IN ROME Celeste Mark Steven Johnson Touchstone Pictures TINKER BELL AND THE
    [Show full text]
  • Camilla Huey
    CAMILLA HUEY FILM Sex and the City 2 Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon Confessions of a Shopaholic Special Projects & Costume Construction Touchstone Pictures Director: P.J. Hogan Producer: Jerry Bruckheimer Designer: Patricia Field & Molly Rogers, Asst. Cast: Isla Fisher, Krysten Ritter, Joan Cusack Sex and the City Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon The Devil Wears Prada Special Couture Projects & Costume Construction 20th Centruy Fox Director: David Frankel Producer: Wendy Finerman Designer: Patricia Field & Molly Rogers, Asst. Cast: Meryl Streep, Anne Hathaway, Emily Blunt Day On Fire Costume Designer Lodestar Director: Jay Anania Producer: William Fisch, Larry Rattner, Susan P Rosgers, Ten Travis Cast: Carmen Chaplin, Olympia Dukakis, Judy Kuhn, Alyssa Sutherland Issaquena Costume Designer Alluvial Films Director: Lance Hammer Producers: Lance Hammer, Emily Lundin Cast: Katie Allen, Oriana Carpenter, Biana Chapman The Guru Marisa Tomei’s Wardrobe & Turbans Universal Pictures Director: Daisy von Scherler Mayer Producer: Tim Bevan, Eric Fellner, Michael London Designer: Michael Clancey & Pilar Limosner, Asst. Cast: Heather Graham, Marisa Tomei, Christine Baranski My Best Friend’s Wedding Lobster & Waitress Costumes Tristan Pictures Director: P.J. Hogan Producer: Ronald Bass & Jerry Zucker Designer: Jeffrey Kurland Cast: Julia Roberts, Dermot Mulroney, Cameron Diaz, Rupert Everrett.
    [Show full text]
  • KEVIN M. PHIPPS Production Designer
    (6/17/21) KEVIN M. PHIPPS Production Designer www.kevinphipps.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THE FEAR INDEX” David Caffrey Left Bank Pictures Andy Harries (TV Series) Sky Suzanne Mackie Nuala O’Leary “OUTSIDE THE WIRE” Mikael Håfström Netflix Rory Aitken Automatik Ent. Brian Kavanaugh-Jones 42 Ben Pugh Erica Steinberg “BLACK MIRROR” Anne Sewitsky Netflix Mark Kinsella (Season 5, Episode 3) Nick Pitt “IBIZA” Rachel Goldenberg Netflix Will Ferrell Gary Sanchez Prods. Adam McKay Kevin J. Messick “AMERICAN GODS” Adam Kane Starz! Bryan Fuller (Season 1, Episode 7) Fremantle North Neil Gaiman America Michael Green “THE FOREST” Jason Zada Focus Features David S. Goyer Lava Bear Films David Linde “RESIDENT EVIL: Paul W.S. Anderson Impact Pictures Jeremy Bolt RETRIBUTION” Screen Gems Don Carmody “GHOST RIDER: SPIRIT OF Mark Neveldine Columbia Pictures Ashok Amritraj VENGEANCE” Brian Taylor Hyde Park Ari Arad Ari Arad Prods. Michael De Luca “NUTCRACKER” Andrei Konchalovsky Noisette Films Ltd. Moritz Boorman Paul Lowin “BLOOD AND CHOCOLATE” Katja von Garnier Lakeshore Ent. Daniel Bobker MGM Gary Lucchesi Richard Wright ART DIRECTOR Credits Include: “V FOR VENDETTA” James McTeigue Warner Bros. Grant Hill (Supervising Art Director) Joel Silver Nomination: Art Directors Guild (ADG) Award “CHARLIE & THE Tim Burton Plan B Brad Grey CHOCOLATE FACTORY” Warner Bros. Richard D. Zanuck (Supervising Art Director) Nomination: Art Directors Guild (ADG) Award (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (6/17/21) KEVIN M. PHIPPS Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALEXANDER” Oliver Stone Warner Bros. Moritz Borman (Senior Art Director) Thomas Schuhly “TROY” Wolfgang Petersen Plan B Diana Rathbun (Supervising Art Director) Warner Bros.
    [Show full text]
  • Keeping Beats
    1. Keeping Beats MARK LIVOLSI 2001 Vanilla Sky (coeditor), dir. Cameron Crowe 2003 Pieces of April, dir. Peter Hedges 2004 The Girl Next Door, dir. Luke Greenfi eld 2005 My Suicidal Sweetheart, dir. Michael Parness 2005 Wedding Crashers, dir. David Dobkin 2006 The Devil Wears Prada, dir. David Frankel 2007 Fred Claus, dir. David Dobkin 2008 Marley and Me, dir. David Frankel 2009 The Blind Side, dir. John Lee Hancock 2011 The Big Year, dir. David Frankel 2011 We Bought a Zoo, dir. Cameron Crowe AWARDS 2006 Eddie Award (ACE) nomination, Best Edited Feature Film— Comedy or Musical, Wedding Crashers 2007 Eddie Award (ACE) nomination, Best Edited Feature Film— Comedy or Musical, The Devil Wears Prada With a computer screen glowing off to the side of his New York cutting room, Mark Livolsi spoke of some of the box offi ce smashes he has edited, including Wedding Crashers, The Devil Wears Prada, and Marley and Me. Livolsi peppers his comments with some essential metaphors (playing jazz, handing off batons, making a stew) that many editors here, as well as in the fi rst volume of First Cut, have evoked in discussing their art and 13 14 / MARK LIVOLSI craft, establishing the multilayered nature of being an editor. In addition to metaphors, Livolsi offers practical illustrations of the many day-to-day decisions and pressures that an editor in the twenty-fi rst-century cutting room faces, including the need to work faster because of tight schedules, excessive amounts of dailies, and “infi nite” possible edits that the new technology facilitates.
    [Show full text]
  • KODAK: Scenarios USA Provides Teen Filmmaker with Opportunity to Address Issues - Printer Friendly Version 6/20/07 1:36 PM
    KODAK: Scenarios USA provides teen filmmaker with opportunity to address issues - Printer Friendly Version 6/20/07 1:36 PM Return To Scenarios USA provides teen filmmaker with opportunity to address Website issues The Scenarios USA program has focused on getting teenagers to contemplate on life-shaping issues since its inception in 1998. Winners of its story-writing contest get to work with professional filmmakers who help to turn their stories into short films used in school discussions on such topics as HIV/AIDS, unwanted pregnancy and violence. "Our goal is to provide youth the ability to control their own media messages on issues that are impacting their lives," explains Maura Minsky, co-founder and co-executive director along with Kristen Joiner. "Our contest lets them personalize the issues, with the winner making their story into a film in their hometown." Verena Faden was a senior at Hialeah-Miami Lakes High School when she won the competition in south Florida during the fall of Wrap shot from the cast and crews of the 2001. The topic was "Coming of Age in the Era of AIDS." Her Scenarios USA project "Just Like You script, Just Like You Imagined? was selected from over 200 Imagined?" submissions from schools and community groups in the Miami- Dade area. She credits her drama teacher with encouraging her to enter the competition. Bothered by the outdated videos shown in school, Faden saw an opportunity to create a realistic film on the subject for her age group. The 15-minute film consists of three stories of teens dealing with everyday sexual situations.
    [Show full text]
  • 2017 Season Program on Sale 12
    ON SYDNEY HARBOUR ON SALE 12 DEC 2017 SEASON PROGRAM SATURDAY 7 JANUARY SUNDAY 8 JANUARY Lion JACKIE (CTC) (Preview) (PG) (Opening Night Preview) DIRECTOR: Pablo Larraín DIRECTOR: Garth Davis STARRING: Natalie Portman, STARRING: Dev Patel, Rooney Peter Sarsgaard, Greta Mara, David Wenham and Gerwig, John Hurt Nicole Kidman Natalie Portman is perfect in See it and I promise your own Pablo Larraín’s multifaceted heart will skip a beat with portrait of the former first happiness and joy. lady Jacqueline Kennedy. – NEW YORK OBSERVER – NEW YORK TIMES MONDAY 9 JANUARY TUESDAY 10 JANUARY Collateral Beauty The Accountant (MA15+) (CTC) (Preview) DIRECTOR: Gavin O’Connor DIRECTOR: David Frankel STARRING: Ben Affleck, Anna STARRING: Will Smith, Edward Kendrick, J.K. Simmons, Jon Norton, Keira Knightley, Kate Bernthal, Jeffrey Tambor Winslet, Helen Mirren Be prepared to be startled: When a successful New York this thumping thriller is full ad exec experiences a personal of dark themes, secrets and tragedy, his business partners unexpected revelations. employ an unsusal strategy to – URBAN CINEFILE get his mind back on the job. WEDNESDAY 11 JANUARY THURSDAY 12 JANUARY Rosalie Blum (M) (French Nocturnal Animals Language with English Subtitles) (MA 15+) DIRECTOR: Julien Rappeneau DIRECTOR: Tom Ford STARRING: Noémie Lvovsky, STARRING: Jake Gyllenhaal, Amy Kyan Khojandi, Alice Isaaz, Adams, Isla Fisher Anémone, Philippe Rebbot Tom Ford hits it out of the park Quirky characters and a with a stunning film noir that heartwarming, surprising resonates with ghostly, poetic story make this a French gem. terror. Surrender to it. – ROLLING STONE stgeorgeopenair.com.au 2017 SEASON PROGRAM FRIDAY 13 JANUARY SUNDAY 15 JANUARY The Beatles: Eight Manchester by the Days a Week – The Sea (CTC) (Preview) Touring Years (M) DIRECTOR: Kenneth Lonergan DIRECTOR: Ron Howard STARRING: Casey Affleck, Ron Howard’s documentary Michelle Williams, Kyle Chandler rightly keeps coming back to An exemplary film of such the music and the band’s delight exceptional wisdom, beauty, in making it.
    [Show full text]
  • Evelyne Noraz Makeup Artist
    Evelyne Noraz Makeup Artist. IATSE 798 ​ (917) 721-7506 [email protected] www.evelynenoraz.com ​ ​ WILD MOUNTAIN THYME Personal Makeup Artist to Emily Blunt Director: John Patrick Shanley A QUIET PLACE : PART 2 Department Head Director: John Krasinski Cast: Cillian Murphy, Emily Blunt ON THE ROCKS Department Head Director: Sofia Coppola Cast: Rashida Jones, Bill Murray DIVORCE- SEASON 3 Personal makeup Artist to SJ Parker Director: Various JUNGLE CRUISE Personal Makeup Artist to Emily Blunt Director: Jaume Collet- Serra THE GOLDFINCH Department Head Director: John Crowley Cast: Sarah Paulson, Ansel Elgort Oakes fegley, Finn Wolfhard A QUIET PLACE Department Head Director: John Krasinski Cast: Emily Blunt, Noah Jupe X-MEN: DARK PHOENIX Personal Makeup Artist to Jennifer Lawrence Director: Simon Kinberg RED SPARROW Personal Makeup Artist to Jennifer Lawrence Director: Francis Lawrence THE ONLY LIVING BOY IN NY Personal Makeup Artist to Kate Beckinsale Director: Marc Webb Evelyne Noraz page 1 FIFTY SHADES FREED Personal Makeup Artist to Dakota Johnson Director: James Foley FIFTY SHADES DARKER Personal Makeup Artist to Dakota Johnson Director: James Foley PASSENGERS Personal Makeup Artist to Jennifer Lawrence Director: Morten Tyldum X-MEN: APOCALYPSE Personal Makeup Artist to Jennifer Lawrence Director: Bryan Singer JOY Department Head Director: David O.Russell Cast: Jennifer Lawrence, Bradley Cooper, Isabella Rossellini, Elizabeth Rohm DEMOLITION Department Head Director: Jean Marc Vallee Cast: Jake Gyllenhaal, Naomi Watts THE INTERN Personal
    [Show full text]
  • The Meryl Mystique
    THE MERYL STREEP MYSTIQUE: A STUDY OF GENDER, AGING, HOLLYWOOD AND A FEMALE STAR by Tracy Allerton A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December 2010 Copyright by Tracy Allerton 2010 ii ABSTRACT Author: Tracy Allerton Title: The Meryl Streep Mystique: A Study of Gender, Aging, Hollywood and a Female Star Institution: Florida Atlantic University Thesis Advisor: Dr. Christine Scodari Degree: Master of Arts Year: 2010 This thesis employs a star study of Meryl Streep, incorporating pertinent feminist, reception and culture-studies theories, to investigate biases within the Hollywood film industry. The actress has enjoyed a resurgence as a leading lady at age 61. Streep’s star persona, acting prowess and career arc are examined across three theoretical platforms— production of culture, textual analysis, and audience analysis—for clues as to why she has been singled out among her peers. This thesis posits that Streep’s unique star image and surge in popularity have helped her break out of hegemonic articulations of gender and aging that privilege youthful beauty, putting female stars at a disadvantage within the capitalistic film industry. Also considered is the cultural significance of Streep’s late-life success: Does she represent new openings for older actresses (and concomitantly, an increase in film representations of aging women), or is she merely an anomaly within the entrenched patriarchal system? iv TABLE OF CONTENTS CHAPTER ONE ................................................................................................................. 1 BACKGROUND AND JUSTIFICATION ........................................................................ 1 Introduction....................................................................................................................
    [Show full text]
  • Montclair Film Announces Special and Member Screenings Nov Dec
    For Immediate Release MONTCLAIR FILM ANNOUNCES MERYL STREEP RETROSPECTIVE & MEMBER SCREENINGS Filmmaker Local 505 program features local talent November 5, 2018, MONTCLAIR, NJ - Montclair Film today announced special programs for November and December 2018 in Montclair, NJ. In anticipation of the organization’s special EVENING WITH STEPHEN COLBERT + MERYL STREEP, Montclair Film presents Meryl Streep: Her Greatest Performances, a mini- retrospective taking place November 14-18, and showcasing five films profiling the artistry of the legendary actor, including THE FRENCH LIEUTENANT’S WOMAN, directed by Karel Reisz, Alan J. Pakula’s SOPHIE’S CHOICE, Mike Nichols’ SILKWOOD, Sydney Pollack’s OUT OF AFRICA, and David Frankel’s THE DEVIL WEARS PRADA. Additionally, Montclair Film Members will be offered the opportunity to attend three special screenings ahead of their release. These screenings are open to Montclair Film Members only, and all will take place at the Clairidge Cinemas. Montclair Film welcomes new Members, and sign-up is available at montclairfilm.org. Presented in partnership with Opera Theater of Montclair, MARIA BY CALLAS, directed by Tom Volf, is an intimate portrait of the great American opera superstar Maria Callas. Mia Riker- Norrie, General Director of Opera Theatre of Montclair, will lead a post-viewing discussion along with soprano and stage/film director Sabrina Palladino. The film is a Sony Pictures Classics release. (November 19) BRESLIN AND HAMILL: DEADLINE ARTISTS, directed by Montclair’s own Jonathan Alter, John Block, and Steve McCarthy. A portrait of the hard-charging New York City newspaper columnists Jimmy Breslin and Pete Hamill, the screening will feature a Q&A with the filmmakers.
    [Show full text]