Music [Post a Reply]

Total Page：16

File Type：pdf, Size：1020Kb

] […] [Settings] [Search] [Mobile] [Home] /mu/ - Music [Post a Reply] 08/21/20 New boards added: /vrpg/, /vmg/, /vst/ and /vm/ 05/04/17 New trial board added: /bant/ - International/Random 10/04/16 New board for 4chan Pass users: /vip/ - Very Important Posts [Hide] [Show All] Self-serve ads are available again! Check out our new advertising page here. [Return] [Catalog] [Bottom] [Update] [ Auto] 7 / 0 / 4 / 7 File: a2290599577_16.jpg (81 KB, 700x700) Good Noisecore Albums Anonymous 11/21/20(Sat)02:00:04 No.99679854 ▶ >>99680673 >> Anonymous 11/21/20(Sat)02:43:18 No.99680673 ▶ >>99679854 (OP) I like noise rock and grindcore but noisecore is a hybrid genre that nobody really needed. The Locust is okay I guess >> Anonymous 11/21/20(Sat)02:51:23 No.99680802 ▶ My all times favorite. Hope you enjoy https://www.youtube.com/playlist?list=PL5JmKqVUrwkIspArojA22wJHQI-gEu7pp >> Anonymous 11/21/20(Sat)03:00:43 No.99680947 ▶ >>99680975 >>99681007 I used to have a shirt of this album until my friend's sister stole it. Lobster Mage is his best album imo. Nice to see Yatagarasu getting appreciation though. I saw him live a couple times. All the music except the noise cones from a NES, and the noise comes from guitar effects pedals he set up on the floor and would turn on and off with his hands. You might like the band he played guitar and sing in, Femoral, and an old "J-pop" cybergrind thing he did, Bishonen Idolpop Genocaust (only the soundclick page remains as far as I can tell. I also recommend Thing-Worker, Watabou, Iamerror, Bubblegum Octopus, Gtuk, and Horse The Band, and Fork Sister. >> Anonymous 11/21/20(Sat)03:02:49 No.99680975 ▶ >>99680947 These aren't "noisecore" though they're just stuff that sounds similar. Maybe also check out cutting pink with knives, melt-banana, an albatross, and the locust) >> Anonymous 11/21/20(Sat)03:04:03 No.99681007 ▶ >>99680947 * Correction: He also used a drum machine at least on some of his material. >> Anonymous 11/21/20(Sat)03:05:13 No.99681029 ▶ Also Les Trucs is good. >> Anonymous 11/21/20(Sat)03:07:41 No.99681076 ▶ Also Fizzy Dino Pop good [Return] [Catalog] [Top] [Update] [ Auto] [Post a Reply] 7 / 0 / 4 / 7 Delete Post: [ File Only] Delete Style: Yotsuba ] […] [Settings] [Search] [Mobile] [Home] All trademarks and copyrights on this page are owned by their respective parties. Images uploaded are the responsibility of the Poster. Comments are owned by the Poster. About • Feedback • Legal • Contact.

Copy Link

Recommended publications

Grindcore.Pdf
Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22
[Show full text]
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
[Show full text]
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
[Show full text]
ANALYSIS the Day of the Locust (1939) Nathanael West (1903-1940)
ANALYSIS The Day of the Locust (1939) Nathanael West (1903-1940) 1 The novel opens and ends with a mob scene, the first artificial and the last real. Circular structure is a characteristic of the transcendental mode and of Modernism, as in The Sun Also Rises and Finnegans Wake. In contrast, the structure of Locust implies a downward rather than an upward or progressive movement— to madness rather than transcendence. The great noise outside the office of Tod Hackett is a fake army moving “like a mob; its lines broken, as though fleeing from some terrible defeat.” This image prefigures the defeat of illusory dreams that provokes the mob riot at the end of the novel. The soldiers of European nations at war evokes the brutal recent history of western civilization, culminating in decadent Hollywood. They are stampeding to the wrong “stage” and their leader, in a cork sun-helmet that evokes colonialism, is chasing after them cursing and shaking his fist like a fool in a dark farce. Late in the novel Faye Greener, another force of Nature, is said to be “like a cork. No matter how rough the sea got, she would go dancing over the same waves that sank iron ships and tore away piers of reinforced concrete.” That the dominant forces of history and Nature are beyond control is a Gothic and a Naturalist vision of life. Naturalistic also is the detached view West takes of the retired people who “had come to California to die.” They are like locusts. West implies that believing in what you see on the movie screen is as foolish as believing that the set of “half a Mississippi steamboat” will get you somewhere.
[Show full text]
Touchable Sound Records from the USA
A Collection of 7-inch Touchable Sound Records from the USA In an era that advocates streamlined product, and music at the click of a mouse, Touchable Sound celebrates those independent-minded bands and labels that make their own records and relish the opportunity to produce labor- intensive one-off artifacts. As Henry H. Owings puts it in his introduction, the book honors “those who invest countless hours of themselves to further their art. It’s about having an attention to detail and a disinterest in the bottom line.” Curated by Brian Roettinger, Mike Treff, and Diego Hadis, and organized by region, Touchable Sound focuses on unique, exquisite examples of American 7-inch-record design. Spanning nearly 25 years, it lovingly documents the obscure and the hard-to-find with help from musicians, artists, and label owners. Many of these records—by bands as diverse as the Olivia Tremor Control, the Locust, Angel Hair, Stereolab, Los Crudos, the Melvins, and more— have never before been seen by a wide audience, and were originally pressed in extremely limited editions. Edited by Brian Roettinger, Mike Treff, and Diego Hadis. Introduction by Henry Owings (Chunklet Magazine & Books). Essay Contributions from Tom Hazelmyer (Amphetamine Reptile Records), Sam McPheeters (Vermiform Records / Born Against), Justin Pearson (Three One G Records / The Locust), Kristin Thomson (Simple Machines Records / Tsunami), Mike Amezcua (El Grito Records), Mark Ownes (Life of the Mind). Featuring over 300 records and 600 bands. All images photographed. Full marketing and publicity campaign planned. Release events scheduled throughout the Fall. Display copies and POP materials available.
[Show full text]
Critique of Consumerist Culture in West's the Day of the Locust. Abstract
Critique of Consumerist Culture in West’s The Day of the Locust. Abstract: The present research paper analyzes the fragmentation and artificiality caused by consumerist culture in Nathanael west’s The Day of the Locust. Beside this, the researcher has tried to find how the social rule, costume, human desires, languages, families and materialistic desires are determined by the state, how state rules over common people and attempts to prove how state agencies break the natural desires of the people. Moreover, it tries to find out how the protagonist, Tod and other common characters are compelled to live under the shadow of capitalist ideology due to the desires of ‘life, liberty and the pursuit of happiness’. In order to analyze the text, the researcher has brought the idea of Louis Althusser’s Ideological state apparatus. On the basis of Althusserian ideology, the research establishes an idea how the state ideologies shape desires of the ordinary people in the society and how common people have become victims of consumerist culture. Keywords: Fragmentation, state, ideological state apparatus, consumerism and American dream. The present research analyzes the sense of fragmentation and artificiality in Nathanael West’s The Day of the Locust. All the characters are in one way or another way attempting to become happier with their life but actually they are frustrated and divested because of the influence of consumerist culture. The title word of novel "The Locust" refers to the little people who are faceless and sad and accumulate on the benches of Los Angeles, waiting for a bus that will never come.
[Show full text]
Current, August 21, 2017 University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 8-21-2017 Current, August 21, 2017 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, August 21, 2017" (2017). Current (2010s). 267. https://irl.umsl.edu/current2010s/267 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. The Current UMSL’S INDEPENDENT STUDENT NEWS Anheuser-Busch Hall Dedication Opens New Doors for Business Students KAT RIDDLER / THE CURRENT KAT The main entrance to Anheuser-Busch Hall. Construction on the $20 million building began in 2015. The building is the new home of the College of Business Adminstration and the first to be dedicated solely to the College. Kat Riddler heuser-Busch Hall (ABH). On Au- UMSL Chancellor Thomas George, Anheuser-Busch Hall is the new business college. Previously, the Managing Editor gust 17, over two hundred people University of Missouri System home of the College of Business Ad- college was housed in the Social gathered in the courtyard facing the President Mun Choi, local elected ministration. The 51,000-square- Science & Business Building (SSB). hose returning to the Uni- building for the Grand Opening of officials, and Anheuser-Busch rep- foot building is three stories and The temperature-controlled walk- Tversity of Missouri-St. Louis the $20 million building from 4:30 resentatives were among the many houses undergraduate and gradu- way from SSB to ESH extends to the campus may notice a new building p.m.
[Show full text]
Dream in the Fiction of Nathanael West James M
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1986 Dream in the Fiction of Nathanael West James M. Caldwell Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Caldwell, James M., "Dream in the Fiction of Nathanael West" (1986). Masters Theses. 2670. https://thekeep.eiu.edu/theses/2670 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal , theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a numb er of requests from other institutions asking per�ission to reproduce dissertations for inclusion · in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be c opied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permiss ion to lend my thesis to a reputable college or 1.lniversity for the purpose of copying it for inclusion in that institution's library or· research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author m Dream
[Show full text]
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC.
[Show full text]
Amnesty International Report 2020/21
AMNESTY INTERNATIONAL Amnesty International is a movement of 10 million people which mobilizes the humanity in everyone and campaigns for change so we can all enjoy our human rights. Our vision is of a world where those in power keep their promises, respect international law and are held to account. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and individual donations. We believe that acting in solidarity and compassion with people everywhere can change our societies for the better. Amnesty International is impartial. We take no position on issues of sovereignty, territorial disputes or international political or legal arrangements that might be adopted to implement the right to self- determination. This report is organized according to the countries we monitored during the year. In general, they are independent states that are accountable for the human rights situation on their territory. First published in 2021 by Except where otherwise noted, This report documents Amnesty Amnesty International Ltd content in this document is International’s work and Peter Benenson House, licensed under a concerns through 2020. 1, Easton Street, CreativeCommons (attribution, The absence of an entry in this London WC1X 0DW non-commercial, no derivatives, report on a particular country or United Kingdom international 4.0) licence. territory does not imply that no https://creativecommons.org/ © Amnesty International 2021 human rights violations of licenses/by-nc-nd/4.0/legalcode concern to Amnesty International Index: POL 10/3202/2021 For more information please visit have taken place there during ISBN: 978-0-86210-501-3 the permissions page on our the year.
[Show full text]
Thursday January 19
Thursday January 19 10:00 Lisa Bella 10:30 Lisa Bella Donna Donna EYE EYE Guitar / Keys Guitar / Keys 11:00 Lisa Bella 11:30 Lisa Bella Donna & Donna & Lara Sarah Jane Somogyi Hargis Guitar / Keys / Harp Guitar / Keys / Flute 12:00 Haunted 12:30 Tomas Summer Doncker TRUE GROOVE ALL STARS / JAMES CHANCE & THE CONTORTIONS Guitar / Bass / Electronic Percussion 1:00 Tomas 1:30 She Shreds: Doncker Vanessa TRUE GROOVE ALL STARS Wheeler / JAMES CHANCE & THE LEO LEO CONTORTIONS Guitar Guitar / Bass / Electronic Percussion 2:00 Vice 2:30 Sarah Cooler Lipstate NOVELLER Guitar 3:00 Sarah Jane 3:30 Taka Hargis Tozawa Flute DELTRON 3030 Guitar 4:00 Lara 4:30 Denver Somogyi Dalley Harp DESAPARECEDOS Guitar 5:00 Vice 5:30 Justin Cooler Pearson & Luke Henshaw THE LOCUST / RETOX / PLANET B / HEAD WOUND CITY Bass / MPC Friday January 20 10:00 Lisa Bella 10:30 Lisa Bella Donna & Donna & Sarah Jane Brandon Hargis Chapman Guitar / Keys / Flute Guitar / Keys 11:00 Lisa Bella 11:30 Lisa Bella Donna & Donna & Kaitlin Carlos Fisher Guitar / Keys / Wolfberg Electronics Guitar / Keys / Violin 12:00 Isaiah 12:30 Just Mitchell Nick & Camilla Guitar / Vocals S a u ﬂ e y EARTHLESS / GOLDEN VOID / ASSEMBLE HEAD IN SUNBURST SOUND Guitar / Keys 1:00 Sarah Jane 1:30 She Shreds: Hargis Fabi Reyna Flute & Laurence Vidal Guitar 2:00 Juan 2:30 Juan Alderete Alderete & Nick & Nick Reinhart Reinhart THE MARS VOLTA / RACER THE MARS VOLTA / RACER X / DELTRON 3030 / TERA X / DELTRON 3030 / TERA MELOS / GOBLIN COCK MELOS / GOBLIN COCK Guitar / Bass Guitar / Bass 3:00 John Reis 3:30
[Show full text]
' Patriotic : Instruction
f) ~ I) ~ I) ~ ~ ~ ~ ~ t MANUAL of: ~ (j : ' PATRIOTIC ~ :1 : INSTRUCTION ~ ~ ~ ~ I) ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ * ~ I; ~ ~ ~ ~ ~ IW ~ ~ ~ ~ ~ ~ KANSAS • 1944 ~ ~ ~ ~ I) ~ D ~ f) ~ ~ 41 ~ ~ I ~ ~ ~ ~ I) ~ D ~ ~ ~ PLEDGE allegiance to the Flag of the United States of America and to the Republic for which it stands: One Nation, indivisible, with liberty and justice for all. MANUAL PATRIOTIC INSTRUCTION AND PROGRAM HELPS FOR SPECIAL DAYS Issued by G eo. L. M cClenny State Superintendent of Public Instruction PRINTED BY KANSAS STATE PRINTING PLANT LEONARD MCCALLA. STATE PRINTER TOPEKA. 1944 20-2516 Table of Contents PAGE F o r e w o r d ........................................................ 5 U nited States F lag ( T h e F lag C ode) 7 School L a w s on P a t r io t ism .................. 18 N ational H y m n s ........................................ 23 S pecial D ays ................................................ 27 L abor D ay ..................................................... 28 C onstitution D a y ..................................... 38 F rances E . W illard D a y ........................ 40 C olu m bu s D a y ............................................ 42 A rm istice D ay ............................................ 49 A merican E ducation W e e k .................. 57 T hanksgiving D a y ................................... 68 C h r ist m a s D ay ......................................... 83 N ew Y ear's D ay ....................................... 93 K ansas D a y ............................................/ . 99 L in c o l n ' s B irthday ................................. 127 W a sh in g t o n 's B i r t h d a y ........................ 139 A rbor D ay .................................................... 147 M other's D a y .............................................. 164 M emorial D ay ............................................ 173 F lag D a y .......................................................
[Show full text]