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55701309 ณป่าน พิชัยกุล.Pdf การวิเคราะหเปรียบเทียบการพัฒนาโมทีฟในการอิมโพรไวสระหวางเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล โดย นายณปาน พิชัยกุล การคนควาอิสระนี้เปนสวนหน ึ่งของการศกษาตามหลึ กสั ูตรปริญญาดุริยางคศาสตรมหาบัณฑิต สาขาวิชาสังคีตวิจัยและพัฒนา บัณฑิตวิทยาลัย มหาวิทยาลยศั ิลปากร ปการศึกษา 2559 ลิขสิทธิ์ของบัณฑิตวิทยาลัย มหาวิทยาลัยศลปากริ การวิเคราะหเปรียบเทียบการพัฒนาโมทีฟในการอิมโพรไวสระหวางเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล โดย นายณปาน พิชัยกุล การคนควาอิสระนี้เปนสวนหน ึ่งของการศกษาตามหลึ กสั ูตรปริญญาดุริยางคศาสตรมหาบัณฑิต สาขาวิชาสังคีตวิจัยและพัฒนา บัณฑิตวิทยาลัย มหาวิทยาลยศั ิลปากร ปการศึกษา 2559 ลิขสิทธิ์ของบัณฑิตวิทยาลัย มหาวิทยาลัยศลปากริ A COMPARATIVE ANALYSIS OF MOTIF DEVELOPMENT IN IMPROVISATIONAL OF KURT ROSENWINKEL AND WOLFGANG MUTHSPIEL By Mr. Napan Pichaikool The Independent Study Submitted in Partial Fulfillment of the Requirements for The Degree Master of Music Program in Music Research and Development Graduate School, Silpakorn University Academic Year 2016 Copyright of Graduate School, Silpakorn University บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร อนุมัติใหการคนควาอิสระเรื่อง “การวิเคราะห เปรียบเทียบการพัฒนาโมทีฟในการอิมโพรไวสระหวางเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล” เสนอโดย นายณปาน พิชัยกุล เปนสวนหน ึ่งของการศึกษาตามหลักสูตรปริญญา ดุริยางคศาสตร มหาบัณฑิต สาขาวิชาสังคีตวิจัยและพัฒนา ……………....................................................... (รองศาสตราจารย ดร.ปานใจ ธารทัศนวงศ) คณบดีบัณฑิตวิทยาลัย วันที่........เดือน...............................พ.ศ.............. อาจารยที่ปรึกษาการคนควาอิสระ ผูชวยศาสตราจารย ดร.ศักดิ์ศรี วงศธราดล คณะกรรมการตรวจการสอบคนควาอิสระ ...........................................................ประธานกรรมการ (ผูชวยศาสตราจารย ดร.เอกราช เจริญนิตย) .................../.................../................... ...........................................................กรรมการ (รองศาสตราจารย ดร.ศรัณย นักรบ) .................../.................../................... ...........................................................กรรมการ (ผูชวยศาสตราจารย ดร.ศักดิ์ศรี วงศธราดล) .................../.................../................... 55701309: สาขาวิชาสังคีตวิจัยและพัฒนา คําสําคัญ: การพัฒนาโมทีฟ/การอิมโพรไวส/เคิรต โรเซนวิงเคิล/วูลฟกัง มิธสเปยล. ณปาน พิชัยกุล: การวิเคราะหเปรียบเทียบการพัฒนาโมทีฟในการอิมโพรไวสระหวาง เคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล. อาจารยที่ปรึกษาการคนควาอิสระ: ผศ. ดร.ศักดิ์ศรี วงศธราดล. 82 หนา. การคนควาอิสระนี้ มีวัตถุประสงคเพื่อศึกษาและเปรียบเทียบการพัฒนาโมทีฟ (Motivic Development) ในการอิมโพรไวสของเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล จํานวน 3 บทเพลง ไดแก Be-Bop, Skippy และ Half Nelson โดยผูวิจัยศึกษาและวิเคราะหเฉพาะเทคนิคอิมโพรไวส โดยใชการพัฒนาโมทีฟ (Motivic Development) เพื่อใหเห็นถึงรายละเอียดที่มีความแตกตางและ ความคลายคลึงกันในการอิมโพรไวสและการพัฒนาโมทีฟ ผลจากการวิจัยพบวาเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล มีความคลายคลึงกันใน เทคนิคการพัฒนาโมทีฟไดแก การทําซ้ํา (Repetition) การทดเสียง (Transposition) การเรียงลําดับ (Sequence) การเปลี่ยนขั้นคู (Interval Change) การเปลี่ยนจังหวะ (Rhythm Change) การพลิกกลับ (Inversion) การสลับที่ (Permutation) การยอสวนจังหวะ (Diminution) การขยายสวนจังหวะ (Augmentation) การประดับโนต (Ornamentation) และการนําโนตออก (Thinning) ซึ่งสามารถนํา เทคนิคและวิธีการพัฒนาโมทีฟของนักดนตรีทั้งสองทานมาผสมผสานและประยุกตในการประพันธเพลง หรือการอิมโพรไวสได สาขาวิชาสังคีตวิจัยและพัฒนา บัณฑิตวิทยาลัย มหาวิทยาลยศั ิลปากร ลายมือชื่อนักศึกษา............................................. ปการศึกษา 2559 ลายมือชื่ออาจารยที่ปรึกษาวทยานิ ิพนธ............................................. ง 55701309: MAJOR: (MUSIC RESEARCH AND DEVELOPMENT) KEY WORD: A COMPARATIVE ANALYSIS OF MOTIF DEVELOPMENT / IMPROVISATIONAL / OF KURT ROSENWINKEL AND WOLFGANG MUTHSPIEL NAPAN PICHAIKOOL: A COMPARATIVE ANALYSIS OF MOTIF DEVELOPMENT IN IMPROVISATIONAL OF KURT ROSENWINKEL AND WOLFGANG MUTHSPIEL. INDEPENDENT STUDY ADVISOR: ASST. PROF. DR. SAKSRI VONGTARADON. 82 pp. The Independent Study aims to study and compare the motivic development in improvisation of Kurt Rosenwinkel and Wolfgang Muthspiel on Be-bop, Skippy and Half Nelson. The researcher has studied and analyzed especially on motivic development for improvisation techniques to expand the details and differences between improvisation and motivic development. In research, found that Kurt Rosenwinkel and Wolfgang Muthspiel have similar techniques to develop motifs such as Repetition, Transpostition, Sequences, Interval Change, Rhythm Change, Inversion, Permutation, Diminution, Augmentation, Ornamentation and Thinning. These given techniques from Kurt Rosenwinkel and Wolfgang Muthspiel on this research could be combined and adapted for contemporary composition and improvisation. Program of Music Research and Development Graduate School, Silpakorn University Student's signature ……………………………………. Academic Year 2016 Thesis Advisor's signature ……………………………………. จ กิตติกรรมประกาศ การคนควาอิสระฉบับนี้สําเร็จลุลวงไปดวยดีตามวัตถุประสงค โดยไดรับความกรุณา จากผูชวยศาสตราจารย ดร.ศักดิ์ศรี วงศธราดล อาจารยที่ปรึกษาหลัก และอาจารย วุฒิชัย เลิศสถากิจ ซึ่งอาจารยทั้งสองทานไดใหความรู ขอมูล คําแนะนํา ตรวจทานแกไขและใหคําปรึกษาอันเปน ประโยชน จนสําเร็จลุลวงและถูกตอง จึงขอกราบขอบพระคุณอาจารยทั้งสองทานเปนอยางสูง ตลอดจนขอขอบคุณบิดา มารดา ครอบครัวพิชัยกุล และญาติพี่นอง ที่คอยสนับสนุนในการเรียน ดนตรีและใหกําลังใจมาโดยตลอด ขอขอบคุณ คุณสุพัด ทองฉวี สําหรับการชวยเหลือคนควาขอมูลและเอกสารใน หองสมุด ขอขอบคุณ คุณรัชยาวีร วีระสุทธิมาศ สําหรับการชวยเหลือทางดานการแปลภาษา ที่ เกี่ยวกับวิทยานิพนธ ขอขอบคุณ คุณบัณฑิต พิชัยกุล และคุณสุธิดา พิชัยกุล สําหรับการใหความรูและ แนะนําตาง ๆ ที่เกี่ยวกับการเรียนดนตรี สุดทายขอขอบคุณนักดนตรีผูมีสวนเกี่ยวของที่ใหกําลังใจและแลกเปลี่ยนความรูกันอยู เสมอสงผลใหผูวิจัยสามารถดําเนินการวิจัยจนสําเร็จลุลวงดวยดี ฉ สารบัญ หนา บทคัดยอภาษาไทย .................................................................................................................... ง บทคัดยอภาษาอังกฤษ ............................................................................................................... จ กิตติกรรมประกาศ..................................................................................................................... ฉ สารบัญตาราง ............................................................................................................................ ญ สารบัญภาพ............................................................................................................................... ฎ บทที่ 1 บทนํา........................................................................................................................ 1 ความสําคัญและความสําคัญของปญหา ............................................................ 1 วัตถุประสงคของการศึกษา............................................................................... 3 ขอบเขตของการวิจัย ......................................................................................... 3 ประโยชนที่คาดวาจะไดรับ............................................................................... 6 ขอตกลงเบื้องตน............................................................................................... 6 นิยามคําศัพท..................................................................................................... 7 2 วรรณกรรมที่เกี่ยวของ............................................................................................... 8 ประวัติและการพัฒนาของนกกั ีตารแจสในยุคตาง ๆ......................................... 8 ชีวประวัติของเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล................................. 17 3 โมทีฟ........................................................................................................................ 23 เทคนิคการพฒนาโมทั ีฟ.................................................................................... 23 การซ้ําทวน................................................................................................ 23 การทดเสียง............................................................................................... 24 การเรียงลําดับ........................................................................................... 25 การเปลี่ยนขั้นคู......................................................................................... 26 การเปลี่ยนจังหวะ ..................................................................................... 27 การแยกสวน............................................................................................. 29 การเสริมทํานอง........................................................................................ 29 การตัดโนตกลางประโยค.......................................................................... 30 การพลิกกลับ............................................................................................. 30 ช บทที่ หนา การสลับที่................................................................................................. 32 การยอสวนจังหวะ .................................................................................... 33 การขยายสวนจังหวะ................................................................................. 33 การประดับโนต........................................................................................ 34 การนําโนตออก......................................................................................... 35 4 วิเคราะหการพัฒนาโมทีฟในเทคนิคอิมโพรไวสของเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยล............................................................................................... 37 วิเคราะหการพัฒนาโมทีฟในเทคนิคอิมโพรไวสของเคิรต โรเซนวิงเคิล และวูลฟกัง มิธสเปยลในบทเพลง Be-Bop....................................................... 37 วิเคราะหการอิมโพรไวสของเคิรต โรเซนวิงเคิล ในเพลง Be-Bop หองที่ 65-96.............................................................................................
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