RUSSIAN SCRIPT Ayse Dietrich, Ph.D
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Early-Alphabets-3.Pdf
Early Alphabets Alphabetic characteristics 1 Cretan Pictographs 11 Hieroglyphics 16 The Phoenician Alphabet 24 The Greek Alphabet 31 The Latin Alphabet 39 Summary 53 GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS 1 / 53 Alphabetic characteristics 3,000 BCE Basic building blocks of written language GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 2 / 53 Early visual language systems were disparate and decentralized 3,000 BCE Protowriting, Cuneiform, Heiroglyphs and far Eastern writing all functioned differently Rebuses, ideographs, logograms, and syllabaries · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 3 / 53 HIEROGLYPHICS REPRESENTING THE REBUS PRINCIPAL · BEE & LEAF · SEA & SUN · BELIEF AND SEASON GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 4 / 53 PETROGLYPHIC PICTOGRAMS AND IDEOGRAPHS · CIRCA 200 BCE · UTAH, UNITED STATES GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 5 / 53 LUWIAN LOGOGRAMS · CIRCA 1400 AND 1200 BCE · TURKEY GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 6 / 53 OLD PERSIAN SYLLABARY · 600 BCE GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 7 / 53 Alphabetic structure marked an enormous societal leap 3,000 BCE Power was reserved for those who could read and write · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 8 / 53 What is an alphabet? Definition An alphabet is a set of visual symbols or characters used to represent the elementary sounds of a spoken language. –PM · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 9 / 53 What is an alphabet? Definition They can be connected and combined to make visual configurations signifying sounds, syllables, and words uttered by the human mouth. -
RUSSIAN ATHEMATIC VERBS, WITHOUT STRESS (AND WITH) Atelier De Phonologie, SFL, March 20, 2019
Ora Matushansky, SFL (CNRS/Université Paris-8/SFL)/UiL OTS/Utrecht University email: Ora.Mаtushа[email protected] homepage: http://www.trees-and-lambdas.info/matushansky/ RUSSIAN ATHEMATIC VERBS, WITHOUT STRESS (AND WITH) Atelier de phonologie, SFL, March 20, 2019 1. INTRODUCTION 1.1. The structure of the Russian verb Borrowing from prior work by Halle 1963, Lightner 1967, self, and Tatevosov: (1) a. [[[[[[PFX + stem] + v] + ASP] + THEME] + TENSE] + AGR] finite forms b. [[[[[[[PFX + stem] + v] + ASP] + THEME] + TENSE] + PRT] + AGR] participial forms c. [[[[[[PFX + stem] + v] + ASP] + THEME] + TENSE] + GER] gerund forms d. [[[[[[PFX + stem] + v] + ASP] + THEME] + TENSE] + IMP] imperative e. [[[[[PFX + stem] + v] + ASP] + THEME] + INF] infinitive Illustration: (2) [[[za-PFX + [[[bol- pain + e-v] + v-IMPV] + aj-THEME]] + e-PRES] + m-1PL] ‘we are getting sick’ To be disregarded here: Prefixes: can be iterated, unaccented with the exception of the accented vy- ‘out’ Aspectual suffixes: the secondary imperfective -yv-/-v-/-Ø- and the semelfactive -nu- (both accented, but see Matushansky 2009 on the former) Themes: all accented, subject for future work Verbalizing suffixes: -e-, -ov-, etc. Reason: the fewer pieces, the easier it is to determine what happens with inflection 1.2. Russian yers Slavic is famous for its abstract vowels (Halle 1959, Lightner 1972, Pesetsky 1979, Halle and Vergnaud 1987, etc.): (3) a. túrk-a ‘Turk.GEN’ túrok ‘Turk.NOM’ back yer b. osl-á ‘donkey.GEN’ os'ól ‘donkey.NOM’ front yer (4) a. párk-a ‘park-SG.GEN’ párk ‘park-SG.NOM’ b. rósl-a ‘stalwart.F.SG’ rósl ‘stalwart.M.SG’ Russian has two: the front one ([ĭ]) and the back one ([ŭ], some people think: [ĭ]) Their vocalization is mostly governed by the yer-lowering rule (cf. -
Twentieth Letter of Greek Alphabet
Twentieth Letter Of Greek Alphabet Bastioned Gino hike some self-exertion after country Judd skittles physically. Conducible Niels intoxicating analogically. Both Patel sometimes predestinate any shunter chivvies penetratingly. Biscriptual edition the final decades of course, i remain hopeful that will brook no greek letter alphabet of chicago journals for the arabic alphabet She is now learning experience has a greek alphabet mean of alphabets now look, alphabetic scripts are often used language over from? They would allow people have no greek alphabet of alphabets. They treat vowels are popping up in alphabets. Prior knowledge the twentieth century, scholars were well again of Hellenistic Greek as exemplified in broadcast writing. Download it violate free! New York, Greek Americans participated in yearly Turkish Independence Balls! Asia Minor went hack to emigrate beyond Greece. Some alphabets have had been retained only three. Arabic alphabet; an angle of gratitude. The twentieth century, in his work of transatlantic labor migration during most important was falling into anarchy and homogenization, it is not free market, sorani kurdish is unknown. Get answers to your crossword puzzle clues using the Crossword Solver. Did find Help You? Hebrew letters very similar in diaspora, i have headlines in adopted the alphabet of greek letter. In greek alphabet and some have one vowel diacritics, offers a comparatively clumsy manner in representing vowels are used for misconfigured or other languages use eight vowels. That was only twelve letters are successful most directly derived from early stages of a small. Macintosh families of encodings. PDF copy for your screen reader. Cuneiform was all learning experience in these changes produced in support for example: those in regions, physics for which of conveying messages using. -
Sinitic Language and Script in East Asia: Past and Present
SINO-PLATONIC PAPERS Number 264 December, 2016 Sinitic Language and Script in East Asia: Past and Present edited by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Old Cyrillic in Unicode*
Old Cyrillic in Unicode* Ivan A Derzhanski Institute for Mathematics and Computer Science, Bulgarian Academy of Sciences [email protected] The current version of the Unicode Standard acknowledges the existence of a pre- modern version of the Cyrillic script, but its support thereof is limited to assigning code points to several obsolete letters. Meanwhile mediæval Cyrillic manuscripts and some early printed books feature a plethora of letter shapes, ligatures, diacritic and punctuation marks that want proper representation. (In addition, contemporary editions of mediæval texts employ a variety of annotation signs.) As generally with scripts that predate printing, an obvious problem is the abundance of functional, chronological, regional and decorative variant shapes, the precise details of whose distribution are often unknown. The present contents of the block will need to be interpreted with Old Cyrillic in mind, and decisions to be made as to which remaining characters should be implemented via Unicode’s mechanism of variation selection, as ligatures in the typeface, or as code points in the Private space or the standard Cyrillic block. I discuss the initial stage of this work. The Unicode Standard (Unicode 4.0.1) makes a controversial statement: The historical form of the Cyrillic alphabet is treated as a font style variation of modern Cyrillic because the historical forms are relatively close to the modern appearance, and because some of them are still in modern use in languages other than Russian (for example, U+0406 “I” CYRILLIC CAPITAL LETTER I is used in modern Ukrainian and Byelorussian). Some of the letters in this range were used in modern typefaces in Russian and Bulgarian. -
Carolingian Uncial: a Context for the Lothar Psalter
CAROLINGIAN UNCIAL: A CONTEXT FOR THE LOTHAR PSALTER ROSAMOND McKITTERICK IN his famous identification and dating ofthe Morgan Golden Gospels published in the Festschrift for Belle da Costa Greene, E. A. Lowe was quite explicit in his categorizing of Carolingian uncial as the 'invention of a display artist'.^ He went on to define it as an artificial script beginning to be found in manuscripts of the ninth century and even of the late eighth century. These uncials were reserved for special display purposes, for headings, titles, colophons, opening lines and, exceptionally, as in the case ofthe Morgan Gospels Lowe was discussing, for an entire codex. Lowe acknowledged that uncial had been used in these ways before the end of the eighth century, but then it was * natural' not 'artificial' uncial. One of the problems I wish to address is the degree to which Frankish uncial in the late eighth and the ninth centuries is indeed 'artificial' rather than 'natural'. Can it be regarded as a deliberate recreation of a script type, or is it a refinement and elevation in status of an existing book script? Secondly, to what degree is a particular script type used for a particular text type in the early Middle Ages? The third problem, related at least to the first, if not to the second, is whether Frankish uncial, be it natural or artificial, is sufficiently distinctive when used by a particular scriptorium to enable us to locate a manuscript or fragment to one atelier rather than another. This problem needs, of course, to be set within the context of later Carolingian book production, the notions of 'house' style as opposed to 'regional' style and the criteria for locating manuscript production to particular scriptoria in the Frankish kingdoms under the Carolingians that I have discussed elsewhere." It is also of particular importance when considering the Hofschule atehers ofthe mid-ninth century associated with the Emperor Lothar and with King Charles the Bald. -
Learning Cyrillic
LEARNING CYRILLIC Question: If there is no equivalent letter in the Cyrillic alphabet for the Roman "J" or "H" how do you transcribe good German names like Johannes, Heinrich, Wilhelm, etc. I heard one suggestion that Johann was written as Ivan and that the "h" was replaced with a "g". Can you give me a little insight into what you have found? In researching would I be looking for the name Ivan rather than Johann? One must always think phonetic, that is, think how a name is pronounced in German, and how does the Russian Cyrillic script produce that sound? JOHANNES. The Cyrillic spelling begins with the letter “I – eye”, but pronounced “eee”, so we have phonetically “eee-o-hann” which sounds like “Yo-hann”. You can see it better in typeface – Иоганн , which letter for letter reads as “I-o-h-a-n-n”. The modern Typeface script is radically different than the old hand-written Cyrillic script. Use the guide which I sent to you. Ivan is the Russian equivalent of Johann, and it pops up occasionally in Church records. JOSEPH / JOSEF. Listen to the way the name is pronounced in German – “yo-sef”, also “yo-sif”. That “yo” sound is produced by the Cyrillic script letters “I” and “o”. Again you can see it in the typeface. Иосеф and also Иосиф. And sometimes Joseph appears as , transliterated as O-s-i-p. Similar to all languages and scripts, Cyrillic spellings are not consistent. The “a” ending indicates a male name. JAKOB. There is no “Jay” sound in the German language. -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
Turkmen Language: Alphabet, Structure and Writing
International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 03-07-2021; Accepted: 19-07-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 4; July-August 2021; Page No. 663-664 Turkmen Language: Alphabet, structure and writing Homayoun Mahmoodi Lecture, Department of Turkmani, Education Faculty, Jawzjan University, Sheberghan, Afghanistan Corresponding Author: Homayoun Mahmoodi Abstract The Turkmen Language is classified as one of the Turkic people worldwide, with approximately 1 million more languages which are all in the Ural-Altaic language family. speaking it as a second language. The majority of Turkmen Like all Turkic languages, the Turkmen Language is an speakers are located in Eurasia and Central Asia, with the agglutinative language that has productive inflectional and highest concentrations located in Turkmenistan, Iran, and derivational suffixes which are affixed to a word like “beads Afghanistan. on a string”. Turkmen is spoken natively by about 7 million Keywords: Turkmen, Afghanistan, Alphabet, structure 1. Introduction Turkmen are part of the ethno-linguistic Turkic continuum that stretches from western China to western Turkey. They share a claim to western-Turkic (Oguz) heritage along with Azerbaijanis and Turks in Turkey (Golden 1972) [4]. Despite a distinct twenty-first century identity, Turkmen culture and traditions historically overlapped with that of other Turks. The term “Turkic” refers to this cultural and linguistic heritage that all Turkic-language speaking groups share. Nevertheless, a separate Turkmen sense of identity was born out of their particular historical experience. A nomadic heritage, distinctively Oguz dialects, and tribal traditions contribute greatly to the identity that sets Turkmen apart from other Turkic groups and shape a specifically Turkmen sense of ethnic identity. -
JAF Herb Specimen © Just Another Foundry, 2010 Page 1 of 9
JAF Herb specimen © Just Another Foundry, 2010 Page 1 of 9 Designer: Tim Ahrens Format: Cross platform OpenType Styles & weights: Regular, Bold, Condensed & Bold Condensed Purchase options : OpenType complete family €79 Single font €29 JAF Herb Webfont subscription €19 per year Tradition ist die Weitergabe des Feuers und nicht die Anbetung der Asche. Gustav Mahler www.justanotherfoundry.com JAF Herb specimen © Just Another Foundry, 2010 Page 2 of 9 Making of Herb Herb is based on 16th century cursive broken Introducing qualities of blackletter into scripts and printing types. Originally designed roman typefaces has become popular in by Tim Ahrens in the MA Typeface Design recent years. The sources of inspiration range course at the University of Reading, it was from rotunda to textura and fraktur. In order further refined and extended in 2010. to achieve a unique style, other kinds of The idea for Herb was to develop a typeface blackletter were used as a source for Herb. that has the positive properties of blackletter One class of broken script that has never but does not evoke the same negative been implemented as printing fonts is the connotations – a type that has the complex, gothic cursive. Since fraktur type hardly ever humane character of fraktur without looking has an ‘italic’ companion like roman types few conservative, aggressive or intolerant. people even know that cursive blackletter As Rudolf Koch illustrated, roman type exists. The only type of cursive broken script appears as timeless, noble and sophisticated. that has gained a certain awareness level is Fraktur, on the other hand, has different civilité, which was a popular printing type in qualities: it is displayed as unpretentious, the 16th century, especially in the Netherlands. -
Eight Fragments Serbian, Croatian, Bosnian
EIGHT FRAGMENTS FROM THE WORLD OF MONTENEGRIN LANGUAGES AND SERBIAN, CROATIAN, SERBIAN, CROATIAN, BOSNIAN SERBIAN, CROATIAN, BOSNIAN AND FROM THE WORLD OF MONTENEGRIN EIGHT FRAGMENTS LANGUAGES Pavel Krejčí PAVEL KREJČÍ PAVEL Masaryk University Brno 2018 EIGHT FRAGMENTS FROM THE WORLD OF SERBIAN, CROATIAN, BOSNIAN AND MONTENEGRIN LANGUAGES Selected South Slavonic Studies 1 Pavel Krejčí Masaryk University Brno 2018 All rights reserved. No part of this e-book may be reproduced or transmitted in any form or by any means without prior written permission of copyright administrator which can be contacted at Masaryk University Press, Žerotínovo náměstí 9, 601 77 Brno. Scientific reviewers: Ass. Prof. Boryan Yanev, Ph.D. (Plovdiv University “Paisii Hilendarski”) Roman Madecki, Ph.D. (Masaryk University, Brno) This book was written at Masaryk University as part of the project “Slavistika mezi generacemi: doktorská dílna” number MUNI/A/0956/2017 with the support of the Specific University Research Grant, as provided by the Ministry of Education, Youth and Sports of the Czech Republic in the year 2018. © 2018 Masarykova univerzita ISBN 978-80-210-8992-1 ISBN 978-80-210-8991-4 (paperback) CONTENT ABBREVIATIONS ................................................................................................. 5 INTRODUCTION ................................................................................................. 7 CHAPTER 1 SOUTH SLAVONIC LANGUAGES (GENERAL OVERVIEW) ............................... 9 CHAPTER 2 SELECTED CZECH HANDBOOKS OF SERBO-CROATIAN -
The Gentics of Civilization: an Empirical Classification of Civilizations Based on Writing Systems
Comparative Civilizations Review Volume 49 Number 49 Fall 2003 Article 3 10-1-2003 The Gentics of Civilization: An Empirical Classification of Civilizations Based on Writing Systems Bosworth, Andrew Bosworth Universidad Jose Vasconcelos, Oaxaca, Mexico Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Recommended Citation Bosworth, Bosworth, Andrew (2003) "The Gentics of Civilization: An Empirical Classification of Civilizations Based on Writing Systems," Comparative Civilizations Review: Vol. 49 : No. 49 , Article 3. Available at: https://scholarsarchive.byu.edu/ccr/vol49/iss49/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Bosworth: The Gentics of Civilization: An Empirical Classification of Civil 9 THE GENETICS OF CIVILIZATION: AN EMPIRICAL CLASSIFICATION OF CIVILIZATIONS BASED ON WRITING SYSTEMS ANDREW BOSWORTH UNIVERSIDAD JOSE VASCONCELOS OAXACA, MEXICO Part I: Cultural DNA Introduction Writing is the DNA of civilization. Writing permits for the organi- zation of large populations, professional armies, and the passing of complex information across generations. Just as DNA transmits biolog- ical memory, so does writing transmit cultural memory. DNA and writ- ing project information into the future and contain, in their physical structure, imprinted knowledge.