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2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Geoffrey Gilbert
I Letters to the Editor 3 Why I Play the Flute John Francis 4 Developing Baroque Ornamentation Skills Berry Bang Mather 8 PAN I BFS Rules the World 12 The Journal of the British Flute Society Richard Adeney talks to The Editor 14 President James Galway Portrait Gallery 22 President for 1988 Patricia Lynden Vice President Albert Cooper ( Member's Platform 23 from 1st January 1988 I History Pages 25 Council: Edward Blakeman Chairman Reflections of a "London West End Super Juliet Keeling Secretary Mole" on four seasons in the Royal Opera Simon Hunt Ediror House Pit Patricia Lynden 28 Jenny Wray Membership Secretary Jonathan Myall Treasurer James Dower Events Co-ordinator 'Friend! Look for the first allegro': Trevor Wye Events Co-ordir~aror Some thoughts on the flute in Haydn's Andrew Thomson Publicity O//icer Symphonies Edward Blakeman 3 1 Adrian Brett Publiciry Oflicer Robin Soldan Educational and FIute Clubs Representative The Season in Malta Tom Cotterell 36 Susan Bruce Hon. Legal Adviser I Jonathan Pickford Hon. Auditor The British Flute Society was formed in January 1983. 1 The Flute Player in Art 38 from the constitution: 'The objects of the Society shall be to advance the education of the public I East Anglian Flute Group 39 in the Art and Science of Music and in particular the Art and Science of Flute playing in all its aspects by the presentation of public concerts Flute Events Section 40 and recitals and by such other ways as the Society through its Council I shaU determine from time to time.' Bath Summer School of Baroque Music 43 The Editor warmly welcomes contributions to Pan, and invites manuscripts - typed if possible - by post to 40 Portland Road, Lon- don W 11 4LG. -
Volume 21 No. 1 March 2002 British Flute Society Address Book
Presiderlt: Sir James Galway OBE The psychology of Vice-presihr: Albert Cooper cover is from the worlishops of sculptor flute teaching Acting Chairmat/: Kenneth Bell Jan van Nost and has been in the 24 grounds of Painswiclc House, Lucinda klackworth-Young shares Gloucestershire, since it was first some of the best-kept secrets of constructed in the 18th century. successful tlute teaching and ....................................... happy, motivated pupils. The Journal of The British Flute Society British Flute Society Sing alto flute! Volume 21 No. 1 Address Book 2 The sonoritv of the alto flute has 28 March 2002 enormous expressive possibilities. Carla Rees reveals its history and Editor& Committee Comment sings its praises in this first article Clare Roberts Editor 3 of a new series. Kenneth Bell ........................................ Christine Ring BFS news Brian Finnegan: a bit Helen Baker i\ new section to keep. .vou up to date 4 of a wizard with all BFS events, activities and 30 Contacting the BFS information, including memhers' noticeboard Funky tlute playing General enquiries ........................................ from a techno acrobat Kenneth Bell Acting Choir - to find out more E-mail: secretary@bfs,org.uk Flute news about the man and his Ben's diary, tlute days for young music, read I-Ielen- Membership enquiries 6 people, advice, rare crystal flute Louise Balter's interview John Rayworth A4en1bedip Secretary with the central figure The Nook, How Mill, of the folli band Flook! Brampton Letters ...................... Cumbria CA8 9JY Octotonic music, coping with Tel: 01228 670306 braces 11 Deafness no bar E-mail: [email protected] this flautist All telephone enquiries regarding BFS June playing The flute is the best thing that has ever membership should be directed day with happened to Ruth Montgomery. -
Cistermúsica 2010 XVIII Festival De Música De Alcobaça Música E Literatura
Cistermúsica 2010 XVIII Festival de Música de Alcobaça Música e Literatura Nota de Abertura 03 Apresentação 04 30 Maio Quarteto Casals 06 05 Junho Nuno Inácio e Stéphanie Manzo 12 06 Junho Lusio Voce 16 11 e 12 Junho Adriana Ferreira e Trio de Cordas 24 13 Junho L’Angelica 28 19 Junho Orquestra do Algarve 38 20 Junho Trevor Wye 50 26 Junho CeDeCe 54 27 Junho Tubax 60 03 Julho Cláudio Marcotulli 66 04 Julho A Imagem da Melancolia 70 09 Julho London Brass Tentet 78 22 Julho Sonor Ensemble 82 23 e 24 Julho Quinteto À-Vent-Garde 90 30 Julho Jue Wang 96 31 Julho Orquestra Metropolitana de Lisboa 100 Ciclo de Cinema 108 NOTA DE ABERTURA Sob a temática da Música aliada à Literatura, Alcobaça tem a possibilidade de ver realizar-se uma vez mais o Cistermúsica - Festival de Música de Alcobaça. Com uma programação sempre cuidada ao pormenor, da responsabilidade do Director Artístico Alexandre Delgado, este Festival vai muito para além dos concertos, colocando ao dispor de todos os interessados actividades de cariz pedagógico e para todas as idades, o que muito contribui também para a formação de novos públicos. De destacar igualmente o esforço meritório na descentralização dos vários eventos que compõem mais esta edição do Cistermúsica, aproveitando os espaços disponíveis em diversas freguesias do concelho, das igrejas aos Mosteiros, passando pelos mais modernos espaços culturais. Ainda uma referência à presença de grandes músicos alcobacenses, com créditos bem firmados, quer a nível nacional como internacional, que integram as várias vertentes da programação deste Festival. -
The History and Process of the Development of the Modern Flute
Running Head: FLUTE DEVELOPMENT 1 The History and Process of the Development of the Modern Flute Sarah Vitullo A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 FLUTE DEVELOPMENT 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Kevin Chiarizzio, D.M.A. Thesis Chair ______________________________ Robert Mills, M.M. Committee Member ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date FLUTE DEVELOPMENT 3 Abstract The flute has gone through many phases of development starting from its early form to the modern model which is played today. Though many important flute makers, composers and musicians were part of this process, Johann Joachim Quantz and Theobald Boehm were the two major contributors to the flute’s technological developments. The flute started as a simple tube with holes to which keys were progressively added by Quantz. Boehm completely redesigned the flute to enable the performer to cover more holes than the human hand fingers alone are capable. Although the work of Quantz and Boehm took time to become accepted, the developments have become an integral part of what is now known as the modern flute. FLUTE DEVELOPMENT 4 The History and Process of the Development of the Modern Flute The development of the modern flute is a complex process which has been ongoing for thousands of years. The major developments of the modern flute occurred during the 1700s and 1800s and were largely a product of Johann Joachim Quantz and Theobald Boehm. -
Event Archive 2003-2006
PREVIOUS SEASONS 2003-2006 2006 17th January, 2006, Church of St Mary, Warwick J.S. Bach - Sonata for violin with continuo in E minor, BWV 1023 J.S. Bach - Toccata for Harpsichord in D minor, BWV 913 Biber - Mystery Sonatas No’s 10 & 11 "The Crucifixion and the Resurrection" Biber - Mystery Sonata No 16 the "Guardian Angel" Passacaglia in G minor J.S. Bach - Suite No 1 for solo Violoncello in G, BWV 100 J.S. Bach - Sonata for violin with continuo in G, BWV 1021 Ensemble: Elizabeth Wallfisch + Violin: Elizabeth Wallfisch; 'Cello: Jaap ter Linden Harpsichord: Andrew Arthur 27th January, 2006, Church of St Bartholomew, Brighton The Genius of Mozart: Prague 1791 Overture to 'La Clemenza di Tito', K. 621 Concerto No. 27 for Piano in Bb, K. 595 Requiem in d, K. 626 Fortepiano: Nikolai Demidenko The Hanover Band (Organ Continuo) Conductor: Paul Brough 31st January, 2006, St John's, Smith Square, London The Genius of Mozart: Prague 1791 Overture to 'La Clemenza di Tito', K. 621 Concerto No. 27 for Piano in Bb, K. 595 Requiem in d, K. 626 Fortepiano: Nikolai Demidenko The Hanover Band (Organ Continuo) Conductor: Paul Brough 11th March, 2006, Guilford Cathedral J.S. Bach - St John Passion, BWV 245 The Hanover Band Conductor: Hilary Davan Wetton 2nd April, 2006, Milton Keynes Handel - Messiah (arr. Mozart) The Hanover Band 6th April, 2006, Church of All Saints, Margaret Street, London 20th Century Music of Remembrance Z. Kodaly - Missa Brevis P. Casals - O vos omnes J. Ireland - Greater Love C.V. Stanford - Justorum Animae O. -
Mobile Technologies for Conflict Management Law, Governance and Technology Series
Mobile Technologies for Conflict Management Law, Governance and Technology Series VOLUME 2 Series Editors: POMPEU CASANOVAS, UAB Institute of Law and Technology, Bellaterra, Barcelona, Spain GIOVANNI SARTOR, University of Bologna (Faculty of Law -CIRSFID) and European University Institute of Florence, Italy Scientific Advisory Board: GIANMARIA AJANI, University of Turin, Italy; KEVIN ASHLEY, University of Pittsburgh, USA; KATIE ATKINSON, University of Liverpool, UK; TREVOR J.M. BENCH-CAPON, University of Liverpool, UK; V. RICHARDS BENJAMINS, Telefonica, Spain; GUIDO BOELLA, Universita’ degli Studi di Torino, Italy; JOOST BREUKER, Universiteit van Amsterdam, The Netherlands; DANIÈLE BOURCIER, CERSA, France; TOM BRUCE, University of Cornell, USA; NURIA CASELLAS, Institute of Law and Technology, UAB, Spain; CRISTIANO CASTELFRANCHI, ISTC-CNR, Italy; G. CONRAD JACK, Thomson Reuters, USA; ROSARIA CONTE, ISTC-CNR, Italy; FRANCESCO CONTINI, IRSIG-CNR, Italy; JESÚS CONTRERAS, iSOCO, Spain; JOHN DAVIES, British Telecommunications plc, UK; JOHN DOMINGUE, The Open University, UK; JAIME DELGADO, Arquitectura de Computadors, Spain; MARCO FABRI, IRSIG-CNR, Italy; DIETER FENSEL, University of Innsbruck, Austria; ENRICO FRANCESCONI, ITTIG, Italy; FERNANDO GALINDO, Universidad de Zaragoza, Spain; ALDO GANGEMI, ISTC-CNR, Italy; MICHAEL GENESERETH, Stanford University, USA; ASUNCIÓN GÓMEZ-PÉREZ, Universidad Politécnica de Madrid, Spain; THOMAS F. GORDON, Fraunhofer FOKUS, Germany; GUIDO GOVERNATORI, NICTA, Australia; GRAHAM GREENLEAF, The University of New -
Koechlin International Online Flute Competition Meet the Adjudicators
Koechlin International Online Flute Competition Meet the adjudicators Gitte Marcusson is Professor of Flute at Royal College of Music, London and musical director at Vänersborg School of Music near her home in Sweden. Gitte is devoted to teaching and in addition to her professorship at RCM, coaches students worldwide in her London based studio. She has taught many of today's outstanding flautists, such as Katherine Bryan, Principal Flute of the Royal Scottish National Orchestra; Adam Walker, Principal Flute of the London Symphony Orchestra; Alex Jakeman, Principal Flute of the BBC Philharmonic; and Joshua Batty, Principal Flute Sidney Symphony Orchestra. Gitte taught at Chethams School of Music for 16 years and is much in demand as guest professor giving classes at conservatories and colleges around the world. She is founder and director of Nordic Flute International Summer School and is a member of the faculty at Wildacres Flute Retreat, North Carolina. As a student Gitte left her native Denmark to study flute with Trevor Wye and Clare Southworth in Manchester. Later she continued her studies in London with Patricia Lynden, Patricia Morris and Rachel Brown. After a decade living in London combining orchestral playing, chamber music and teaching she moved to Sweden where she was co-principal with Camerata Calluna Chamber Orchestra 2000-2010. Her commitment to chamber music shows in the vast numbers of performances at societies and festivals throughout Europe. One of her 500 concerts for "Live Music Now" was a performance at Buckingham Palace celebrating Sir Yehudi Menuhin. Pierre-Yves Artaud First Prize for flute and First Prize for chamber music at the Paris Conservatoire, Pierre-Yves Artaud has played all over the world. -
NFA 2021 Program Book Concert Programs 8 3 21
THURSDAY Annual Meeting and Opening Flute Orchestra Concert Thursday, August 12, 2021 9:00–10:00 AM CDT Adah Toland Jones, conductor Kathy Farmer, coordinator Valse, from Sleeping Beauty Pyotr Ilyich Tchaikovsky (1840–93) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 1 Rêverie Claude Debussy (1862–1918) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 2 Talisman Alexandra Molnar-Suhajda (b. 1975) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 3 Sierra Morning Freedom Jonathan Cohen (b. 1954) 2. Peregrine Bugler’s Dream Leo Arnaud (1904–91) 7 Decades of Innovating the Imagined: Celebrating the Music of Robert Dick Thursday, August 12, 2021 10:00–11:00 AM CDT Flames Must Not Encircle Sides Robert Dick (b. 1950) Lisa Bost-Sandberg Afterlight Dick Bonnie McAlvin Fire's Bird Dick Mary Kay Fink Book of Shadows Dick Leonard Garrison, bass flute Time is a Two Way Street Dick I. II. Robert Dick and Melissa Keeling High School Soloist Competition Final Round: Part I Thursday, August 12, 2021 10:00–11:30 AM CDT Amy I-Yun Tu, coordinator Katie Leung, piano Recorded round judges: Brian Dunbar, Luke Fitzpatrick, Izumi Miyahara Final round judges: Julietta Curenton, Eric Lamb, Susan Milan, Daniel Velasco, Laurel Zucker Finalists in alphabetical order: Emily DeNucci Joanna Hsieh Choyi Lee Xiaoxi Li Finalists will perform the following works in the order of their choosing: For Each Inch Cut Andrew Rodriguez (b. 1989) World Premiere Valse Caprice Daniel S. Wood (1872–1927) Sonata Francis Poulenc (1899–1963) 1. -
FRENCH CONCERTOS from the 19Th Century to the Present A
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-K LOUIS ABBIATE (1866-1933) Born in Monaco. He learned the piano, organ and cello as a child and then attended the Conservatories Turin and Paris where he studied the cello. He worked as a cellist in the Monte Carlo Orchestra and then at Milan's La Scala. He taught the cello at the St. Petersburg Conservatory for some years and after the Russian Revolution returned to Monaco and became the first director of its École Municipale de Musique. He composed orchestral, chamber, instrumental and vocal works. Concerto Italien in A major for Piano and Orchestra, Op. 96 (1922) Maurice Bousquet (piano)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Monaecencis) ECCE MUSICA CM 306 (LP) (1970s) Concerto for Cello and Orchestra in D minor, Op. 35 (1895) Elaine Magnan (cello)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Les Elfes and Le Songe d'Or) ECCE MUSICA CM 312 (LP) (1970s) Monaecencis for Piano and Orchestra, Op. 110 (1925) Maurice Bousquet (piano)/Richard Blareau /Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Concerto Italien) ECCE MUSICA CM 306 (LP) (1970s) JEAN-LOUIS AGOBET (b. 1968) Born in Blois, Loir-et-Cher, Centre. He studied composition and electronic music at the Ecole Normale de Musique in Aix-en-Provence, followed by further studies at the Conservatoire National à Rayonnement in Nice and then with Philippe Manoury at the Conservatoire de Lyon. -
Safe in Our Hands Protection from Theft and Damage from Just £30
British Flute Society @BritishFluteSoc on Facebook @TheFluteEditor From the Editor Contact Elisabeth at [email protected] his issue of PAN celebrates the 30th anniversary of the British Flute Society. In putting the June magazine together, it has been a treat to comb through the archives of PAN and discover the wealth of treasures that they contain. A handful of past articles have been republished here for you to enjoy, and others will soon Tbe available on the BFS website. A glance at the original committee list: Christopher Hyde Smith (Chairman), John Francis (Secretary), William Bennett (Concert Representative), James Galway (President) gives an insight into the calibre of people Trevor Wye first inveigled into his ambitious plan for a British Flute Society. Trevor himself hid behind the modest title of Assistant Editor, the post of Editor being brilliantly executed by Lorna Lewis, back in the days when producing a magazine required scissors and glue. Malcolm Pollock, Education Representative on the original committee, has rejoined the Council thirty years later, and in this issue contributes fascinating insights on the state of flute teaching then and now. The lowly Concert Rep is now our celebrated President William Bennett OBE; and our original President has become, of course, Sir James Galway, who, with his wife Lady Jeanne Galway, is now our Honorary Patron. The BFS can be justly proud of its achievement in fostering talent, enthusiasm, and flute-playing fun over three decades. Its future looks just as exciting. Do join us for the 30th anniversary celebration picnic in Regent’s Park on 23 June after Trevor Wye’s Premier Flautist recital. -
Exploring the French Flute School in North America
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy Sarah Kate Gearheart Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Gearheart, Sarah Kate, "Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy" (2011). LSU Doctoral Dissertations. 1082. https://digitalcommons.lsu.edu/gradschool_dissertations/1082 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. EXPLORING THE FRENCH FLUTE SCHOOL IN NORTH AMERICA: AN EXAMINATION OF THE PEDAGOGICAL MATERIALS OF GEORGES BARÈRRE, MARCEL MOYSE, AND RENÉ LE ROY A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music by Sarah Gearheart B.M., Wichita State University, 2003 M.M., Wichita State University, 2005 May 2011 ACKNOWLEDGEMENTS I want to thank the members of my committee, Katherine Kemler, Alison McFarland, Griffin Campbell and Gabriel Beavers for their input and suggestions throughout the process of editing and completing this document. I am especially grateful for the guidance from my flute professor, Dr.