Diana Agrest FAIA Courses Taught

Total Page：16

File Type：pdf, Size：1020Kb

Name: Diana Agrest FAIA Courses Taught (Four semesters prior to current visit): ARCH 121 Design II (Fall 2014) Educational Credentials: Diploma Architect, University of Buenos Aires School of Architecture and Urbanism, 1967; Post Graduate Studies: Centre de Recherche d'Urbanisme, and l’Ecole Pratique des Hautes Etudes, Vi Section, Paris, France, 1967-1969 Teaching Experience: The Cooper Union: Professor of Architecture, Full Time, 2005-present; Proportional Time: 1999 - 2005 ; Adjunct Associate Professor/Professor: 1977-1999. Other Teaching Positions: Princeton, Columbia and Yale Universities; UP 8, Paris; Whitney Museum for American Art. Professional Experience: Founder and Principal of Agrest and Gandelsonas Architects: Recent work: John and Mary Pappajohn Sculpture Park for the Des Moines Art Center, Des Moines Iowa; Des Moines Vision Plan II; Master Plan and Feasibility Study for the Area of Jing-Xi Water Town; Single Family Residence in the Hollywood Hills, CA Design and building of architecture, urban design projects, and master plans in the USA, Europe, South America and Asia. Licenses/Registration: Registered Architect, New York State Selected Publications and Recent Research: Film: wrote, produced and directed the feature documentary "The Making of an Avant-Garde: The Institute for Architecture and Urban Studies 1967-1984" 2013 Publications: The Sex of Architecture, eds. Diana Agrest, Patricia Conway and Leslie Kanes Weisman, Harry N Abrams, New York, 1996; Agrest and Gandelsonas: Works, Princeton Architectural Press, New York, 1995;Architecture from Without: Theoretical Framings for a Critical Practice, The MIT Press, 1991.AIA Guide to New York Architecture , current; Latin America in Construction 1955-1980, ed Barry Bergdoll, Comas, Liernur,MOMA 2015,Image, Body, Law.: Interdisciplinarity in Contemporary Gender Studies Ed. by Katerina Mishchenko and Susanne Strätling. Kiev: Meduza 2014, pp. 67-84; Mobility of the Line, Art , Architecture and Design, ed. Yvana Wingham Birkhauser, Londin, 2013 ,. 2012 ; Modern Archtecture A-Z, Peter Gössel, Benedikt Taschen GmbH, 2007New York 2000:Architecture and Urbanism from the Bicentennial to the Millennium, Stern, Fishman, Tilove, The Monacelli Press, 2007 Professional Memberships: Fellow of the American Institute of Architects .

Copy Link

Recommended publications

Tectonics and the Space of Communicativity
91st ACSA INTERNATIONAL CONFERENCE • HELSINKI • JULY 27-30, 2003 423 Tectonics and The Space of Communicativity DORIAN WISZNIEWSKI University of Edinburgh It is a logical corollary to post-modernity’s skepticism, that architecture’s role, privileged since the Renaissance to make generalising plans for society in general, should be called into question. Let us remember Lyo- tard’s optimism, that ‘‘invention is always born of dissension’’1 . However, we must also be wary of post modernity’s skepticism. It might lead to an ideological revolution where we simply supplant materialism for idealism, where either the utilitarian or sensual experi- ence is promoted to the denial of meaning. This would be a denial of architecture’s representational character and therefore a denial of its contingent relation to regimes of power, politics and philosophy. We must also be wary of simply asserting the worth of fragmentation and collision as the empty rhetoric of a new political dynamics of resistance. This could have the outcome of Fig. 1. Frank O. Gehry, Guggenheim, Bilbao, 1991-97. solipsism, which if not an outright dismissal, certainly is a sublimation of the everyday conditions of co-existence tectonics in this way already invokes proximity to word in the life-world. To be sure, in post-modernity it might language. The architectural theorists Diana Agrest and be difficult to understand what is architecture’s role, Mario Gandelsonas declared the production of architec- indeed what it represents. For some, architecture, or ture as the production of knowledge. They also specu- building that promotes itself as architecture, especially lated into architectural semiotics, thus making direct bombastically to the eclipse of all else, stands already as links between the themes of power, knowledge and a symbol of the old orders.
[Show full text]
Curriculum Vitae
SHARON HELENE HAAR FAIA, Professor, Taubman College of Architecture and Urban Planning, University of Michigan [email protected] BACKGROUND Sharon Haar, FAIA, is Professor at the Taubman College of Architecture and Urban Planning at the University of Michigan. As a seasoned academic administrator with over 25 years in architectural education, she has helped to build professional and pre-professional degree programs, directed college-wide research enterprises, and facilitated interdisciplinary and global initiatives focused on academic innovation. In addition to her current position at University of Michigan, she has taught and held academic leadership positions at the University of Illinois at Chicago and Parsons School of Design and served as visiting faculty at Chulalongkorn University in Bangkok, Thailand. She is committed to diversity, faculty mentoring, and student- centric education. Her current research investigates the role of entrepreneurship, design innovation, and global networking in the transformation of architectural practices devoted to social activism and humanitarian relief. Continuing projects investigate the intersection of higher education and urban space, with particular regard to the changing nature of the university campus. Professor Haar’s publications include: The City as Campus: Urbanism and Higher Education in Chicago and Schools for Cities: Urban Strategies. Her articles and book reviews appear in journals including the Journal of Architectural Education, the Journal of Planning Education and Research, the Journal of the Society of Architectural Historians, Architect’s Newspaper, and Architectural Design. She has contributed chapters to books including: The Urban Ecologies Reader, Embodied Utopias, Shanghai Transforming, and On Location: Heritage Cities and Sites. She has presented her research in conferences and lectures across the United States, Latin America, Asia, and Europe.
[Show full text]
TAO DUFOUR Ph.D. RIBA Assistant Professor Department Of
TAO DUFOUR Ph.D. RIBA Assistant Professor Department of Architecture Cornell University College of Architecture, Art, and Planning E: [email protected] / P: 1 414 736 1047 ACADEMIC POSITIONS 2018-present Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2016-2018 Visiting Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2014-2016 Visiting Critic Department of Architecture, College of Architecture, Art, and Planning, Cornell University POST-DOCTORAL FELLOWSHIPS 2013-14 Architecture Fellow & Distinguished Visiting Design Critic School of Architecture & Urban Planning, University of Wisconsin-Milwaukee 2012-13 Rome Prize in Architecture British Academy, British School at Rome PROFESSIONAL AFFILIATION 2015 Chartered Architect, Royal Institute of British Architects (RIBA), UK 2007 Registered Architect, Architects Registration Board (ARB), UK / Registration Number: 072991D EDUCATION 2006-12 Doctor of Philosophy. Department of Architecture, University of Cambridge, UK Dissertation title: The Sense of Architecture in Husserlian Phenomenology: The Example of a Candomblé-Caboclo Ritual of Tupinikim, supervised by Professor Peter Carl 2007 Postgraduate Certificate in Professional Practice in Architecture, University of Cambridge, UK 2003-04 Master of Philosophy, Department of Architecture, University of Cambridge, UK History and Philosophy of Architecture, dissertation title: The Living Stone of Rome: The Praxis Implicated by
[Show full text]
ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl
1 ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl. Arch., Cantab.; PhD. TU Delft. Professor, The Irwin S. Chanin School of Architecture, The Cooper Union for the Advancement of Science and Art, New York Fellow of the American Academy of Arts and Sciences. Citizenship: British. Permanent Resident, USA ACADEMIC POSITIONS 2001-present Professor, Irwin S. Chanin School of Architecture, The Cooper Union, NY. 2014-2018 Vincent Scully Visiting Professor of Architectural History, Yale University School of Architecture (Spring Semester). 2013 (Spring) Institute for Advanced Study, Princeton: Member, School of Historical Studies, 2013 -2014 Brown University: Visiting Professor of Humanities and Art History, 1998-2001: University of California Los Angeles: Professor of Art History and Architecture. 1982-1993: Princeton University: Professor of Architecture, William R. Kenan, Jr. Chair. 1972-1982: Princeton University: Associate Professor of Architecture. 1967-1972: Princeton University: Assistant Professor of Architecture. 1965-1967: Princeton University: Instructor in Architecture and Research Associate. ADMINISTRATIVE 2002-2013: Dean, School of Architecture, The Cooper Union 1993-2002: Chair, Department of Art History, UCLA 1997-1998 Dean, College of Art, Architecture, and Planning, Cornell University 1973-1993: Chair, PhD. Program, School of Architecture, Princeton University. 1980-1987: Director, European Cultural Studies Program, Princeton University. 1982-1993 Dean's Executive Committee, School of Architecture, Princeton
[Show full text]
An Evaluation of the Works of Mario Gandelsonas, As a Design Process of Interpreting the City Through Representation
An evaluation of the works of Mario Gandelsonas, as a design process of interpreting the city through representation Research in the Built Environment School of Architecture and the Built Environment, University of Newcastle Simeon Grew B.Design (Architecture) Submitted for the Masters of Architecture, November 2011 Mario Gandelsonas, LA [source: Gandelsonas, Mario,-. X-Urbanism, 1999] 1 Contents Table of Figures ...................................................................................................... 3 Abstract .................................................................................................................. 5 Introduction ........................................................................................................... 6 Literature Review ................................................................................................... 8 Research Method ................................................................................................. 16 Boston .................................................................................................................. 18 Chicago ................................................................................................................. 30 Ink Drawings of Chicago ............................................................................... 32 Computer Drawings of Chicago .................................................................... 39 Conclusion ...........................................................................................................
[Show full text]
Mike Silver, Critical Systems Lab 339 Greene Av. Apt. 7B Brooklyn, NY, 11238 Cell: (646) 415-0102 E-Mail: [email protected]
Mike Silver, Critical Systems Lab 339 Greene Av. Apt. 7B Brooklyn, NY, 11238 Cell: (646) 415-0102 e-mail: [email protected] Education 1991 Columbia University New York, NY (Masters of Architecture and BuildinG DesiGn) DesiGn Thesis: Urban DrawinG Machine Core Studio Critics: Stan Allen, Diana AGrest, Maxamilliano Fuksas. 1987 Pratt Institute Brooklyn, NY (Bachelor of Arts in Architecture) Professional Practice 1998-2018 Critical Systems Lab - Independent Practice Baptistry of Mont Saint Michel, Normandy, France, 2018. OSCR 1-5 (On-Site Construction Robots) 2017. AlamGir Office Block, Dhaka, BanGladesh, 2010. San Jose Museum of Art and DesiGn Competition, 2003. PentaGon Memorial Competition, WashinGton, D.C., 2003. SalvaGe House Prototype, Tucson, Arizona, 2002 The Endless Chair Project, 2001. IceberG Jeans, FlaGship Store, Paris, France (Unbuilt), 1999. The Switchable Glass House, OreGon, Coast, 1999. Holocaust Memorial Competition, Albuquerque, NM. 1999. DrowninG BridGes, Venice Italy, 1998. 2007-2008 Rafael Vinoly (Research Fellow) New York, NY. Research into the production of ultra-liGht, lonG-span structural membranes. 2000-2001 I.M Pei and Partners New York, NY. Rapid prototypes, and diGital models for a proposed extension to the Everson Museum of Art, Syracuse, New York, 2001. 1992-1993 Stan Allen Architect New York, NY. KOMA Project Competition, Los AnGeles, California, 1993. DrawinG Table, construction of exhibited work for Stan Allen, Columbia University’s Mini-Series, Between the Lines, Buell Hall, New York, 1990. 1990-1992 Reiser+ Umemoto New York, NY. Facade WritinG: A DoGs View of Television, drawinGs and photoGraphy for Semio-text(e) Architecture, 1992. Installation with Ben Nicholson at The NIAE exhibit, New York, 1991.
[Show full text]
Another Chance for Housing: Low-Rise Alternatives; Brownsville, Brooklyn, Fox Hills, Staten Island : [Catalogue Of] an Exhibitio
Another chance for housing: low-rise alternatives; Brownsville, Brooklyn, Fox Hills, Staten Island : [Catalogue of] an exhibition at the Museum of Modern Art, June 12-August 19, 1973 Designed by the Institute for Architecture and Urban Studies for the New York State Urban Development Corporation Author Museum of Modern Art (New York, N.Y.) Date 1973 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/2538 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art 1 The Museum of Modern Art AnotherChance for Housing: Low-Rise Alternatives New York Institutefor Architecture Brownsville,Brooklyn and Urban Studies Fox Hills, Staten Island New York State Urban DevelopmentCorporation i i i i i i i * Museum of Modern Art Another Chancefor Housing: Low-Rise Alternatives An exhibition at the Museum of Modern Art Brownsville, Brooklyn June 12-August 19, 1973 Fox Hills, Staten Island Designed by The Institute for Architecture and Urban Studies for The New York State Urban Development Corporation The Museum of Modern Art New York LIBRARY Mnseuti of Modern Art fiRChchive -4- =>?/ /97S Trustees of the The Institute for Architecture Museum of Modern Art /037 and Urban Studies William S. Paley, Chairman Fellows Marcus Garvey Urban Renewal Area, Gardner Cowles, Vice Chairman Stanford Anderson Henry Allen Moe, Vice Chairman Brownsville, New York City (Urban' Peter D. Eisenman, Director Application ) David Rockefeller, Vice Chairman William Ellis Mrs. John D.
[Show full text]
The Architecture of WG Clark Handbook for Regular City Design Robert Mccarter Joan Busquets, Dingliang Yang, and Michael Keller
Contents ORO Editions 2 AR+D Publishing 100 Goff Books 138 Distribution Contacts 159 Sales and Contacts 160 Follow us at: @oroeditions oroeditions @oroeditions This catalogue is also available to view at: ORO Editions www.oroeditions.com Applied Research + Design Publishing www.appliedresearchanddesign.com Goff Books www.goffbooks.com Cover: From Inspired by Place, provided for ORO Editions © 2019 Inside Cover: From Chinese Brutalism Today, provided for ORO Editions © 2019 3 ORO EDITIONS Fall 2019 Over the last 18 years ORO Editions has been prominently recognized for its consistently innovative achievements in the design publishing community. ORO’s thriving publishing program, with superior quality book production, has produced a multitude of singularly exceptional titles with a concentration on architecture, landscape, urban planning, applied research, and design, whilst striving to represent the accomplishments of world class architects, landscape architects, urbanists, authors, graphic designers, artists, and photographers. Within this flourishing editorial paradigm, ORO has curated and articulated a passion for creativity and artistry that is exemplified in its published work which has received a steady stream of awards and industry accolades. Selecting the finest production materials, exquisite graphic design and employing our own unique craftsman’s approach to print production at the highest level of quality, our dedicated team works to ensure perfection as we provide distinct and aesthetically superior style to each unique title. A/NM/A:Nicholas Michelin / Cyril Tretout / Michel Delplace. TC Cuadernos Gathering is a collection of fourteen projects that exemplify how architecture This book documents a collection of drawings, photographs has the power to bring people together by design, allowing them to engage of building sites and completed buildings, as well as images with one another in new ways, to generate ideas, share their passions of construction details, according to a new analytical reading and build communities.
[Show full text]
Xxl, Metropolis As the Object of Architecture a Thesis
XXL, METROPOLIS AS THE OBJECT OF ARCHITECTURE A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF THE MIDDLE EAST TECHNICAL UNIVERSITY BY EMRE ALTÜRK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN THE DEPARTMENT OF ARCHITECTURE MARCH 2004 Approval of the Graduate School of Natural and Applied Sciences ___________________________ Prof. Dr. Canan Özgen Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Architecture. ___________________________ Assoc. Prof. Dr. Selahattin Önür Head of Department This is to certify that we had read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Architecture. ___________________________ Assoc. Prof. Dr. Ayşen Savaş Supervisor Examining Committee Members Prof. Dr. Haluk Pamir ___________________________ Prof. Dr. İlhan Tekeli ___________________________ Assoc. Prof. Dr. Ayşen Savaş ___________________________ Assist. Prof. Dr. Güven Arif Sargın ___________________________ Ins. Dr. Namık Günay Erkal ___________________________ ABSTRACT XXL, METROPOLIS AS THE OBJECT OF ARCHITECTURE Altürk, Emre M. Arch., Department of Architecture Supervisor: Assoc. Prof. Dr. Ayşen Savaş March 2004, 112 Pages Beginning with its historical setting, architectural discourse conceived city as its ultimate object, as the ultimate extension of the composition: the largest building. It relentlessly aimed to link its “pure” object—building—to the city either by locating the two within the general processes of material production or through analogies. Yet, despite such continuity, architecture’s relationship with the city was conceived as the projection of an internal economy onto the city and remained unilateral.
[Show full text]
Institutionalizing Postmodernism: Reconceiving the Journal and the Exhibition at the Institute for Architecture and Urban Studies in 1976
11 INSTITUTIONALIZING POSTMODERNISM: RECONCEIVING THE JOURNAL AND THE EXHIBITION AT THE INSTITUTE FOR ARCHITECTURE AND URBAN STUDIES IN 1976 KIM FÖRSTER Making its mark as the international centre for debate, the New York-based Institute for Architecture and Urban Studies (IAUS) (founded in 1967 and closed in 1985), which liked to see itself along the lines of avant-garde schools of architecture such as the Architectural Association in London or Cooper Union in New York, throughout its short-lived career of eighteen years thought of itself as one of the last refuges of modernist architecture. It did so with an overarching sense of mission, not only aesthetically but at times also socially, as exemplified by the urban research and design projects of its early years. Yet the IAUS underwent a rapid evolution, eventually contributing to the institutionalization of postmodernism in North America and abroad. With a strong focus on influencing (and eventually commodifying) education and culture, the IAUS, if considered in the expanded field of cultural production, serves as a case to verify the belief in architecture and authorship as mediated through modern formats of expression, the avant-garde journal and exhibition. Drawing from cultural and discursive analysis, collective biography and institutional critique, I argue that the Institute’s fellows, when seen as cultural producers – e.g. journal editors and exhibition curators – were able to produce new values and meanings, as they as a group were able to create new social and institutional
[Show full text]
Celebrating 40 Years of the Loeb Fellowship Work Book
CELEBRATING 40 YEARS OF THE LOEB FELLOWSHIP WORK BOOK 1 The Loeb Alumni Council, on the occasion of our 40th Anniversary, wanted to find a way to permanently honor Bill Doebele for his lifetime contribution to Harvard, the GSD, and the Loeb Fellowship Program. Moreover, we wanted to acknowledge the contribution that the Fellowship made to each of our lives by making a substantial gift to the GSD in Bill’s name. We plan to endow the GSD’s Community Service Fellowship Program as it embodies the Loeb mantra of making a difference in local communities and creating a legacy of leadership for future generations. The ten week summer internships and traveling fellowships have immersed students in projects from Boston’s Chinatown to the neighborhoods of Detroit and with organizations from Urban Edge in Boston to NGOs building composting toilets in Nigeria. It is one of the most prestigious real world internship opportunities at the GSD and the students love it. They learn skill sets that will last them their entire careers. michael horst and laurie beckelman, co-chairs of the gift committee the william a. doebele fellowship for community design 2 letter from the dean Congratulations to all of those involved with the 40th Anniversary Reunion celebrations of this outstanding program. 3 Since its founding, through a generous gift by John L. In turn, it is good to know that their experiences at Loeb, SB ’24, LLD ’71, the Loeb Fellowship Program Harvard have helped them gain new insights that has brought an incredible array of practitioners from will serve them well for years to come.
[Show full text]
81565-1B SP.Pdf
Introduction to Architecture Bassim Hamadeh, CEO and Publisher John Remington, Senior Field Acquisitions Editor Gem Rabanera, Project Editor Abbey Hastings, Associate Production Editor Emely Villavicencio, Senior Graphic Designer Trey Soto, Licensing Coordinator Jennifer Redding, Interior Designer Natalie Piccotti, Senior Marketing Manager Kassie Graves, Vice President of Editorial Jamie Giganti, Director of Academic Publishing Copyright © 2019 by Cognella, Inc. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information retrieval system without the written permission of Cognella, Inc. For inquiries regarding permissions, translations, foreign rights, audio rights, and any other forms of reproduction, please contact the Cognella Licensing Department at [email protected]. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Cover image copyright © Paulisson Miura (CC BY 2.0) at https://commons.wikimedia.org/wiki/File:Lina_Bo_Bardi,_SESC_ Pomp%C3%A9ia._(8736296851).jpg. Printed in the United States of America. ISBN: 978-1-5165-0408-4 (pbk) / 978-1-5165-0409-1 (br) Introduction to Architecture Global Disciplinary Knowledge First Edition Edited by Joseph Godlewski Contents 42 Reading 2.2. vii Acknowledgments Excerpts from Risale–I Mi Marriye: An Early Seventeenth Century Ottoman ix Introduction Treatise on Architecture x What Is Architecture? xii What Is Architectural Theory and 53 Chapter 3—Modernism Why Is It Important? 54 Toward an Architecture xiv Aims and Structure of the Book 56 Metabolism xiv References/Further Reading 56 Many Modern Masters 58 References/Further Reading 01 Chapter 1—Foundational Treatises 60 Reading 3.1.
[Show full text]