UCHIDA Handbells, Suzuki Tone Chimes and Chimettes 15

Total Page:16

File Type:pdf, Size:1020Kb

UCHIDA Handbells, Suzuki Tone Chimes and Chimettes 15 UCHIDA Handbells, Suzuki Tone Chimes and Chimettes 15 New! 2015 -Church Bell Choirs -Classroom Music Education Church Youth Groups - Adult Music Programs Crafted by manufacturing and industry giant UCHIDA, and renowned for their superb workmanship, these handbells are the top-selling music bells in Japan. Additionally, the durability and popularity of the music bells Affordable, Quality Handbells by UCHIDA have led to their implementation into numerous elementary music education programs in countries such as Now Available at Groth Music! Japan, Singapore and Indonesia. Groth Music is pleased to be one of the first retailers to offer this affordable In Tune, Pleasing Sound, line of products to church groups, educators and performing groups in the United States looking for budget Excellent Workmanship conscious quality. New! UC-3100-3810 UCHIDA MB-GEN Gold New! 2015 2015 UC-2830 UCHIDA MB-GN Gold Excellent Series 20 Note Handbell Set $1649.95 Series 27 Note Handbell Set $749.95 20 Notes from A4-E6 27 Notes from F5-G7 Larger Rubber Clapper MSRP: $1881.81 Rigid Resin Clapper MSRP: $872.73 for Deeper Sound Resin Handles Resin Handles Gold Plated Iron Bells Gold Plated Iron Bells Cases Sold Separately Light Weight, Smooth Grip Available Separately: Cases Sold Separately UC-3100 8 Note Set Only (A4-E5) $649.95 MSRP: $736.36 Use this set to extend your 27 note UC-2830 set downward by 8 notes for a total of 35 notes. Add on the UC-3100 8 Note MB-GEN Set for a total range of 35 notes Please note: This 8 note set is part of the 20 note set above, but is offered separately to compliment the MB-GN sets. UC-4802 UCHIDA MB-SP Silver Series New! UC-5000-5800 UCHIDA MB-SPE Silver New! 2015 2015 27 Note Handbell Set $1895.95 Excellent Series 20 Note Handbell Set $2295.95 27 Notes from F5-G7 20 Notes from A4-E6 MSRP: $2181.82 MSRP: $2654.55 Rubber Clapper Larger Rubber Clapper for Deeper Sound Silver Plated Zinc Die-Cast Handles Silver Plated Zinc Die-Cast Handles Silver Plated Resin or Iron Bells Silver Plated Brass Bells Gold Plated Zinc Die-Cast Name Plate Gold Plated Zinc Die-Cast Name Plate Heavier Weight for Deeper Sound Cases Sold Separately Cases Sold Separately Available Separately: UC-5000 8 Note Set Only (A4-E5) $949.95 MSRP: $1061.82 Add on the UC-5000 8 Note MB-SPE Set for a total range of 35 notes Use this set to extend your 27 note UC-4802 set downward by 8 notes for a total of 35 notes. Please note: This 8 note set is part of the 20 note set above, but is offered separately to compliment the MB-SP sets. UCHIDA Stands and Cases Sold Separately UC-3701-3702-2 Bell Stands and Cases for MB-SPE or MB-GEN UC-3700 Hard Case 20 Note Bells $249.95 for 8 Note MB-SPE or MB-GEN $299.95 UC-2700 Hard Case UC-4700 Hard Case Each stand and case holds 10 bells. Price Each case holds 8 bells. 3 cases are needed of a for 27 Note MB-GN $369.95 for 27 Note MB-SP $369.95 above includes two stands and two cases. 20 note set of MB-SPE or MB-GEN series. Suzuki Tone Chimes Suzuki Chimettes HB-250 ...25-Note Chromatic Set (G4-G6)................$949.00 Now your music class, HB120A..3rd Octave Add-On (C4-F#4 & G#6-C7) ...$679.00 choir or ensemble can HB120B..4th Octave Add-On (G3-B3 & C#7-G7) .....$849.00 experience the joys of HB7C......7-Note Bass Bar Add-On (C3-F#3)..........$1099.00 handbell ringing with the most affordable These Tone Chime sets are perfect for classroom instruction or hand held musical performance. Includes foam cutout for each bell, note name labeling and instrument, specially designed for even the most inexperienced player. unbreakable heavy duty travel case. Precision crafted from lightweight Involve the whole class with Chimettes as a starter set or in addition to aluminum, Suzuki Tone Chimes have adjustable clapper heads for ToneChimes or Handbells you already have. Pitched one full octave above variable expression and overtone tuning for perfect harmonics. Beautiful ToneChimes, Chimettes are ruggedly constructed. Each overtone-tuned yet cost effective ways to share the music. Only Suzuki Tone Chimes chime is attached to an unbreakable ABS handle which is balanced and feature tubular bells with rounded tone chambers. They're easy to hold and easy to play for extended periods. padded to simulate natural handbell playing action. A world of playing Bring the beauty of handbell playing to your school, church or musical ensemble with the music industry's lowest excitement awaits even the most budget minded school or church as Suzuki cost chimes available today. Don't pay more! Start with our affordable 2 brings you the most affordable hand held musical instrument. octave, 25 note set. Add sets as your experience level increases. 3rd octave, CM-25 ....25-Note Chromatic Set (G5-G7) .............$299.00 4th octave and new 5th octave bass note add-on sets put on a spectacular show! Toll Free: (800)969-4772 Fax: (952)884-1134 Web: www.grothmusic.com.
Recommended publications
  • 2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
    Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession.
    [Show full text]
  • SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
    SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 .
    [Show full text]
  • Brian Baldauff Treatise 11.9
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Percussion Music of Michael W. Udow: Composer Portrait and Performance Analysis of Selected Works Brian C. (Brian Christopher) Baldauff Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE PERCUSSION MUSIC OF MICHAEL W. UDOW: COMPOSER PORTRAIT AND PERFORMANCE ANALYSIS OF SELECTED WORKS By BRIAN C. BALDAUFF A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Brian C. Baldauff defended this treatise on November 2, 2017. The members of the supervisory committee were: John W. Parks IV Professor Directing Treatise Frank Gunderson University Representative Christopher Moore Committee Member Patrick Dunnigan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To Shirley. iii ACKNOWLEDGMENTS This document and degree would not have been possible without the support, guidance, and patience of numerous extraordinary individuals. My wife, Caitlin for her unwavering encouragement. Dr. John W. Parks IV, my major professor, Dr. Patrick Dunnigan, Dr. Christopher Moore, and Dr. Frank Gunderson for serving on my committee. All my friends and colleagues from The Florida State University, the University of Central Florida, the University of Michigan, West Liberty University, and the University of Wisconsin- Stevens Point for their advice and friendship. My parents Sharon and Joe, and all my family members for their love.
    [Show full text]
  • Church Bells Vol 31
    Church Bells and Illustrated Church Sews. \D ecerr.bir The Heavitree Society of Change-ringers. Bells anfc Bell**ringtrtg> A t S t. Michael’s, Heavitree, Exeter, on November 22nd, HollisG Five-part peal of G r a n d s ir e T r i p l e s , 5040 changes, in 3 hrs. 18 mins. Meetings for Practice. Tenor, 26 cwt. The Moyal Cumberland Society : at the Chapel-of-Ease, Holloway, on John Ford. , .. 1 Frank Murphy . , . 5 December 12th, and St. Martin’s-in-the-Fields, on December 14th. Thomas Laver* .. .. 2 John R. Sandover .. 6 The St. James’s Society: at St. Clement Danes, Strand, on December Ferris Shepherd .. .. 3 William Mogridge , . 7 10th. William Shepherd .. 4 William Lowton* .. 8 The Ancient Society of College Youths: at St. Michael’s, Cornhill, and Conducted by Ferris Shepherd. Rung for the occasion of the St. Mary Abbot's, Kensington, on December 11th; Christ Church, welcome home of General Sir Redvers Bufier, K.C.B., from the South Spitalfields, December 12th; St. Matthew’s, Upper Claptor, on African war. [* First peal.] December 13th; St. Stephen’s, Westminster, on December 14th. The Waterloo Society. The Waterloo Society: at St. John’s, Waterloo Road, on December 12th. A t St. George’s, Camberwell, on December 1st, Holt's Original peal The St. Margaret’s Society: at St. Margaret’s, Westminster, on of G r a n d s ir e T r i p l e s , 5040 changes, in 2 hrs. 50 mine. December 13th. Ernest H. Oxenham William Weatherstone .
    [Show full text]
  • Instructions for Caroling Safely
    Why Should We Sing? Greetings and thank you for downloading this resource. We hope that it will give you ideas, guidelines, and an easy jumpstart to “fill the night with music and light.” Your presence in the world will help others see the light of hope and the music of good will for all people in this challenging time. This is why we sing. Whether you are worshiping online or in adapted in-person gatherings, singing in enclosed spaces is still not advised. So what do we do when it isn’t safe to sing inside? We take it outside! Let us reclaim and amplify this beloved tradition of caroling, bringing more hope, love, joy, and peace to the world. Who Should Sing? Everyone! This could be an endeavor led by members of your choir and musical ensembles. Perhaps they are leaders of small groupings of people from your church, ensuring that everyone gets a chance to participate and have solid, confident leadership. If you have a larger choir, perhaps smaller groupings of singers from the choir are sent out to different parts of your community or member’s homes (especially those that will not be able to get out themselves). You may have already-established groups of people who meet for small group fellowship and study and they could form a caroling group. The booklets and recordings are set up in such a way that even households with no prior caroling experience could engage in singing together for their own enjoyment. www.worshipdesignstudio.com/carol2020 1 How Shall We Sing? Safety Guidelines While we all continue to yearn for a sense of normalcy and to be able to celebrate this important part of the Christian Year, we also take our responsibility to “love thy neighbor” very seriously.
    [Show full text]
  • Relationship with Percussion Instruments
    Multimedia Figure X. Building a Relationship with Percussion Instruments Bill Matney, Kalani Das, & Michael Marcionetti Materials used with permission by Sarsen Publishing and Kalani Das, 2017 Building a relationship with percussion instruments Going somewhere new can be exciting; it might also be a little intimidating or cause some anxiety. If I go to a party where I don’t know anybody except the person who invited me, how do I get to know anyone else? My host will probably be gracious enough to introduce me to others at the party. I will get to know their name, where they are from, and what they commonly do for work and play. In turn, they will get to know the same about me. We may decide to continue our relationship by learning more about each other and doing things together. As music therapy students, we develop relationships with music instruments. We begin by learning instrument names, and by getting to know a little about the instrument. We continue our relationship by learning technique and by playing music with them! Through our experiences and growth, we will be able to help clients develop their own relationships with instruments and music, and therefore be able to 1 strengthen the therapeutic process. Building a relationship with percussion instruments Recognize the Know what the instrument is Know where the Learn about what the instrument by made out of (materials), and instrument instrument is or was common name. its shape. originated traditionally used for. We begin by learning instrument names, and by getting to know a little about the instrument.
    [Show full text]
  • The Laguardia Bell Tower Carillon
    The LaGuardia Bell Tower Carillon By Frank Angel Although the LaGuardia Tower has housed a carillon from the very first days it opened its doors, details about the original carillon are sketchy at best. About the only thing we know is that is was a manual operation with the bells struck by hand. A carillonneur had to go up to the tower and manually strike the bells. There is no record of who manufactured it or any details of the original design or how many bells were used. Only a cork-covered "sounding" room which housed the system and a few rusted tubular bells are all that remain of that first instrument which indicate that it may only have been able to play the simple Westminster, four note melody. How it was played, how often or by whom, remains a mystery. The first automated carillon capable of playing a double octave of notes and full melodies on campus was installed circa 1959 in the LaGuardia Tower by the Schulmerich Carillon Company of Pennsylvania. It consisted of eight tuned sounding rods which struck the familiar Westminster melody sequence on the quarter hours as well as striking the hour. The entire clockworks were driven by electro-mechanical components -- a mass of metal rods, pins, relays and motors. Except for the occasional mechanical failure, it was used on a daily basis for nearly twenty years. In 1986, the 17-year- old Schulmerich instrument broke down beyond repair. The carillon and the LaGuardia Tower with its blue-lighted belfry and amber turret lights had long become a cherished fixture of campus life, while the LaGuardia Tower and gold Dome had become the very symbol of Brooklyn College.
    [Show full text]
  • TC 1-19.30 Percussion Techniques
    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
    [Show full text]
  • Handbells a Magazine for Handbell and Handchime Directors and Ringers, Developed to Further the Gospel of Christ Through the Gift of Music
    FINAL ISSUE VOLUME 36 • NUMBER 1 • FALL 2019 Handbells A magazine for handbell and handchime directors and ringers, developed to further the gospel of Christ through the gift of music Christmas Medley .................................................. 30 includes Angels We Have Heard on High and Joy to the World! The Lord Is Come 3-5 octaves handbells • Level 3+ • Arranged by Carl Seal Go, Tell It on the Mountain* ....................................... .6 3 octaves handbells • Level 3 • Arranged by Glenn Eernisse How Great Our Joy* ................................................ 10 5 octaves handbells • Level 3 • Arranged by David R. Kent O Come, All Ye Faithful* .......................................... 16 3-5 octaves handbells • Level 3 • Arranged by Brian Childers Oh, Come, Little Children* ....................................... 23 2-3 octaves handbells • Level 1+ • Arranged by Clifton Davis Silent Night, Holy Night* ........................................... 22 3 octaves handbells • Level 2+ • Arranged by Ken Litton We Gather Together* .................................................. 3 3 octaves handbells, 3 octaves handchimes • Level 2 • Arranged by Carl Seal Q Download resources for congregational use of this song at Handbells_Fall_2019.indd 1 3/22/19 8:16 AM LifeWay has enjoyed a rich history of providing resources for handbell choirs for nearly 100 years! 3 Our Handbells magazine has represented a significant part of that story. Because our churches We Gather Together continue to move online to find resources for music and worship, we are following you there! As we close out the physical release of Handbells with this edition, we say, “Welcome, handbells, to LifeWay.com!” 3 octaves / Level 2 Dutch Folk Song Arranged by Carl Seal Optional Handchimes - 3 octaves LifeWay.com is one of the largest and most comprehensive sites for church resources anywhere! Beginning now, church musicians can find great resources for handbells at the place with all kinds of resources! Your LifeWay account makes it easy to order what you need.
    [Show full text]
  • Contents of the Southwell and Nottingham Guild of Church Bellringers Library
    Contents Of The Southwell And Nottingham Guild Of Church Bellringers Library BELLRINGING BOOKS / BELL MUSIC AND OTHER RINGING MEMORABILIA All of this collection is in the ownership of The Southwell and Nottingham Guild of Church Bell Ringers It is located at Saddlers Cottage, Farm Lane, East Markham, NG22 0QH Note: Errors may have been inserted but every effort has been made to be correct. Last Update 18th January 2021 1 CONTENTSU OF THIS LIST ITEMS IN PAPER FORMAT – BOOKS AND LEAFLETS CENTRAL COUNCIL PUBLICATIONS 3 A.R.T. - ASSOCIATION OF RINGING TEACHERS 9 JASPER SNOWDON CHANGE RINGING SERIES 10 SHERBOURNE TEACHING AIDS 11 GENERAL BOOKS ON BELLS 12 LEAFLETS AND/OR ARTICLES FROM BOOKS 19 CHURCH GUIDES, CHURCH BOOKS AND PARISH MAGAZINES 21 RELIGEOUS BOOKS AND NON BELLRINGING 23 NEWSPAPER ARTICLES 24 VARIOUS GUILD AND ASSOCIATION BOOKS 25 DEDICATION OF BELLS SERVICE SHEETS 33 RINGER’S FUNERAL SERVICE SHEETS 33 ITEMS OF NON-BOOK FORMAT GRAMAPHONE RECORDS 8 INCH RECORDS 33 10 INCH 78’s 34 12 INCH 78’s 35 7 INCH 45’s AND 33’s 36 7 INCH BBC SOUND EFFECTS CHURCH BELLS 38 7 INCH BBC SOUND EFFECTS CLOCK BELLS 40 10 INCH 33 1/3rpm RECORDS 42 12 INCH 33 1/3rpm CHURCH BELLS 43 HANDBELLS 44 CARILLON CHURCH BELLS 51 SCHULMERICH ELECTRONIC CARILLON BELLS 54 OTHER VARIOUS TYPES OF BELLS 56 NON RINGING RELIGON 58 COMPACT DISCS BELLS VARIOUS AND COPY OF RECORDS 59 DOCUMENTS – MS WORD AND OTHER FORMATS 69 BOOKS IN PDF FORMAT 70 VHS PAL VIDEO 75 DVD’S 75 CASSETTE TAPES 76 PROJECTOR SLIDES AND LANTERN SLIDES 76 COMPUTER PROGRAMS 77 BELLRINGING MEMORABILIA 78 LIST OF BRITISH TOWER BELLS ON RECORDINGS 81 LIST OF FOREGN BELLS ON RECORDINGS 82 LIST OF HANDBELL TEAMS ON RECORDINGS 84 LIST OF CHURCH BELL CARILLONS ON RECORDINGS 89 LIST OF ELECTRONIC CARILLON BELLS ON RECORDINGS 91 Note: The Whitechepel Foundary closed down in 2018 The Library can be used by all ringers and must be authorised by the Guild Librarian in the first instance.
    [Show full text]
  • Kurzweil PC2R Sound List
    MalletKAT 4.0 Kurzweil PC2R (mkl) Sorted by User Number Sorted by Instrument Name Sorted by Instrument Type 0 Scatman Vocal 32 Acoustic Bass Bass 01-13 32 Acoustic Bass Bass 1 Vibrachorus Mel Percussion 8 Acoustic Mbira Mel Percussion 55 Bright E Bass Bass 2 Vibraphone Mel Percussion 7 African MarimFX Mel Percussion 01-12 51 Dual-Tri Bass Bass 3 New Fluid Vibes Mel Percussion 113 Agogo Percussion 33 Finger Bass Bass 4 Marimba FX Mel Percussion 60 Alazawi Solo Instrument 35 Fretless Bass Bass 5 Marimba Mel Percussion 15 BackgroundOrgan Pianos&Organs 54 Rezzy Bass/Poly Bass 6 Wood Marimbfx Mel Percussion 86 Ballad HarmonTrp Solo Instrument 36 Slap Bass 1 Bass 7 African MarimFX Mel Percussion 29 Ballad of 3 Bars Pianos&Organs 37 Slap Bass 2 Bass 8 Acoustic Mbira Mel Percussion 100 Beaty Drum Percussion 38 Synth Bass 1 Bass 9 Xylophone Orch Percussion 105 Bells/Mark Tree Percussion 53 Two Finger Bass Bass 10 Glockenspiel Orch Percussion 55 Bright E Bass Bass 52 Upright Bass 1 Bass 11 Tubular Bells Orch Percussion 65 Bright Korea Pianos&Organs 85 Dirt Triphop Kit Drums 12 Steel Drums Mel Percussion 101 Cage's Ensemble Percussion 01-09 40 Radio King Drums Drums 13 Vibes FX Mel Percussion 93 Classical Guitar Guitar 124 SimpumpKit Drums 14 Slow Cello vib Strings 34 Cloud Ride Piano Pianos&Organs 01-06 93 Classical Guitar Guitar 15 BackgroundOrgan Pianos & Organs 18 Concert Grand Pianos&Organs 26 Jazz Guitar Guitar 16 Piano and Strings Pianos & Organs 79 Cosmic Calliope Solo Instrument 28 Muted Guitar Guitar 17 Perc Organ Pianos & Organs 42 Croons
    [Show full text]
  • Surrey Bells and London Bell Founders
    SURREY BELLS AND LONDON BELL-FOUNDERS BY J. C. L. STAHLSCHMIDT File 03 – Part II – The Church Bells of Surrey (Continued) CLANDON (WEST) to YORKTOWN Pages 146 to 216 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing 146 The Church Bells of Surrey. CLANDON (WEST). Dedication unknown. 1. At Propper times my Uoice II Raies unto my Bennifactor Praise R O THOMAS LESTER MADE ME 1741 2. THOMAS LESTER OF LONDON MADE MEE R O 1741. 4. ImEARS & STAINBANK FOUNDERS LONDON 1875 On No. 3. RING OUT the false „ „ 4. RING IN THE TRUE „ „ 5. MY TONGUE SHALL SING OF THY RIGHTEOUSNESS 6. THOMAS LESTER OF LONDON MADE US ALL R O 1741 (Diameter of treble 31 J in., of tenor 46J in.) The former 3, 4, and 5 were also by Lester, and dated 1741. ' yc T. R. E. Item iij bells iiij^ iijc with a saunce bell. Death knell. After usual " tellers," bell rung for half an hour. Tenor for adults, treble for children. " Bell rung at 9 a.m. on Sundays. Chimed for Sunday services. " Toll in bell before service. Peals on Easter Day and Christmas Day, and on Coronation and Queen's half Birth days ; 5th November (at night) ; and at midnight of old year a muffled peal. CLAPHAM. Holy Trinity. 1. THOMAS JANAWAY FECIT 1776 2. MUSICA EST MENTIS MEDICINA THO^ JANAWAY FECIT 1776 3. INTACTUM SILEO PERCUTE DULCE CANO THO^ JANA- WAY FECIT 1776 4.
    [Show full text]