Ebook Download Laurence Olivier

Total Page:16

File Type:pdf, Size:1020Kb

Ebook Download Laurence Olivier LAURENCE OLIVIER PDF, EPUB, EBOOK Francis Beckett | 164 pages | 01 Mar 2006 | Haus Publishing | 9781904950387 | English | London, United Kingdom Laurence Olivier PDF Book I forget. She told him that one morning in the early or mids, when Danny Kaye was one of the guests at a house party at Notley, she woke to find him in her bed and kicked him out. One critic said this:. Share this page:. After delays by successive governments, work began in on the National Theatre building housing three separate theatres , situated on the South Bank in London. She married the playwright Robert Bolt in and later wrote three books of memoirs, one of which she dedicated to Lionel Kerr.. He declined the offer of a peerage from Harold Wilson 's Labour government in , despite Wilson's insistence that it was not a political honor. Frustrated with her behavior, Olivier slapped Leigh in the face publicly and she slapped him back. Returning to film direction in with his famous black-and-white version of Hamlet, Olivier won an Academy Award for best actor, and the film won the award for best picture. Burton was fucked up. Become a contributor - post when you want with no ads! She must have been killing him. It's just that I don't consider this topic to be a scintillating subjectfor gossip. Their life together is really hideous and here they are trapped by public acclaim, scrabbling about in the cold ashes of a physical passion that burnt itself out years ago. I wonder why Larry and Danny Kaye friendship wasn't maintained in the s, 70s When he took his seat in House of Lords, the Conservatives were in power. Laurence Olivier could speak William Shakespeare 's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett , who met Olivier in He book on Olivier is milder than the one on Seller's but he doesn't mince words when it comes to his unflattering utterances. By signing up, you agree to our Privacy Notice. IIRC he spends a whole page tearing down Gielgud's Hamlet from the s the book was written 50 years later! I am pretty sure that he was the one who said that Tyrone, Sr's own words were that he slept with men because it was easier than saying no, and he was rarely asked a second time which actually makes him sound like a lousy lay. R, the Irish Curse means that they are too drunk to get it up. As a child, Laurence Olivier felt he was never loved very much by his own father - who saw Olivier as the unwanted addition to the family. Leigh turned down the offer , disappointed she was not offered the lead role of Cathy, according to A. Edward's School, Oxford, a top British Boarding school. Was Sir Larry a better lover for his bi-sexuality? He never openly admitted it but, to me, it was obvious. From he performed in radio broadcasts and, from , had considerable success in television roles. New Century Theatre , New York. Christian Szell. Olivier was generally considered less than successful in the role due to his youth and relative lack of maturity in classical roles though his contemporaneous Henry V was a smash and hinted at his future greatness as an interpreter of William Shakespeare. It's a great shot: includes a tram! No matter what country has produced his films, Olivier remains an international star whose talent belongs to all nations. It's a funny thing about sex appeal. However, his early film career was filled with disappointments, including Greta Garbo's — refusal to accept him as her leading man in Queen Christina. It's the most exciting and the nearest than an interpretive craftsman, such as an actor can possibly get to being a creator. Alec Guinness wrote about an incident at the Old Vic when, in the company of Olivier in the basement of the theater, he asked where a certain tunnel went. The core of the trouble lies deeper, where, in fact, it always lies, in sex. Chichester Festival Theatre. When you're younger, Lear doesn't feel real. Two of them were a husband and wife who were also two of the most respected actors of their day: Laurence Olivier and Vivien Leigh. How Plowright treated him at the end of his life is not surprising. A gossip thread about people who've been dead for decades and a woman now in her 90s. Laurence Olivier Writer Showing all items. R84 Which films are you talking about? She had a small window in the early 70s where she was the Bright Young Thing, appearing in all sorts of new wave crap that no one watches anymore; her big studio role was in the execrable Ryan's Daughter, easily Lean's worst movie. What was she supposed to do, spend 24 hours of every day with him? Comment about this article, ask questions, or add new information about this topic: Name:. I saw her on stage in London at the supposed height of her powers in "The Cherry Orchard" and she couldn't even manage the last scene with anything approaching competence. Ironically, Kubrick shared the same agent. Categories : Laurence Olivier Male actor filmographies British filmographies. Larry and some unknown dame. He was briefly considered to play the Grail Knight in Indiana Jones and the Last Crusade , but he was too sick to commit to the role and died shortly after the film's release. They said she was common. It is a principle theme of "Laurence Olivier; the Biography" by Donald Spoto, , that Olivier was bisexual, and that "he was deeply involved in a homosexual affair with Danny Kaye. Olivier, Laurence. Generally considered the greatest Macbeth of the 20th century for his second stage portrayal of the role in the s, he had hoped to bring "The Scottish Play" to the big screen in the late s, but the failure of his movie Richard III to make back its money frustrated his plans. Every time he looked at her he would start becoming more buoyant and more aggressive. Archived from the original on 11 July I fervently adore Vivien Leigh. He was not alone. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. No one could do that. Oh dear. The producer insisted on a box-office star to justify the lavish production's high budget and essentially forced Visconti to accept Burt Lancaster. Their relationship was every bit as tragic and unfortunate as the marriage of Laurence Olivier and Vivien Leigh was. You continue your own work and your absorption in the family. Burton was fucked up. As if by magic, a crate of kippers materialised from thin air. Years later, Michael Caine met his former co-star at the theatre named after him, and asked him if he could get in for free. His first appearances on the stage were in schoolboy productions of plays by William Shakespeare — Ethel Barrymore Theatre , New York. She has begun to lose sleep again and make scenes and invite more and more people to Notley until there is no longer any possibility of peace. Laurence Olivier Reviews R43 are you the same anonymous, single-thought griper who's at R26? Although he played Joan Plowright 's father in The Entertainer , they married several months after the film was released. He wrote "The Life and Death of Peter Sellers" and it really is hard to read over and over again how fucked up and crazy Sellers was. You can thank the EU parliament for making everyone in the world click on these pointless things while changing absolutely nothing. Olivier was VERY into women, well into old age. Liars like him are horrible, detestable scum. I don't know why but I really love that film. Sign In. I'm sure Lord Olivier's third wife was recompensed in the will for all times of pain and suffering. He swore Bowers was the real deal and if one has read the book Bowers actually gives more attention to setting up others rather than to his own sexual encounters. King Henry V of England. He didn't wish to record events, or to be accountable, by logging his deeds and perceptions, he didn't want any reckoning. Vincent Lunardi. Oh shut up, you idiot. He was a friend of both Olivier and Vivien Leigh, and knew them well. She's a very sick woman,' Olivier snapped at photographers, before taking an emotional leave of Niven. History at your fingertips. I am desperately sorry because I love them both and I am truly fearful of what may happen. You believe that? I meant, treated his father like shit He has no proof to back up anything he says. She liked being Lady Olivier and all the roles it got her despite the fact she was a meh actress but didn't much care to take care of her husband in his declining years. He went ahead with Olivier despite the obstacle. Tyrone, Jr was born after Tyrone, Sr died. Some of his most memorable roles during this time were in Arms and the Man and Uncle Vanya ; he also played the title roles in Richard III and King Lear , the latter of which he also directed. I was a young man then, and it was like Christmas every day - but poor Larry. She was adorable as the matriarchal Jewish mother. The Bower's book is accurate enough that it makes the implausible sections seem plausible by association.
Recommended publications
  • An Actor's Life and Backstage Strife During WWII
    Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful.
    [Show full text]
  • To Download Rupert Christiansen's Interview
    Collection title: Behind the scenes: saving and sharing Cambridge Arts Theatre’s Archive Interviewee’s surname: Christiansen Title: Mr Interviewee’s forename(s): Rupert Date(s) of recording, tracks (from-to): 9.12.2019 Location of interview: Cambridge Arts Theatre, Meeting Room Name of interviewer: Dale Copley Type of recorder: Zoom H4N Recording format: WAV Total no. of tracks: 1 Total duration (HH:MM:SS): 00:31:25 Mono/Stereo: Stereo Additional material: None Copyright/Clearance: Assigned to Cambridge Arts Theatre. Interviewer’s comments: None Abstract: Opera critic/writer and Theatre board member, Rupert Christiansen first came the Theatre in 1972. He was a regular audience member whilst a student at Kings College, Cambridge and shares memories of the Theatre in the 1970s. Christiansen’s association was rekindled in the 1990s when he was employed to author a commemorative book about the Theatre. He talks about the research process and reflects on the redevelopment that took place at this time. He concludes by explaining how he came to join the Theatre’s board. Key words: Oxford and Cambridge Shakespeare Company, Elijah Moshinsky, Sir Ian McKellen, Felicity Kendall, Contemporary Dance Theatre, Andrew Blackwood, Judy Birdwood, costume, Emma Thompson, Hugh Laurie, Stephen Fry, Peggy Ashcroft and Alec Guinness, Cambridge Footlights, restaurant, The Greek Play, ETO, Kent Opera and Opera 80, Festival Theatre, Sir Ian McKellen, Eleanor Bron. Picturehouse Cinema, File 00.00 Christiansen introduces himself. His memories of the Theatre range from 1972 to present, he is now on the Theatre’s board of trustees. Christiansen describes his first experience of the Theatre seeing a production of ‘As You Like It’ featuring his school friend Sophie Cox as Celia, by the Oxford and Cambridge Shakespeare Company and directed by Elijah Moshinsky [b.
    [Show full text]
  • The Force That Can Be Explained Is Not the True Force
    100 / DIALOGUE: A Journal of Mormon Thought cipal issue, there are choices to be below; a fellow bird whom you made between better and worse, can look after and find bugs and bad and better, good and good. seeds for; one who will patch your bruises and straighten your ruffled The truest vision of life I know is that bird in the Venerable Bede feathers and mourn over your that flutters from the dark into a hurts when you accidently fly into lighted hall, and after a while flut- something you can't handle. ters out again into the dark. But Ruth [his wife] is right. It is some- If one can overlook the sexism im- thing—it can be everything—to plicit in this idea, The Spectator Bird is have found a fellow bird with a comforting book in that it reaffirms an whom you can sit among the raf- idea which is the basis for faith: that in ters while the drinking, boating, the end, the best in life will not be at the and reciting and fighting go on mercy of the worst. The Force That Can Be Explained Is Not the True Force BENJAMIN URRUTIA Star Wars; from the Adventures of nemesis, Darth Vader, he bears exactly Luke Skywalker. George Lucas. New the same title, "Dark Lord", as the un- York: Ballantine Books, 1976. 220 pp., seen villain of The Lord of the Rings. $1.95 Tolkien's friend and colleague, C. S. Star Wars. Starring Mark Hamill, Lewis, probably deserves some credit Harrison Ford, Carrie Fisher, Peter Cush- also.
    [Show full text]
  • One-Word Movie Titles
    One-Word Movie Titles This challenging crossword is for the true movie buff! We’ve gleaned 30 one- word movie titles from the Internet Movie Database’s list of top 250 movies of all time, as judged by the website’s users. Use the clues to find the name of each movie. Can you find the titles without going to the IMDb? 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 EclipseCrossword.com © 2010 word-game-world.com All Rights Reserved. Across 1. 1995, Mel Gibson & James Robinson 5. 1960, Anthony Perkins & Vera Miles 7. 2000, Russell Crowe & Joaquin Phoenix 8. 1996, Ewan McGregor & Ewen Bremner 9. 1996, William H. Macy & Steve Buscemi 14. 1984, F. Murray Abraham & Tom Hulce 15. 1946, Cary Grant & Ingrid Bergman 16. 1972, Laurence Olivier & Michael Caine 18. 1986, Keith David & Forest Whitaker 21. 1979, Tom Skerritt, Sigourney Weaver 22. 1995, Robert De Niro & Sharon Stone 24. 1940, Laurence Olivier & Joan Fontaine 25. 1995, Al Pacino & Robert De Niro 27. 1927, Alfred Abel & Gustav Fröhlich 28. 1975, Roy Scheider & Robert Shaw 29. 2000, Jason Statham & Benicio Del Toro 30. 2000, Guy Pearce & Carrie-Anne Moss Down 2. 2009, Sam Worthington & Zoe Saldana 3. 2007, Patton Oswalt & Iam Holm (voices) 4. 1958, James Stuart & Kim Novak 6. 1974, Jack Nicholson & Faye Dunaway 10. 1982, Ben Kingsley & Candice Bergen 11. 1990, Robert De Niro & Ray Liotta 12. 1986, Sigourney Weaver & Carrie Henn 13. 1942, Humphrey Bogart & Ingrid Bergman 17.
    [Show full text]
  • Laurence Olivier in Hamlet (1949)
    1 Laurence Olivier in Hamlet (1949) In the late 1930s and early 1940s, when Samuel Goldwyn, MGM, and David Selznick were wooing him, Laurence Olivier chose not to become a movie star “like dear Cary.” After playing Heathcliff in Wuthering Heights (1939), Darcy in Pride and Prejudice (1940), and Maxim Dewinter in Rebecca (1940), he appeared in Hollywood pictures sparingly and tried to avoid a fixed persona. He nevertheless became the symbol of what midcentury America thought of as a distinguished actor, and was the most successful English theatrical type in the movies. He wasn’t romantically flamboyant (Orson Welles was closer to that), he wasn’t a naturalist like the students of the Method, he wasn’t a Brechtian, and he wasn’t the sort of movie actor who plays variations on a single character. He belonged instead to a school of disciplined, tastefully romantic verisimilitude, and within that school was a master. He was also the best-known Shakespearian in films. Olivier often said that his favorite movie role was the working-class comedian Archie Rice in The Entertainer (1960), but his performances in the Shakespeare films that he directed are more representative of his skills and more significant in film history. Based on canonical texts with a long performance history, they foreground his stylistic choices 2 and make his influences relatively easy to identify. His version of Hamlet (1949), for example, seems to derive pretty equally from the English romantics, Sigmund Freud, and William Wyler. These sources are not so eclectic as they might appear. Romantic-realist ideas of narrative shaped nearly all feature films of the period; Wyler had been the director of Wuthering Heights and at one point was scheduled to direct Olivier’s production of Henry V; and Olivier’s conceptions of character and performance are similar to the ones that shaped Hollywood in the 1940s, when Freud was in vogue.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]
  • Anthony Hopkins
    Anthony Hopkins From Wikipedia, the free encyclopedia (Redirected from Anthony hopkins) For the composer, see Antony Hopkins. Sir Anthony Hopkins Hopkins at the Tuscan Sun Festival, Cortona, 2009 Born Philip Anthony Hopkins 31 December 1937 (age 73) Port Talbot, Glamorgan, Wales Occupation Actor Years active 1967±present Petronella Barker (1967±72; divorced) Spouse Jennifer Lynton (1973±2002; divorced) Stella Arroyave (2003±present) Sir Philip Anthony Hopkins, CBE (born 31 December 1937), best known as Anthony Hopkins, is a Welsh actor of film, stage and television. Considered to be one of the greatest living actors,[1][2][3] Hopkins is perhaps best known for his portrayal of cannibalistic serial killerHannibal Lecter in The Silence of the Lambs (for which he received the Academy Award for Best Actor), its sequel Hannibal, and its prequel Red Dragon. Other prominent film credits includeThe Lion in Winter, Magic, The Elephant Man, 84 Charing Cross Road, Dracula, Legends of the Fall, The Remains of the Day, Amistad, Nixon, and Fracture. Hopkins was born and brought up in Wales. Retaining his British citizenship, he became a U.S. citizen on 12 April 2000.[4]Hopkins' films have spanned a wide variety of genres, from family films to horror. As well as his Academy Award, Hopkins has also won three BAFTA Awards, two Emmys, a Golden Globe and a Cecil B. DeMille Award. Hopkins was knighted by Queen Elizabeth II in 1993 for services to the arts.[5] He received a star on the Hollywood Walk of Fame in 2003, and was made a Fellow of the British Academy of Film and Television Arts in 2008.[6][7] Contents [hide] 1 Early life 2 Career o 2.1 Roles o 2.2 Acting style o 2.3 Hannibal Lecter 3 Personal life 4 Other work 5 Awards 6 Filmography 7 References 8 External links [edit]Early life Hopkins was born in Margam, Port Talbot, Wales, the son of Muriel Anne (née Yeats) and Richard Arthur Hopkins, a baker.[8] His schooldays were unproductive; he found that he would rather immerse himself in art, such as painting and drawing, or playing the piano, than attend to his studies.
    [Show full text]
  • Shakespeare, William Shakespeare
    Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.
    [Show full text]
  • “Revenge in Shakespeare's Plays”
    “REVENGE IN SHAKESPEARE’S PLAYS” “OTHELLO” – LECTURE/CLASS WRITTEN: 1603-1604…. although some critics place the date somewhat earlier in 1601- 1602 mainly on the basis of some “echoes” of the play in the 1603 “bad” quarto of “Hamlet”. AGE: 39-40 Years Old (B.1564-D.1616) CHRONO: Four years after “Hamlet”; first in the consecutive series of tragedies followed by “King Lear”, “Macbeth” then “Antony and Cleopatra”. GENRE: “The Great Tragedies” SOURCES: An Italian tale in the collection “Gli Hecatommithi” (1565) of Giovanni Battista Giraldi (writing under the name Cinthio) from which Shakespeare also drew for the plot of “Measure for Measure”. John Pory’s 1600 translation of John Leo’s “A Geographical History of Africa”; Philemon Holland’s 1601 translation of Pliny’s “History of the World”; and Lewis Lewkenor’s 1599 “The Commonwealth and Government of Venice” mainly translated from a Latin text by Cardinal Contarini. STRUCTURE: “More a domestic tragedy than ‘Hamlet’, ‘Lear’ or ‘Macbeth’ concentrating on the destruction of Othello’s marriage and his murder of his wife rather than on affairs of state and the deaths of kings”. SUCCESS: The tragedy met with high success both at its initial Globe staging and well beyond mainly because of its exotic setting (Venice then Cypress), the “foregrounding of issues of race, gender and sexuality”, and the powerhouse performance of Richard Burbage, the most famous actor in Shakespeare’s company. HIGHLIGHT: Performed at the Banqueting House at Whitehall before King James I on 1 November 1604. AFTER: The play has been performed steadily since 1604; for a production in 1660 the actress Margaret Hughes as Desdemona “could have been the first professional actress on the English stage”.
    [Show full text]
  • Press Release 12 January 2016
    Press Release 12 January 2016 (For immediate release) SIDNEY POITIER TO BE HONOURED WITH BAFTA FELLOWSHIP London,12 January 2016: The British Academy of Film and Television Arts will honour Sir Sidney Poitier with the Fellowship at the EE British Academy Film Awards on Sunday 14 February. Awarded annually, the Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, television or games. Fellows previously honoured for their work in film include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench, Vanessa Redgrave, Christopher Lee, Martin Scorsese, Alan Parker and Helen Mirren. Mike Leigh received the Fellowship at last year’s Film Awards. Sidney Poitier said: “I am extremely honored to have been chosen to receive the Fellowship and my deep appreciation to the British Academy for the recognition.” Amanda Berry OBE, Chief Executive of BAFTA, said: “I’m absolutely thrilled that Sidney Poitier is to become a Fellow of BAFTA. Sidney is a luminary of film whose outstanding talent in front of the camera, and important work in other fields, has made him one of the most important figures of his generation. His determination to pursue his dreams is an inspirational story for young people starting out in the industry today. By recognising Sidney with the Fellowship at the Film Awards on Sunday 14 February, BAFTA will be honouring one of cinema’s true greats.” Sir Sidney Poitier’s award-winning career features six BAFTA nominations, including one BAFTA win, and a British Academy Britannia Award for Lifetime Contribution to International Film.
    [Show full text]
  • BOCQUET Gavin
    McKinney Macartney Management Ltd GAVIN BOCQUET - Production Designer WOOL Director: Morten Tyldum Producers: Morten Tyldum, Graham Yost, Rebecca Ferguson & Hugh Howey Starring: Rebecca Ferguson and Tim Robbins AMC Studios JINGLE JANGLE Director: David E. Talbert Producers: Vicki Dee Rock, David E. Talbert, Mike Jackson, John Legend and Lyn Talbert Starring: Forest Whitaker, Keegan-Michael Key and Anika Noni Rose 260 Degrees Entertainment / Netflix THE DARK CRYSTAL: AGE OF RESISTANCE Director: Louis Leterrier Producer: Ritamarie Peruggi Starring: Taron Egerton, Anna Taylor Joy, Nathalie Emmanuel, Mark Hamill, and Simon Pegg The Jim Henson Company / Netflix EMMY Award 2020 – Outstanding ChildrEn’s Programme MUTE Director: Duncan Jones Producer: Stuart Fenegan Starring: Sam Rockwell, Justin Theroux, Paul Rudd and Alexander Skarsgård Liberty Films UK / Netflix British Film DEsignErs Guild Nomination 2018 – Best IndEpEndEnt FeaturE Film (Contemporary) MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN Director: Tim Burton Producer: Peter Chernin Starring: Eva Green, Asa Butterfield, Ella Purnell and Bomber Hurley-Smith Chernin Entertainment / Twentieth Century Fox WARCRAFT: THE BEGINNING Director: Duncan Jones Producers: Alex Gartner, Jon Jashni, Charles Roven and Thomas Tull Starring: Paula Patton, Dominic Cooper, Travis Fimmel, Ben Foster, Clancy Brown and Toby Kebbell Universal Pictures Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 Registered Company No. 032 91044 Registered in England Registered Office: Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP GAVIN BOCQUET Contd … 2 JACK THE GIANT SLAYER Director: Bryan Singer Producers: David Dobkin, Patrick McCormick and Neal H Moritz Starring: Ewan McGregor, Stanley Tucci, Ian McShane, Nicholas Hoult, Bill Nighy and Warwick Davis Warner Bros.
    [Show full text]
  • Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
    The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B.
    [Show full text]