Tone Kralj Started His Artistic Pilgrimage on the 23 August 1900

Total Page：16

File Type：pdf, Size：1020Kb

Tone Kralj Started His Artistic Pilgrimage on the 23 August 1900

Tone Kralj started his artistic pilgrimage on the 23rd August 1900 in Zagorica at Grosuplje. He was introduced in the the art world by his father and Tone’s five years older brother France. When he was barely 17, he was enlisted. After World War I he dedicated himself completely to art and a new style – Expressionism. He studied in Prague and perfected his knowledge in Paris, Venice, Rome and Vienna. During this time he became uomo universale much like the Gothic and Renaissance masters, because he was simultaneously a sculptor, a graphic artist and an expert on architecture. He artistically grew from the Sezession through Expressionism, New Objectivity to the so-called Monumental Realism. After World War II Kralj became actively involved in our artistic life and took part in numerous exhibitions at home and abroad. After 1970 he took part at a sculpture symposium in Kostanjevica na Krki, where a permanent exhibition of his work was opened in the Božidar Jakac Gallery in 1974. In 1972, he received the Prešeren’s Award. He died at 75, on 9th September 1975 in Ljubljana. A MURAL PAINTER Tone Kralj was also a mural painter. He mostly painted the walls of churches. Most churches with his works of art are in the Slovene Littoral. Using his artistic language he made people believe that the good will prevail and wanted to tell them to continue to hope for a just solution. One of his most famous painted churches is located in Svete Višarje (Monte Santo di Lussari) in Italy. GRAPHIC ARTIST For Tone Kralj, graphic arts were an area where he could build and exercise his identity, which enabled him to get away from the sponsorship of his brother France. -A cycle of six graphics titled Life. He stressed that the content ant the form could not be separated. He sought a form that would be suitable for the content. -Titles of some graphics: Suffering Christ, Arrival in Jerusalem, Country Wedding, Harvest, Birth, The Blind, Faust, Jesus Heals the Sick. In 1926 he put his graphics on exhibition in Venice. ILLUSTRATOR He illustrated mostly children’s books: -Martin Krpan -The Little Thief -The Visoko Chronicles -From the Depths -The Testament -Plebanus Joannes -The Bolgarian Fairytales .

Copy Link

Recommended publications

Il Contrabbando, Le Rivolte Contadine E Martin Krpan Come Mito Nazionale Costitutivo Sloveno
Darko Darovec Il contrabbando, le rivolte contadine e Martin Krpan come mito nazionale costitutivo sloveno Parole chiave: Mito nazionale sloveno, Contrabbando, Rivolte contadine, Martin Krpan, Fran Leustik Keywords: Slovenian national myth, Smuggling, Peasant revolts, Martin Krpan, Fran Levstik Contenuto in: Per Furio. Studi in onore di Furio Bianco Curatori: Alessio Fornasin e Claudio Povolo Editore: Forum Luogo di pubblicazione: Udine Anno di pubblicazione: 2014 Collana: Tracce. Itinerari di ricerca/Area umanistica e della formazione ISBN: 978-88-8420-875-0 ISBN: 978-88-8420-977-1 (versione digitale) Pagine: 267-292 DOI: 10.4424/978-88-8420-875-0-23 Per citare: Darko Darovec, «Il contrabbando, le rivolte contadine e Martin Krpan come mito nazionale costitutivo sloveno», in Alessio Fornasin e Claudio Povolo (a cura di), Per Furio. Studi in onore di Furio Bianco, Udine, Forum, 2014, pp. 267-292 Url: http://www.forumeditrice.it/percorsi/storia-e-societa/tracce/per-furio/il-contrabbando-le-rivolte-contadine-e-martin FARE srl con socio unico Università di Udine Forum Editrice Universitaria Udinese via Larga, 38 - 33100 Udine Tel. 0432 26001 / Fax 0432 296756 / www.forumeditrice.it FARE srl con socio unico Università di Udine Forum Editrice Universitaria Udinese via Larga, 38 - 33100 Udine Tel. 0432 26001 / Fax 0432 296756 / www.forumeditrice.it IL contrabbando, Le rIVoLte contadIne e MartIn krpan coMe MIto nazIonaLe costItutIVo sLoVeno Darko Darovec I. Il presente contributo intende illustrare il modo in cui il contrabbando e le rivolte contadine – temi che spiccano in numerosi importanti studi del caro collega e amico, Furio Bianco1 – nella loro trasposizione storica abbiano influen- zato la nascita della narrazione artistica, trasformatisi in un mito nazionale nel quale il popolo sloveno s’identifica, fin dalla sua genesi a metà del XIX secolo.
[Show full text]
Contemporary Legends from the Slovene Karst in Comparison with Fairylore and Belief Traditions
Contemporary Legends from the Slovene Karst in Comparison with Fairylore and Belief Traditions Monika Kropej The paper presents narratives collected in the last decade in the Karst region in southwest Slovenia, more precisely in Lož Valley with its Snežnik Castle and its forests, in the vicinity of Cerknica Lake, and in the region of Pivka. Although most of these stories can be defined as contemporary legends they do have much in common with traditional folk tales and with local mythology. The analyzed legends mention ghosts, witches, fairies, and other mythological creatures from Slovene traditional mythology; their content has been changed considerably, and they are usually narrated as personal experience, which is a characteristic of contemporary legends. On the basis of exact comparison and the study of context the author tries to outline the changes in contemporary folk narrative and the social function of both genres of narration according to the circumstances in which they have been recounted. The habit of recounting narratives – traditional or contemporary – is still an important part of comunication among the people, both young and old, living in the region of Notranjsko/Inner Carniola, in several villages situated in Lož Valley, by Cerknica Lake, and in the Pivka region. The research is based on the narratives collected in 1996 and later, compared to the folktales that have been collected in the Karst region since the 19th and 20th century. Analyzed are the social functions and context of these narratives, and the differences are outlined between traditional folktales and the stories that have been recently collected. A strong influence of local cultural and natural circumstances can be observed both in old folktales and in contemporary legends, which is why these narratives are still part of the heritage alive in the territory studied .
[Show full text]
Ambassador Kirn Visits Mexico on May 31 and June 1, 2012, Ambassador Roman Kirn Visited the United Mexican States
Slavinec’s Invest Tourism: Photo Homage to Goriška to Plečnik Slovenia Brda page 2 > page 3 > page 4 & 5 > NEWSLETTER JUNE 8, 2012, VOLUME 8, NUMBER 23 Ambassador Kirn Visits Mexico On May 31 and June 1, 2012, Ambassador Roman Kirn visited the United Mexican States. During his visit, the ambassador met with various interlocutors and attended meetings with representatives of the From right: Ambassador Roman Kirn, Deputy Elvira de Jesus pola Mexican Ministry of Foreign Affairs, Figueroa, Deputy Dina Herrera Soto and Honorary Consul of Slov- where he discussed issues relevant enia Ariel López Torres. to further promotion of bileteral During his visit, Ambassador Kirn solemnly relations between Slovenia and opened the photo exhibition entitled Eslovenia, Mexico. País que se siente (Slovenia, a country that you can The ambassador also visited the feel). The event was organized by the Slovenian Mexican Congress, where he met with Deputy Tourist Board in coordination with the Mexico- Elvira de Jesús Pola Figueroa, Chairperson Slovenia Friendship Group in the Mexican Congress of the MexicoSlovenia Friendship Group. and Honorary Consulate of Slovenia in Mexico, headed by the Honorary Consul of the Republic of Slovenia, Ariel López Torres. In Mexico, the ambassador also met with Slovenian community and the vice-coordinator of the Association of Slovenians in Mexico, Cvetka Rojko. Embassy of Slovenia 2410 California Street, NW twitter.com/SLOembassyUSA Washington, D.C. 20008, USA T: +1 202 386 66 01 E: [email protected] facebook.com/SLOembassyUSA washington.embassy.si CULTURE Photo Exhibition in Ljubljana Park Pays Homage to Plečnik A photo exhibition was unveiled in the main promenade of Ljubjana’s Tivoli Park on Wednesday, June 6, 2012 evening to mark the 140th birth anniversary of Slovenia’s greatest architect, Jože Plečnik (18721957), and the 60th anniversary of the Ljubljana Summer Festival.
[Show full text]
SAKRALNA DEDI[ÎNA Sacral Heritage Dobrepolje - Dolina Dragocenih Danosti, Dosežkov in Izzivov 2
OBÎNA DOBREPOLJE SAKRALNA DEDI[ÎNA Sacral heritage Dobrepolje - dolina dragocenih danosti, dosežkov in izzivov 2 CERKVE V ŽUPNIJI DOBREPOLJE IN STRUGE Slovenske dežele južno od reke Drave so leta 811 prišle pod oblast Oglejskega patriarhata. Na Dolenjskem se omenjata kot najstarejši župniji v Ribnici in Šentvidu pri Stični, kamor je sodilo tudi območje sedanje Župnije Dobrepolje. Leta 1260 je bila na pobudo grofa Henrika III. in Friderika II. Ortenburžana ustanovljena Župnija Dobrepolje, ki je obsegala celotno ozemlje sedanjih župnij Velike Lašče, Sveti Gregor, Struge in del Krke. Struge so postale samostojna župnija leta 1862, prav tako Velike Lašče, Sveti Gregor pa 1876 leta. Župnijska cerkev sv. Križa, Videm The Parish of Dobrepolje was founded in 1260 on the initiative of Count Henry III and Frederick II of Ortenburg. Župnijska cerkev Sv. Križa na Vidmu je bila v sedanji obliki zgrajena 1845 leta v slogu nove renesanse. Dolga je 43 m, široka 14,5 m, visoka pa 13,6 m. Na pročelju cerkve je mozaik s prikazom Jezusovega križanja in napisom »V tem znamenju boš zmagal«. Mozaik, ki je delo akademskih slikark sester Bajec je bil narejen v letih 1995–2005. Glavni oltar je izdelan v obliki božjega groba. V niši oltarja je plastika upodobitve križanja in slika z enakim motivom, ki je delo Matevža Langusa. Ob straneh oltarja, nad kipoma sv. Petra in sv. Barbare, sta sliki akademskega slikarja Nikolaja Mašukova, prikazujeta pa Jezusovo bičanje in kronanje s trnjem. Križev pot, ki je delo slikarja Matije Koželja iz Kamnika je nastal leta 1892, okvirji slik so delo rezbarja Jonteza iz Velikih Lašč.
[Show full text]
Praga Za Vogalom, Na Koncu Domače Ulice
ZBORNIK 1-80 12.12.2005 10:19 Page 69 RAZPRAVE IN ^LANKI Igor Kranjc, Ljubljana »PRAGA ZA VOGALOM, NA KONCU DOMA^E ULICE« Želja po likovni opremi praške literarne revije Souvislosti z reprodukcijami del Franceta Kralja in povabilo uredništva, da posku- sim spregovoriti o vlogi Prage, kamor so zlasti od leta 1920 do nekako srede dvajsetih let hodili na izpopolnjevanje umetniki in razumniki, sta botrovala nastanku tega besedila. V nekoliko skrajšani različici je to »Praha je za rohem, na konci naší ulice« (Souvislosti, Revue pro kre- stanství a kulturu, Praha, 1/31/1997, str. 67–71). Pomen tega kulturnega in tedaj tudi političnega središča, ki je vse bolj dobivalo veljavo v srednji Evropi, je bil za naše ustvarjalce nedvomno izjemen. Praga je imela vse značilnosti evropskega veleme- sta s tradicijo, zaznamovano s prvovrstnimi umetnostnimi spomeniki od gotike do baroka, nemara še pomembnejši pa je bil utrip sodobne Prage, prežet z zmagoslavnim občutkom nacionalne osvoboditve, ki sta si jo priborila naroda tedanje novonastale države. Pod vodstvom demo- kratično usmerjenega in vizionarskega politika Tomaža Masaryka sta jo Češka in Slovaška še utrdili. Tedanja država z glavnim mestom Prago se je zdela zgledna, če so se sanje številnih narodov, dotlej vpetih v okvir črno-žolte monarhije, še podaljšale. Med najbolj privlačnimi zna- čilnostmi Češke in Prage je izstopala njena modernost – od liberalne politike z močnimi socialnimi poudarki, industrializiranosti, univerze in akademij, kjer so predavali uveljavljeni profesorji, do gledališč, kon- certnih dvoran, muzejev in galerij, zabavišč in nasploh razgibane- ga družabnega življenja. V tedanji Pragi je resničnost postala otiplji- vejša od sanj. Svoboda se je tedaj zdela nekaj samoumevnega, naravnega, kar je klicalo po obliki in je postalo snov, iz katere je nastajala ume- tniška resničnost.
[Show full text]
Glasilo Arhivskega Društva in Arhivov Slovenije Letnik 29, Št 2 Ljubljana 2006 UDK 930.25 (497.12) (05)
arhivi Glasilo Arhivskega društva in arhivov Slovenije Letnik 29, št 2 Ljubljana 2006 UDK 930.25 (497.12) (05) UDC 930.25 (497.12) (05) ISSN 0351-2835 Glasilo Arhivskega društva in arhivov Slovenije Zeitschrift des Archivvereins und der Archive Sloweniens Gazzetta delVAssociazione archivistica e degli archivi in Slovenia The Gazette of the Archival Association and Archives of Slovenia Za znanstveno korektnost =lankov odgovarjajo avtorji. © 2006 Arhivsko društvo Slovenije Izdalo in založilo Arhivsko društvo Slovenije Uredništvo: Zvezdarska 1, p. p. 21, SI-1127 Ljubljana telefon: (01) 241 42 47 telefaks: (01) 241 42 69 e-pošta: jure. [email protected] http://www.arhivsko-drustvo.si/publikacije/ads__publikacije.htm Odgovorni urednik: Jure Vol=jak (Ljubljana) Tehni=na urednica: Tatjana Šenk (Ljubljana) Uredniški odbor: Zdenka Bonin (Koper), Igor Filipi= (Maribor), dr. Boris Gole= (Ljubljana), Jožo Ivanovi= (Zagreb), Andrej Nared (Ljubljana), dr. Alfred Ogris (Celovec), dr. Slavica Tovšak (Maribor), Ivanka Urši= (Nova Gorica), dr. Ivanka Zajc-Cizelj (Celje), Katja Zupani= (Ptuj), Barbara Zižmund (Ljubljana) Redakcija te številke je bila zaklju=ena: 20. oktober 2006 Revija izhaja dvakrat letno. Cena posamezne številke je 3000 SIT (12,52 EUR). Lektorica: Eva Blumauer Prevodi: Alenka Hren (angleš=ina), Wolfgang Zitta (nemš=ina) Fotografska dela: Borut Jurca, Dragica Kokalj, Tatjana Rodošek UDK: Alenka Hren Izdajo so omogo=ili: Ministrstvo za kulturo, Javna agencija za raziskovalno dejavnost RS in Arhivsko društvo Slovenije Poslovni ra=un: NLB d.
[Show full text]
The Project World Days of Slovene Culture
THE PROJECT WORLD DAYS OF SLOVENE CULTURE Dear Reader, The booklet before you offers a brief presentation of Slovene culture. The country and the nation, History, Natural and cultural history, The economy, Tourism and cuisine, Science and technology, Literature, Music, Art, architecture and design, Stage and film, and Sport are the areas focused on within this year’s extensive international promotional project World Days of Slovene Culture, organised within the programme Slovene at Foreign Universities. The goal of this year’s, eighth joint project involving Slovene Studies departments and teachers of Slovene from around the world was to draw up e-material for teaching Slovene culture at foreign universities. Working with the teachers who a year earlier formed online working groups, overviews and presentations (PPT) were prepared using current and archived materials, including internet links and other sources, to which were added tasks for students. All the material is available in the e-classroom World Days of Slovene Culture and teachers will be able to adapt it to their learning programmes and the needs of their students – their knowledge of Slovene, familiarity with individual areas of Slovene culture, and the study goals and intercultural goals of learning within which Slovene culture appears at universities around the world. The e-classroom will continue to be regularly updated with new content. At over 50 universities, the project World Days of Slovene Culture will conclude in the traditional way with numerous events during the week from 3 December, when in Slovenia we celebrate the Happy Day of Slovene Culture, until 9 December 2016.
[Show full text]
WRAPPED in a BIG HUG a Guide to the Central Slovenia Region
WRAPPED IN A BIG HUG A Guide to the Central Slovenia Region www.visitljubljana.com 00 An overview of tourism in Central Slovenia • The region of Central Slovenia is comprised of 26 municipalities. • In 2013, it recorded 570,807 tourist arrivals and 1,088,194 overnight stays. • It accounted for 9.6% of all nights spent in Slovenia. • Ljubljana accounted for 87.7% of tourist arrivals and 86.6% of overnight stays recorded in the region. • Central Slovenia has 11,438 bed spaces, 72% of them in Ljubljana. 4,489 bed spaces are in hotels. • In 2013, the average length of stay in the region was 1.9 days. • Of all Slovenian municipalities, Ljubljana has the highest percentage of overnight stays by foreign tourists (96%). 00 Index 3 Introduction 4 Kamnik 8 Komenda 10 Vodice 12 Medvode 16 Mengeš 20 Trzin 22 Domžale 26 Lukovica 30 Moravče 34 Dol pri Ljubljani 36 Litija 40 Šmartno pri Litiji 42 Ivančna Gorica 46 Grosuplje 50 Dobrepolje 52 Velike Lašče 56 Škofljica 58 Ig 62 Borovnica 64 Logatec 68 Vrhnika 72 Log–Dragomer 74 Brezovica 76 Horjul 78 Dobrova–Polhov Gradec 82 Ljubljana 100 From the Sava to the Kamniška Bistrica 101 Into the Lap of Mountains 102 Krjavelj’s Land, the Secrets of Father Simon Ašič, and Valvasor’s Bogenšperk Castle 104 A Journey through Time: Illyrian Provinces, Jože Plečnik, Pile Dwellers, the Counts of Auersperg, and Primož Trubar 106 Tracing the Footsteps of the Argonauts and Count Blagay 108 Half-Day Tour of the Region’s Green Jewels 2 INTRODUCTION A journey around the edges of Ljubljana takes you through 25 municipalities which, together with the capital, compose the region of Central Slovenia and form Ljubljana’s green belt – as if wrapping the city in a big hug.
[Show full text]
The Cultural Heart of Slovenia
CITIES OF CULTURE SLOVENIA Green. Active. Healthy. www.slovenia.info #ifeelsLOVEnia Travel from one special city to another! Over the bridge for a morning coffee by the river. Then around the market stalls. Along the medieval streets for a wander up to the castle. Just a few steps to the museum. Descending to subterranean mysteries. Returning to the lively city for a chosen event. In the morning a trip to see natural features. Slovenia is also green in the city. The old Slovenian towns and cities, proud of their special qualities, are linked together in the Association of Historical Cities of Slo- venia. These cities, easily accessible to each other, possess an architectural heritage indicating a diversity of culture from prehistory through the Middle Ages to the Baroque and the present day. A full third of Slovenia’s cities are protected as monuments. The cities in the Association work to ensure the preservation and revival of their special features and to provide an abundance of events, every day of the year. So why just visit one? In Slovenia you can notch up a whole range of urban experiences in a short time. The old Slovenian towns and cities, proud of their special qualities, are linked together in the Association of Historical Cities of Slovenia. 2 Ptuj - the oldest town in Slovenia town Ptuj oldest - the 04___ Embraced by green Slovenia 18___ Kostanjevica na Krki 32___ Ptuj COME AND TAKE A CLOSER LOOK THE SMALLEST TOWN FOR THE GREATEST THE TREASURE HOUSE OF MILLENNIA EXPERIENCES 06___ Slovenia at first glance 34___ Radovljica
[Show full text]
Catalogue January 2019 #2 Yugoslavian Book Design, I
YUGOSLAVIAN BOOK DESIGN, I CATALOGUE JANUARY 2019 #2 YUGOSLAVIAN BOOK DESIGN, I www.pahor.de YUGOSLAVIAN BOOK DESIGN, I Yugoslavia's Leading Artists Design & Illustrate Popular Editions The illustration and cover design of popular editions of books was one of the most prominent and culturally significant forms of artistic expression in Yugoslavia. Many of the country's leading academic painters and sculptors, as well as top architects illustrated numerous volumes over their careers, and far from seeing these endeavours as 'side projects', they tended to consider their book commissions to be amongst their best and most serious work. It seems that the more famous the artist, the more books they designed or illustrated. During the time of the Kingdom of Yugoslavia (1918 - 1941) artists, such as Maksim Gaspari and Ljubo Babić, created a new style of bibliographic design predicated upon reviving traditional Slavic motifs, re-invigorating them for a modern audience. Themes of Pan-Slavism and a fascination for Russian literature were prominent. This was, in part, due to a reaction to the fall of Austrian Habsburg hegemony, replacing Germanic motifs with those thought to be true to indigenous culture, even if some echoes of the Viennese Jugendstil still influence book design into the 1920s. The profound appreciation of literature in Yugoslavia and rising literacy rates supported a vibrant commercial publishing industry. Printing houses in cities such as Belgrade, Zagreb, Ljubljana, and Sarajevo responded by producing low-cost issues of numerous works by both domestic and foreign authors. As commercial competition was intense, the rival publishers engaged in a contest to engage the best artists to create the most dazzling designs and illustrations to attract readers.
[Show full text]
A Study of Croatian Translations of Martin Krpan
Libri & Liberi • 2017 • 6 (2): 191–212 191 UDK 81’25 821.163.6.09-93-34=163.42 Darja Mazi-Leskovar University of Maribor, Maribor, Slovenia [email protected] When an Old Tale Faces a New Culture: A Study of Croatian Translations of Martin Krpan Izvorni znanstveni rad / original research paper Primljeno / received 31. 7. 2016. Prihvaćeno / accepted 9. 6. 2017. DOI: 10.21066/carcl.libri.2017-06(02).0002 This article explores four Croatian translations of the Slovenian historical tale Martin Krpan z Vrha (1858) by Fran Levstik. It focuses on personal and geographical names, and analyses selected aspects of paratextuality in order to determine some of the specific features of the target texts and to uncover the possible reason for the relatively high number of retranslations published between 1949 and 1986. In the first section, literary translation is presented in the light of cultural textualisation, intertextuality and translation strategies. In the second section, a comparative-contrastive analysis is applied to the obtained data and the explored aspects of the target texts. The study also shows that the translations reveal the complexity of this picturebook that can address a double readership and the fluctuating gap between the source and target cultures. Keywords: Martin Krpan z Vrha, Croatian translations, Slovenian historical tale, comparative analysis, domestication and foreignisation, translation strategies, paratextuality, proper names The translation of literary texts can be viewed as cultural textualisation,1 since translators, in order to address a new readership, have to consider those qualities of the original which have the potential to address a target audience embedded in another culture.
[Show full text]
YUGOSLAV SOCIALIST CHILDREN's BOOKS #1 September 18Th, 2018
YUGOSLAV SOCIALIST CHILDREN’S BOOKS #1 September 18th, 2018 www.pahor.de We are pleased to present a collection of Slovenian children’s books from the post-World War II period until the mid-1960s. The books come from a de-accessed archive of a publishing house and most of them have never been used or read. Most of the books were printed in larger quantities and are nowadays considered as classics, but most of the examples in private hands and institutions are in heavily used condition. Many of them would have been disposed of or replaced with later reprints. The general characteristics of these children’s books are: - High-quality printing. - High-quality illustrations made by academic artists. - Many of the authors and artists were previously involved in the underground movement during WWII and were imprisoned in concentration camps. - The books were made for the children to forget about the horrors of the war and look forward, to get a good education; they were encouraging them to read more and with pleasure. - They often featured subtle Socialist propaganda. - They were encouraging moral values such as modesty, hard work, education, respect for parents and older people. - They were encouraging female emancipation, education and work, and what were the new values of the Socialist regime. - They often involved motifs the natural world and encouraged children to take care of animals and plants. 1. Kaj je videl Mižek Figa [What Mižek Figa Saw]. Author: Ljudmila PRUNK, nom de plume UTVA (née MODIC, 1878—1947), author; Dušan PETRIČ (1916–1964). Place and Year: Ljubljana: Mladinska knjiga 1951.
[Show full text]