Wheaton Drama Public Productions: 1931 – 1970
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China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music. -
Wonderful Town, Opening on April 16 at the Culbreth Theatre
FOR IMMEDIATE RELEASE CONTACT: John Kelly John Kelly PR 434-987-6513 [email protected] UVA DRAMA TO WRAP UP 2014-2015 SEASON WITH LEONARD BERNSTEIN’S CLASSIC MUSICAL WONDERUL TOWN Five-Time Tony Award-Winning Show Features Lyrics By Betty Comden and Adolph Green And Includes Broadway Favorite Songs Like “A Little Bit In Love” and “Ohio” Opening April 16 at Culbreth Theatre CHARLOTTESVILLE, VA – April 3, 2015, 2015 – The University of Virginia’s Department of Drama will end its 2014-2015 season on a classic musical note with Wonderful Town, opening on April 16 at the Culbreth Theatre. With music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green, this 1952 five-time Tony Award-winner is classic Broadway, and classic Bernstein. The show features a book by Joseph Fields and Jerome Chodorov, and is based on the pair’s play My Sister Eileen, and on stories by Ruth McKenney. Wonderful Town tells the story of the Sherwood sisters, who leave the comforts of their Ohio home in the mid 1930’s and land smack dab in the heart of the bohemian scene of Greenwich Village. The siblings’ professional, social, and romantic misadventures combined with unforgettable Broadway hits like “A Little Bit in Love” and “Ohio” to earn the show legions of fans that span generations and are spread around the globe. Wonderful Town, directed by Robert Chapel, will be presented at the Culbreth Theatre from April 16-18, 2015 and April 22-24, 2015 at 8pm and on April 25 at 2pm. Tickets are $16.00 for adults, $14.00 for seniors, U.Va. -
WONDERFUL TOWN Is Presented by Arrangement with Concord Theatricals on Behalf of Tams-Witmark LLC
WONDERFUL TOWN is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Wonderful Town Book by Joseph Fields and Jerome Chodorov (Based upon the play “My Sister Eileen” by Joseph Fields and Jerome Chodorov and the stories by Ruth McKenney) Music by Leonard Bernstein Lyrics by Betty Comden and Adolph Green Sketches for “What A Waste” by Betty Comden and Adolph Green Direction by Thom Allison* Choreography by David Ball* Musical Direction by Jeannie Wyse Digital Media and Set Design by Brandon Kleiman Associate Director Jacob Wolstencroft Dialect Coach Jane Gooderham Stage Manager Ciaran Brenneman MD/Piano Jeannie Wyse Trumpet Dave Dunlop Woodwinds Paul Coussee Percussion/Drums Richard Moore * The participation of these Artists are arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance•Opera•Theatre Policy. WONDERFUL TOWN is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Director’s Note In 1953, lyricist team, Betty Comden and Adolf Green, were told to make a musical version of the play My Sister, Eileen by Joseph A. Fields and Jerome Chodorov. Based on the stories of “The New Yorker” writer Ruth McKenney, it was to be a ve- hicle for the great stage and screen star Rosalind Russell. But there was a catch. Because of Miss Russell’s schedule, they had to go into rehearsal in 5 weeks. They needed a composer. Who could do it in such a short time?? They knew of a long- shot. Their pal, Leonard Bernstein, had just returned from his honeymoon and he was supposed to be taking a little time off…. -
Walterdale Theatre Associates Archive Listing of Plays
Walterdale Theatre Associates Archive Listing of Plays Season 1 (1958-1960) Lady Audley’s Secret o By Mary Elizabeth Braddon; Adapted by C.H. Hazelwood o Directed by Jack McCreath Out of the Frying Pan o Original Musical, Book by Frances Swan o Directed by Jack McCreath Light Up the Sky o By Moss Hart o Directed by Jack McCreath Teahouse of the August Moon o By John Patrick o Directed by Jack McCreath The Reluctant Debutante o By William Douglas Home o Directed by Frank Glenfield Season 2 (1960-1961) My Sister Eileen o By Joseph A. Fields & Jerome Chodorov o Directed by Jack McCreath Man of Destiny o By George Bernard Shaw o Reading only Venus Observed o By Christopher Fry o Reading only Dial ‘M’ for Murder o By Frederick Knott o Directed by Marjorie Knowler The Boy Friend o By Sandy Wilson o Directed by Jack McCreath Ten Little Indians o By Agatha Christie o Directed by Bob Hedley Season 3 (1961-1962) Don Juan in Hell o By George Bernard Shaw o Reading directed by Jack McCreath Epitaph for George Dillon o By John Osborne & Anthony Creighton o Directed by Marjorie Knowler Don Juan in Hell o By George Bernard Shaw o Directed by Jack McCreath Boy With a Cart *Is This a Friendly Visit? o By George Bernard Shaw o Directed by Mary Baldridge Page 1 of 34 Walterdale Theatre Associates Archive Listing of Plays Romanoff and Juliet o By Peter Ustinov o Directed by Frank Glenfield See How They Run o By Phillip King o Directed by Jack McCreath House of Bernarda Alba o By Frederica Garcia Lorca o Directed by Michael Posca Season 4 (1962-1963) Barranca o By Jack McCreath o Directed by Jack McCreath One-Act Festival (Adjudicator - Walter Kaasa) o Passion, Poison and Petrification . -
The Cocoanuts the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Cocoanuts The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the inter- pretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, publication manager and editor; Phil Hermansen, art director. Copyright © 2016, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespearean Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Tasso Feldman (above) as Harpo (Silent Red), Jim Poulos as Chico (Willie Wony Diddydony), and John Plumpis as Mr. Hammer (Groucho) in The Cocoanuts, 2016. The Cocoanuts Contents Information on the Play About the Playwright 4 Characters 7 Synopsis 7 Scholarly Articles on the Play The Marx Brothers on Broadway 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 About the Playwright: The Cocoanuts By Rachelle Hughes Almost a century ago Pulitzer Prize-winning playwright George S. Kauffman joined his creative genius with Songwriter’s Hall of Fame composer and lyricist Irving Berlin to write the Marx Brothers’ first movie and second Broadway play, The Cocoanuts. -
Hillbarn Theatre Conservatory Presents the Tony Award-Winning Musical, Wonderful Town
FOR IMMEDIATE RELEASE Media Contact: Regina Merrill | Charles Zukow Associates 415.296.0677 | [email protected] HILLBARN THEATRE CONSERVATORY PRESENTS THE TONY AWARD-WINNING MUSICAL, WONDERFUL TOWN ▪ NOVEMBER 2–4, 2018 ▪ FOSTER CITY, CA (September 18, 2018) –Hillbarn Theatre, the Peninsula's premier theatre company, announced today that youth actors from its Conservatory will present the Tony Award-winning musical, WONDERFUL TOWN. The story follows the adventures and misadventures of two sisters, Ruth and Eileen—one an aspiring writer and the other a dancer—who move from their comfortable hometown in Ohio to Greenwich Village, a bohemian area in New York City to fulfill their dreams. Wonderful Town will perform at Hillbarn Theatre (1285 East Hillsdale Blvd., Foster City) November 2–4, 2018. The performance schedule is as follows: Friday, November 2 and Saturday, November 3 at 7 p.m. and Sunday, November 4 at 2 p.m. Tickets for all performances are $20 and available now at hillbarntheatre.org or by calling 650.349.6411. Wonderful Town is based on Joseph Fields and Jerome Chodorov’s earlier play, My Sister Eileen, (which is in turn based on stories by Ruth McKenney), with a bright Leonard Bernstein score, including such classics as “A Little Bit in Love” and “Ohio.” The show is cheery love letter to the colorful experience of living life in New York. Set in the summer of 1935, Ruth is an aspiring writer and Eileen is a dancer who wants to pursue a life on stage. One sister can’t find a man no matter what she does, the other can’t keep them away. -
Herndon Homecoming - Always a Winner Sports, Page 13
Oak Hill ❖ Herndon Herndon Homecoming - Always a Winner Sports, Page 13 Classifieds, Page 14 Classifieds, ❖ Sports, Page 13 ❖ Naz Kochar, Herndon High School’s returning Homecoming Queen, places Entertainment, Page 8 ❖ the crown on this year’s queen, Kelly Sartorius, at Herndon High’s Homecom- ing Saturday. The king (not pictured) was Raleigh McKenzie. The queen’s maid of honor (not pictured) was Claudia Gomez. Opinion, Page 6 Toll Road Transit News, Page 3 ‘Best Buddies’ Foster PERMIT #86 PERMIT Lasting Friendships WV Martinsburg, PAID News, Page 4 Postage U.S. PRSRT STD PRSRT Photo by Craig Sterbutzel/The Connection Photo www.ConnectionNewspapers.com Oak Hill/Herndon Connection ❖ October 27 - November 2, 2010 ❖ 1 October 27-November 2, 2010 ❖ Volume XXIV, Number 43 online at www.connectionnewspapers.com News Northern Virginia District Projections The deviation from ideal indicates how much change could be required in each district. SENATE DISTRICTS- IDEAL DISTRICT- 197,277 New Districts Will Change Much Senate Total Estimated Total % Deviation Number difference District population 2000 Population 2009 fromestimated ideal fromestimated ideal 30 174,712 196588 -0.3% -689 31 174,500 188293 -4.6% -8,984 When the latest census numbers come out in 32 177,755 184926 -6.3% -12,351 33 262,751 302342 53.3% 105,065 February, Virginia will have less than two 34 175,317 181280 -8.1% -15,997 35 158,737 185573 -5.9% -11,704 months to have new districts approved. 36 184,196 206969 4.9% 9,692 37 221,044 192102 -2.6% -5,175 39 170,581 191494 -2.9% -5,783 By Stephen Groves northern Virginia for years. -
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/Winter 2003/2004 the Big Day: Memories of a Historic Debut
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/Winter 2003/2004 The Big Day: Memories of a Historic Debut 'he Big Day: November 14, 2003 marks the sixtieth anniversary of Leonard TBernstein's now famous conducting debut with the New York Philharmonic at Carnegie Hall. It is by now the stuff of leg end, yet it was really quite simple. Bruno Walter, the scheduled con ductor of the New York Philharmonic, was too ill to per form, and so his assistant conduc tor was called upon to conduct. For some reason this rarely hap pens; when it does, the occasion is usually unremarkable. This time was an exception. The best way to tell the story is through Bernstein himself, and a few of his fellow musicians. From the Podium: Lenny Remembers In what would prove to be of those days. 'Someday son, this because he had the flu - went Leonard Bernstein's last interview, will be yours,' as they say. But I over the score of Don Quixote he reminisced about his conducting never thought I would have to with me. He showed me a few debut with his brother Burton, walk out there [The Carnegie Hall tricky spots where he cut off here who was preparing an article for stage] on my own. When it came but didn't cut off there, here you Town & Country magazine on the to the time - that very day - all I give it an extra upbeat and so on. occasion of Carnegie Hall's centen can remember is standing there in "I called Mama and Daddy at nial in 1991. -
Wonderful Town Is Recommended for Violet……………………………….DEBORAH HAY Students in Grades 5 Mrs Wade…………………………...GABRIELLE JONES and Higher
Book by Joseph Fields and Wonderful Jerome Chodorov (Based upon the play My Sister Eileen by Town Joseph Fields and Jerome Chodorov and the stories by Ruth McKenney) Music by Leonard Bernstein Lyrics by Betty Comden Adolph Green Sketches for What A Waste by Betty Comden and Adolph Green ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 Who’s Who 5 The Writers 6-9 Director’s Notes 10 Designer’s Notes 11 Production History 12 World of the Play 13-17 Did You Know? 18-19 Sources 20 Activities 21-37 Response Sheet 38 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written during or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – rarely-performed musicals from the period of our mandate are rediscov- ered and returned to the stage WHAT MAKES THE • Canadian Works – to allow us to hear and promote our own stories, our own points SHAW SPECIAL of view about the mandate period. MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central ac- tion helping to create a density of experiences that are both subtle and informative. -
Robert Downing
Robert Downing: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Downing, Robert, 1914-1975 Title: Robert Downing Papers Dates: 1881, 1920-1975, undated (bulk dates 1931-1975) Extent: 58 document boxes, 3 card boxes (cb), 10 oversize boxes (osb) (37.13 linear feet), 5 oversize folders (osf) Abstract: The papers of production stage manager, actor, playwright, and theatre critic Robert Downing contain manuscripts for numerous works, extensive correspondence, production and stage manager materials for various productions, scrapbooks, and works and correspondence by others, forming a notable record of Downing's contribution to twentieth-century theatre. Call Number: Manuscript Collection MS-01205 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. The scrapbooks in this collection are in fragile condition and require special handling techniques. One scrapbook is restricted from use due to the presence of mold. Special permission from the Curator of Performing Arts, plus advance notice, is required to access the restricted scrapbook. To make an appointment, please email [email protected]. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
Recent Cases
Catholic University Law Review Volume 2 Issue 1 Article 4 1952 Recent Cases Betty Ross Harry Balfe II William B. Kamenjar Andrew Codispoti Dominic F. Zarella See next page for additional authors Follow this and additional works at: https://scholarship.law.edu/lawreview Recommended Citation Betty Ross, Harry Balfe II, William B. Kamenjar, Andrew Codispoti, Dominic F. Zarella, Donald J. Letizia, William McGarrity & Robert F. Woodson, Recent Cases, 2 Cath. U. L. Rev. 42 (1952). Available at: https://scholarship.law.edu/lawreview/vol2/iss1/4 This Notes is brought to you for free and open access by CUA Law Scholarship Repository. It has been accepted for inclusion in Catholic University Law Review by an authorized editor of CUA Law Scholarship Repository. For more information, please contact [email protected]. Recent Cases Authors Betty Ross, Harry Balfe II, William B. Kamenjar, Andrew Codispoti, Dominic F. Zarella, Donald J. Letizia, William McGarrity, and Robert F. Woodson This notes is available in Catholic University Law Review: https://scholarship.law.edu/lawreview/vol2/iss1/4 RECENT CASES ADMINISTRATIVE LAW-ADMINISTRATIVE PROCEEDINGS-ADMISSIBILITY OF HEARSAY EVIDENCE-Ellen Knauff, war bride arrived in New York harbor on August 14, 1948. She was detained by Immigration Service officers on Ellis Island pending final determination of her admissibility for permanent residence. Three years, two and a half months later the Attorney General ordered her release by approving a decision of the Board of Immigration Appeals. Matter of Ellen Knauff, 6937471, Bd. of Immigr. App., Aug 29, 1951; App'r. A. G., Nov. 2, 1951. Ellen Knauff (nee Ellen Raphael), a thirty-six year old native of Germany, was once a citizen of Czechoslovakia by virtue of her first marriage to Edgar Boxhorn and is now stateless. -
Betty Garrett, an Appreciation
Betty Garrett—An appreciation By Ron Rapoport In 1946, shortly after Betty Garrett became a musical comedy star on Broadway overnight, Nathaniel Benchley wrote this in the New York Herald-Tribune: “Would anybody like a punch in the nose? Very well, buster, all you have to do is say you didn’t like Betty Garrett in ‘Call Me Mister.’ Aha, I thought so.” That set the tone for the belligerence Betty’s friends and fans often brought to their devotion to her that lasted until her death February 12 at the age of 91. Whether they discovered her in the classic musicals from MGM’s Golden Age, her key roles in two of television’s greatest hits or during a theater career that culminated in an L.A. Stage Ovation Award nomination at the age of 90, many of them claimed her with an almost personal pride of possession. At an appearance in a theater in Boca Raton, Fla., in the ‘90s, for instance, a man called out from the audience that he had been a waiter at Camp Tamiment in the Poconos 60 years earlier and had danced with her in one of its variety shows. Betty called him up to the stage where he demonstrated that he remembered the lyrics of their number down to the last syllable. Betty told marvelous stories—Louis B. Mayer poking her in the chest, stomping on her feet and warning her not to get pregnant because it upset the shooting schedule; Frank Sinatra needing padding to fill out the rear end of his sailor suit in “On the Town”—but also, and I think this helps explain the admiration so many people had for her, she was resilient in ways that took your breath away.