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September 2021 SymphonyCast 2021 Summer Quarter Program Listings July-September 2021 SymphonyCast is produced and distributed by American Public Media. yourclassical.org For more information, contact your American Public Media station relations representative at 651-290- 1225/877-276-8400. For last-minute program changes, watch DACS feeds from APM and check listing details on our website: http://www.yourclassical.org/programs/symphonycast July 5, 2021 August 2, 2021 Saint Paul Chamber Orchestra Buffalo Philharmonic Orchestra Christian Reif, conductor JoAnn Falletta, conductor Alain LeFevre, piano BRITTEN: Sinfonietta SHOSTAKOVICH: Chamber Symphony in C minor FAURE: Pelleas et Melisande Suite HAYDN: Symphony No. 92 MATHIEU: Third Piano Concerto DEBUSSY: Iberia from Images RAVEL: Bolero July 12, 2021 Buffalo Philharmonic JoAnn Falletta, conductor August 9, 2021 Paul Huang, violin First Night of the 2021 BBC Proms BBC Symphony Orchestra PATERSON: Dark Mountains Dalia Stasevska, conductor BARBER: Concerto for Violin and Orchestra, Op. 14 VAUGHAN WILLIAMS: Serenade to Music RACHMANINOFF: Symphony No. 3, Op. 44 POULENC: Organ Concerto MACMILLAN: When Soft Voices Die (World Premiere) July 19, 2021 Cincinnati Symphony Louis Langrée, conductor August 16, 2021 Katia & Marielle Labeque, piano From the 2021 BBC Proms BBC National Orchestra of Wales STRAUSS: Don Juan Elim Chan, conductor DESSNER: Concerto for Two Pianos (U.S. Sol Gabetta, cello Premiere) STRAUSS: An Alpine Symphony PURCELL: Dido’s Lament OGONEK: Cloudline (World Premiere) SAINT-SAENS: Cello Concerto No. 1 July 26, 2021 BRAHMS: Symphony No. 4 Minnesota Orchestra Osmo Vänskä, conductor Elina Vähälä, violin AHO: Minea KUUSISTO: Violin Concerto SIBELIUS: Symphony No. 2 SymphonyCast 2021 Summer Quarter Program Listings July-September 2021 August 23, 2021 September 20, 2021 From the 2021 BBC Proms From the 2021 BBC Proms City of Birmingham Symphony Orchestra Halle Orchestra Mirga Gražinytė-Tyla, conductor Sir Mark Elder, conductor Benjamin Grosvener, piano GIPPS: Symphony No. 2 in B major Anna Lapwood, organ ADES: The Exterminating Angel Symphony BRAHMS: Symphony No. 3 Unsuk Chin: Subito con Forz Beethoven: Piano Concerto No 4 Saint-Saens: Symphony No. 3 “organ” August 30, 2021 From the 2021 BBC Proms BBC National Orchestra of Wales September 27, 2021 Ryan Bancroft, conductor Last Night of the 2021 BBC Proms BBC Symphony Orchestra THOMAS: Dance Foldings Sakari Oramo, conductor IVES: Three Places in New England Stuart Sketon, tenor DVORAK: Symphony No. 9 Ksenija Sidorova, accordion RAZAZ: Mother (World Premiere) September 6, 2021 TRAD.: Fantasia on British Sea-Songs From the 2021 BBC Proms ARNE: Rule, Brittania! The Philharmonia Orchestra ELGAR: Pomp and Circumstance March No.1 Santtu-Matias Rouvali, conductor PARRY: Jerusalem Vikingur Olafsson, piano UNKNOWN: The National Anthem (British) TRAD.: Auld lang syne PROKOFIEV: Symphony No. 1 BACH: Keyboard Concerto in f minor, BWF 1056 MOZART: Piano Concerto No. 24, K 491 SHOSTAKOVICH: Symphony No. 9 September 13, 2021 From the 2021 BBC Proms BBC Symphony Orchestra Sakari Oramo, conductor Timothy Ridout, viola BRAY: Where Icebergs Dance Away WALTON: Viola Concerto ARNOLD: Symphony No. 5 ------------- SymphonyCast® in the PRSS® ContentDepot® Portal. SymphonyCast® episodes, promos and additional program information can be downloaded from the PRSS ContentDepot Portal. contentdepot.prss.org SymphonyCast 2021 Summer Quarter Program Listings July-September 2021 If you need a Portal account, please contact a PRSS account representative at 800.235.1212. For more information regarding feeds and promos for all American Public Media programming visit: www.apmstations.org. Or contact Denny Hansen at [email protected], 651.290.1323 For general information about American Public Media and to register on our Web site: apmstations.org E-mail: [email protected] Telephone: 877.276.8400 ##END### .
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  • 04 July 2020
    04 July 2020 12:01 AM John Philip Sousa (1854-1932) Stars & Stripes forever – March Netherlands Radio Symphony Orchestra, Richard Dufallo (conductor) NLNOS 12:05 AM Thomas Demenga (1954-) Summer Breeze Andrea Kolle (flute), Maria Wildhaber (bassoon), Sarah Verrue (harp) CHSRF 12:13 AM Antonio Vivaldi (1678-1741) Concerto in C major, RV.444 for recorder, strings & continuo Il Giardino Armonico, Giovanni Antonini (recorder), Giovanni Antonini (director), Enrico Onofri (violin), Marco Bianchi (violin), Duilio Galfetti (violin), Paolo Beschi (cello), Paolo Rizzi (violone), Luca Pianca (theorbo), Gordon Murray (harpsichord), Duilio Galfetti (viola) DEWDR 12:23 AM Maurice Ravel (1875-1937) 3 Chansons for unaccompanied chorus BBC Singers, Alison Smart (soprano), Judith Harris (mezzo soprano), Daniel Auchincloss (tenor), Stephen Charlesworth (baritone), Stephen Cleobury (conductor) GBBBC 12:30 AM Bela Bartok (1881-1945) Out of Doors, Sz.81 David Kadouch (piano) PLPR 12:44 AM Franz Schubert (1797-1828) Rosamunde (Ballet Music No 2), D 797 Oslo Philharmonic Orchestra, Heinz Holliger (conductor) NONRK 12:52 AM John Cage (1912-1992) In a Landscape Fabian Ziegler (percussion) CHSRF 01:02 AM Jean-Francois Dandrieu (1682-1738) Rondeau 'L'Harmonieuse' from Pieces de Clavecin Book I Colin Tilney (harpsichord) CACBC 01:08 AM Bohuslav Martinu (1890-1959) The Frescoes of Piero della Francesca Slovak Radio Symphony Orchestra, Robert Stankovsky (conductor) SKSR 01:30 AM Richard Strauss (1864-1949) Metamorphosen for 23 solo strings (AV.142) Risor Festival Strings,
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    For immediate release Paul Weller with the BBC Symphony Orchestra and Jules Buckley concert date added to ‘Live from the Barbican’ line-up in spring 2021 Barbican Hall, Saturday 6 February 2021, 8pm The Barbican and Barbican Associate Orchestra, the BBC Symphony Orchestra are excited to announce that the orchestra and its Creative Artist in Association Jules Buckley, will be joined by legendary singer songwriter Paul Weller on Saturday 6 February for a concert reimagining Weller’s work in stunning orchestral settings as part of Live from the Barbican in 2021. In Weller’s first live performance for two years, songs spanning the broad spectrum of his career from The Jam to as yet unheard new material will delight fans and newcomers alike. Classic songs including ‘You Do Something to Me’, ‘English Rose’ and ‘Wild Wood’ along with tracks from Weller’s latest number 1 album ‘On Sunset’ will be heard as never before in brand new orchestral arrangements by Buckley. Weller, who takes cultural authenticity to the top of the charts, reunites with Steve Cradock for this one-off performance. Part of the acclaimed Live from the Barbican series which returns to the Centre in the spring, the concert will have a reduced, socially distanced live audience in the Barbican Hall, and it will also be available to watch globally via a livestream on the Barbican website. Whilst the concert will reflect on some of Weller’s back catalogue, as is typical of his constantly evolving career, it will look to the future with performances of songs from an album not released until May 2021, as well as welcoming guest artists to illustrate his work and the music that influenced him.
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  • James Macmillan
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  • Download the Concert Programme (PDF)
    London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live.
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  • Morning Heroes Blissmorning Heroes
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  • Download Booklet
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  • Donald Runnicles Leads Cso in Program of Works by Elgar, Strauss, and Britten
    For Immediate Release: Press Contacts: April 29, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] DONALD RUNNICLES LEADS CSO IN PROGRAM OF WORKS BY ELGAR, STRAUSS, AND BRITTEN May 5, 7 and 10, 2016 CHICAGO—Conductor Donald Runnicles leads the Chicago Symphony Orchestra (CSO) in concerts on Thursday, May 5, at 8:00 p.m., Saturday, May 7, at 8:00 p.m., and Tuesday, May 10, at 7:30 p.m. The program includes Benjamin Britten’s Sinfonia da requiem, Richard Strauss’ gripping tone poem Death and Transfiguration, and Edward Elgar’s Enigma Variations. Britten’s Sinfonia da requiem, opens the program. Written in 1940 as a commission for the 2600th anniversary celebrations of the Japanese emperor Hirohito’s ruling dynasty, the piece went unused for the occasion due to its notably mournful tone. Britten’s beautifully orchestrated and strikingly powerful work was later premiered by the New York Philharmonic in Carnegie Hall in 1941. The program continues with one of Richard Strauss’ early tone poems, Death and Transfiguration, which traces a man’s journey through the pain of death to his eventual redemption. Concluding the evening’s program is Elgar’s Variations on an Original Theme, Op. 36 (Enigma) which contains 14 charming and witty musical portraits of the composer’s circle of acquaintances and one of Elgar himself. Arguably one of the most popular English classical works of the 20th century, the Enigma Variations was given its U.S. premiere by the CSO in 1902. Internationally renowned conductor Donald Runnicles serves as General Music Director of the Deutsche Oper Berlin, Chief Conductor of BBC Scottish Symphony Orchestra, and Music Director of the Grand Teton Music Festival, as well as Principal Guest Conductor with the Atlanta Symphony Orchestra.
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  • Dame Joan Hammond (1912-1966) 2
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  • Proms 2005 1
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  • Organisational Responses to Digital Music in the Classical Music Industry Brian Kavanagh Imperial College Business School [email protected]
    Paper to be presented at the DRUID Academy 2012 on January 19-21 at University of Cambridge /The Moeller Centre Art in the Age of its Digital Reproduction: Organisational Responses to Digital Music in the Classical Music Industry Brian Kavanagh Imperial College Business School [email protected] Abstract Research Student Brian Kavanagh Enrolment Date: November 2010 Expected Final Date: November 2013 Email Address: [email protected] Research Title Art in the Age of Digital Reproduction: Organisational Response to Digital Music in the Classical Music Industry Abstract Technological change results in innovations that can be thought of as either sustaining or disruptive to products and services, firms and industries; such change can be both a creative and destructive force in the growth of enterprise. In the period following a technological disruption, firms, incumbents and new entrants alike, experience a period of uncertainty until a ?dominant design? (a single architecture that establishes dominance in a product class) emerges and equilibrium is restored to the technological regime. How and how successfully incumbents adapt to, and innovate with a disruptive technology in the aftermath of a technological disruption forms the central theme of this research. Specifically, it will examine how performing organisations, such as orchestras and opera theatre companies, are adapting digital technologies to mediate, in new and innovative ways, between composer and audience. Research Setting The empirical setting for this project is the classical music industry, a music industry sector that is facing many of the same challenges as larger sectors within the industry, such as rock, pop etc. Currently, I am completing a series of exploratory interviews with senior management at some of the largest classical music organisations primarily here in the UK including the BBC Symphony Orchestra, The London Symphony Orchestra, The Liverpool Philharmonic, The Concertgebouw Orchestra (Amsterdam), EMI Classical, and the Royal Opera House to name but a few.
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