STEVE TOBIN – Roots November 4Th, 2019 – January 3Rd, 2020
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Lower Manhattan/The Financial District
05_773395 ch01.qxd 2/6/06 7:39 PM Page 7 • Walking Tour 1 • Lower Manhattan/The Financial District Start: Battery Park/U.S. Customs House. Subway: Take the 4 or 5 to Bowling Green, the 1 to South Ferry, or the R or W to Whitehall Street. Finish: African Burial Ground. Time: Approximately 3 hours. Best Time: Any weekday, when the wheels of finance are spin- ningCOPYRIGHTED and lower Manhattan is a maelstrom MATERIAL of activity. Worst Time: Weekends, when most buildings and all the finan- cial markets are closed. The narrow, winding streets of the Financial District occupy the earliest-settled area of 7 05_773395 ch01.qxd 2/6/06 7:39 PM Page 8 8 • Memorable Walks in New York Manhattan, where Dutch settlers established the colony of Nieuw Amsterdam in the early 17th century. Before their arrival, downtown was part of a vast forest, a lush hunting ground for Native Americans that was inhabited by mountain lions, bobcats, beavers, white-tailed deer, and wild turkeys. Hunters followed the Wiechquaekeck Trail, a path through the center that today is more often referred to as Broadway. This section of the city still centers on commerce, much as Nieuw Amsterdam did. Wall Street is America’s strongest symbol of money and power; bulls and bears have replaced the wild beasts of the forest, and conservatively attired lawyers, stockbrokers, bankers, and businesspeople have supplanted the Native Americans and Dutch who once traded otter skins and beaver pelts on these very streets. A highlight of this tour is the Financial District’s architec- ture, in which the neighborhood’s modern edifices and grand historical structures are dramatically juxtaposed: Colonial, 18th-century Georgian/Federal, and 19th-century neoclassical buildings stand in the shadow of colossal modern skyscrapers. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
BRIDGETTE MAYER GALLERY to Exhibit at AQUA ART MIAMI (WYNWOOD) Art Fair 3 December - 6 December, 2009
BRIDGETTE MAYER GALLERY to exhibit at AQUA ART MIAMI (WYNWOOD) Art Fair 3 December - 6 December, 2009 Booths 49 & 40 Aqua Art Miami (Wynwood) 42 NE 25th Street, Miami FL 33137 VIP and Press Preview Brunch: 3 December, 10am - 1pm GenArt Vanguard Official Party: 3 December, 8pm - 11pm Steve Tobin, Syntax, 2008 Paul Oberst, Tower for Uxmal, 2009 The Bridgette Mayer Gallery is pleased to announce its participation in the Aqua Art Miami (Wynwood) art fair in Miami, Florida December 3 - December 6, 2009. Bridgette Mayer Gallery will host Booths 49 and 40 at the Fair, showcasing large-scale sculpture by gallery artists Steve Tobin and Paul Oberst, respectively. Booth 49 will feature work by world-renowned sculptor Steve Tobin, whose monumental, nature-based works in bronze and steel are currently on exhibition at Grounds for Sculpture in Trenton, New Jersey; the Frost Art Museum in Miami, the City of Osaka in Japan, the Torode Group of Companies in Calgary, Canada; the City of Chicago and Peggy Nortabaert Nature Museum; Laumeier Sculpture Park in St. Louis, Missouri, among many other sites in the U.S. and abroad. Tobin is perhaps best known for the Trinity Root, the first and only 9/11 memorial near Ground Zero in Lower Manhattan. The famed bronze casting of "the tree that saved St. Paul's Chapel" on that fateful day is permanently sited at the corner of Wall Street and Broadway, and has attracted millions of visitors since it was installed on the four year anniversary of the attack on the World Trade Center. -
Download New Glass Review 12.Pdf
The Corning Museum of Glass NewGlass Review 12 The Corning Museum of Glass Corning, New York 1991 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1990 calendar year. innerhalb des Kalenderjahres 1990 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Expemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1991 Alle Rechte vorbehalten, 1991 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-i 1-124-6 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Biicherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 55 ach der Review des letzten Jahres, sind in den laufenden Ausga- Jury Statements Nben von Neues Glas verschiedene kritische Kommentare er- schienen. Eines haben sie deutlich gemacht: Wir haben verabsaumt, herauszustellen was die New Glass Review eigentlich ist. Das ist frustrierend, denn jedes Jahr, seit genau 14 Jahren*, haben meine ollowing last year's New Glass Review, various critical comments einfuhrenden Worte versucht, darauf hinzuweisen, daB die Review sich Fwere printed in the subsequent issue of Neues Glas. -
Introduction D
Western University Scholarship@Western Department of English Publications English Department 2009 Introduction D. J. Hopkins Shelley Orr Kim Solga The University of Western Ontario Follow this and additional works at: https://ir.lib.uwo.ca/englishpub Part of the English Language and Literature Commons, and the Theatre and Performance Studies Commons Citation of this paper: Hopkins, D. J.; Orr, Shelley; and Solga, Kim, "Introduction" (2009). Department of English Publications. 14. https://ir.lib.uwo.ca/englishpub/14 Memory / Memorial / Performance: Lower Manhattan, 1776 / 2005 D.J. Hopkins and Shelley Orr [A] Introduction: two walks in the city Just after 9AM, we left a little hotel on William Street in the middle of New York City’s financial district. We walked up narrow streets made to seem even more narrow by the hulking stone buildings that consume the blocks, nearly crowding out the sidewalks. We wound our way single file, hugging the stone along Pine Street, and passed behind the New York Stock Exchange. A couple of blocks later we came upon the property of Trinity Church: an open area with a large, neo-gothic house of worship and a graveyard, whose beautiful, crumbling tombstones are among the oldest objects on public display in Manhattan. The oldest legible gravestones in Manhattan’s Trinity Churchyard date to 1681, more than fifteen years before the completion of the church from which the graveyard now takes its name. The eastern edge of Trinity Churchyard abuts Lower Broadway. Enclosed behind an imposing black metal gate, the churchyard struck us as a place – even a time – set apart from the bustle of pedestrians, cabs, and street vendors. -
MN Landscape Arboretum Presents 'Steelroots' Sculpture Exhibition Sixteen Sculptures…Four Seasons…Infinite Wonder...Opening April 16
For Immediate Release Contact: Barb DeGroot, PR Specialist 952-443-1459 or [email protected] MN Landscape Arboretum Presents 'Steelroots' Sculpture Exhibition Sixteen sculptures…four seasons…infinite wonder...opening April 16 Chanhassen, Minn. (Feb. 24, 2011) - The Minnesota Landscape Arboretum is proud to present "Steelroots: Touching Earth & Sky," a unique outdoor exhibition of 16 massive root forms, sculpted in steel by acclaimed Pennsylvania artist Steve Tobin. "Steelroots" opens April 16 and continues through January 2012. Presenting sponsor is the Mosaic Company. "We are pleased to host this major exhibition. The Arboretum is a perfect setting for Steve Tobin's soaring and evocative root sculptures," said Arboretum Director Ed Schneider. Tobin’s sculptures are a dramatic fusion of nature and art. "The landscape and sculptures will work in tandem to encourage visitors to see the wonders of nature as inspiration for my art," said the artist. This is the first exhibition ever of Tobin’s Steelroots sculpture series in Minnesota, and only its second showing worldwide. (It was most recently displayed at Chicago's Morton Arboretum.) Highlights will include: • A series of sculptures of massive rolled and bent steel pipes soaring up to 40 feet; • A pair of bronze root sculptures titled “Romeo & Juliet”; • A bronze sculpture of a forest floor; • Steel interpretations of pine cones; and • Five ‘child-sized’ root sculptures 3-5 feet high. "Set among the Arboretum’s pristine gardens and peaceful groves, these works will invite you to touch, stroll through or even lie down beneath them, to discover your own unique views of the land around you, views that change with the light and the seasons," said Sandy Tanck, Arboretum manager of interpretation. -
Steve Tobin Mind Over Matter Steelwaters, 2017
STEVE TOBIN MIND OVER MATTER STEELWATERS, 2017 Metal rods 29 × 10 × 10 ft. FOLLOWING PAGE ROOTS, 2007 Sumi ink on rice paper 9½ × 12 in. 2 STEVE TOBIN MIND OVER MATTER Foreword by David W. Houston Essay by Phoebe Hoban 13 Foreword DAVID W. HOUSTON 19 Steve Tobin: Mind Over Matter 157 Nature as Crucible PHOEBE HOBAN 165 Chronology 177 Exhibition History 183 Selected Bibliography 187 Acknowledgments 188 About the Authors 189 Photography Credits 6 PAGE 6 DOOR, 1993 Cast glass 36 × 36 × 10 in. Installation view of Steve Tobin at Retretti, Retretti Art Centre, Punkaharju, Finland, 1993 OPPOSITE DETAIL OF TRINITY ROOT, 2005 Bronze 13 × 15 × 20 ft. Installation at Trinity Church, corner of Wall Street and Broadway, New York, New York, 2005–2015 FOLLOWING SPREAD STEELROOT, 2007 Steel 11 ft. 6 in. × 13 ft. × 29 ft. 8 10 Foreword DAVID W. HOUSTON From that which is perceived a definite conclusion may be drawn about what is imperceptible. —nicolas steno (1638-1686) For an art world that values linearity, Steve Tobin’s nomadic movement through forms and materials may at first pose a challenge. This book then is the perfect format to trace the rhi- zomatic trajectory of artist Steve Tobin. As much as his ongoing approach to art is an act of discov- ery, his works are characterized by conceptual unity and formal multiplicity. His work is grounded in a deep reverence for nature understood as a storehouse of infinitely changing forms animated by powerful hidden forces. This view of a natura naturans, a self-creative becoming of nature, has led him to explore an amazing diversity of materials and ideas. -
Steve Tobin DOCUMENTATION
Steve Tobin DOCUMENTATION 1957 1973 CHRONOLOGY Born Steven Robert Tobin on 10 February Begins studying physics, transferring in Philadelphia, Pennsylvania. Shares fascination with natural world to theoreti- February 10 birthdate of his mother, cal world. Physics, art, and music become Frances Emanuel. interweaving passions. 1964 1975 Family moves to heavily wooded property Is selected in citywide search for applicants with abundance of wildlife in Villanova, for post of research assistant to the physi- Pennsylvania. Interest in nature is sparked cist Dr. Campbell Laird, a Nobel Prize- and Tobin is cited for first honors in winner, who is conducting six-month “Nature” at Penn View summer camp. experiment on structure of matter at University of Pennsylvania. Experiment involves growing crystals in metal, polish- 1967 ing them, and studying formations under electron microscope. Father builds tree house in large oak trees on property. There Tobin feels more at home with leaves, branches, sky, animals, 1976 elements than he does indoors. Below trees is a fire over which he cooks. Later work Attends Tulane University because school springs from this tree house of his youth, has electron microscope available to with fire and nature as early influences undergraduate students; also has strong and providing endless inspiration. music department. In first year in college continues to study music, physics, and mathematics and takes ceramics course. 1970 Takes mathematics in summer school. Encounters glassblowing as physics experiment at Haverford School, leading 1977 to his buying torches to make decorative objects, such as glass trees. Takes train into Interest in ceramics increases; begins Philadelphia to buy glass tubing and sells exhibiting work in statewide competitions.