Larry Niven Fan Guests of Honor Pamela (Dean) and David Dyer'bennet
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January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Twin Cities Funk & Soul
SEPTEMBER 25, 2012 I VOLUME 1 I ISSUE 1 DEDICATED TO UNCOVERING MUSIC HISTORY WILLIE & THE PROPHETS BAND OF KUXL JACKIE BUMBLEBEES OF PEACE THIEVES RADIO HARRIS 99 SECRET STASH ISSUE 1: TWIN CITIES FUNK & ANDSOUL MUCH SEPTEMBER MORE 25, 2012 The Philadelphia Story (AKA Valdons) mid 70s courtesy Minnesota Historical Society. Photo by Charles Chamblis. Left to right: Maurice Young, Clifton Curtis, Monroe Wright, Bill Clark Maurice McKinnies circa 1972 courtesy Minnesota Historical Society. Photo by Charles Dance contest at The Taste Show Lounge, Minneapolis late 70s courtesy Minnesota Historical Chamblis. Society. Photo by Charles Chamblis. 02 SECRET STASH VOLUME 1 - ISSUE 1: TWIN CITIES FUNK & SOUL SEPTEMBER 25, 2012 INTRODUCTION It was three years ago that we launched Secret Stash Records. About a year and a half lat- er, we started working on what would eventually become our biggest release, Twin Cities Funk & Soul: Lost R&B Grooves From Minneapolis/St. Paul 1964-1979. What follows is our attempt to share with you some of the amazing stories, history, and photos that have been so gracious- ly shared with us during the course of producing a compilation of soulful tunes from our hometown. ..... R&B, soul, and funk music in the Twin Cities of Minneapolis and St. Paul, Minnesota went through dra- matic changes during the 1960s and 1970s. Predating these changes, a vibrant jazz scene beginning in the 1920s laid the groundwork with several players being instrumental in helping teach young local R&B mu- sicians how to play. However, many of the early R&B pioneers, including Mojo Buford, Maurice McKin- nies, and Willie Walker, came to Minnesota from other states and brought the music with them. -
The Folk Club of Reston-Herndon
The Folk Club of Reston-Herndon Preserving the traditions of Folk Music, Folk Lore, and Gentle Folk Ways www.RestonHerndonFolkClub.com Volume 29, Issue 10 August 2013 SPECIAL ARTICLE – “SPIDER” JOHN KOERNER – see page 2 for details August 13 Showcase – Frazier By Frazier with Dan Grove Frazier has been singing and playing music since childhood. From the "Minisingers" in Washington state - Tumbling Tumbleweeds, to church choirs, to the Navy's choir. He sang tenor, if you can believe it, he says in his now baritone announcer’s voice. From voice-overs to folk music to heavy rock and roll, he's done it all. Well, not all - no rap, hip hop, or heavy country/bluegrass. For the past 30+ years he sang and played in a trio and a duo, which both fizzled out due to family and distance issues. So for the first time in... well, too many years to elaborate on, he's doing the solo thing. It's the first time he's choosing songs based on his voice, and not the harmony potential. He's missing the harmony, but enjoying the attention. His musical influences are the Beatles, Beach Boys, Everly Brothers, Simon & “Funkle,” and Alice in Chains - basically musicians and groups with a great harmony component, reflecting his earlier collaborative performing. He has several originals, and says he’s “deciding how many to make you suffer through.” Frazier has lived in the DC metro area for about 50 years (he went to Richard Montgomery High School in Rockville). He mostly accompanies himself on guitar, but has a couple of songs on the keyboard. -
Music DVD Review: Koerner, Ray, & Glover Blues, Rags & Holler
Music DVD Review: Koerner, Ray, & Glover Blues, Rags & Hollers: T... http://blogcritics.org/archives/2007/08/03/211002.php Blogcritics is an online magazine, a community of writers and readers from around the globe. Publisher: Eric Olsen REVIEW Music DVD Review: Koerner, Ray, & Glover Blues, Rags & Hollers: The Koerner, Ray & Glover Story Written by Richard Marcus Published August 03, 2007 Part of Blues Bash In the early 1960's American pop music underwent its first roots revival with the sudden upsurge in popularity for folk music. Young performers from all over the country came to realize what their idols, Woody Guthrie, Pete Seeger, and a handful of others had learned long ago; there wasn't anything quite as effective as a guitar and a song for communicating a message. It was Joan Baez who brought a skinny guy from Minnesota named Bob Dylan to the Newport Folk Festival in 1963 and national attention. But he was just the tip of the iceberg in the folk revival. Rambling Jack Elliot, Utah Phillips, Phil Ochs, Richard & Mimi Farina, and countless others brought guitars, voices and idealism to American popular culture. Primarily they all were building on the traditions of the music that had come over with immigrants from the British Isles who modified songs from the old country to fit their new circumstances. "Pretty Saro, "Barbara Allen," "Two Sisters," and others all took on the distinctive sound of the Ozarks and Tennessee to form the backbone of Country and Folk music. Even though 1963 was the time of the Freedom Riders, young white men and women heading down South in support of Black civil rights activities, there was far less interest expressed by the folk movement for the other major vein of music waiting to be tapped. -
Heritage 1 S E R I E S 6 Join Us As We Celebrate the Talent and Stories of Our State
2 Arts & Cultural 0 Heritage 1 SERIE S 6 Join us as we celebrate the talent and stories of our state. Chad Lewis Candace Osborn Paranormal Investigator Artist and Librarian and Author Kao Kalia Yang Nathan Hance Paul Imholte Author Musician and Musician Composer Steve Hoffbeck Eric Bergeson Author and Historian Author Admission is free, thanks to funding from the Minnesota Arts & Cultural Heritage Fund. Paranormal Minnesota Tales of Ghosts, UFOs and Mysterious Creatures Meet Chad Lewis, paranormal expert. Join us on a ghostly journey through his strangest cases, including alien abductions, haunted places, mysterious creatures, crop circles and more! This program will cover the entire spectrum of Minnesota’s supernatural activity. Rothsay LINK Site - Thursday, September 22 at 10:30 a.m. Gonvick LINK Site - Thursday, September 22 at 4:00 p.m. Fosston Public Library - Thursday, September 22 at 7:00 p.m. Ada Public Library - Friday, September 23 at 10:30 a.m. Detroit Lakes Public Library - Friday, September 23 at 6:30 p.m. Hawley Public Library - Saturday, September 24 at 10:30 a.m. Crookston Public Library - Saturday, September 24 at 2:00 p.m. Climax Public Library - Tuesday, September 27 at 2:00 p.m. Barnesville Public Library - Tuesday, September 27 at 6:30 p.m. Moorhead Public Library - Monday, October 24 at 6:30 p.m. Needle Felting An Introduction to the Craft Creative types, you’ll meet your match in Candace Osborn, artist and librarian! She will lead an introductory class on needle felting. Learn this amazing craft and create an owl on a flat piece of felt. -
Ron Thompson Remembered
TGGBS Newsletter March 2020__#8 TGGBS President’s Message: As I peruse the Bay Area looking for interesting places to listen to blues, I luckily received an invitation from singers Earnestine Barze and Wanda Diamond. They brought me to two old school classics in Oakland: Eli’s Mile High Club on MLK Boulevard and Everette and Jones’s Q’s Lounge on Broadway. Earnestine was jam leader for the Monday Night Blues Jam series at Eli’s and told me “get there around 6” to get good parking close by. A fabulously skilled band backed awesome singers all night at Eli’s, including stalwart regulars, Fillmore Slim, who performed his new CD “Sons of The Seven Sisters.” Ninety plus years YOUNG Nat Bolden, who duets with powerhouse singer Sharon Davis, was also there--the real deal here folks. Earnestine is a very special entertainer, with a hot wardrobe and a voice unique in the way she uses phrasing. She sent goosebumps throughout the crowd, letting us know we were hearing the BLUES. Wanda Diamond was sitting in with The Caravan who host at Q’s every Saturday night. Parking is handy at the garage over Yoshi’s. The BBQ there is awesome, and the only grease is on the stage. Ribs, links, beans and cornbread along with great voices all night tell me we are well taken care of in the Bay Area with venues worthy of the most jaded tourists and locals alike. Treat yourself to these two historic gems. Everett & Jones Barbeque will have a plaque on Oakland’s Walk of Fame. -
Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker. -
Extant Sites ‐ Properties Associated with Minneapolis Music
Extant Sites ‐ Properties Associated with Minneapolis Music Building Date Dates Used for Information Obtained Names Project Address Street Type Genres Extant | Demolished Still Music Related Current Use Notes from Various Sources Mapped Construction date Demolished Music From Originally located at 809 Aldrich Ave N, but that building was demolished in 1970 with I‐94 construction; new building at current location built. Place where Prince's parents, John Nelson and Mattie Shaw met while playing a concert. • 1301 10th Avenue North; Original house at 809 Aldrich Ave N • Started a new annual festival to replace the northside presence at the Aquatennial Phyllis Wheatley Center 1301 10th Ave N Community Center All Extant 1970 NA 1970‐Current Yes Community Center Parade which was contentious after the 1967 incident Yes o Northside Summer Fun Festival drew 6,000 people in its 6th year on August 9, 1978; performers included Sounds of Blackness, Flyte Tyme, Mind & Matter, Quiet Storm, and Prince o Prince also played in 1980 • Hosted Battle of the Bands concerts (no cash prize, just honor) • Original building built in 1924 as a settlement house; http://phylliswheatley.org/ Research • Music Notes Mural: Prince has famous picture in front of it from 1977 by Robert Whitman (book Prince Pre‐fame) 94 S 10th Street o http://www.hungertv.com/feature/the‐photographer‐behind‐princes‐first‐ever‐photo‐ shoot/ Music Notes 88 10th St S Mural All Extant 1908 NA 1971‐Current No The CPG o Painted in 1972 by owners of Schmidt Music (1908); Tom Schmitt great grandson of Yes company’s founder o Van Cliburn, one of world’s finest pianists, did photo session there http://minnesota.cbslocal.com/2014/03/30/finding‐minnesota‐the‐mystery‐musical‐mural/ o Featured in Time Magazine piece with Wendell Anderson o The notes are the third movement “Scarbo” in the piece “Gaspard de la Nuit” Research luxury hotel in 1926. -
Racial Justice Action
White Bear Unitarian Universalist Church Sunday Services and Religious Education classes at 9:00 and 11:00 a.m. Coffee and Conversation at 10:00 a.m. in the Social Hall Giving Voice to the Spirit: Community Singing at 8:50 and 10:50 in the Sanctuary January 2015 Sunday, January 4 Visible Signs of Inward Grace Jody McCormick (fabric artist) and Mark Kotz (photographer) speaking on the intersection of spirit and art Christopher Williams and Jennie Lahlum, featured musicians Special Collection for Habitat for Humanity (see below) Sunday, January 11 No Room for Dinosaurs Victoria Safford Music from Virginia Podobinski, soprano and Mary Duncan, piano Sunday, January 18 Reverent Unrest Rev. Luke Stevens-Royer and Victoria Safford Music from the Adult Choir with Sophia Cruz singing Up To The Mountain with Soren Schwendeman, guitar; Jerry Montie, drums; Steve Goranson, bass; Carol Caouette, piano Special Collection for Pilgrimage to Selma Scholarships (see below) Wednesday, January 25 Before God Existed, There Were Prayers Victoria Safford Music from Carol Caouette Special Collections Twice a month, our Sunday collection goes to support the work of various justice causes and organizations which we support and with whom we partner. By your generosity, we extend the values of this church beyond our walls. January 4: Habitat for Humanity January 18 (MLK Sunday): This nonprofit recruits volunteers to build affordable Pilgrimage to Selma Scholarships houses to sell, interest free, to people who would Our church community is invited to join other Unitarian otherwise not be able to purchase one. Each summer, Universalists from across the country, including our friends and members of WBUUC donate 1-2 weeks of Association’s President and Board of Trustees, on a their time to build a house in this area. -
Monarch Database: Known Release Information for Monarch-Pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat
Monarch Database: Known Release Information for Monarch-pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat. # Number Year Month Day Info Chet Baker Sings and Plays with Bud Shank… Pacific Jazz PJ-1202 △ 3268/9-12 1955 c. March Chet Baker The Trumpet Artistry Pacific Jazz PJ-1206 △ 31 1955 November 26 Gerry Mulligan Quartet Paris Concert Pacific Jazz PJ-1210 △ 37/8 1956 LP released 3/3/1956 Gerry Mulligan Quartet Gerry Mulligan Quartet Pacific Jazz PJ-1207 △ 32/41 1956 LP released 12/3/1955 Chico Hamilton Quintet Chico Hamilton Quintet Pacific Jazz PJ-1209 △ 49 1956 LP released January, 1956 Pinky Winters Lonely One Creative/Argo ALP-604 △ 119/147 1956 LP released 8/1956 The Five Keys Best of the Five Keys Aladdin LP-806 △ 189/90 1957 June LP released 12/8/1956 The Five Keys On the Town Score SLP-4003 △ 189/90 1957 June 3 Ahmad Jamal Count 'Em 88 Argo LP-610 △ 221/2 1957 May 20 LP released May 20, 1957 Johnny Cash With his Hot and Blue Guitar Sun SLP-1220 △ 248/9 1957 November 11 Carl Perkins Dance Album Sun SLP-1225 △ 250/1 1957 November Kermit Schaefer Pardon My Blooper, Vol. 2 Jubilee PMB-2 △ 282/3 1957 November Kermit Schaefer Pardon My Blooper, Vol. 4 Jubilee PMB-4 △ 294/-- 1957 November Kermit Schaefer Pardon My Blooper, Vol. 3 Jubilee PMB-3 △ 295/6 1957 November Kermit Schaefer Comedy of Errors Jubilee JGM-2001 △ 300/1 1957 November reissue of LP-2 Chuck Berry After School Session Chess LP-1426 △ 316/7 1957 October LP released May 20, 1957 Ella Fitzgerald and Louis Armstrong Ella and Louis Again Verve MGV-4006-2 △ 363/4 1957 October 11 First mention: 10/14/57 Kermit Schaefer Pardon My Blooper, Vol. -
A History of the Triangle Bar Building 1822 Riverside Avenue South Minneapolis, Minnesota
A HISTORY OF THE TRIANGLE BAR BUILDING 1822 RIVERSIDE AVENUE SOUTH MINNEAPOLIS, MINNESOTA PREPARED FOR GREATER TWIN CITIES BLUES MUSIC SOCIETY PREPARED BY PENNY A. PETERSEN AND CHARLENE K. ROISE HESS, ROISE AND COMPANY THE FOSTER HOUSE 100 NORTH FIRST STREET MINNEAPOLIS, MINNESOTA 55401 NOVEMBER 2010 1872 On October 16, Riverside Avenue is opened for traffic. Running southeast from the intersection of Cedar Avenue and South Fourth Street, it is a rare diagonal in the city grid, which is primarily oriented to the cardinal points. Riverside cuts through a number of blocks before reaching its southeastern terminus at Franklin Avenue, creating some triangular blocks on either side of the new avenue.1 1876 A horse-powered streetcar line that had ended at Washington and Nineteenth Avenues South is extended to Riverside Avenue and follows it for several blocks. Access to public transportation makes the corner at Cedar and Riverside more attractive for commercial development.2 1883 Block 179, in the Town of Minneapolis, which had been split by Riverside Avenue, is further altered when owners Louis and Julia Meldal and Reinert and Annie B. Sunde replat it as Meldal and Sunde‘s Subdivision of Block 179. Originally, composed of ten lots, the replatted block now has 38 lots. This same year, the Meldals deed a dozen lots in the new subdivision to the Sundes, including Lot 38, the future site of the Triangle Bar.3 Like many in the Cedar-Riverside neighborhood, Louis Meldal and Reinert Sunde are Scandinavian immigrants. Sunde was born around 1842 in Norway and immigrated to the United States as a young man. -
PAY YOUR DUES at the UNION a History of the Union
, August 27, 1981 Sweet Potato Advertisement from PAY YOUR DUES AT THE UNION A History of the Union Bar Prepared for Prepared by Minnesota Blues Society Penny A. Petersen Charlene K. Roise December 2015 Hess, Roise and Company The Foster House 100 North First Street Minneapolis, Minnesota 55401 Note: The building that housed the Union Bar is located at the intersection of East Hennepin and Central Avenues Northeast. Both street names are used interchangeably in primary sources that refer to this site, but the address of the Union Bar is most commonly 507 East Hennepin. For the sake of consistency, this account will use East Hennepin for the building numbered 505–507 and Central Avenue Northeast for the building numbered 509–513, even though the name “East Hennepin” was not adopted until 1913. 1852 James Sargent Lane, age nineteen, settles in Saint Anthony. There, he joins his older brothers Silas and Isaac, who had arrived in 1848. The brothers work in the lumber business.1 The Lane brothers were born in New Brunswick, Canada, although both their parents are natives of Maine. Their father, Silas Nowell Lane, a veteran of the War of 1812 and a lumberman, moved to Canada, continuing to harvest the pine forest across a national border.2 1855 The Lane brothers are joined in Saint Anthony by their parents, Silas and Velona (or Velma in some sources), and younger brother, Leonidas.3 1856 By this year, the entire family lives on a parcel of land at the corners of Fifth Street, Bay Street (present-day East Hennepin), and Mill Street (present-day Central Avenue Northeast).