{PDF} Challengers of the Unknown Omnibus by Kirby Ebook, Epub
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Joe Sinnott “The World’S Greatest Comic Inker!”
JOE SINNOTT “THE WORLD’S GREATEST COMIC INKER!” Interviewed by Alan Doshna The Official Joe Sinnott Website http://www.joesinnott.com/ Few are the artists in any field who can dependably produce consistently outstanding work in their given field. Such a one, however, is renowned comic book penciller and inker Joe Sinnott.Born in Upstate New York in 1926, Joe is probably best known for his long tenure on The Fantastic Four, embellishing Jack Kirby’s pencils, The Mighty Thor, Captain America and others. Besides K irby, other whose work he has inked is a literal or “graphic”) Who’s Who” of comic book greats, such as Steve Ditko, Gil Kane, Neal Adams, John Buscema, John Byrne, Carmine Infantino and many, many more. Joe took some time for an interview with us recently. Q: Could you share with us a little bit about your early life and background? A: Oh, sure. Of course I was born in Saugerties, I still live in Saugerties. And I spent three years down in the city when I went to the Cartoonists and Illustrators School (Note: later called The School of Visual Arts). Of course, before that, I served in the Navy Seabees in WW II. And I always drew, I know you’d probably want to know that, ever since I can remember, when I was three years old. My mother had a boarding house, and one of the teachers gave me a box of crayons for my birthday when I was three years old, and it had an Indian on it. I can still recall the Indian, and I drew that Indian over and over and over again with those crayons, and we also had another roomer in the house that had been in the German submarine service in WW I. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Postmodern Themes in American Comics Circa 2001-2018
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History 5-8-2020 The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018 Amy Collerton Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Collerton, Amy, "The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/history_theses/126 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE ALUMINUM AGE: POSTMODERN THEMES IN AMERICAN COMICS CIRCA 1985- 2018 by AMY COLLERTON Under the Direction of John McMillian, PhD ABSTRACT This thesis seeks to update the fan-made system of organization for comic book history. Because academia ignored comics for much of their history, fans of the medium were forced to design their own system of historical organization. Over time, this system of ages was adopted not only by the larger industry, but also by scholars. However, the system has not been modified to make room for comics published in the 21st century. Through the analysis of a selection modern comics, including Marvel’s Civil War and DC Comics’ Infinite Crisis, this thesis suggests a continuation of the age system, the Aluminum Age (2001-the present). Comics published during the Aluminum Age incorporate Postmodern themes and are unique to the historical context in which they were published. -
Marvel Book A:Marvel Book 8/19/09 6:23 PM Page 3
Marvel Book A:Marvel Book 8/19/09 6:23 PM Page 3 Contents Introduction . 5 Part I: The Early, Formative Years . 11 Part II: The Years of Consolidation . 57 Part III: The Grandiose Years . 95 Creator Spotlights: Stan Lee . 10 Jack Kirby. 15 Steve Ditko . 23 Don Heck . 35 Bill Everett . 65 Joe Sinnott . 102 George Tuska . 106 Gene Colan . 120 John Severin . 122 John Romita . 130 Jim Steranko . 153 Marie Severin. 157 Herb Trimpe. 170 Roy Thomas . 173 John Buscema . 175 Barry Smith . 219 Key Marvel Moments: Merry Marvel Marching Society . 73 Marvel Swag . 85, 141 F.O.O.M. 127 Marvelmania . 168 Contents 3 Marvel Book A:Marvel Book 8/19/09 6:23 PM Page 5 Introduction hy a “field guide?” Simply put, because the latest comics or those young at heart who’d sim- Wthere was a lot to like about Marvel Comics ply like to reacquaint themselves with old friends in the 1960s, when everything about the after many years. Designed for the casual browser as company seemed new and anything was possible. well as those already familiar with its subject, the But all that was almost a half-century ago and book can be read from the beginning or opened at Spider-Man, Hulk and their costumed cohorts have any page for quick reference. What allows such ver- been with some of us since before we were born. By satility is the book’s unique format which includes a now, everyone knows all about them, they’ve text divided into easily digestible, quick to read become the latest cultural icons and have proven “capsule reviews” of hundreds of the most impor- their staying power in movies, books, computer tant (and a few not so important) individual issues games, even theme parks. -
Mark Evanier Moderates the 2017 Comic Fest Tribute Panel) COLLECTOR COMMENTS
95 Black Racer TM & © DC Comics. JACK KIRBY COLLECTOR SEVENTY-ONE $10 1 82658 00107 0 Contents THE KIRBY: OMEGA! OPENING SHOT . .2 (does Anti-Life add up?) FOUNDATIONS . .4 (Kirby’s dead ringer) ISSUE #71, SPRING 2017 NEVERENDINGS . .13 C o l l e c t o r (the Jack Kirby Museum panel at 2016’s Silicon Valley Comic-Con) KIRBY KINETICS . .23 (life, death, and identity) SPIRITED . .26 (love of [anti-?] life) GALLERY . .31 (dangling plot threads) HAIR CLUB . .42 (Jack’s blonds, from Angel to Esak) KIRBY OBSCURA . .44 (giants, lost worlds, and sphinxes) END IT ALL . .46 (endings that happened—or didn’t) KIRBY AS A GENRE . .51 (a Brazilian homage, and BUG!) INCIDENTAL ICONOGRAPHY . .54 (Darkseid, from alpha to omega) INFLUENCEES . .56 (Walter Simonson talks Ragnarök) TRIBUTE . .62 (San Diego Comic Fest’s Kirby Cafe) JACK F.A.Q.s . .64 (Mark Evanier moderates the 2017 Comic Fest Tribute Panel) COLLECTOR COMMENTS . .94 PARTING SHOT . .96 (the true end of the Fourth World) If you’re viewing a Digital Edition of this publication, PLEASE READ THIS: This is copyrighted material, NOT intended for downloading anywhere except our website or Apps. If you downloaded it from another website or torrent, go ahead and read it, and if you decide to keep it, DO THE RIGHT THING and buy a legal down- load, or a printed copy. Otherwise, DELETE IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT ANYWHERE. If you enjoy our publications enough to download them, please pay for them so we can keep producing ones like this. -
Planet of the Apes Encyclopedia : the Trap
APE CHRONICLES Due to the large size of the series I am analyzing 25 issues at a time (per ape chronicles issue). This is the first time the International UK series has ever been indexed anywhere. It’s about time ! PLANET OF THE APES Before I could start I had to hunt out all the Fan Club UK issues over a period of years and buy the best condition copies I could find so that [email protected] I could also archive and scan the cover art for each issue (which I will eventually reprint Issue #38 INDEX TO THE Planet Of The them all for you to see). After that I could Apes UK Weekly comic magazine finally break down page by page the August 31st 2004 contents of every single issue. This is an series ongoing process. President of the There is no POTA related series that has International POTA Fan Club Finally we will be able to find out where put out more product than those at Marvel certain comic strips and articles were Publisher / Editor / Writer Comics in the UK during 1974-1977. They published. Fans of certain actors such as Terry Hoknes put out a successful long running 123 Roddy McDowall can find out which issues continuous weekly POTA comic series. 2449 Eastview have pinups of him, letters of comment, or interviews with or about Roddy. Saskatoon, SK Weekly comic books priced at only 8pence Canada were a huge success in the comic field back Since the majority of the content is reprinted in the 1970s throughout Great Britain. -
Spectacular Comics #2 Kindle
SPECTACULAR COMICS #2 PDF, EPUB, EBOOK Jon Del Arroz | 28 pages | 15 Jul 2020 | Rislandia Books | 9781951837228 | English | none Spectacular Comics #2 PDF Book After the first five-picture deal expired with the release of Spider-Man: Far From Home in , Disney and Sony renegotiated and struck a new deal to partner on the untitled Spider-Man 3 and another as-yet-revealed film from Marvel Studios. Curse Of The Living Vampire! Previous Undervalued Spotlight And, lurking in the shadows is the sinister time-traveler Kang the Conqueror. Settimanale de l'Uomo Ragno il 3 Editoriale Corno. If the Thunder be Gone! To be eligible for a return, your item must be unused and in the same condition that you received it. A friend sends his regards. This is not a criticism, but an observation. Refunds if applicable Once your return is received and inspected, we will send you an email to notify you that we have received your returned item. Plus, the back-up feature Tales of Asgard - "Set Sail! New customer? And Jim Mooney were at the top of their game and this book features some of the best artwork to ever grace the pages of a Spider-Man book! Final issue - Reprints Thor 1st Series The White Tiger! I remember how hard I had to hunt for this book. Tiger In a Web! Hanging out in the local pool halls checking out the magazine section ooh la la , at 11 years old, going to variety stores and drug stores hunting for this book. News of Pasko's passing broke the very day I was assembling this issue, but the JLA story would have probably been included anyway; it's a nice JLA Casebook story about when the members of the League decided to reveal their secret identities to their fellow Leaguers. -
VINCE COLLETTA! HERO Or VILLAIN? YOU DECIDE!
THE Perspectives On VINCE OLLETTA C Comics’ Most Controversial Inker By Robert L. Bryant, Jr. The MYSTERY of VINCE COLLETTA! HERO or VILLAIN? YOU DECIDE! In the history of comic book art, Vince Colletta is perhaps the most prolific inker ever, and certainly the most controver- sial. He jumped in at the last minute to rescue hundreds of comic books about to miss their printing deadline, often racing through the work of artists who fans say he should have worshiped. In the 1960s he gave Jack Kirby’s Thor an atmospheric look many fans love even 40 years later, but got kicked off Kirby’s Fourth World comics in the 1970s for omitting details. Whether you loved his work or hated it, The Thin Black Line will enlighten, entertain, and expose a life and career as colorful as the four-color comic books Colletta labored on for TwoMorrows decades. Join Stan Lee, Roy Thomas, Joe Publishing Raleigh, North Carolina Sinnott, Mike Royer, Carmine Infantino, Mark Evanier, and dozens of other comics pros as they recall the Vince Colletta they knew and 95 $14 Softcover ISBN worked with, and pull no punches in their praise and In The US 978-1-60549-028-1 criticism of the most notorious inker in the history of the medium—all surrounded by copious examples ISBN-13: 978-1-60549-028-1 of Colletta art, including numerous “before and ISBN-10: 1-60549-028-8 after” pencil to ink comparisons. 51495 Did he save the Silver Age of comics—or ruin it? You decide! 9 781605 490281 THE Perspectives On VINCE OLLETTA C Comics’ Most Controversial Inker By Robert L. -
Cci2017 Kirby100section.Pdf
100 • A SOUVENIR BOOK SPECIAL SECTION CELEBRATING THE CENTENNIAL OF THE KING OF COMICS • •100• JACK KIRBY: A LIFE IN COMICS by Randolph Hoppe n August of 1917, Rose and Ben Kurtzberg, two immigrants from Galicia in the ghetto. Most of his pals saw careers as policemen, politicians, or gangsters what is now Poland, welcomed their firstborn child, Jacob. In the early 20th in their future. I century, New York City’s Lower East Side was the most densely populated Jack stayed less than a week in an art class at the Pratt Institute. Not only two square miles on the planet. Ben sewed pants in sweatshops. Rose did wasn’t he the kind of artist they wanted—he worked fast—but his father also piecework at home, when not raising her sons. lost his job, and Jack dropped out of school entirely to find work. Lower East Side kids played in the streets, and fighting was a favorite pas- After a brief stint as a newsboy, Jack found work at the Fleischer Brothers time. Kurtzberg’s gang, the Jewish kids of Suffolk St., would take on the Italian animation studio, working on Popeye and Betty Boop cartoons as an inbe- kids from another block or the African American kids from yet another block. tweener, filling in the necessary number of drawings to complete the illusion of Jacob, now going by Jake, was small in stature and once had to rescue his movement. Jack’s steady work allowed the Kurtzbergs to move from the Lower younger brother David from an attack by a rival gang. -
Standing Comics Fanzine FACE FRONT! WE’RE CELEBRATING 95 YEARS of $9.95 in the USA STAN LEE No.150 January 2018 Characters TM & © Marvel Characters, Inc
Roy Thomas’ outSTANding Comics Fanzine FACE FRONT! WE’RE CELEBRATING 95 YEARS OF $9.95 In the USA STAN LEE No.150 January 2018 Characters TM & © Marvel Characters, Inc. 1 82658 00104 9 Vol. 3, No. 150 / January 2018 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck J.T. Go (Assoc. Editor) Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek Contents William J. Dowlding Writer/Editorial: Happy 95th, Stan! .................... 2 Cover Artists John Buscema & Joe Sinnott The Retrospective Stan Lee .......................... .3 Will Murray’s 1988 interview with the main man behind the Marvel Universe. Cover Colorist Unknown “Get Me Out Of Here!” ............................. .21 With Special Thanks to: Ger Apeldoorn on Stan’s thankfully fruitless attempts to escape comicbooks (1956-1962). Boy Akkerman Henry Kujawa The Second Coming Of Stan ........................ .54 Heidi Amash Guy Lawley Rebooting the Marvel Age in Britain in the 1970s, by Robert Menzies. Ger Apeldoorn Stan Lee Bob Bailey Paul Levitz My Life In Little Pieces – Part 2 ...................... .65 John Benson Mark Lewis Continuing John Broome’s offbeat “autobiography.” Al Bigley Susan Liberator Billy Ireland Cartoon Art Lortie Mr. Monster’s Comic Crypt! The PAM Papers – Part 3 .... 69 Library (Ohio State Nancy Maneely University; Toni Bruce Mason Michael T. Gilbert presents Glen Johnson’s letters from artist Pete Morisi. Mendez Collection) J.L. Mast Bill Black Robert Menzies Comic Fandom Archive: Ted White On Comics, Part 4 ... .77 Len Brown Mike Mikulovsky He tells Bill Schelly about interviewing Stan Lee, writing a Captain America novel, etc. -
Exhibition Catalog
fighting men fighting men DANIEL DUFORD CONTRIBUTORS STUART HORODNER LINDA TESNER RONNA AND ERIC HOFFMAN GALLERY OF CONTEMPORARY ART GALLERY LEWIS & CLARK COLLEGE PORTLAND, OREGON OCTOBER 25, 2012 - MARCH 3, 2013 FIGHTING MEN: GOLUB, VOULKOS, KIRBY Daniel Duford © 2012 Lewis & Clark College, Portland, Oregon All rights reserved Design: Tracy Schlapp, Cumbersome Multiples This book is typeset in Franklin Gothic and Impact. ISBN 978-0-9630866-5-5 Lewis & Clark College 0615 S.W. Palatine Hill Road Portland, Oregon 97219 Printed by Bridgetown Printing, Portland, Oregon On the cover Jack Kirby, altered panel from 2001: A Space Odyssey. © Marvel. Interior front & back cover Installation shot by Robert Reynolds. Leon Golub, Interrogation I, Art © Estate of Leon Golub/Licensed by VAGA, New York, NY/ Courtesy of The Broad Art Foundation, Santa Monica. Previous page Jack Kirby, The Eternals #10, page 7 (panel detail), 1977, Inker: Mike Royer. © and TM Marvel and Subs. inside Prequel | Linda Tesner 7 Body Breaking Bad | Stuart Horodner 10 Fighting Men | Daniel Duford The Amphora 16 One-man Army: Jack Kirby 21 Fallen Warrior: Leon Golub 33 Trial by Fire: Peter Voulkos 47 Exhibition Notes 62 Selected Bibliography 66 Acknowledgments 68 Leon Golub, Head XI, 1963, acrylic on linen, 22.5 x 22.25 inches. Art © Estate of Leon Golub/Licensed by VAGA, New York, NY/ Courtesy of Judy Spero and Ronald Feldman Fine Arts, New York. 8 Prequel | FIGHTING MEN prequel IN THE PANTHEON OF ART EXHIBITIONS, there are some — perhaps only a few — that significantly change the way in which one views and experiences art. I’m thinking here, historically, about the 1863 Salon des Refusés, which revolutionized taste in 19th-century France. -
Jack Kirby Collector Seventy-Eight $ Winter
$10.95 WINTER 2020 TM & © Marvel Characters, Inc. JACK KIRBY COLLECTOR SEVENTY-EIGHT Contents THE SILVER ANNIVERSARY ISSUE! 25 YEARS ON ..................2 (a quarter century of this mag) JACK KIRBY AT FLEISCHER ISSUE #78, WINTER 2020 STUDIOS .....................3 Collector (Kirby’s earliest work was animation) LINK THORNE, THE FLYING FOOL ..............5 (a forgotten S&K hero) HOW SIMON & KIRBY KICKSTARTED THE SILVER AGE ..............13 (Challengers or the Flash?) KIRBY OBSCURA ..............20 MARVEL PRECURSORS .........22 (he had to start somewhere) SOLID SILVER CONTINUITY ......28 (simply the best) A 25-YEAR SEISMIC SHIFT! .....31 (at this point in Jack’s career...) MEANWHILE, BACK AT THE FALLEN MONSTER… ..........34 (heading out the door with Thor) 2019 WONDERCON KIRBY TRIBUTE PANEL .........40 (Mark Evanier moderates) THE MYSTERY OF MYSTIVAC ....53 (the Mister Miracle mystery) SILVER SURFER GALLERY .......55 SILVER STAR: INCIDENTAL ICONOGRAPHY ................61 (Kirby’s final hero examined) CIRCLE OF FRIENDS ...........63 (stories about meeting Jack) THE JACK KIRBY COLLECTOR ....65 (thanks to those who’ve helped us) EVENT HORIZON ..............66 (Tom Scioli shares his grand design for the Fantastic Four) GOING MUTTS OVER KIRBY! .....70 (Patrick McDonnell’s tributes to Jack) THE JACK KIRBY MUSEUM ......73 (visit & join www.kirbymuseum.org) THE MONOLITH ...............74 COLLECTOR COMMENTS ........78 (letters on past issues) Deluxe co ver inks: STEVE RUDE Standard cover inks: STEVE RUDE (new Galactus figure), JOHN ROMITA and JOHN VERPOORTEN (main inks from Thor #170, at right) Standard cover colors: TOM ZIUKO COPYRIGHTS: Ant-Man, Avengers, Batroc, Black Panther, Captain America, Devil Dinosaur, Eternals, Fantastic Four, Galactus, Giant-Man, Hawkeye, Him, Hulk, Iron Man, Loki, Magneto, Maximus, Metallo, Odin, Quicksilver, Rawhide Kid, Scarlet Witch, Sgt.