OPERA PERFORMANCES – WHERE / WHAT / WHEN 1972 to 2019
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Meistersinger Resources
DIE MEISTERSINGER VON NÜRNBERG RESOURCES Books Die Meistersinger von Nurnberg (Overture Opera Guides) Author: Richard Wagner. Notes: The guide also includes the full libretto with English translation, sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography and DVD and website guides. English. 300 pages. Overture Publishing. 2015. Die Meistersinger von Nurnberg in Full Score (Dover Music Scores) Author: Richard Wagner. Notes: a reprint of an authoritative and accessible German score from the turn of the twentieth century, the complete orchestral and vocal score, published by Dover Publications; Reprint edition (October 16, 2009). English. 832 pages. Dover Publications. 2009. Die Meistersinger von Nurnberg (G. Schirmer Opera Score Editions) Author: Richard Wagner. Notes: Libretto. German/English. 96 pages. G. Schirmer Libretto 5. 1986. Die Meistersinger von Nurnberg (G. Schirmer Opera Score Editions) Author: Richard Wagner. F Jameson. Notes: orchestral and vocal score. English. 576 pages. G. Schirmer Opera Score Editions. 1986. The Mastersingers of Nuremberg (Die Meistersinger von Nurnberg) (English National Opera Guides) Author: Richard Wagner. Editor: Nicholas John. English. 132 pages. University of Michigan Library. 1983. Richard Wagner and German Opera (Classical Composers) Author: M. Owen Lee. Notes: Childrenʼs book for ages 10 and up. English. 144 pages. Morgan Reynolds Publishing. 2004. Wagner: The Terrible Man and His Truthful Art Author: M. Owen Lee. Notes: The bookʼs author is a Catholic priest and Professor Emeritus of Classics at St. Michael's College, University of Toronto. Lee is also commentator for the Texaco Metropolitan Opera radio broadcasts. English. 96 pages. University of Toronto Press, Scholarly Publishing Division. 1999. Wagner and the Wonder of Art: An Introduction to Die Meistersinger Author: M. -
OPERA PERFORMANCES – WHAT / WHERE / WHEN 1972 to 2019
GRAHAM CLARK OPERA PERFORMANCES – WHAT / WHERE / WHEN 1972 to 2019 AUSTRIAN / GERMAN BEETHOVEN Fidelio Jacquino Glasgow - Theatre Royal - Scottish Opera 1977 7 Edinburgh - King's Theatre - Scottish Opera 1977 2 9 BERG Lulu Maler, Schwarzer Mann Paris - Théâtre du Châtelet - Orchestre National de France 1991 6 6 BERG Lulu Prinz, KaMMerdiener, Marquis Salzburg - Salzburger Festspiele - Staatskapelle Berlin 1995 / 99 8 New York - Lincoln Center - The Metropolitan Opera 2001 / 10 8 Berlin - Staatsoper iM Schiller Theater - Deutsche Staatsoper Berlin 2015 4 20 BERG Wozzeck HauptMann Paris - Salle Pleyel - Orchestre PhilharMonique de Radio France - Radio France 1989 1 New York - Lincoln Center - The Metropolitan Opera 1989 / 90 / 97 / 2001 / 05 / 06 18 Paris - Théâtre du Châtelet - Orchestre de Paris 1992 / 93 / 98 11 Berlin - Staatsoper Unter den Linden - Deutsche Staatsoper Berlin 1994 / 97 / 99 12 Chicago - Civic Opera House - Lyric Opera of Chicago 1994 8 Madrid - Teatro de la Zarzuela - Orquesta Sinfónica de Madrid 1994 5 YokohaMa - Kanagawa KenMin Hall - Deutsche Staatsoper Berlin 1997 2 London - Royal Festival Hall - PhilharMonia Orchestra London 1998 1 Milan - Teatro alla Scala 2000 5 London - Royal Opera House Covent Garden - The Royal Opera 2002 / 06 11 BirMinghaM - HippodroMe - Welsh National Opera 2009 1 Bristol - HippodroMe - Welsh National Opera 2009 1 Oxford - apollo Theatre - Welsh National Opera 2009 1 SouthaMpton - Mayflower Theatre - Welsh National Opera 2009 1 StockholM - Kungliga Operan - Royal Swedish Opera 2010 / 11 5 -
Der Rosenkavalier”
2016–17 season andris nelsons music director week 1 richard strauss “der rosenkavalier” season sponsors seiji ozawa music director laureate bernard haitink conductor emeritus lead sponsor supporting sponsor thomas adès artistic partner Through January 29, 2017 Frances Stark, Chorus girl folding self in half (detail), 2008. Paper collage, graphite on The exhibition is presented at the MFA with generous support from The Ruth and Carl J. Shapiro Fund for Education, Public Programs paper. Collection Thea Westreich Wagner and Ethan Wagner. Promised gift to the Whitney and Special Projects. Additional support from the Robert and Jane Burke Fund for Exhibitions, the Amy and Jonathan Poorvu Fund for Museum of American Art, New York. Digital image © Whitney Museum of American Art. the Exhibition of Contemporary Art and Sculpture, the Diane Krane Family and Jonathan and Gina Krane Family Fund, the Barbara Jane Anderson Fund, the Bruce and Laura Monrad Fund for Exhibitions, and the Susan G. Kohn and Harry Kohn, Jr. Fund for Contemporary Prints. “UH-OH: Frances Stark 1991–2015” was organized by the Hammer Museum, Los Angeles. The exhibition was originated with support from Brenda Potter, along with generous support from Karyn Kohl and Maurice Marciano. Table of Contents | Week 1 7 bso news 1 7 on display in symphony hall 18 bso music director andris nelsons 2 0 the boston symphony orchestra 2 3 a message from andris nelsons 2 4 this week’s program Notes on the Program 26 The Program in Brief… 27 Synopsis of “Der Rosenkavalier” 31 Richard Strauss’s -
Eight Operas That Changed the World
Graham School of General Studies · The University of Chicago Eight Operas That Changed the World John Gibbons · [email protected] · www.holdekunst.com “Opera is all around us — hundreds of hours’ worth on YouTube alone — and there is no excuse not to take part in it. It still requires some commitment to knowledge and it rarely has a beat, but there’s just so much of Lady Gaga a human being can enjoy/tolerate without needing to be touched in a slightly deeper place.” – Robert Levine in Weep, Shudder, Die: A Guide to Loving Opera Books for New Opera Fans Author/Editor Title David Pogue and Scott Peck Opera for Dummies (Yep, that’s the David Pogue who covers personal technology for the New York Times. He’s a Yale-trained composer.) Fred Plotkin Opera 101 – A complete guide to learning and loving opera Robert Levine Weep, Shudder, Die: A Guide to Loving Opera Tim Smith The NPR Curious Listener’s Guide to Classical Music Carolyn Abbate and Roger Parker A History of Opera Nikolaus Harnoncourt The Musical Dialogue Robert Donington Opera and Its Symbol Richard Taruskin Music in the Eighteenth and Nineteenth Centuries Week Featured Opera Honorable Mentions 1 Claudio Monteverdi, L'incoronazione di Poppea The operas of Gluck (The Coronation of Poppea – 1642) 2 Wolfgang Amadeus Mozart, Le nozze di Figaro, Mozart’s other operas, especially The Magic Flute and Don ossia la folle giornata (The Marriage of Figaro, Giovanni or The Day of Madness – 1786) 3 Giuseppe Verdi, Rigoletto (1851) Verdi’s La Traviata and Otello 4 Richard Wagner, Tristan und Isolde (1865) Wagner’s Der Ring des Nibelungen 5 Modest Mussorgsky, Boris Godunov (1874) Piotr Ilych Tchaikovsky’s Eugene Onegin and The Queen of Spades 6 Georges Bizet, Carmen (1875) 7 Richard Strauss, Salome (1905) Debussy’s Pelléas et Mélisande (Pelléas and Mélisande) 8 Alban Berg, Wozzeck (1925) Berg’s Lulu Philip Glass, Einstein on the Beach (which really deserved to be tied for week 8) Voice Types in Brief It can get much more granular than this (check Wikipedia), and the style designations are subject to interpretation. -
A History of Opera: Old and New Perspectives – 1-Day Seminar
A HISTORY OF OPERA: OLD AND NEW PERSPECTIVES – 1-DAY SEMINAR JOHN GIBBONS [email protected] WWW.HOLDEKUNST.COM Not only is the history of opera supremely entertaining, it offers a unique cultural mirror, a barometer of European and American societal evolution. This class examines the great operas, singers, and productions, assessing the operatic canon from musical, historical, and social viewpoints. Great masterpieces from Mozart, Verdi, Wagner, Puccini and others are presented with many recent, but also archival performances on CD and DVD, exploring this frequently exhilarating, moving, and often provocative art. RECOMMENDED READING A History of Opera By Carolyn Abbate and Roger Parker While no readings are required, I highly recommend this book. It is readable, entertaining, accessible to the general public, and right on point in connection with “old and new perspectives.” In fact, this book was a considerable influence in the design of this course. I will recommend other books as specific topics arise in the course. Books for New Opera Fans Author/Editor Title David Pogue and Scott Peck Opera for Dummies (Yep, that’s the David Pogue who covers personal technology for the New York Times and other organizations. He’s a Yale-trained composer.) Fred Plotkin Opera 101 – A complete guide to learning and loving opera Robert Levine Weep, Shudder, Die: A Guide to Loving Opera Tim Smith The NPR Curious Listener’s Guide to Classical Music Carolyn Abbate and Roger Parker A History of Opera Nikolaus Harnoncourt The Musical Dialogue Robert Donington Opera and Its Symbol Richard Taruskin Music in the Eighteenth and Nineteenth Centuries “Opera is all around us — hundreds of hours’ worth on YouTube alone — and there is no excuse not to take part in it. -
13895 Wagner News
No: 203 October 2011 No: 203 October 2011 INSIDE 6 Bayreuth Report 7 Mastersingers events 8 Pleased to meet you: Mike Bousfield 9 James Rutherford in Bayreuth 12 Paris Opera Siegfried 14 Longborough Siegfried 16 Opera North Rheingold 18 Fulham Rheingold 19 Things to come: Wagner events worldwide 20 Cover Story: A new visual image of Richard Wagner 21 Lohengrin in Savonlinna, Finland 22 Forthcoming Society events 24 Film: Captain America 25 Lübeck Ring 26 San Francisco Ring 27 Northern Wagner Orchestra Tannhäuser 28 A Wagner Virgin 29 Bayreuth Tannhäuser 30 Tristan und Isolde and Die Meistersinger in Bayreuth 31 Berlin Ring 33 Review of DVD boxed set Wagner 34 Book review: Wagner and Cinema 38 Book review: Wagner and the erotic impulse 40 Wagner’s Mediæval sources: Recordings now available 41 Letters 44 Rehearsal Orchestra 16th October event CLANGERS If only this were a reference to Oliver Postgate’s delightful swanee whistling characters from the sixties who shared their planet with the Soup Dragon, but it concerns alas two errors in Wagner News 202 which you did not have to be eagle-eyed to spot. Alwyn Mellor is singing the role of Brünnhilde in the Seattle Ring in 2013 rather than 2012 as stated. She will not be appearing in Götterdämmerung at Longborough next year because she was already cast as Sieglinde in Opera North’s Die Walküre . Apologies go to anyone who may have been inconvenienced or embarrassed by these inaccuracies which crept in to the “News of Young Artists” item. A big apology is due in particular to Chris Argent, whose review of Tony Palmer’s DVD The Wagner Family began with a repeat appearance of the opening lines of Ewen Harris’ review of the cinema relay of Die Walküre from the New York Metropolitan Opera. -
CHAN 3138(2) Book.Indd
LEOS SOLOISTS /ENO/ SIR CHARLES MACKERRAS ˇ JANÁC ˇ EK : THE MAKROPULOS CASE CHAN 3138(2) CHANDOS CCHANHAN 33138(2)138(2) FFrontront IInlay.inddnlay.indd 1 119/12/069/12/06 110:11:150:11:15 Leosˇ Janácˇek (1854 – 1928) The Makropulos Case Opera in three acts Libretto by the composer after Karel Cˇapek’s comedy Veˇc Makropulos English translation by Norman Tucker © Lebrecht Music & Arts Library Photo Music © Lebrecht Emilia Marty (E.M.), a famous diva Cheryl Barker soprano Dr Kolenatý, a lawyer Neal Davies bass-baritone Vítek, his head clerk John Graham-Hall tenor Kristina, Vítek’s daughter Elena Xanthoudakis soprano Albert Gregor, a litigant Robert Brubaker tenor Baron Jaroslav Prus, his opposing litigant John Wegner baritone Janek Prus, Baron Prus’s son Thomas Walker tenor Count Hauk-Šendorf, one of E.M.’s former beaux Graham Clark tenor Stage Hand Graeme Danby bass Cleaner Kathleen Wilkinson mezzo-soprano Chambermaid Susanna Tudor-Thomas mezzo-soprano English National Opera Chorus Martin Merry chorus master English National Opera Orchestra Gonzalo Acosta leader Alexander Briger assistant conductor Sir Charles Mackerras Leosˇ Janácˇek 3 CCHANHAN 33138(2)138(2) BBook.inddook.indd 22-3-3 119/12/069/12/06 110:09:400:09:40 COMPACT DISC ONE Time Page Time Page Act I (35:45) 1 Prelude 5:22 [p. 76] 12 ‘Allow me to ask you this question’ 6:29 [p. 97] 2 ‘Oh dear, my goodness!’ 4:14 [p. 76] Prus, Marty Vítek, Gregor 13 ‘Is that you, Bertie?’ 9:17 [p. 99] 3 ‘Daddy, she really is wonderful’ 1:55 [p. -
01-11-2020 Wozzeck Mat.Indd
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Saturday, January 11, 2020 Luc De Wit 1:00–2:50 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner general manager Peter Gelb A co-production of the Metropolitan Opera; jeanette lerman-neubauer Salzburg Festival; the Canadian Opera Company, music director Yannick Nézet-Séguin Toronto; and Opera Australia 2019–20 SEASON This performance is being broadcast The 73rd Metropolitan Opera performance of live over The ALBAN BERG’S Toll Brothers– Metropolitan Opera International Radio Network, sponsored wozzeck by Toll Brothers, America’s luxury homebuilder®, with generous long- term support from conductor the Annenberg Yannick Nézet-Séguin Foundation in order of vocal appearance and GRoW @ Annenberg, The the captain the fool Neubauer Family Gerhard Siegel Brenton Ryan Foundation, the Vincent A. Stabile wozzeck a soldier Endowment for Peter Mattei Daniel Clark Smith Broadcast Media, and contributions andres a townsman from listeners Andrew Staples Gregory Warren worldwide. marie marie’s child There is no Elza van den Heever Eliot Flowers Toll Brothers– Metropolitan margret Opera Quiz in Tamara Mumford* puppeteers List Hall today. Andrea Fabi the doctor Gwyneth E. Larsen This performance is Christian Van Horn also being broadcast ac tors live on Metropolitan the drum- major Frank Colardo Opera Radio on Christopher Ventris Tina Mitchell SiriusXM channel 75. -
No. 106, December 2006 in MEMORIAM
No. 106, December 2006 IN MEMORIAM Astrid Varnay & Anna Russell – two memorable performers – see report on page 5. A letter to Members Dear Members This is my final report for 2006. I hope this newsletter finds you all in good health, having survived the bunfight of 2006 year-end activities and ready for another scorching antipodean summer, and for 2007’s Wagner treats. Locally, so far as we can tell from the published programmes of Australian opera companies and orchestras, Wagner performances are limited to the Australian Opera’s performances of Tannhäuser and the Sydney Symphony Orchestra’s performances of the Siegfried Idyll. The closest item of interest is in Wellington, where the New Zealand Symphony Orchestra is following up the success of this year’s semi-staged Parsifal performances with an all-Wagner concert on Friday, 7 September 2007, including Margaret Medlyn singing the Liebestod from Tristan und Isolde and the Immolation from Götterdämmerung. Further afield, and much more colourful and exotic, the Bangkok Opera is staging Die Walküre in July 2007. Peter Bassett is leading a tour which includes a performance on Thursday 26 July. He writes “The Bangkok production emphasises the universal nature of Wagner’s work by linking it to Thai experience and to the Hindu and Buddhist philosophies that Wagner regarded so highly during the last three decades of his life. The Artistic Director of Bangkok Opera, Somtow Sucharitkul, approaches the work from a distinctively Asian perspective, and the result is intriguing and surprising.” Functions On 17 September, members who had been to Bayreuth in 2006 reported on the performances and in particular on the new Dorst/ Thielemann Ring, and on Bayreuth’s new Brünnhilde, Linda Watson. -
THE WOOSTER VOICE You," Says Kitty Zurko, Who Also Positions Are Open for Chair- Mittees
The College of Wooster Open Works The oV ice: 1981-1990 "The oV ice" Student Newspaper Collection 1-15-1988 The oW oster Voice (Wooster, OH), 1988-01-15 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1981-1990 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1988-01-15" (1988). The Voice: 1981-1990. 170. https://openworks.wooster.edu/voice1981-1990/170 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1981-1990 by an authorized administrator of Open Works. For more information, please contact [email protected]. THE WOOSTERj, VOICE Published by the Students ofthe College of Wooster Volume CIV Number 14 Great Decisons series in Scheide 7 : By Graham Rayman Lyj ir What do an attorney from Canadian foreign ministry,' will be chev's reforms, a particularly hot Mexico, a Soviet defector, a US lecturing on US Trade and Global topic these days, will be dis- State Department official, and a Markets: Risks and Opportunities. cussed. The speaker, Alexandra trade official from Canada have in Joining Lederman will be Ralph Costa, a former employee of the common? They are all going to Regula, 16th district representa- the Glasnost and Pcrestroika re- be speakers in this year's "Great tive in the US House of Represen- forms have affected the country. Decisions" lecture series, a forum tatives, as commentator. -
Don Giovanni's
BERG WOZZECK Untitled-2 1 10/7/15 4:07 PM LYRIC OPERA OF CHICAGO Table of Contents IN THIS ISSUE Wozzeck – pp. 24-38 TONY ROMANO DAVID H. FISHMAN 6 From the General Director 55 Breaking New Ground/Look To 8 From the President The Future WHAT IS 57 10 Board of Directors Major Contributors – Special Events and Project Support TECH WEEK? 12 Women’s Board/Guild Board/ 58 Chapters’ Executive Board/ Ryan Opera Center pp. 16-22 Ryan Opera Center Board 59 Ryan Opera Center Contributors 14 Administration/Administrative 60 Lyric Unlimited Contributors Staff/Production and Technical 61 Planned Giving: Staff The Overture Society 16 What Is Tech Week? 63 Annual Corporate Support/Special 24 Tonight’s Performance Thanks and Acknowledgements 25 Synopsis 65 Annual Individual and Foundation Support 27 Cast 71 Commemorative Gifts 28 Artist Profiles 72 Facilities and Services/Theater Staff 35 Opera Notes 38 Director’s Note 40 Musical Staff/Orchestra/Chorus On the cover: Montage – soldier photo 43 Supernumeraries/Lyric Unlimited/ (public domain) by James Francis Education Corps Hurley, grave photo from Margaret 44 Patron Salute Hall Collection of the Massachusetts 46 Aria Society Historical Society. 2 | November 1 - 21, 2015 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Michael Hedge - Arnie Hoffman Executive Editor Karen Mathis - Greg Pigott -
Verdi, Bonynge, National Philharmonic
Verdi Il Trovatore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Il Trovatore Country: UK Released: 1977 Style: Opera MP3 version RAR size: 1867 mb FLAC version RAR size: 1623 mb WMA version RAR size: 1310 mb Rating: 4.4 Votes: 894 Other Formats: AHX DXD MPC AC3 ADX MP3 DTS Tracklist Act 1 A All' Erta! All' Erta! Act 2 B1 Vedi! Le Forsche Notturne Spoglie B2 Tutto E Deserto Act 3 C1 Or Co Dadi C2 Ballet (Beginning) C3 Ballet (Concluded) C4 In Braccio Al Mio Rival C5 Quale D'armi Fragor Poc' Anzi Intesi? Act 4 D1 Siam Giunti: Ecco La Torre D2 Udiste? Come Albeggi Companies, etc. Record Company – The Decca Record Company Limited Credits Baritone Vocals – Ingvar Wixell Bass Vocals – Nicolai Ghiaurov Choir – London Opera Chorus Chorus Master – Terry Edwards Concertmaster [Leader] – Sidney Sax Conductor – Richard Bonynge Mezzo-soprano Vocals – Marilyn Horne Orchestra – National Philharmonic Orchestra Soprano Vocals – Joan Sutherland, Norma Burrowes Tenor Vocals – Graham Clark , Luciano Pavarotti Notes Comes with a 56 page Liberetto Recorded in 1976 in Studio Other versions Category Artist Title (Format) Label Category Country Year Verdi*, Bonynge*, Verdi*, Bonynge*, National Philharmonic National Philharmonic Orchestra, Pavarotti*, London OSA-13124 Orchestra, Pavarotti*, OSA-13124 US 1977 Sutherland*, Horne*, Records Sutherland*, Horne*, Wixell*, Ghiaurov* - Il Wixell*, Ghiaurov* Trovatore (3xLP + Box) Verdi* - Pavarotti*, Verdi* - Pavarotti*, Sutherland*, Horne*, Sutherland*, Horne*, Wixell*, Ghiaurov*, Wixell*, Ghiaurov*,