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And Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group
Yahoo! and Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group SANTA CLARA, NEW YORK and PARIS -- April 5, 2001 -- Today, Yahoo! Inc. (Nasdaq: YHOO), a leading global Internet communications, commerce and media company, and Duet, the online digital music subscription service created by the world's two largest music companies, Universal Music Group and Sony Music Entertainment, announced an alliance to present and market Duet's U.S. service to visitors to the Yahoo! network and Yahoo!® Music (http://music.yahoo.com). The Duet subscription service is expected to launch this summer. The on-demand Duet subscription service will offer consumers the opportunity to access a broad range of quality music online with speed, ease of use, and reliability while respecting artists' rights. The service will provide music enthusiasts with the ability to compile personalized playlists and to share them with other Duet members, among other features. The Duet service is expected to launch with streaming music and plans to add downloads shortly thereafter. The Duet subscription service will offer music from Sony Music and Universal Music on a non-exclusive basis. Duet also expects to offer music from other companies, in order to provide consumers with the best experience and access to the most compelling selection of music available. "Yahoo! is pleased to join Sony Music and Universal Music, the world's two largest music companies, to promote the Duet subscription service to U.S. music fans," said Jeff Mallett, president and chief operating officer, Yahoo! Inc. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Criminal Procedure - the Robert Alton Harris Decision: Federalism, Comity, and Judicial Civil Disobedience Deirdre J
Golden Gate University Law Review Volume 23 Article 15 Issue 1 Ninth Circuit Survey January 1993 Criminal Procedure - The Robert Alton Harris Decision: Federalism, Comity, and Judicial Civil Disobedience Deirdre J. Cox Follow this and additional works at: http://digitalcommons.law.ggu.edu/ggulrev Part of the Criminal Law Commons Recommended Citation Deirdre J. Cox, Criminal Procedure - The Robert Alton Harris Decision: Federalism, Comity, and Judicial Civil Disobedience, 23 Golden Gate U. L. Rev. (1993). http://digitalcommons.law.ggu.edu/ggulrev/vol23/iss1/15 This Note is brought to you for free and open access by the Academic Journals at GGU Law Digital Commons. It has been accepted for inclusion in Golden Gate University Law Review by an authorized administrator of GGU Law Digital Commons. For more information, please contact [email protected]. Cox: Criminal Procedure CRIMINAL PROCEDURE THE ROBERT ALTON HARRIS DECISION:l FEDERALISM, COMITY, AND JUDICIAL CIVIL DISOBEDIENCE I. INTRODUCTION On Tuesday, April 21, 1992, Robert Alton Harris became the first person to be executed in California in over 25 years. 2 It was perhaps predictable, therefore, that his execution was pre ceded by a flurry of legal activity.3 Last minute lawsuits pre empted a holiday weekend and extended into the early hours of the morning up until just 20 minutes before his 6:21 a.m. execu tion," The bulk of Harris' legal maneuvers encompassed a total of 16 habeas appeals over a 14 year period. II This article touches on only three of the many issues raised by the Harris case. 6 First, it explores the appropriateness of 1. -
Clkaju ES Cijongoi I
ASM RECORDS DECCA RECORD COMPANY DEUTSCHE GRAMMOPHON GEFFEN RECORDS GLOBAL e INTERSCOPE RECORDS ISLAND DEF JAM MUSIC GROUP PUBLIC VERSION JIMMY AND DOUG'S FARMCLUB.corn MCA NASHVILLE MCA RECORDS MERCURY NASHVILLE MERCURY RECORDS MOTOWN RECORDS PH I LIPS POLYDOR UNIVERSAL RECORDS VERVE MUSIC GROUP eLabsUM'NIVERSAL UNIVERSAL MUSIC INTERNATIONAL UNIVERSAL MUSIC ENTERPRISES TESTIMONY OF UNIVERSAL MUSIC PUBLISHING GROUP UNIVERSAL MUSIC 8 VIDEO DISTRIBUTION ClKAJU ES CIjONGOI I SENIORVICE PRESIDENT, FINANCE UNIVERSAL MUSIC GROUP Los Angeles, California Before the Copyright Arbitration Royalty Panel Washington, D.C. April 2001 UNIVERSAL MUSIC GROUP 2220 COLORADO AVE SANTA MONICA CA 90404 TEL 310 865 5000 PUBLIC Table of Contents Page Qualifications Summary. Discussion A. Net A8zR Investment B. Marketing Costs C. Overhead D. Manufacturing Costs Statement of Experience Material Redacted Pursuant To Protective Order In Copyright Office Docket No. 2000-9 CARP DTRA 1&2 PUBLIC Quali6cations I am Senior Vice President, Finance, for Universal Music Group, Inc. ("UMG"). I am responsible for the financial activities of UMG's North American operations, which include several record labels (such as MCA Records, Motown Records, Interscope Records, Geffen Records, Mercury Records, Island Def Jam Music Group, Polydor, Philips and Verve Music Group), as well as music publishing, distribution and manufacturing operations. UMG is the largest record company in the United States and has a market share of about 27%. Universal Music Publishing Group ("Universal Publishing") is the third largest music publishing operation in the United States, with a market share of approximately 15%. Prior to assuming my current position, I served as Vice President and Group Controller for both MCA Records and MCA Music Publishing. -
Reconciling Napster with the Sony Decision and Recent Amendments to Copyright Law
Reconciling Napster with the Sony decision and recent amendments to copyright law Author: Stephanie M. Greene Persistent link: http://hdl.handle.net/2345/1451 This work is posted on eScholarship@BC, Boston College University Libraries. Published in American Business Law Journal, vol. 39, no. 1, pp. 57-98, Fall 2001 Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-Noncommercial-No Derivative Works 3.0 United States" (http:// creativecommons.org/licenses/by-nc-nd/3.0/us/) RECONCILING NAPSTER WITH THE SONY DECISION AND RECENT AMENDMENTS TO COPYRIGHT LAW Stephanie Greene* INTRODUCTION From October of 1999 to March of 2001, music fans around the world enjoyed an unprecedented, unlimited amount of music—for free. A ruling issued by the Court of Appeals for the Ninth Circuit in February of 2001 ended the free ride. In A&MRecords, Inc. v. Napster, Inc.,1 the Ninth Circuit upheld a preliminary injunction which required Napster, the wildly popular online music sharing system, to stop making unauthorized copyrighted music available on its service.2 Napster, one of the "killer applications" of recent years,3 was devised by Shawn Fanning, a nineteen-year-old college student in search of Carroll School of Management, Boston College. 1 239 F.3d 1004 (9th Cir. 2001). 2 Id. at 1027. 3 Karl Taro Greenfeld, Meet the Napster, TIME, Oct. 2, 2000, at 61. This article calls Napster one of the greatest Internet applications ever, "up there with e-mail and instant messaging." Id. at 62; see also Amy Kover, Napster: The Hot Idea of the Tear, FORTUNE, June 26, 2000, at 128; Peter H. -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited. -
NELLY WRAP-UP 2.Indd
PRESENTS A PARTY HONORING NELLY MAY 7, 2008 THE GUEST OF HONOR Grammy Award winner Nelly is back on the scene with a hot new album, Brass Knuckles, from Universal Records. A savvy pop-rapper with crossover appeal, Nelly seemed like a novelty when he first debuted in the summer of 2000 with “Country Grammar (Hot),” yet he was no one-hit wonder, consistently returning to the pop charts with successive smash hits like “Hot in Herre.” His universality is partly rooted in his hometown, St. Louis, Missouri, which set him apart from all of the prevailing rap styles of his time. He wasn’t from the East or West coast, nor was he from the South; located in the middle of the United States, St. Louis is a Midwestern city built on the banks of the Mississippi River. Nelly never shied away from a pop-rap approach, embracing a sing-along vocal style that made his hooks catchier than most. Resulting was a rapper capable of crossing practically all boundaries, from the Dirty South to TRL and everything in between. Working with other artists such as Ashanti, the St. Lunatics, Cedric the Entertainer, Nelly continues to top the Billboard charts. Nelly David Zinczenko & Bevy Evan Stein, Ezra Ashkenazi, Nelly & Saul Ashkenazi THE ATMOSPHERE The Luxe Laboratory was transformed with sights and sounds of the music industry, including Nelly’s music videos and tracks from Ashanti. The space also featured an assortment of iHome docking stations, with a variety of design features and aesthetics, showing the depth of the collection. -
Riaa Gold & Platinum Awards
6/1/2015 — 6/30/2015 In June 2015, RIAA certified 126 Digital Single Awards and 6 Album Awards. Complete lists of all album, single and video awards dating all the way back to 1958 can be accessed at riaa.com. RIAA GOLD & JUNE 2015 PLATINUM AWARDS DIGITAL MULTI-PLATINUM SINGLE (53) Cert Date Title Artist Label Plat Level Rel. Date 6/19/2015 ALL I DO IS WIN (FEAT. T-PAIN, DJ KHALED E1 ENTERTAINMENT 3 2/9/2010 LUDACRIS, SNOOP DOGG & RICK ROSS 6/12/2015 RAP GOD EMINEM SHADY/AFTERMATH/ 2 10/15/2013 INTERSCOPE 6/12/2015 RAP GOD EMINEM SHADY/AFTERMATH/ 3 10/15/2013 INTERSCOPE 6/11/2015 GDFR FLO RIDA ATLANTIC RECORDS 2 10/21/2014 6/15/2015 DOG DAYS ARE OVER FLORENCE AND UNIVERSAL RECORDS 3 10/20/2009 THE MACHINE 6/15/2015 DOG DAYS ARE OVER FLORENCE AND UNIVERSAL RECORDS 4 10/20/2009 THE MACHINE 6/17/2015 ROUND HERE FLORIDA GEORGIA REPUBLIC NASHVILLE 2 12/4/2012 LINE 6/15/2015 PROBLEM GRANDE, ARIANA REPUBLIC RECORDS 6 4/28/2014 6/15/2015 PURSUIT OF HAPPINESS KID CUDI UNIVERSAL RECORDS 2 9/15/2009 (NIGHTMARE) 6/15/2015 PURSUIT OF HAPPINESS KID CUDI UNIVERSAL RECORDS 3 9/15/2009 (NIGHTMARE) 6/2/2015 ADORN MIGUEL RCA RECORDS 2 7/31/2012 6/30/2015 ONLY GIRL (IN THE WORLD) RIHANNA DEF JAM 5 10/13/2010 6/30/2015 DISTURBIA RIHANNA DEF JAM 5 6/17/2008 6/30/2015 DIAMONDS RIHANNA DEF JAM 5 11/16/2012 6/30/2015 POUR IT UP RIHANNA DEF JAM 2 11/19/2012 6/30/2015 WHAT’S MY NAME RIHANNA DEF JAM 4 11/16/2010 www.riaa.com GoldandPlatinum @RIAA @riaa_awards JUNE 2015 DIGITAL MULTI-PLATINUM SINGLE (53) continued.. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
Barbara Babcock Michelle Wilde Anderson
STANFORD LAW SCHOOL PUBLIC INTEREST FACULTY MENTORS The 1L Public Interest Mentoring Program is designed to give public interest students additional support during their first year. Faculty Mentors have agreed to meet with students on a one-on-one basis or in small group settings. The small group settings will allow first-year public interest students to get to know one another, to obtain advice from upper-class public interest students, and to develop a relationship with faculty members early on in their law school careers. Second-year public interest student mentors are assigned to first-year students on a one-on-one basis. Students will meet at strategic times, such as the beginning of the job search process. Students should view these groups as a valuable resource to solicit advice about adjusting to law school, selecting public interest courses, identifying public interest job search strategies, and making connections to strengthen one’s commitment to public service. All faculty mentors are willing to meet with any students, not just those assigned to their groups. Note that faculty with * by their names will be temporarily away from campus one or more quarters. Michelle Wilde Anderson Calabresi on the U.S. Court of Appeals for the Michelle Wilde Anderson Second Circuit and Judge Marilyn Hall Patel of is a public law scholar and the U.S. District Court for the Northern District of practitioner focused on state California. and local government, including urban policy, city planning, local Barbara Babcock democracy, and public finance. Her work combines The first woman appointed to the legal analysis with the details of human experience regular faculty, as well as the first to to understand the local governance of high poverty hold an endowed chair and the first areas, both urban and rural, and the legal causes of emerita at Stanford Law School, concentrated poverty and fiscal crisis. -
Grammy Countdown U2, Nelly Furtado Interviews Kedar Massenburg on India.Arie Celine Dion "A New Day Has Come"
February 15, 2002 Volume 16 Issue 781 $6.00 GRAMMY COUNTDOWN U2, NELLY FURTADO INTERVIEWS KEDAR MASSENBURG ON INDIA.ARIE CELINE DION "A NEW DAY HAS COME" The premiere single from "A New Day Has Come," her first new album in two years and her first studio album since "Let's Talk About Love," which sold over 28 million copies worldwide. IMPACTING RADIO NOW 140 million albums sold worldwide 2,000,000+ cumulative radio plays and over 21 billion in combined audience 6X Grammy' winner Winner of an Academy Award for "My Heart Will Go On" Extensive TV and Press to support release: Week of Release Jprah-Entire program dedicated to Celine The View The Today Show CBS This Morning Regis & Kelly Upcoming Celine's CBS Network Special The Tonight Show Kicks off The Today Show Outdoor Concert Series Single produced by Walter Afanasieff and Aldo Nova, with remixes produced by Ric Wake, Humberto Gatica, and Christian B. Video directed by Dave Meyers will debut in early March. Album in stores Tuesday, March 26 www.epicrecords.com www.celinedion.com I fie, "Epic" and Reg. U.S. Pat. & Tm. Off. Marca Registrada./C 2002 Sony Music Entertainment (Canada) Inc. hyVaiee.sa Cartfoi Produccil6y Ro11Fair 1\lixeJyJo.serli Pui3 A'01c1 RDrecfioi: Ron Fair rkia3erneit: deter allot" for PM M #1 Phones WBLI 600 Spins before 2/18 Impact Early Adds: KITS -FM WXKS Y100 KRBV KHTS WWWQ WBLIKZQZ WAKS WNOU TRL WKZL BZ BUZZWORTHY -2( A&M Records Rolling Stone: "Artist To Watch" feature ras February 15, 2002 Volume 16 Issue 781 DENNIS LAVINTHAL Publisher LENNY BEER THE DIVINE MISS POLLY Editor In Chief EpicRecords Group President Polly Anthony is the diva among divas, as Jen- TONI PROFERA Executive Editor nifer Lopez debuts atop the album chart this week. -
2003 Form 20-F VIVENDI UNIVERSAL - 2003 FORM 20-F
2003 Form 20-F VIVENDI UNIVERSAL - 2003 FORM 20-F Head Office 42, avenue de Friedland - 75380 Paris cedex 08 - France Tel. : +33 1 71 71 10 00 - Fax : +33 1 71 71 10 01 New York Office 800 Third Avenue - New York, NY 10022 - USA Tel. : 1 (212) 572-7000 www.vivendiuniversal.com http://finance.vivendiuniversal.com 20-FAN2003 As Ñled with the Securities and Exchange Commission on June 30, 2004 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 20-F n REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ¥ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Ñscal year ended December 31, 2003 OR n TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 001-16301 VIVENDI UNIVERSAL, S.A. (Exact name of Registrant as speciÑed in its charter) N/A Republic of France (Translation of Registrant's name into English) (Jurisdiction of incorporation or organization) 42, avenue de Friedland 75380 Paris Cedex 08 France (Address of principal executive oÇces) Securities registered or to be registered pursuant to Section 12(b) of the Act: Name of each exchange Title of each class on which registered Ordinary Shares, nominal value 45.50 per share New York Stock Exchange* American Depositary Shares (as evidenced by American Depositary Receipts), each representing one share, nominal value 45.50 per share New York Stock Exchange * Listed, not for trading or quotation purposes, but only in connection with the registration of American Depositary Shares, pursuant to the requirements of the Securities and Exchange Commission.