In Re ) CASE No. B___) LESLIE VAN HOUTEN, ) ) Related
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LESLIE VAN HOUTEN, ) ) Related Cases: BH007887; S230851 6 Petitioner, ) B240743; B286023 ) S45992; S238110; S221618 7 on Habeas Corpus
1 SUPERIOR COURT OF THE STATE OF CALIFORNIA 2 COUNTY OF LOS ANGELES 3 4 In Re ) CASE Nos. BH _________ ) 5 LESLIE VAN HOUTEN, ) ) Related Cases: BH007887; S230851 6 Petitioner, ) B240743; B286023 ) S45992; S238110; S221618 7 on Habeas Corpus. ) ______________________________ ) Superior Court Case A253156 8 9 _______________________________________________________ 10 PETITION FOR WRIT OF HABEAS CORPUS; 11 MEMORANDUM OF POINTS & AUTHORITIES 12 _______________________________________________________ 13 RICH PFEIFFER 14 State Bar No. 189416 NANCY TETRAULT 15 State Bar No. 150352 P.O. Box 721 16 Silverado, CA 92676 Telephone: (714) 710-9149 17 Email: [email protected] 18 Attorneys for Petitioner Leslie Van Houten 19 20 21 22 23 24 25 26 27 28 PETITION FOR WRIT OF HABEAS CORPUS Page 1 1 TABLE OF CONTENTS Page 2 TABLE OF EXHIBITS. 2 3 INTRODUCTION. 4 4 PROCEDURAL HISTORY. 8 5 STATEMENT OF FACTS. 10 6 PETITIONER’S JANUARY 30, 2019 PAROLE HEARING DECISION. 16 7 JUNE 3, 2019 GOVERNOR REVERSAL. 17 8 MEMORANDUM OF POINTS AND AUTHORITIES.. 18 9 I. MS. VAN HOUTEN IS NOT AN UNREASONABLE RISK TO 10 PUBLIC SAFETY UNDER ANY STANDARD.. 18 11 A. THE STANDARD OF REVIEW.. 18 12 1. Governor Reversal Standard of Review.. 18 13 2. The De Novo Standard of Review is Appropriate. 22 14 B2.. THE REVERSAL OF MS. VAN HOUTEN’S FINDING OF PAROLE SUITABILITY WAS A DENIAL OF DUE PROCESS.. 25 15 II. THE GOVERNOR FORFEITED NEW REASONS TO DENY PAROLE 16 THAT WERE NOT ASSERTED AT REVERSALS OF EARLIER REVERSALS OF GRANTS OF PAROLE.. 31 17 18 III. MS. VAN HOUTEN WAS DENIED DUE PROCESS WHEN THE PROSECUTION HAD EXCULPATORY EVIDENCE IN THE CHARLES 19 “TEX” WATSON TAPES, AND FAILED TO DISCLOSE IT. -
Tropical Storm Forms in Gulf Morrow,” Eckstein Said Wednes- Andrea to Bring Torrential Rains ■ for Updates on Tropical Day Night
Fuji Asian Bistro brings taste of Far East to Southeast /C1 THURSDAY TODAY CITRUS COUNTY & next morning HIGH 83 Mostly cloudy. 80 LOW percent chance of thunderstorms 76 PAGE A4 www.chronicleonline.com JUNE 6, 2013 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 118 ISSUE 303 Tropical storm forms in Gulf morrow,” Eckstein said Wednes- Andrea to bring torrential rains ■ For updates on Tropical day night. “Hope nobody had any Tropical Storm Storm Andrea, check the outdoor plans.” Andrea is the first named Chronicle’s storm of the 2013 Atlantic MIKE WRIGHT casters did not expect it to Facebook page or Eckstein said some flooding the sheriff’s office blog, hurricane season. Staff writer strengthen to a hurricane. could be expected in areas prone 5:30 pm EDT, June 5. Forecasters issued a tropical citruseoc.blogspot.com. for high water, such as Ozello, La. Ga.Ala.Mis. 300 mi The young hurricane season’s storm warning for a swath of parts of Homosassa and Crystal 300 km first named storm formed Florida’s west coast starting at rain, said Capt. Joe Eckstein, who River. Eckstein also said residents Tropical Storm 30° Andrea Fla. Wednesday evening in the Gulf of Boca Grande, an island to the heads the county’s Emergency should keep an eye on the Mexico, promising a wet and northwest of Fort Myers, and end- Operations Center. 3:21 p.m. high tide in King’s Bay. Gulf of BAHAMAS windy Thursday in Citrus County ing in the Big Bend area of the Eckstein said forecasters ex- The county is not opening sand- Mexico CUBA and across the Florida west coast. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
The Orkustra
THE ORKUSTRA This day-by-day diary of The Orkustra's live, studio, broadcasting and private activities is the result of two decades of research and interview work by Bruno Ceriotti, but without the significant contributions by other kindred spirits this diary would not have been possible. So, I would like to thank all the people who, in one form or another, contributed to this timeline: Jaime Leopold (RIP), Bobby Beausoleil, David LaFlamme, Henry Rasof, Nathan Zakheim, Stephen Hannah, Jesse Barish, Steve LaRosa, Rod Harper (RIP), Colin Hill, Ross Hannan, Corry Arnold, William Hjortsberg, Aldo Pedron, Klemen Breznikar, Reg E. Williams, Charles Perry, Penny DeVries, Claire Hamilton, Lessley Anderson, Ralph J. Gleason (RIP), Craig Fenton, Alec Palao, Johnny Echols, 'Cousin Robert' Resner, Roman Garcia Albertos, James Marshall, Chester Kessler, Gene Anthony, Christopher Newton, Loren Means, The San Francisco Examiner, San Francisco Chronicle, San Francisco Oracle, and Berkeley Barb. September 1966 Undoubtedly the most experimental and ecletically diverse band of the so-called 'San Francisco Sound', The Orkustra were put together by the infamous Bobby Beausoleil. A larger than life character with a mixed reputation ("He was like Bugs Bunny," says Orkustra's bandmate Nathan Zakheim. "Very in your face, enthuastic."), Robert Kenneth Beausoleil, aka 'Cupid', aka 'Bummer Bob', aka 'Bobby Snofox', was born on Thursday, November 6, 1947, in Santa Barbara, California. After dropping out of high school and let his hair grow out, Bobby moved to Los Angeles in search of fame and fortune in 1965. There, over the summer, he played a six-string rhythm guitar with The Grass Roots, a folk- rock band later known as LOVE, for only three weeks, and also made a cameo appearance (as 'Cupid') in the famous underground documentary movie Mondo Hollywood. -
The Long Prison Journey of Leslie Van Houten: Life Beyond the Cult by Kariene Faith Boston: Northeastern University Press (2001), 216 Pp
The long Prison Journey of leslie Van Houten: life Beyond the Cult By Kariene Faith Boston: Northeastern University Press (2001), 216 pp. Reviewed by Liz Elliott n the last year of the 1960s, a decade of anomie, the U.S. experienced two I events that would symbolize different aspects of its culture into the next millennium. These events took place at opposite sides of the country, although they occun-ed less than a week apart. One event, a cultural festival of music and arts, has remained in time as an example of the possibilities of peaceful co existence in adverse circumstances oflarge numbers ofpeopJe. From August 15th to the 17th the Woodstock Music and Arts Festival's patrons endured rain and mud - and all of the other inconveniences that would reasonably accrue in a situation where unexpected large numbers ofpeople converged in one location -to see some of the decade's masters of rock and roll and folk music perfonn in the state of New York. Almost half a million people, many of whom were experiencing the event under the influence of various illicit drugs, attended Woodstock and lived together peacefhlly for one weekend. 1 Across the continent a few days earlier, the world heard the news of two ten-ible sets of murders in California that shook the sense of security that until then was enjoyed by Americans. We were soon to learn that these bizarre, seemingly ritualistic killings were the bidding of a charismatic but crazy man who was state-raised2 and resourceful. In this case the drugs were used to weaken the already fragile resolve ofyoung idealistic people who were searching for themselves and open to new ways of seeing the world. -
Tender Exotics
TENDER EXOTICS BOBBY BEAUSOLEIL NIK KAMVISSIS MARGARET STONES ALAN TOWNSEND CURATED BY LISA CAMPBELL-SMITH UNDER THE CURATORIAL MENTORSHIP PROGRAM, CONTEMPORARY ART TASMANIA EXHIBITION: 2 - 31 MAY 2015 TENDER EXOTICS A recent exhibition titled Open Field held at Hauser and Wirth Somerset in the UK, celebrated the founder of the New Perennial movement, Piet Oudolf. The works on display were Ouldof’s sketches and designs for a series of public gardens. The drawings were layered with symbols, codes, and colour; steeped in the knowledge of plant life. What is fascinating about their presence in a ‘high art’ context, removed as they are from the finished gardens, is that they become loaded with possible narratives; instantly imbued with meaning beyond their schematic and instructional purpose. Tender Exotics, has at its centre a similar set of intentions, that is, to place works into a context in which they have not been previously considered. Tender Exotics brings together a collection of works from Bobby Beausoleil, Nik Kamvissis, Margaret Stones and Alan Townsend. From the margins of contemporary art practice to the pedagogical rigours of scientific illustration, Tender Exotics considers the criteria by which artists and objects are assigned to correspond with contemporary themes and curatorial agendas. The assemblage of this trans-historical grouping is presented here, not to seek order through it, but rather to explore a juxtaposition of descriptive elements and latent possibilities. Borrowing its title from the 18th Century publication, A collection of various forms of stoves, used for forcing pine plants, fruit trees, and preserving tender exotics…, 1 the exhibition also art galleries in juxtaposition with contemporary art, may not incorporates visual material from these architectural drafts. -
Will You Die for Me? by Charles Watson As Told to Chaplain Ray Hoekstra Copyright
Will You Die For Me? by Charles Watson as told to Chaplain Ray Hoekstra Copyright...................................................................................... 1 Acknowledgments ........................................................................2 Dedication ....................................................................................2 About the Author .........................................................................3 Sure, Charlie, You Can Kill Me ...................................................4 Behold, He Is In The Desert ........................................................8 The Campus Kid........................................................................ 14 The Times, They Are A-Changin' .............................................18 California Dreamin' ...................................................................23 Gentle Children, With Flowers In Their Hair ...........................27 Family .........................................................................................33 Magical Mystery Tour ................................................................37 Watershed: The White Album ...................................................42 Happy in Hollywood ..................................................................48 Revolution / Revelation .............................................................51 Piggies .........................................................................................57 You Were Only Waiting for This Moment .................................62 -
Charles Manson LIE: the Love and Terror Cult Mp3, Flac, Wma
Charles Manson LIE: The Love And Terror Cult mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: LIE: The Love And Terror Cult Country: US Released: 1970 Style: Acoustic, Folk MP3 version RAR size: 1547 mb FLAC version RAR size: 1818 mb WMA version RAR size: 1293 mb Rating: 4.4 Votes: 285 Other Formats: WAV RA AU VQF FLAC MP3 APE Tracklist A1 Look At Your Game Girl 2:04 A2 Ego 2:31 A3 Mechanical Man 3:20 A4 People Say I'm No Good 3:22 A5 Home Is Where You're Happy 1:29 A6 Arkansas 3:06 A7 I'll Never Say Never To Always 0:42 B1 Garbage Dump 2:37 B2 Don't Do Anything Illegal 2:55 B3 Sick City 1:41 B4 Cease To Exist 2:15 B5 Big Iron Door 1:10 B6 I Once Knew A Man 2:37 B7 Eyes Of A Dreamer 2:51 Credits Acoustic Guitar, Lead Vocals, Timpani – Charles Manson Backing Vocals – Catherine Share, Lynette Fromme, Nancy Pitman, Sandra Good Bass – Steve Grogan Electric Guitar – Bobby Beausoleil Flute – Mary Brunner French Horn – Paul Watkins Producer – phil 12258cal Notes 1st pressing Limited release of 2,000 copies Included "A Joint Venture" poster of inmates signatures Track B3 recorded September 11th, 1967 Other tracks recorded at Goldstar Studios on August 8th, 1968 Overdubs recorded on August 9th, 1968 Barcode and Other Identifiers Matrix / Runout (A Runout Etching): S - 2144 SIDE - 1 Matrix / Runout (B Runout Etching): S - 2145 SIDE - 2 Other versions Category Artist Title (Format) Label Category Country Year Charles Lie!! (Cass, Album, RE, none P.A.I.N. -
Leslie, My Name Is Evil
E1 Entertainment presents A New Real Films Production A Masculine‐Feminine Film Leslie, My Name Is Evil Directed by Reginald Harkema Producers: Jennifer Jonas and Leonard Farlinger An Official Selection of the 2009 Toronto International Film Festival, Vanguard Section www.lesliemynameisevil.com TIFF US Press Contact: Producer Contact: mPRm Public Relations New Real Films Inc. Alice Zou, [email protected] 669 Shaw St. Toronto Inter‐Continental Hotel Toronto, ON 220 Bloor Street West, Suite 325 M6G 3L8 Ph: 416‐960‐5200 Office: 416‐536‐1696 Cell 213‐359‐5775 [email protected] SYNOPSIS As the ‘60s rolled to a close, the United States was at the threshold of a turbulent time in history. President Nixon was in the White House and the U.S. was at war in Vietnam. The image of the picture‐perfect, stay‐at‐home housewife with the ideal husband and family was being threatened. Forces of change—a sexual revolution, the use of hallucinogenic drugs and a new founded challenge to authority—had crept into family rooms and dinning table conversations. Raised in a traditional Christian family, Perry leads a sheltered life, always doing what is expected of him. He has a wonderful virgin Christian girlfriend, Dorothy. He attends church with his family on Sundays and enjoys family dinners. He is following a career path that will prevent him from being drafted to fight in Vietnam. As a chemist he is book smart and company driven, but doesn’t know the harsh realities of the world. Everything he believes in is challenged the day he is chosen to be a jury member in a hippie death cult murder trial, where the defendant on trial is a strikingly beautiful woman named Leslie. -
Chapter-11.Pdf
HUNTING CHARLES MANSON THE QUEST FOR JUSTICE IN THE DAYS OF HELTER SKELTER LIS WIEHL WITH CAITLIN ROTHER HuntingCharlesManson_1P.indd 3 1/25/18 12:11 PM © 2018 Lis Wiehl All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopy, recording, scanning, or other— except for brief quotations in critical reviews or articles, without the prior written permission of the publisher. Published in Nashville, Tennessee, by Nelson Books, an imprint of Thomas Nelson. Nelson Books and Thomas Nelson are registered trademarks of HarperCollins Christian Publishing, Inc. Thomas Nelson titles may be purchased in bulk for educational, business, fund- raising, or sales promotional use. For information, please e- mail [email protected]. Any Internet addresses, phone numbers, or company or product information printed in this book are offered as a resource and are not intended in any way to be or to imply an endorsement by Thomas Nelson, nor does Thomas Nelson vouch for the existence, content, or services of these sites, phone numbers, companies, or products beyond the life of this book. ISBN 978-0-7180-9211-5 (eBook) Library of Congress Cataloging- in- Publication Data Names: Wiehl, Lis W., author. Title: Hunting Charles Manson : the quest for justice in the days of Helter skelter / Lis Wiehl. Description: Nashville, Tennessee : Nelson Books, [2018] Identifiers: LCCN 2017059418 | ISBN 9780718092085 Subjects: LCSH: Manson, Charles, 1934-2017. | Murderers- - California- - Los Angeles- - Case studies. | Mass murder investigation- - California- - Los Angeles- - Case studies. | Murder- - California- - Los Angeles- - Case studies. -
Chaos : Charles Manson, the CIA, and the Secret History of the Sixties
Copyright Copyright © 2019 by Tom O’Neill Cover design by Lauren Harms Cover © 2019 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: June 2019 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-47757-4 LCCN 2018966025 E3-20190516-JV-NF-ORI CONTENTS Cover Title Page Copyright Dedication Prologue 1. The Crime of the Century 2. An Aura of Danger 3. The Golden Penetrators 4. The Holes in Helter Skelter 5. Amnesia at the L.A. County Sheriff’s Office 6. Who Was Reeve Whitson? 7. Neutralizing the Left 8. -
The Wrongful Conviction of Charles Milles Manson
45.2LEONETTI_3.1.16 (DO NOT DELETE) 3/12/2016 2:40 PM EYE OF THE BEHOLDER: THE WRONGFUL CONVICTION OF CHARLES MILLES MANSON Carrie Leonetti I. Imagine two crime stories. In the first, a commune of middle class, law-abiding young people living on the outskirts of Los Angeles were brainwashed by a dominating cult leader who ordered his followers to commit murders to usher in an apocalyptic race war. In his subsequent trial, the leader of the “kill-coven”1 engaged in outrageous behavior because he thought that mainstream society was inferior to him and incapable of understanding. In the second, a group of young, middle-class hippies, caught up in the summer of 1969, heavy drug use, and group contagion, committed the same murders. Afraid of the death penalty and having to face public responsibility for their actions, the murderers accused a mentally ill drifter, a delusional schizophrenic, whom the group had adopted as a mascot, of directing the murders. The only significant evidence implicating the drifter in their crimes was their claim that they were “following” him. The claims were given in exchange for leniency and immunity from prosecution for capital murder. Even prosecutors who charged the drifter conceded that he had not actively participated in the murders, proceeding to trial instead on the theory that he had commanded the others to commit the murders like “mindless robots.” The police and prosecutors went along because they wanted to “solve” and “win” the biggest case of their lives. The drifter’s Associate Professor, University of Oregon School of Law.