ABRAHAM of YEREVAN Little Is Known of A. of Yerevan, Who Lived
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Cabinet of Armenia, 1920
Cabinet of Armenia, 1920 MUNUC 32 TABLE OF CONTENTS ______________________________________________________ Letter from the Crisis Director…………………………………………………3 Letter from the Chair………………………………………….………………..4 The History of Armenia…………………………………………………………6 The Geography of Armenia…………………………………………………14 Current Situation………………………………………………………………17 Character Biographies……………………………………………………....27 Bibliography…………………………………………………………………...37 2 Cabinet of Armenia, 1920 | MUNUC 32 LETTER FROM THE CRISIS DIRECTOR ______________________________________________________ Dear Delegates, We’re very happy to welcome you to MUNUC XXXII! My name is Andre Altherr and I’ll be your Crisis Director for the Cabinet of Armenia: 1920 committee. I’m from New York City and am currently a Second Year at the University of Chicago majoring in History and Political Science. Despite once having a social life, I now spend my free-time on much tamer activities like reading 800-page books on Armenian history, reading 900-page books on Central European history, and relaxing with the best of Stephen King and 20th century sci-fi anthologies. When not reading, I enjoy hiking, watching Frasier, and trying to catch up on much needed sleep. I’ve helped run and participated in numerous Model UN conferences in both college and high school, and I believe that this activity has the potential to hone public speaking, develop your creativity and critical thinking, and ignite interest in new fields. Devin and I care very deeply about making this committee an inclusive space in which all of you feel safe, comfortable, and motivated to challenge yourself to grow as a delegate, statesperson, and human. We trust that you will conduct yourselves with maturity and tact when discussing sensitive subjects. -
THE IMPACT of the ARMENIAN GENOCIDE on the FORMATION of NATIONAL STATEHOOD and POLITICAL IDENTITY “Today Most Armenians Do
ASHOT ALEKSANYAN THE IMPACT OF THE ARMENIAN GENOCIDE ON THE FORMATION OF NATIONAL STATEHOOD AND POLITICAL IDENTITY Key words – Armenian Genocide, pre-genocide, post-genocide, national statehood, Armenian statehood heritage, political identity, civiliarchic elite, civilization, civic culture, Armenian diaspora, Armenian civiliarchy “Today most Armenians do not live in the Republic of Armenia. Indeed, most Armenians have deep ties to the countries where they live. Like a lot of us, many Armenians find themselves balancing their role in their new country with their historical and cultural roots. How far should they assimilate into their new countries? Does Armenian history and culture have something to offer Armenians as they live their lives now? When do historical and cultural memories create self-imposed limits on individuals?”1 Introduction The relevance of this article is determined, on the one hand, the multidimen- sionality of issues related to understanding the role of statehood and the political and legal system in the development of Armenian civilization, civic culture and identity, on the other hand - the negative impact of the long absence of national system of public administration and the devastating impact of the Armenian Genocide of 1915 on the further development of the Armenian statehood and civiliarchy. Armenian Genocide in Ottoman Turkey was the first ever large-scale crime against humanity and human values. Taking advantage of the beginning of World War I, the Turkish authorities have organized mass murder and deportations of Armenians from their historic homeland. Genocide divided the civiliarchy of the Armenian people in three parts: before the genocide (pre-genocide), during the genocide and after the genocide (post-genocide). -
(2) Series of Laboratory Soil Tests Were Conducted in This Preparatory Survey Stage
Chapter 4, FR 4-3-5 Laboratory Soil Test (1) Outline Two (2) series of laboratory soil tests were conducted in this preparatory survey stage. One was to the disturbed soil samples of sandy loam and sand-and-gravel obtained from the test-pits excavated in the reservoir bottom and surrounding area, of which locations are shown in Figure 4-3.4.1 and Figure 4-3.4.8, under the purpose of grasping the characteristics of impervious materials and sand-and-gravels and examining the possibility of the soil’s imperviousness being improved by adding and mixing bentonite or cement. The other was the ones conducted additionally to study the details about the imperviousness improvement by mixing sandy loam or sand-and-gravel with bentonite or cement. The former one shall be called “laboratory test phase-1” in this report and the latter “laboratory test phase-2”. (2) Laboratory test phase-1 (a) Tests to impervious materials (sandy loam) 1) Physical soil test and standard compaction test The test results are summarized on the Table 4-3-5.1. Table 4-3-5.1 Summary of Physical Soil Tests and Standard Compaction Test to Sandy Loam Standard Atterberg Limit (%) Grain Size Distribution (%) Compaction ) % Wn ( Wn s (g/cm3) ρ WL Ip Ip Silt Silt Wp Clay Sand Gravel 2~75mm 2~75mm (g/cm3) Liquid Limit <0.005 mm <0.005 mm Content (%) Plastic Limit 0.075~ 2mm 0.075~ 2mm Plastic Index 0.005~0.075mm Optimum Moisture Maximum Dry Density Dry Density Maximum Specific Gravity Moisture Content 15TP-1u 2.64 13.11 22.5 17.1 5.4 0.9 34.9 31.2 33.0 1.60 21.2 15TP-1d 2.59 19.50 -
Ethnic Return of Armenian Americans: Per- Spectives
Karolina Pawłowska: Ethnic return of Armenian Americans: Perspectives Ethnic return of Armenian Americans: Per- spectives Karolina Pawłowska University of Adam Mickiewicz in Poznan, [email protected] Abstract The field research conducted among the very few Armenian Americans who have moved to Armenia showed that the phenomena of migration of the diaspora of Armenians to Armenia holds great potential both as a theoretical issue within migration studies and potentially a social phenomenon, as Armenian Americans differ from other migrants and expats in Armenia, because they carry stereotyped pre-images of that land that influence their expectations toward their future lives there. Field research conducted in Armenia in 2012 shows that the disillusionment that repatriation brings causes internal tensions and identity crises, eventually forcing migrants to redefine their role in Armenia in the frame- work of their contribution to the development of their homeland, often isolating them from local Armenians through diaspora practices and maintaining the symbolic boundary between these two groups of Armenians in Armenia. KEYWORDS: diaspora, ethnic return, symbolic boundary, boundary maintenance, so- journers Introduction Both diaspora and specifically the Armenian diaspora are topics well explored in litera- ture (Cohen 2008; Dufoix 2008; Bauböck & Faist 2010; Tölölyan 2012). However, the migration of Armenians from the diaspora to Armenia is not a popular topic among re- searchers and the diaspora of Armenians themselves. The number -
Nina Katchadourian Armenia in Venice: the Past and the Furious
Nina Katchadourian Armenia in Venice: The past and the furious By Gareth Harris May 1, 2015 One of several politically charged biennale displays this year, the country’s pavilion explores its violent history For the Damascus-born artist Hrair Sarkissian, the issue of the Armenian genocide of 1915 always dominated family discussions. “For as long as I can remember, the massacre influenced almost everything we did,” he says. According to the Armenian government, more than 1.5m of its citizens were killed when they were deported by Ottoman forces from eastern Anatolia to the Syrian Desert in 1915 — the centenary was marked on April 24 of this year. Turkey has never accepted the term “genocide”, but it acknowledges that vast numbers of Christian Armenians died in conflict with Ottoman soldiers during the first world war, when Armenia was still part of the Ottoman Empire. Sarkissian’s grandparents were among the deportees and this bleak, and bloody, heritage underpins his practice. Now based in London, he is one of 18 established and emerging artists from the Armenian diaspora featured in the exhibition Armenity at this year’s Venice Biennale. The exhibition’s location is far removed from the frenzied main show venues, in the Mekhitarist monastery on the island of San Lazzaro degli Armeni. There could hardly be a better backdrop for the Armenian narrative. In about 1715, Mekhitar, an Armenian monk, retreated to the island when under attack from the Ottoman army in southern Greece, and built there a complex for 17 monks. The Mekhitarist order thrived in this Venetian idyll, setting up a printing press and a library which today houses more than 4,000 medieval Armenian manuscripts. -
Agriculture and Food Processing in Armenia
SAMVEL AVETISYAN AGRICULTURE AND FOOD PROCESSING IN ARMENIA YEREVAN 2010 Dedicated to the memory of the author’s son, Sergey Avetisyan Approved for publication by the Scientifi c and Technical Council of the RA Ministry of Agriculture Peer Reviewers: Doctor of Economics, Prof. Ashot Bayadyan Candidate Doctor of Economics, Docent Sergey Meloyan Technical Editor: Doctor of Economics Hrachya Tspnetsyan Samvel S. Avetisyan Agriculture and Food Processing in Armenia – Limush Publishing House, Yerevan 2010 - 138 pages Photos courtesy CARD, Zaven Khachikyan, Hambardzum Hovhannisyan This book presents the current state and development opportunities of the Armenian agriculture. Special importance has been attached to the potential of agriculture, the agricultural reform process, accomplishments and problems. The author brings up particular facts in combination with historic data. Brief information is offered on leading agricultural and processing enterprises. The book can be a useful source for people interested in the agrarian sector of Armenia, specialists, and students. Publication of this book is made possible by the generous fi nancial support of the United States Department of Agriculture (USDA) and assistance of the “Center for Agribusiness and Rural Development” Foundation. The contents do not necessarily represent the views of USDA, the U.S. Government or “Center for Agribusiness and Rural Development” Foundation. INTRODUCTION Food and Agriculture sector is one of the most important industries in Armenia’s economy. The role of the agrarian sector has been critical from the perspectives of the country’s economic development, food safety, and overcoming rural poverty. It is remarkable that still prior to the collapse of the Soviet Union, Armenia made unprecedented steps towards agrarian reforms. -
Armenian Architecture Through the Pages of Robert G. Ousterhout's Book
790 A. Kazaryan УДК: 72.033 ББК: 85.11 А43 DOI: 10.18688/aa199-7-70 A. Kazaryan Armenian Architecture through the Pages of Robert G. Ousterhout’s Book “Eastern Medieval Architecture: The Building Traditions of Byzantium and Neighboring Lands”1 Among the historians of Byzantine architecture, professor of the University of Pennsylvania Robert G. Ousterhout holds a prominent place due to the nature of his scientific interests and distinct individuality manifested in a combination of full-scale study of monuments and skillful formulation of historical and theoretical issues. A new perspective on the development of building art, architectural composition, function and symbolic content of buildings and complexes is common to his articles and monographs on the architecture of Constantinople, Jerusalem, and Cappadocia. In his new monograph “Eastern Medieval Architecture: The Building Traditions of Byzantium and Neighboring Lands” [10], along with the Byzantine regions, R. Ousterhout pays attention to the architecture of Christian countries that surrounded Byzantium and had close historical and cultural ties with it, as well as Muslim political entities on the territories torn away from the empire. This fact sets this book apart from most of the previous review studies on Byzantine art and architecture, in which only those territories related to Christian countries were included in the circle of the problems discussed. Some other innovations include a survey of the post-Byzantine architecture up to its later forms of development, discussion of the problem of reproducing the ideas of Byzantine architecture to the rival powers — the Ottoman and Russian empires — and, in the epilogue of the book, to the architecture of Modern and Contemporary times. -
Armenian Church Timeline
“I should like to see any power of the world destroy this race, this small tribe of unimportant people, whose history is ended, whose wars have all been fought and lost, whose structures have crumbled, whose literature is unread, whose music is unheard, whose prayers are no longer uttered. Go ahead, destroy this race. Let us say that it is again 1915. There is war in the world. Destroy Armenia. See if you can do it. Send them from their homes into the desert. Let them have neither bread nor water. Burn their houses and their churches. See if they will not live again. See if they will not laugh again.” –William Saroyan ARMENIAN CHURCH TIMELINE 1. Birth of the Holy Savior Jesus Christ in Bethlehem. Years later, an Armenian prince, Abqar of Edessa (Urfa), invites Jesus to his court to cure him of an illness. Abgar’s messengers encounter Jesus on the road to Calvary and receive a piece of cloth impressed with the image of the Lord. When the cloth is brought back to Edessa, Abgar is healed. 33. Crucifixion, Resurrection and Ascension of Jesus Christ On the 50th day after the Resurrection (Pentecost)the Holy Spirit descends upon the Apostles gathered in Jerusalem. 43. The Apostle Thaddeus comes to Armenia to preach Christianity. He is martyred in Artaz in southeastern Armenia. 66-68. The Apostle Bartholomew preaches in Armenia. He is martyred in Albac, also in southeastern Armenia. The Armenian Church is apostolic because of the preaching of the Apostles Thaddeus and Bartholomew in Armenia. 75. King Sanatruk and his daughter, Sandoukht convert to Christianity. -
University of California
UCLA UCLA Electronic Theses and Dissertations Title The Calouste Gulbenkian Library, Armenian Patriarchate of Jerusalem, 1925-1990: An Historical Portrait of a Monastic and Lay Community Intellectual Resource Center Permalink https://escholarship.org/uc/item/8f39k3ht Author Manoogian, Sylva Natalie Publication Date 2012 Supplemental Material https://escholarship.org/uc/item/8f39k3ht#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Calouste Gulbenkian Library, Armenian Patriarchate of Jerusalem, 1925-1990: An Historical Portrait of a Monastic and Lay Community Intellectual Resource Center A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Library and Information Science by Sylva Natalie Manoogian 2013 ABSTRACT OF THE DISSERTATION The Calouste Gulbenkian Library, Armenian Patriarchate of Jerusalem, 1925-1990: An Historical Portrait of a Monastic and Lay Community Intellectual Resource Center by Sylva Natalie Manoogian Doctor of Philosophy in Library and Information Science University of California, Los Angeles 2013 Professor Mary Niles Maack, Chair The Armenian Patriarchate of Jerusalem is a major religious, educational, cultural, and ecumenical institution, established more than fourteen centuries ago. The Calouste Gulbenkian Library is one of the Patriarchate’s five intellectual resource centers. Plans for its establishment began in 1925 as a tribute to Patriarch Yeghishe I Tourian to commemorate the 50th anniversary of his ordination to the priesthood. Its primary mission has been to collect and preserve valuable works of Armenian religion, language, art, literature, and history, as well as representative works of world literature in a number of languages. -
12 Capitals of Armenia”
INVESTMENT PROJECT TO CONSTRUCT THEME PARK “12 CAPITALS OF ARMENIA” Project Description The project aims to create a unique park on the eve of Erebuni-Yerevan foundation, dedicated to the Erebuni-2800 anniversary, which will exhibit the cultural, historical, architectural uniqueness of 12 capitals of Armenia (Armavir, Van Yervandashat, Artashat, Tigranakert, Vagharshapat, Dvin, Bagaran, Shirakavan, Kars, Ani, Yerevan). In this park the visitor can discover the cultural heritage of the buildings, architectural monuments, monasteries and the way of living. Van will be presented on the cliff built with citadel, vineyards and flower gardens and with a channel which was unique for that period. Yervandashat will be presented by a citadel on the shore of Aras River with a citadel with high walls, fortified gates made from copper. Artashat capital will also be presented, which was called “Armenian Cartagena” by the contemporaries of that time. It will be presented by its citadel, row walls, palaces and with temple dedicated to the goddess Anahit, as well as by the "Silk way" which used to pass here with its taverns and merchants. Tigranakert will be presented with its thick walls, king's palace surrounded by lakes, parks. The resorted temple dedicated to the goddess Anahit, mythical walls of Armavir, the restored citadel of Dvina1, cult Bagaran, royal residence Shirakavan of Ashot the Iron, the fortified castle of Kars, "a city of a thousand and one churches." -Ani. Yerevan will be presented starting form the foundation until nowadays. 13D picture of Dvin design by Ashot Khazaryan is used in the project. Information panels will be designed to allow the visitor to download a sample of the history and interesting facts. -
Saint Gayane Church
Masarykova univerzita Filozofická fakulta Seminář dějin umění Saint Gayane Church Bakalárska diplomová práca Autor: Michaela Baraničová Vedúci práce: prof. Ivan Foletti, MA, Docteur es Lettres Brno 2020 ii Prehlasujem, že som svoju bakalársku diplomovú prácu vypracovala samostatne a uviedla všetkú použitú literatúru a pramene. .............................................................. Podpis autora práce iii iv On the ancient peak of Ararat The centuries have come like seconds, And passed on. The swords of innumerable lightnings Have broken upon its diamond crest, And passed on. The eyes of generations dreading death Have glanced at its luminuos summit, And passed on. The turn is now yours for a brief while: You, too, look at its lofty brow, And pass on! Avetik Isahakyan, “Mount Ararat”, in Selected Works: Poetry and Prose, ed. M. Kudian, Moscow 1976. v vi My first sincere thanks belong to my thesis’ supervisor, prof. Ivan Foletti, for his observations, talks and patience during this time. Especially, I would like to thank him for introducing me to the art of Caucasus and giving me the opportunity to travel to Armenia for studies, where I spent five exciting months. I would like to thank teachers from Yerevan State Academy of Arts, namely to Gayane Poghosyan and Ani Yenokyan, who were always very kind and helped me with better access of certain Armenian literature. My gratitude also belongs to my friends Susan and colleagues, notably to Veronika, who was with me in Armenia and made the whole experience more entertaining. To Khajag, who helped me with translation of Armenian texts and motivating me during the whole process. It´s hard to express thanks to my amazing parents, who are constantly supporting me in every step of my studies and life, but let me just say: Thank you! vii viii Content Introduction.........................................................................1 I. -
'Armenity': the Armenian Diaspora at the Venice Biennale 2015
‘Armenityʼ: the Armenian diaspora at the Venice Biennale 2015 2/10/21, 451 PM ‘Armenityʼ: the Armenian diaspora at the Venice Biennale 2015 On the occasion of the 100th commemoration of the Armenian Genocide, the Ministry of Culture of the Republic of Armenia has dedicated its pavilion to the artists of the Armenian diaspora. Curated by Adelina Cüberyan von Fürstenberg, the concept of Armenity implies the notion of displacement and territory, justice and reconciliation, ethos and resilience. Regardless of their place of birth, the selected artists carry within their identity the memory of their origins. Through their talent and willpower, these grandchildren of survivors of the Armenian Genocide - the first genocide of the 20th Century - rebuilt a “transnational assembly” from the remnants of a shattered identify. Their ingrained concern for memory, justice and reconciliation skillfully transcends notions of territory, borders and geography. Whether they were born in Beirut, Lyon, Los Angeles, or Cairo and wherever they may reside, these global citizens constantly question and reinvent their ‘armenityʼ. Swiss citizen of Armenian origin, Adelina Cüberyan von Fürstenberg is a renowned international curator. A pioneer in the field, she is known for broadening contemporary art to include a multicultural approach. She is the founder and first Director of the Centre dʼArt Contemporain de Genève and the former Director of MAGASIN - Centre National dʼArt Contemporain in Grenoble. In 1996 she founded ART for The World, an NGO working with contemporary art, independent cinema and human rights. ‘Armenityʼ is being held in a setting of special significance for the Armenian diaspora. It was on the Island of San Lazzaro, located between San Marco and the Lido and facing the Giardini of the Biennale, that in 1717 the Armenian monk Mekhitar established the Mekhitarist Order.