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The Tarot of the Bohemians : the Most Ancient Book in the World
IBSOLUTE KET TO OCCULT SCIENCE THE TAROT ÜF THE BOHEMIANS The Most Ancient Book in the World FOR THE USE OF INITIATES By papus TRANSLATED BY A. P. MORTON SECOND EDITION REVISED, WITH PREFACE B Y A. E. WAITE ILLUSTRATED WITH N UMEROU S PLATES AND WOODCUTS LONDON WILLIAM RIDER & SON, LIMITED 164 ALDERSGATE STREET, E.C. 1910 Absolute Key to Oocult Science Frontispicce 2) BVÜ W Wellcome Libraty i forthe Histôry standing Il and ififcteï -, of Medi Printed by Ballantyne, HANSON &* Co. At the Ballantyne Press, Edinburgh PREFACE TO THE ENGLISH TRANSLATION An assumption of some kind being of common con- venience, that the line of least résistance may be pursued thereafter, I will open the présent considéra- tion by assuming that those who are quite unversed in the subject hâve referred to the pages which follow, and hâve thus become aware that the Tarot, on its external of that, side, is the probable progenitor playing-cards ; like these, it has been used for divination and for ail but that behind that is understood by fortune-telling ; this it is held to hâve a higher interest and another quality of importance. On a simple understanding, it is of allegory; it is of symbolism, on a higher plane; and, in fine, it is of se.cret doctrine very curiously veiled. The justification of these views is a different question; I am concerned wit>h ihe statement of fact are and this being said, I can that such views held ; pass to my real business, which" is in part critical and in part also explanatory, though not exactly on the elementary side. -
Death, Dying, and Immortality in Qabala and Alchemy.Pdf
Death, Dying and Immortality in Qabala and Alchemy A Special Report from The Institute for Hermetic Studies Dear Friends, The Institute for Hermetic Studies seeks to make the most accurate, useful, and easily understood materials on esotericism available to students seeking to make one or more of the Hermetic practices a focal point in their life. To make materials available at a low cost, and to allow for regular updates, an electronic medium of delivery has been chosen. Each student is allowed by copyright law to make one printed hard copy of this or other legally obtained materials for their personal use, as well as one electronic back up of the material in case of damage or loss to the original. To distribute copyrighted Institute for Hermetic Studies materials in any form to a third party without written consent from the Institute for Hermetic Studies is a violation of U.S. and International Copyright Law and we strongly require of our readers that this not be done. Our reasons for this are simple. Institute materials are priced so that anyone can afford them. There is no need to steal. Making unauthorized copies of our materials would deny the Institute for Hermetic Studies of income used to continue its work of providing additional educational services and forums. In addition, it is from these educational services and forums that the Institute for Hermetic Studies derives resources used to provide financial contributions to The Louis Claude de St. Martin Fund, a fund dedicated to providing material support to non-profit organizations seeking to advance the Western Esoteric Tradition. -
The Gavel Montezuma Lodge No
The gavel monTezuma lodge no. 1 af & am 431 Paseo de Peralta Santa Fe, New Mexico 87501-1958 Just west of the Scottish Rite Temple Phone: 505-982-0971 - Email: [email protected] Volume 20 Issue 11 “The Oldest Masonic Lodge in the Rockies“ Organized May 8, 1851 November 2020 From the East… Dear Brethren of Montezuma Lodge No.1, Greetings to you. Congratulations to the 2021 officers who have been elected and appointed. The mail-in balloting process went smoothly with no issues and we had very high participation with a total of 49 ballots received and counted out of 138. Thank you all for your participation. The installation is scheduled to be held at the next regular communication on December 7 at 7pm via Zoom. I hope to see you all there. The 2021 year is expected to be a vast improvement in conditions with respect to COVID-19 as we all eagerly await the distribution of vaccines starting as early as December. Thus, we may finally be able to return to in-person lodge meetings and hold degree conferral again in the Spring. While we can see the light at the end of the tunnel, the situation is likely to get worst before they get better. Please continue to be safe and take all precautions during the holidays and we will indeed see each other again. Sincerely and Fraternally, Jee W. Hwang Worshipful Master 2021 DUES Brethren: Please take note that 2021 dues are now due and payable. They are now $130.00 ( $75 + Grand Lodge per-capita). -
THE VEIL of ISIS by Jeni Bethell
THE VEIL OF ISIS by Jeni Bethell In the Major Arcana of the Tarot, The High Priestess is said to represent the receptacle of which the Magician, the seed, has need. It is through this union between the feminine, passive, unconscious High Priestess and the Magician’s masculine, activating self-consciousness, that the animating principle of the Magician can be activated by the Empress. One of the roles of mythology is to present to us concepts, sometimes quite complex, which, when personalised in story, can be more readily digested and comprehended. The great Egyptian goddess, Isis, was worshipped far and wide for over 3000 years as Magician, as devoted wife and mother (Empress) and also as High Priestess, guardian of the veil. In presenting a little of the mythology surrounding Isis, I hope to demonstrate, by analogy, the profound role the High Priestess energy plays in linking the energies of Magician and Empress, and also to shed a little light on the great spiritual wisdom She, the High Priestess, offers. The Journeys of Isis Perhaps the most famous myths surrounding Isis concern her journeys in search of her beloved brother and husband, Osiris. Their evil brother, Seth, had tricked Osiris into lying in a sarco phagus that was then nailed down and set afloat on the Nile. It ultimately landed in Byblos, was enwrapped by a tamarisk tree which was cut down by the king to form a pillar for the roof of his palace. Having eventually located Osiris and brought him back to Egypt, Isis, adopting the wings of a kite, breathed life ba ck into Osiris's body. -
A Cultural History of Tarot
A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents -
The Red Violin
THE RED VIOLIN By Robert Gordon Kille Adobe Lodge XLI Mostly parapharsed, (stolen) from vaious sources.... ctually, the story of the Red Violin spans Afive countries and over 300 years from the time it was created in 1681 by Niccolò Bussoti in Cremona, Italy to its sale at the Duval auction house in Montreal, Canada in 1997. At the beginning of the film, Bussoti’s wife Anna asks her servant Cesca to read her fortune according to the Tarot cards. Five cards are laid out on the table, and Cesca overturns each one at various points in the movie. The first card to be overturned is The Moon, which Cesca interprets as pointing to a long life with many journeys. This fortune is in contradiction to Anna’s fate, as Anna dies shortly thereafter in childbirth. As the movie progresses, it ecomes apparent that the remaining Tarot cards The Hanged Man, The Devil, Justice, and Death—are actually describing the “life” of the Red Violin. What do all five Tarot cards mean? The first card, The Moon (La Luna), is inter- preted by Cesca as meaning “a long life, full and rich” with many journeys. In the context of the movie, it refers to the birth of the Red Violin and its journey through life. The second card, The Hanged Man (L’Impiccato), warns of “danger” and “dis- ease” and corresponds to the violin’s child- hood with Kaspar Weiss. 1 esca describes The Devil (Il Diavolo), as referring to “a time of lust and energy”, Cduring which she will meet a handsome, intelligent, and seductive man. -
Excerptforwebsiternat.Pdf
Figure 1 All Seeing Eye, July 1931 VI TABLE OF CONTENTS PAGE. List of Illustrations xi Foreword xiii Introduction by Manly P. Hall to the 1985 Edition xv Preface xviii Acknowledgments xxvii PART ONE - A BRIEF HERMETIC APPROACH A Brief Hermetic Approach to The Revised New Art Tarot 3 The meraldE Tablet 5 The evenS Hermetic Principles 6 The Tree of Life 11 The Three Supernals 18 The Self Triad 20 The Personality Triad 22 The Physical Plane 24 PART TWO - THE MAJOR ARCANA The ajorM Arcana 29 Le Fou - The Fool 32 Le Bateleur - The Juggler 39 La Papesse - The High Priestess 46 L’Impératrice - The Empress 51 L’Émpereur - The Emperor 58 Le Pape - The Hierophant 64 L’Amoureux - The Lovers 71 Le Chariot - The Chariot 76 La Justice - Justice 84 L’Ermite - The Hermit 89 La Roué de Fortune - The Wheel of Fortune 93 La Force - Strength 98 Le Pendu - The Hanged Man 102 La Mort - Death 106 La Temperance - Temperance 110 Le Diable - The Devil 114 Le Feu Du Ciel - The Tower 118 VII Les Etoiles - The Stars 121 La Lune - The Moon 126 Le Soleil - The Sun 131 Le Judgement - Judgment 134 Le Monde - The World 137 PART THREE - THE MINOR ARCANA -THE COURTS The inorM Arcana 145 The Court Cards 149 Atziluth - Archetypal World of Emanations 152 King of Wands 152 Queen of Wands 154 Warrior of Wands 155 Slave of Wands 156 Briah - World of Creation 160 King of Cups 160 Queen of Cups 161 Warrior of Cups 163 Slave of Cups 164 Yetzirah - World of Formation 168 King of Swords 168 Queen of Swords 170 Warrior of Swords 171 Slave of Swords 173 Yetzirah - World of Manifestation -
Tarot of Marseilles
TAROT OF MARSEILLES Piatnik-Vienna TAROT OF MARSEILLES GEORG GOTTLOB Piatnik-Wien TAROT TRADITION AND PIATNIK’S TAROT CARDS THE 22 MAJOR ARCANA OF TAROT Tarot consists of pictographic cards, which gave rise to the game of Taroc as it is known in Our days. Tarot cards in Europe emerged apparently as early as in the course of the 14th century partly in Italy and partly in France. There are theories, however, according to which Tarot in fact originated in ancient Egypt, from where it took its course to conquer the world. In many of the Eastern countries, from Egypt through India and to China, one actually may find a number of such figurative images with a likeness to the Tarot figures: even the Gypsies have such cards, which may explain how these were spread in Asia and Europe. It is just as difficult to prove scientifically the genesis of the Tarot cards as to ascertain the origin of the name of tarot. Some scientists think that this name is of French origin, but Gustav Meyrinck, in his book ‘The Golem’ is of the opinion ‘[...] that aroc or Tarot has the same meaning as the Hebrew word ‘Torah’ (the Law), or the name may be connected with the ancient 3 Egyptian word ‘Taruth’ (the One who is consulted), or it may come from the word ‘Tarisk’ of the ancient Zend language, which means “I demand the answer.“ The Tarot cards are used for “play as well as — and this is more often the case — for “fortune telling’. A packet consists of 78 cards: 22 of the major Arcana (= the great mysteries) which are the same as the trumps in the game of Taroc, and of the 56 minor Arcana (the lesser mysteries). -
The Tarot of the Bohemians CHAPTER V
The Tarot of the Bohemians CHAPTER V. THE KEY TO THE MINOR ARCANA. THE KEY TO THE MINOR ARCANA. THE Tarot is composed of 78 cards, divided as follows-- 56 cards called the minor arcana. 22 cards called the major arcana. The 56 minor arcana are formed of 4 series of 14 cards each. The 22 major arcana are formed of 21 numbered cards, and of one un-numbered. In order to study the Tarot with success, we must then arrange the following packets-- 4 packets of 14 cards each. 14 + 14 + 14 + 14 = 56 1 packet of 21 cards = 21 1 packet of 1 card = 1 Total . 78 Jon- This is actually an over simplification by Papus himself, as we will see as we get into the Key of the Major Arcana, he divides up the Major Arcana into 4 groups, the 1st, 2nd and 3rd septenaries, a group he classifies as general transitionary cards, and the 0 card, which he also muses a little bit about how it should actually be the 22 card. This packet, taken as a whole, corresponds to one of the colours of our pack of cards. The 4 packets respectively represent the wands or sceptres, corresponding to our clubs; the cups or goblets, corresponding to our hearts; the swords, corresponding to our spades; and money or Pentacles, corresponding to our diamonds. We shall now study one of these packets, for instance that of Sceptres. The packet consists of 4 figures: the king, queen, knight, and knave, and of ten cards which simply bear numbers. -
O Único Imperador Que Tem, Deveras
, o único Imperador Que Tem, Deveras . , Some time ago, as I was preparing a piece on Fernando Pessoa's book of poems entitled Mensagem (1934), I found myself writing — in the same way as I had spoken and had heard others speak — about the four culmi- nating poems of "Brasão" the book's first section: that the figures de- picted therein assume "monumental" proportions. That is, they are pres- entationally gigantic and/or superhuman; by virtue of the visual nature of their presentation, they assume emblematic status. The poems dedi- cated to those figures — Nun'Alvares Pereira, Prince Henry the Navi- gator, King John II, and Afonso de Albuquerque— , as is well known, "read" the heraldic devices of "Coroa" ("Crown") and "Timbre" ("Crest") that sit atop the Portuguese royal Coat-of-Arms, just as the fifteen poems preceding them "read" the various devices of the Coat-of-Arms itself, the "Castellos" ("Castles") "Quinas" ("Shields"), and the two heraldic "Campos" ("Fields") upon which the first two are set. After writing of the four poems; "monumental" status, I left the notion there, as a descriptive observation. I had, however, long been bothered by the word deveras in the penultimate line of the first of the three "Tim- bre" poems, the one dedicated to Prince Henry. The entire poem reads as follows: A CABEÇA DO GRYPHO O INFANTE D. HENRIQUE Em seu throno entre o brilho das espheras. Com seu manto de noite e solidão. Tem aos pés o mar novo e as mortas eras — O único imperador que tem, deveras, O globo mundo em sua mão. -
TAROT the Moon and the Hermit
TAROT The Moon and The Hermit (18/9) The archetypal system of Tarot is ancient. Although records link its beginnings to the Middle Ages, there are indications of its origination occurring much earlier – perhaps even by thousands of years and from distant civilizations. The Tarot represents and reflects (it is) the story of life: each card is a micro-story of the profound, deeply-embedded and commonly-lived experiences of our human journey. Your core Tarot encoding is unveiled by adding your individual birth numbers together and reducing them down: in this case, your encoded major arcana Tarot archetype is #9 The Hermit. Expounding on this archetype, your birth numbers have also been added in such a way (a system developed by the Amberstones) as to bring forward one (and sometimes two) other major arcana archetypes that also live within you. Together, these symbiotic fields of energy create an additional dynamic and unveil the complexities of your Soul Print’s distinct journey. _______________________________________________________________________________________ You are the energetic archetypal combination of The Moon (#18 in the Tarot) and The Hermit (#9 in the Tarot). As such, you represent a dynamic quality-set and a duality that emerges from its coupling and its energetic feedback loop. This emergent archetype and energy signature is one that represents your life story and your specific path to navigate. As with all encodings, inherent with Moon-Hermit lies an undeniable soul-growth journey. In addition to the data below, please absorb the imagery on each card – the similarities and the differences – as the symbols provide infinite information about your encodings. -
Divining Insights: Visual Analytics Through Cartomancy
Divining Insights: Visual Analytics Through Cartomancy Andrew McNutt Michael Correll Abstract University of Chicago Tableau Research Our interactions with data, visual analytics included, are in- Chicago, IL 60637, USA Seattle, WA 98103 creasingly shaped by automated or algorithmic systems. An [email protected] [email protected] open question is how to give analysts the tools to interpret these “automatic insights” while also inculcating critical en- gagement with algorithmic analysis. We present a system, Sortilège, that uses the metaphor of a Tarot card reading to provide an overview of automatically detected patterns in data in a way that is meant to encourage critique, reflection, Anamaria Crisan and healthy skepticism. Tableau Research Seattle, WA 98103 Author Keywords [email protected] Visual analytics; information visualization; automated in- sights; divination CCS Concepts •Human-centered computing ! Visualization systems and tools; Permission to make digital or hard copies of all or part of this work for personal or Introduction classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation An unsolved challenge in visual analytics is how to strike on the first page. Copyrights for components of this work owned by others than the the proper balance between automated and manual explo- author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific ration of data [22]. Automated methods based on statisti- permission and/or a fee. Request permissions from [email protected].