Statistical Appendix 1 for Chapter 2 of World Happiness Report 2018
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JEFF FISHER Credits 1019
JEFF FISHER Director FILM & MOVIES FOR TELEVISION Christmas Camp Director Hallmark My Christmas Love Director Hallmark Starring Meredith Hagner & Gregory Harrison * highest rated Hallmark Channel movie of the year Killer Reality Director Lifetime Starring Parker Young Killer Movie Writer/ Director Peace Arch Starring Paul Wesley, Kaley Cuoco, & Leighton Meester *Official Selection – Tribeca Film Festival Angels, Baby! Writer/Director Short Starring Laura Leighton *Official Selection Telluride Film Festival, Audience Award Palm Springs Int’l Film Festival Garage Sale Director Short Starring Claire Forlani & Nestor Carbonell *Audience Award Palm Springs Int’l Film Festival, Chicago Int’l Film Festival TELEVISION Selected Episodic Shadows: Pretty Little Liars (Janice Cooke, Wendey Stanzler), The Vampire Diaries (Wendey Stanzler, John Behring), Awkward (Peter Lauer), Hart of Dixie (Tim Mattheson), Swingtown (Alan Poul), Ugly Betty (Tricia Brock, Wendey Stanzler), THE OC (Tony Wharmby), Star Trek: Enterprise (Dave Straiton) The Real World (33) Consulting Producer Facebook While You Were Out Director HGTV/TLC Wife Swap Supervising Producer Paramount Changing Phases (Pilot) Director OWN Caught Up In The Game Director/Showrunner POP Flipping Virgins Director HGTV Keeping Up With The Kardashians Co-Executive Producer/ E! Showrunner Bargain Mansions (Pilot) Co-EP HGTV I Could Live There! EP/ Showrunner Travel Channel Pilot 1 Way Ticket EP/ Showrunner Travel Channel Pilot House of Food Director MTV Pilot Southern Psychic Family Co-EP/Showrunner SyFy Pilot Flip it to Win it Co-EP/ Showrunner HGTV The Houston Family Chronicles Co-EP/ Showrunner Lifetime Gillian in Georgia Executive Producer TBS My Manny Executive Producer TBS The Real Housewives of Atlanta Co-EP Bravo Blonde Charity Mafia Supervising Producer Lifetime Dancelife Lead Director MTV Starring Jennifer Lopez Fast, Inc. -
Vanilla Flavour Vůně Vanilky Bonds of Blood Krev Zmizelého Zelary Želary
World War II – Feature Film & TV Movies Vanilla Flavour Vůně vanilky A dramatic love story, taking place in the final days of the Second World War when the American Army liberated the Plzeň (Pilsen) region of West Bohemia. Anne faces a difficult decision: to leave for America with the man she loves, or to stay home with her husband and children…? Videotape, 86�, m/e track, English subtitles, © 2001 Director: Jiří Strach Rights Available: TV Producer: Czech Television Bonds of Blood Krev zmizelého A stirring drama that follows the tragic fate of a mother and later that of her daughter during the fateful flow of history in Europe from the beginning of the Second World War until the year 1961. Videotape, 127� or 4 x 69�, English subtitles, © 2005 Director: Milan Cieslar Rights Available: TV, Video, Internet Producer: Czech Television, Happy Celluloid Zelary Želary The strong dramatic story unwinding amidst magnificent landscapes tells us about a fatal love that had grown from negative emotions and which was created from the common effort to survive under adverse conditions. Eliska, the modern, educated city girl, is given new identity and is forced to leave her home immediately, to become the wife of a mountain inhabitant and to live the simple life of poor mountain folk in a mountain village where life has not changed for a 150 years. This hamlet is called Zelary. Videotape HDTV, 142�, m/e track, English subtitles, © 2003 Director: Ondřej Trojan Rights Available: TV, Video, Internet worldwide (excluding Austria, Slovenia, Slovakia and Hungary) -
Harsh Realities: Substantial Similarity in the Reality Television Context
HARSH REALITIES: SUBSTANTIAL SIMILARITY IN THE REALITY TELEVISION CONTEXT Daniel Fox* TABLE OF CONTENTS I. INTRODUCTION ........................................... 224 II. THE "SIMPLE" LIFE: DEVELOPMENT AND EVOLUTION OF SUBSTANTIAL SIMILARITY ANALYSIS IN THE SECOND AND NINTH CIRCUITS .................................... 227 A. The Basic Elements of Copyright Infringement ....... 227 B. Substantial Similarity: Introduction and Related D octrines ............................................ 227 C. The Test for Substantial Similarity: Second and Ninth Circuit Formulations ................................. 230 1. Second Circuit: Bifurcating "Similarity" . ........ 230 2. Ninth Circuit: Extrinsic-Intrinsic Distinction ..... 231 III. THE BIGGEST LOSER(S): METCALF AND CBS ............ 234 A . M etcalf v. Bochco ................................... 235 1. O verview ........................................ 235 2. A nalysis ......................................... 237 B. CBS v. A BC ......................................... 242 1. O verview ........................................ 242 2. A nalysis ......................................... 245 IV. EXTREME MAKEOVER?: POST METCALF JURISPRUDENCE .......................................... 248 * Editor, UCLA Law Review, Volume 54. J.D. Candidate, UCLA School of Law, 2007; A.B., Harvard University, 2004. I thank Professor David Ginsburg for his invaluable gui- dance, insight, and support at every stage of this Comment's development. I also thank Eliot Hamlisch, Jen Ringel, Eric Black, Matt Segneri, Allison -
Mark Paladini *Atas
MARK PALADINI CSA (818) 613-3982 [email protected] Casting Director - Feature Film (in conjunction with Canadian Casting & Simone Reynolds-UK) The Bet Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin Love of My Life Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin In-Lawfully Yours Virginia Beach, VA (Additional Casting) Regent Pictures Producer: Chris Aronoff, Corbin Bernsen Director: Robert Kirbyson Happily Ever After Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin (in conjunction with John Buchan/Jason Knight-Canada & Simone Reynolds-UK) If I Were You Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin (in conjunction with Simone Reynolds-UK) A Previous Engagement Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin (in conjunction with Rosina Bucci-Canada) My First Wedding Independent Producers: David Gordian, Joan Carr-Wiggin Director: Laurent Firode (in conjunction with John Buchan-Canada & Maureen Duff-UK) Closing the Ring Independent Producers: Richard Attenborough, Jo Gilbert Director: Richard Attenborough (In conjunction with former partner, Fern Champion) Keys to Tulsa ITC Producers: Michael Birnbaum, Peter Isacksen, Leslie Greif & Harley Peyton Director: Leslie Greif Mortal Kombat Annihilation New Line Cinema Producer: Larry Kasanoff Director: John Leonetti Eraser Los Angeles, CA (Additional Casting) Warner Bros. Producer: Arnold Kopelson, Anne Kopelson, Michael Tadross, -
Masterwork by Li Keran to Take Centre Stage in Christie’S Hong Kong Modern Chinese Paintings Sale
For Immediate Release 7 May 2007 Press Contact: Victoria Cheung 852.2978.9919 [email protected] Dick Lee 852.2978.9966 [email protected] MASTERWORK BY LI KERAN TO TAKE CENTRE STAGE IN CHRISTIE’S HONG KONG MODERN CHINESE PAINTINGS SALE Li Keran (1907-1989) All the Mountains Blanketed in Red Scroll, mounted and framed Ink and colour on paper 131 x 84 cm. Dated autumn, September 1964 Estimate on request Fine Modern Chinese Paintings 28 May 2007 Hong Kong – An impressive selection of works by leading Chinese artists including Li Keran will be offered in the Fine Modern Chinese Paintings sale at Christie’s Hong Kong on 28 May. The works on offer will amaze art collectors with their exceptional quality and captivating themes. Also included in the sale are paintings of impeccable provenance from private collections. In this Spring auctions series, Christie's Hong Kong will introduce a real-time multi-media auction service Christie’s LIVE™, becoming the first international auction house in Asia to offer fine art through live online auctions. Christie’s LIVE™ enables collectors around the world to bid from their personal computers while enjoying the look, sound and feel of the sale. The star lot of the sale is All the Mountains Blanketed in Red by Li Keran (1907–1989) (Estimate on request, Lot 1088). From 1962 to 1964, Li produced a series of seven paintings that took on the theme of ‘All the mountains are blanketed in red and forests are totally dyed’, a phrase from Mao Zedong’s (1892–1976) poem Chang Sha (To the Tune of Spring Beaming in a Garden). -
Paris Hilton Is Folding Laundry
MOSCHINO dress and gloves, GEORGE KEBURIA sunglasses KEBURIA GEORGE and gloves, MOSCHINO dress It’s sometime in early 2003 or 2004 and Paris Hilton is folding laundry. Standing across from her then-best friend, Nicole Richie, in some stranger’s home in the Midwest, the duo has an argument. “You’ve never heard of a laundromat?” Paris asks, while Nicole, curled up in bed, shakes her head adamantly. “It’s where people who can’t aford a washing machine go to wash their clothes,” she responds, matter-of-factly. “I’ve seen it in movies.” Today, with the omnipresence of reality TV and franchises like The Real Housewives, Pari$ that scene wouldn’t feel too out of the ordinary. But when Paris and Nicole made their debut on FOX with The Simple Life in 2003, it wasn’t just hilarious — it was radical. The granddaughter of Conrad Hilton, by the time she was a teen, Paris quickly became a permanent fixture at early-aughts Hollywood hot spots like the Chateau Marmont and Les Deux, a regular on industry red carpets and a familiar face in the front row at every Fashion Week. Paris at the mall, Paris leaving Starbucks, Paris in London — alongside her sister, Nicky, the heiress dominated the pre-RSS fed world of media, almost single handedly keeping paparazzi (not to mention the semi-eponymously named goss site, Perez Hilton) in business. She might not have been the first to do it, but Paris certainly was the most famous for being famous, unintentionally — or intentionally, depending on who you ask — setting the stage for what’s become standard social media practice. -
The Impact of Implementing Heritage Elements in Contemporary Architecture In
THE IMPACT OF IMPLEMENTING HERITAGE ELEMENTS IN CONTEMPORARY BUILDINGS IN THE UNITED ARAB EMIRATES Shaikha Khuloud Humaid Al Qasimi A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of DOCTOR OF PHILOSOPHY February 2019 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purposes of assessment, publication or for any other purpose (unless otherwise indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own efforts and of no other person. The right of Shaikha Khuloud Al Qasimi to be identified as author of the work is asserted in accordance with ss.77 and 78 of the Copyright, Designs and Patents Act 1988. At this date copyright is owned by the author. Signature ………………………………………….. Date ………………………………………………… Abstract Due to the rapid growth and development which occurred during the last century the United Arab Emirates witnessed dramatic changes after oil discovery and the economic boom. This affected the building and construction sector that formed the urban fabric of the country. The four fundamental architectural heritage elements of the UAE are the mashrabiya, the wind tower, the courtyard and the broken entrance, these essential architectural heritage elements were efficiently implemented in traditional buildings. In the context of the contemporary; preservation challenges are experienced particularly when foreign architectural design is seen to be increasing dominating the cityscape and the architectural heritage elements are being misused neglecting their functionalities. -
MTV Studios and Facebook Watch Join Forces to Reimagine MTV's
MTV Studios and Facebook Watch Join Forces to Reimagine MTV’s The Real World Around the World with Three All New Seasons October 17, 2018 Groundbreaking Series from Creator Bunim/Murray Productions Coming Exclusively to Facebook Watch Pre-Production Underway for Local Versions in Mexico, Thailand and the United States Premiering Spring 2019 CANNES, France--(BUSINESS WIRE)--Oct. 17, 2018-- MTV Studios, a unit of Viacom’s (NASDAQ: VIAB, VIA) MTV, announced today a partnership with Facebook Watch to reimagine the groundbreaking series MTV’s The Real World for three all new seasons debuting Spring 2019. Drawing on Facebook’s global platform, the new seasons will be native productions in Mexico, Thailand and the United States, respectively, to explore friendship, and the cultural and social environment in each. Available exclusively on Facebook Watch, the new seasons will introduce interactive social and community features that empower fans to shape the action and connect across mobile, desktop and Facebook's TV app. Download logo assets HERE View/embed sizzle HERE The news was unveiled during Facebook Watch’s presentation at MIPCOM 2018 by Matthew Henick, Facebook’s Head of Content Planning and Strategy for Facebook, Paresh Rajwat, Director of Product Management for Facebook and Chris McCarthy, President of MTV. Creators Bunim/Murray Productions is co-producing the new seasons with MTV Studios and pre-production is underway in each location. “MTV’s The Real World helped to define a generation and created a new genre of television with a simple yet powerful idea of connecting people from wildly divergent backgrounds to find common ground on the issues that often divided them,” said McCarthy. -
Theoretical and Practical Aspects of Subtitling Movies
Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Diplomski studij Njemačkog i Engleskog jezika i književnosti Marija Jelić Theoretical and Practical Aspects of Subtitling Movies A Case Study of the Movie In the Loop and its Translation into Croatian Diplomski rad Mentor izv. prof. dr. sc. Marija Omazić Osijek, 2012 The cinema is undoubtedly the most international of all arts. (Sergei Einstein) Und so ist jeder Übersetzer anzusehen, Dass er sich als Vermittler dieses allgemein-geistigen Handels bemüht und den Wechseltausch zu befördern sich zum Geschäft macht. Denn was man auch von der Unzulänglichkeit des Übersetzens sagen mag, so ist und bleibt es doch eines der wichtigsten und würdigsten Geschäfte in dem allgemeinen Weltverkehr. Every translator ought to regard himself as a broker in the great intellectual traffic of the world, and to consider it his business to promote the barter of the produce of the mind. For whatever reason people may say of the inadequacy of translation, it is, and must ever be, one of the most important and dignified occupations in the great commerce of the human race. (Johann Wolfgang Goethe) Subtitling is fun. It is thrilling to find just the right inflection, the perfect phrase that captures as much of the original as possible ... a translation that communicates what is said and unsaid is a wonder to behold. (D. Bannon 164) Figure 1: Gottlieb's diagram - Subtitling as diagonal translation..............................................5 Figure 2: A look inside a magic lantern in the collection of the Children's Museum of Indianapolis .......................................................................................................................... 11 Figure 3: Theatrical release poster of the movie The Jazz Singer .......................................... -
Sydney Film Festival Spotlights European Women in Film 10/05
MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 SYDNEY FILM FESTIVAL SPOTLIGHTS EUROPEAN WOMEN IN FILM The 64th Sydney Film Festival (7-18 June), in partnership with European Film Promotion and Screen International today announced Europe! Voices of Women in Film: a program of 10 new feature films from vital European women filmmakers. The program launched in 2016 will be enriched by seven industry guests from across the continent, who will introduce their films and take part in a public talk: In Conversation with European Women Filmmakers, Sunday 11 June, noon, at the Festival Hub, Sydney Town Hall. “Europe! Voices of Women in Film is a fantastic platform for emerging female European talents to share their work and experiences with the Australian film industry and fans of cinema,” said Sydney Film Festival Director Nashen Moodley. “Audiences can discover a huge range of engaging stories, both true and imagined. These tales told from uniquely female perspectives reveal incredible aspirations, realities, tragedies, histories, and friendships, which allow us to see the world differently,” he said. “After a successful launch last year, EFP is delighted to again team up with the Sydney Film Festival to highlight the outstanding achievements of some of Europe's most promising women directors,” said EFP Managing Director Sonja Heinen. “We have pleasure in raising awareness of their special and different cinematic voices and original themes. With the support of our members, EFP is very proud to welcome representatives of these exciting films to Sydney, to share their experience and visions with Australia's enthusiastic film community and the industry,” she said. -
Cultural Values, Narratives, and Myth in Reality Television" (2007)
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2007 CULTURAL ALV UES, NARRATIVES, AND MYTH IN REALITY TELEVISION Alison Rebecca Foster Miller University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, and the Mass Communication Commons Recommended Citation Miller, Alison Rebecca Foster, "CULTURAL VALUES, NARRATIVES, AND MYTH IN REALITY TELEVISION" (2007). Dissertations. 1268. https://aquila.usm.edu/dissertations/1268 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi CULTURAL VALUES, NARRATIVES AND MYTH IN REALITY TELEVISION by Alison Rebecca Foster Miller A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: August 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. The University of Southern Mississippi CULTURAL VALUES, NARRATIVES AND MYTH IN REALITY TELEVISION by Alison Rebecca Foster Miller Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT CULTURAL VALUES, NARRATIVES AND MYTH IN REALITY TELEVISION by Alison Rebecca Foster Miller August 2007 Television programming today consists of many unique genres, many of which have existed since the birth of television in 1948. -
DGA Reality Directors Contact Guide
DGA’s REALITY DIRECTORS Contact Guide EF OP CH PRO T JE CT R FACT RU SE FEAR OR N W LO D BI A T E G Y S K K B E A K TAN A R N R ME O G HA R T G G S I H I N C I A E B ’ R T S A F E N D H E C X E R T C E F T T A F O S R O A P G E M M C N O I A Z F D A E R L M O I A R R E R T S S A I E A B W S D R T M A P A O T J K N A E K I E E N Y E V I B N N A C L A I R M E E A S T K M A U M L I E L T E L R C U H C A I L L A C E E N G A R N G G A R R I D T S ’ L U R A U P 7/2018 WHAT PRODUCERS AND AGENTS ARE SAYING ABOUT DGA REALITY AGREEMENTS: “The DGA has done an amazing job of building strong relationships with unscripted Producers. They understand that each show is different and work with us to structure deals that make sense for both the Producers and their Members on projects of all sizes and budgets.