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JEFF FISHER Credits 1019
JEFF FISHER Director FILM & MOVIES FOR TELEVISION Christmas Camp Director Hallmark My Christmas Love Director Hallmark Starring Meredith Hagner & Gregory Harrison * highest rated Hallmark Channel movie of the year Killer Reality Director Lifetime Starring Parker Young Killer Movie Writer/ Director Peace Arch Starring Paul Wesley, Kaley Cuoco, & Leighton Meester *Official Selection – Tribeca Film Festival Angels, Baby! Writer/Director Short Starring Laura Leighton *Official Selection Telluride Film Festival, Audience Award Palm Springs Int’l Film Festival Garage Sale Director Short Starring Claire Forlani & Nestor Carbonell *Audience Award Palm Springs Int’l Film Festival, Chicago Int’l Film Festival TELEVISION Selected Episodic Shadows: Pretty Little Liars (Janice Cooke, Wendey Stanzler), The Vampire Diaries (Wendey Stanzler, John Behring), Awkward (Peter Lauer), Hart of Dixie (Tim Mattheson), Swingtown (Alan Poul), Ugly Betty (Tricia Brock, Wendey Stanzler), THE OC (Tony Wharmby), Star Trek: Enterprise (Dave Straiton) The Real World (33) Consulting Producer Facebook While You Were Out Director HGTV/TLC Wife Swap Supervising Producer Paramount Changing Phases (Pilot) Director OWN Caught Up In The Game Director/Showrunner POP Flipping Virgins Director HGTV Keeping Up With The Kardashians Co-Executive Producer/ E! Showrunner Bargain Mansions (Pilot) Co-EP HGTV I Could Live There! EP/ Showrunner Travel Channel Pilot 1 Way Ticket EP/ Showrunner Travel Channel Pilot House of Food Director MTV Pilot Southern Psychic Family Co-EP/Showrunner SyFy Pilot Flip it to Win it Co-EP/ Showrunner HGTV The Houston Family Chronicles Co-EP/ Showrunner Lifetime Gillian in Georgia Executive Producer TBS My Manny Executive Producer TBS The Real Housewives of Atlanta Co-EP Bravo Blonde Charity Mafia Supervising Producer Lifetime Dancelife Lead Director MTV Starring Jennifer Lopez Fast, Inc. -
1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
3. Terenska Audio Snimanja Reportažna Audio Kola
3. Terenska audio snimanja Reportažna audio kola Sadržaj: 1. Uvod 1 2. Preprodukcija 6 3. Produkcija 33 4. Postprodukcija 36 Literatura 38 1. Uvod Emisija Rok godišnjak 202 je emisija na radio Beogradu 202 i bavi se odabirom najboljeg albuma u prethodnoj godini, u ovom slučaju to je bila 2016. godina. Albumi se svrstavaju u 5 kategorija. Po propozicijama glasanja Svaki slušalac ima pravo da pošalje jedan e-mail dnevno i to da glasa za tri najbolja albuma po njihovom mišljenju u svakoj od kategorija, tako prvi pomenuti izvođač u svakoj kategoriji dobija tri, drugi dobija dva i treći jedan bod. Kao što sam već rekao bendovi i izvođači su grupisani u pet kategorija: album godine u kategoriji veterana za teritoriju Srbije, izvođač godine za teritoriju regiona (Hrvatska, Bosna i Hercegovina, Makedonija, Crna Gora, Slovenija), album godine u kategoriji debitanti za teritoriju Srbije, singl godine za teritoriju Srbije i kompilacija godine (razni izvođači) za teritoriju Srbije. U kategoriji veterana za teritoriju Srbije u konkurenciji su bili albumi: Ana Ćurčin – Skathes Of Belonging, Bluz rezervata – Evo ti ritam, Bombarder – Otok iz pakla, D Zoo – Treća armija, trećeg sveta, Dreddup – DeathOven: Rebels Have No Kings, Dža ili bu – Sedma sila, Električni orgazam – Dom omladine 2015 uživo, Faust – Paklenih 25, Fish On Oil – 3 ključa, Karizma – Smej se, Kilo, kilo banda – Ipak borba, Mece – Dobro jutro, stres može da počne, Milan Mumin – In Case That One Of Them Is You, Nemanja Popović – Pop muzika, Repetitor – Gde ćeš, Seljačka buna – Brljantin epik!, Soulcraft – Save Planet, Mortal Kombat – Besprekorna pobeda, Sacramental Blood – Ternion Demonarchy, S.A.R.S. -
Vanilla Flavour Vůně Vanilky Bonds of Blood Krev Zmizelého Zelary Želary
World War II – Feature Film & TV Movies Vanilla Flavour Vůně vanilky A dramatic love story, taking place in the final days of the Second World War when the American Army liberated the Plzeň (Pilsen) region of West Bohemia. Anne faces a difficult decision: to leave for America with the man she loves, or to stay home with her husband and children…? Videotape, 86�, m/e track, English subtitles, © 2001 Director: Jiří Strach Rights Available: TV Producer: Czech Television Bonds of Blood Krev zmizelého A stirring drama that follows the tragic fate of a mother and later that of her daughter during the fateful flow of history in Europe from the beginning of the Second World War until the year 1961. Videotape, 127� or 4 x 69�, English subtitles, © 2005 Director: Milan Cieslar Rights Available: TV, Video, Internet Producer: Czech Television, Happy Celluloid Zelary Želary The strong dramatic story unwinding amidst magnificent landscapes tells us about a fatal love that had grown from negative emotions and which was created from the common effort to survive under adverse conditions. Eliska, the modern, educated city girl, is given new identity and is forced to leave her home immediately, to become the wife of a mountain inhabitant and to live the simple life of poor mountain folk in a mountain village where life has not changed for a 150 years. This hamlet is called Zelary. Videotape HDTV, 142�, m/e track, English subtitles, © 2003 Director: Ondřej Trojan Rights Available: TV, Video, Internet worldwide (excluding Austria, Slovenia, Slovakia and Hungary) -
Harsh Realities: Substantial Similarity in the Reality Television Context
HARSH REALITIES: SUBSTANTIAL SIMILARITY IN THE REALITY TELEVISION CONTEXT Daniel Fox* TABLE OF CONTENTS I. INTRODUCTION ........................................... 224 II. THE "SIMPLE" LIFE: DEVELOPMENT AND EVOLUTION OF SUBSTANTIAL SIMILARITY ANALYSIS IN THE SECOND AND NINTH CIRCUITS .................................... 227 A. The Basic Elements of Copyright Infringement ....... 227 B. Substantial Similarity: Introduction and Related D octrines ............................................ 227 C. The Test for Substantial Similarity: Second and Ninth Circuit Formulations ................................. 230 1. Second Circuit: Bifurcating "Similarity" . ........ 230 2. Ninth Circuit: Extrinsic-Intrinsic Distinction ..... 231 III. THE BIGGEST LOSER(S): METCALF AND CBS ............ 234 A . M etcalf v. Bochco ................................... 235 1. O verview ........................................ 235 2. A nalysis ......................................... 237 B. CBS v. A BC ......................................... 242 1. O verview ........................................ 242 2. A nalysis ......................................... 245 IV. EXTREME MAKEOVER?: POST METCALF JURISPRUDENCE .......................................... 248 * Editor, UCLA Law Review, Volume 54. J.D. Candidate, UCLA School of Law, 2007; A.B., Harvard University, 2004. I thank Professor David Ginsburg for his invaluable gui- dance, insight, and support at every stage of this Comment's development. I also thank Eliot Hamlisch, Jen Ringel, Eric Black, Matt Segneri, Allison -
Mark Paladini *Atas
MARK PALADINI CSA (818) 613-3982 [email protected] Casting Director - Feature Film (in conjunction with Canadian Casting & Simone Reynolds-UK) The Bet Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin Love of My Life Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin In-Lawfully Yours Virginia Beach, VA (Additional Casting) Regent Pictures Producer: Chris Aronoff, Corbin Bernsen Director: Robert Kirbyson Happily Ever After Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin (in conjunction with John Buchan/Jason Knight-Canada & Simone Reynolds-UK) If I Were You Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin (in conjunction with Simone Reynolds-UK) A Previous Engagement Independent Producer: David Gordian, Joan Carr-Wiggin Director: Joan Carr-Wiggin (in conjunction with Rosina Bucci-Canada) My First Wedding Independent Producers: David Gordian, Joan Carr-Wiggin Director: Laurent Firode (in conjunction with John Buchan-Canada & Maureen Duff-UK) Closing the Ring Independent Producers: Richard Attenborough, Jo Gilbert Director: Richard Attenborough (In conjunction with former partner, Fern Champion) Keys to Tulsa ITC Producers: Michael Birnbaum, Peter Isacksen, Leslie Greif & Harley Peyton Director: Leslie Greif Mortal Kombat Annihilation New Line Cinema Producer: Larry Kasanoff Director: John Leonetti Eraser Los Angeles, CA (Additional Casting) Warner Bros. Producer: Arnold Kopelson, Anne Kopelson, Michael Tadross, -
Masterwork by Li Keran to Take Centre Stage in Christie’S Hong Kong Modern Chinese Paintings Sale
For Immediate Release 7 May 2007 Press Contact: Victoria Cheung 852.2978.9919 [email protected] Dick Lee 852.2978.9966 [email protected] MASTERWORK BY LI KERAN TO TAKE CENTRE STAGE IN CHRISTIE’S HONG KONG MODERN CHINESE PAINTINGS SALE Li Keran (1907-1989) All the Mountains Blanketed in Red Scroll, mounted and framed Ink and colour on paper 131 x 84 cm. Dated autumn, September 1964 Estimate on request Fine Modern Chinese Paintings 28 May 2007 Hong Kong – An impressive selection of works by leading Chinese artists including Li Keran will be offered in the Fine Modern Chinese Paintings sale at Christie’s Hong Kong on 28 May. The works on offer will amaze art collectors with their exceptional quality and captivating themes. Also included in the sale are paintings of impeccable provenance from private collections. In this Spring auctions series, Christie's Hong Kong will introduce a real-time multi-media auction service Christie’s LIVE™, becoming the first international auction house in Asia to offer fine art through live online auctions. Christie’s LIVE™ enables collectors around the world to bid from their personal computers while enjoying the look, sound and feel of the sale. The star lot of the sale is All the Mountains Blanketed in Red by Li Keran (1907–1989) (Estimate on request, Lot 1088). From 1962 to 1964, Li produced a series of seven paintings that took on the theme of ‘All the mountains are blanketed in red and forests are totally dyed’, a phrase from Mao Zedong’s (1892–1976) poem Chang Sha (To the Tune of Spring Beaming in a Garden). -
Domaće Popularne, Zabavne, Strane I Rok Pesme
DOMAĆE POPULARNE, ZABAVNE, STRANE I ROK PESME: o Aerodrom – Obična ljubavna pesma o Ambasadori – Dođi u 5 do 5 o Apsolutno Romantično – Đoletova pesma o Atomsko Sklonište – Olujni Mornar o Atomsko Sklonište – Pakleni vozači o Atomsko Sklonište – Za ljubav treba imat dušu o Azra – Balkan o Azra – Usne vrele višnje o Azra – Voljela me nijedna o Babe – Ko me ter’o o Babe – Noć bez sna o Baby Doll – Brazil o Bajaga – 220 u voltima o Bajaga – Godine prolaze o Bajaga – Moji su drugovi o Bajaga – Na vrhovima prstiju o Bajaga – Ti se ljubiš tako dobro o Bajaga – Tišina o Bajaga – Vratiće se rode o Bijelo Dugme – A i ti me iznevjeri o Bijelo Dugme – Ako ima Boga o Bijelo Dugme – Đurđevdan o Bijelo Dugme – Esma o Bijelo Dugme – Lažeš o Bijelo Dugme – Lipe cvatu o Bijelo Dugme – Na zadnjem sedištu moga auta o Bijelo Dugme – Napile se ulice o Bijelo Dugme – Padaju zvijezde o Bijelo Dugme – Pljuni i zapjevaj o Bijelo Dugme – Ružica si bila o Bijelo Dugme – Tako ti je mala moja kad ljubi o Boris Režak – Anđeo o Colonia – Ti da bu di bu da o Crvena Jabuka – Bacila je sve niz rijeku o Crvena Jabuka – Da nije ljubavi o Crvena Jabuka – Dirlija o Crvena Jabuka – Moje najmilije o Crvena Jabuka – Nekako s prolijeća o Crvena Jabuka – Stižu me sjećanja o Crvena Jabuka – Tamo gdje ljubav počinje o Crvena Jabuka – To mi radi o Crvena Jabuka – Tuga, ti i ja o Crvena Jabuka – Volio bi da si tu o Crvena Jabuka – Zovu nas ulice o Čutura – Voli me o Darko Domijan – Ulica jorgovana o Dado Topić I Slađana Milošević – Princeza o Dejan Cukić – Milica o Dejan Cukić – Nebo -
Relocating Popular Music
Relocating Popular Music Edited by Ewa Mazierska and Georgina Gregory Pop Music, Culture and Identity Pop Music, Culture and Identity Series Editors: Steve ("lark, University of Tokyo, Japan, Tristanne Connolly, St Jerome's, University of Waterloo, Canada and Jason Whittakcr, f-'alinouth University, UK Advisory Hoard: Chris Be.st, University College Falmouth, UK, Audrey l;aine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Ilutnyk, Goldsmiths, University of London, UK, Allan F;. Moore, University of Surrey, UK, Ryan Moore, l-'lorida Atlantic University, USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Kuotolo, San Francisco, USA, Karl Simm.s, University of Liverpool, UK. Will Straw, Mc(iill University, Canada and Steve Waksman, Smith College, USA Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced hy factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will he paid to issues such as the iconog- raphy of celebrity, the ever-expanding archive, the nature of the performance- event, the parameters of generational memory, and the impact of new technologies on global -
Paris Hilton Is Folding Laundry
MOSCHINO dress and gloves, GEORGE KEBURIA sunglasses KEBURIA GEORGE and gloves, MOSCHINO dress It’s sometime in early 2003 or 2004 and Paris Hilton is folding laundry. Standing across from her then-best friend, Nicole Richie, in some stranger’s home in the Midwest, the duo has an argument. “You’ve never heard of a laundromat?” Paris asks, while Nicole, curled up in bed, shakes her head adamantly. “It’s where people who can’t aford a washing machine go to wash their clothes,” she responds, matter-of-factly. “I’ve seen it in movies.” Today, with the omnipresence of reality TV and franchises like The Real Housewives, Pari$ that scene wouldn’t feel too out of the ordinary. But when Paris and Nicole made their debut on FOX with The Simple Life in 2003, it wasn’t just hilarious — it was radical. The granddaughter of Conrad Hilton, by the time she was a teen, Paris quickly became a permanent fixture at early-aughts Hollywood hot spots like the Chateau Marmont and Les Deux, a regular on industry red carpets and a familiar face in the front row at every Fashion Week. Paris at the mall, Paris leaving Starbucks, Paris in London — alongside her sister, Nicky, the heiress dominated the pre-RSS fed world of media, almost single handedly keeping paparazzi (not to mention the semi-eponymously named goss site, Perez Hilton) in business. She might not have been the first to do it, but Paris certainly was the most famous for being famous, unintentionally — or intentionally, depending on who you ask — setting the stage for what’s become standard social media practice. -
The Impact of Implementing Heritage Elements in Contemporary Architecture In
THE IMPACT OF IMPLEMENTING HERITAGE ELEMENTS IN CONTEMPORARY BUILDINGS IN THE UNITED ARAB EMIRATES Shaikha Khuloud Humaid Al Qasimi A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of DOCTOR OF PHILOSOPHY February 2019 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purposes of assessment, publication or for any other purpose (unless otherwise indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own efforts and of no other person. The right of Shaikha Khuloud Al Qasimi to be identified as author of the work is asserted in accordance with ss.77 and 78 of the Copyright, Designs and Patents Act 1988. At this date copyright is owned by the author. Signature ………………………………………….. Date ………………………………………………… Abstract Due to the rapid growth and development which occurred during the last century the United Arab Emirates witnessed dramatic changes after oil discovery and the economic boom. This affected the building and construction sector that formed the urban fabric of the country. The four fundamental architectural heritage elements of the UAE are the mashrabiya, the wind tower, the courtyard and the broken entrance, these essential architectural heritage elements were efficiently implemented in traditional buildings. In the context of the contemporary; preservation challenges are experienced particularly when foreign architectural design is seen to be increasing dominating the cityscape and the architectural heritage elements are being misused neglecting their functionalities. -
Repertoar Pesama ,,Barakuda Benda”
Repertoar pesama ,,Barakuda Benda” U želji da Vam omogućimo uvid u bogat i šarolik repertoar pesama benda, razvrstali smo pesme po žanrovima - narodna muzika, zabavna muzika, noviteti i starogradska muzika. Milan Nikolić i Bara-kuda Bend Vam pružaju uvid u deo repertoara muzike koju izvodimo na programskim svadbama. Uverite se da za svakog ima po nešto, naravno, znamo mi još mnogo toga. Bend repertoar koriguje prema kraju u kome nastupa i na osnovu vrste nastupa (klub, svadba, žurka, proslava, rođendan, mat-ura, godišnjica, veridba, punoletstvo, krštenje). Repertoar starogradskih pesama: • - Čamac na Tisi • - Moja mala nema mane • - Evo banke cigane moj • - Alaj mi je večeras bo volji - Olivera Katarina • - Ciganka sam mala • - Haljinica boje lila • - Tri metera somota • - Kraj jezera • - Ko te ima taj te nema • - Makedonsko devojče • - Kada padne prvi sneg • - Rekla nana da mi daš • - Čuješ seko • - Obraše se vinogradi • - U lijepom starom gradu Višegradu • - Mila majko šalji me na vodu • - Osam tamburaša • - Nesanica • - Mito bekrijo • - Ruse kose • - Crne kose • - I dođi lolo • - Godine su prolazile • - Nemoj da brigaš • - Ja ne mogu mila majko bez njega • - Fijaker stari • - Aj berem grožđe • - Zorice zorule • - Čuješ seko • - U Novom Sadu • - U tem Somboru • - U ranu zoru • - Stanite dani stanite noći • - Dunave Dunave Repertoar zabavne muzike: • -Kremen Merlin • -Pusti pusti modu Cola • -Hajde da se volimo Kerber • - Mladicu moj-DLM • - Čekala sam čekala • -Jadranka Stojaković • - Kofer ljubavi • - Zana • - Mesečina-Merlin • - Ugasi