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Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
On Deformity: Bodies in Contemporary Canadian Fiction
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-25 On Deformity: Bodies in Contemporary Canadian Fiction Ram, Véronique Dorais Ram, V. D. (2012). On Deformity: Bodies in Contemporary Canadian Fiction (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27175 http://hdl.handle.net/11023/312 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY On Deformity: Bodies in Contemporary Canadian Fiction by Véronique Dorais Ram A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA October, 2012 © Véronique Dorais Ram 2012 Abstract This dissertation ponders how deformity acts as an index of resistance to the conventional family saga; it challenges the authority of the genre, which perpetuates conformity to affirm the existence of a national identity. I open with a history of the trope of deformity and a theory on its applicability to questions of the nation in Canadian fiction. Bonnie Burnard’s A Good House begins the literary analysis and considers how Daphne’s asymmetrical face exemplifies the novel’s overarching deformation of the domestic realist text. -
Atti Def Def Def* Note Corr
IN THAT VILLAGE OF OPEN DOORS Le nuove letterature crocevia della cultura moderna Atti del I Convegno Associazione Italiana di Studi sulle Letterature in Inglese Venezia, 1-3 novembre 2001 A cura di Shaul Bassi, Simona Bertacco e Rosanna Bonicelli Cafoscarina In That Village of Open Doors. Le nuove letterature crocevia della cultura moderna. A cura di Shaul Bassi, Simona Bertacco e Rosanna Bonicelli ISBN 88-88613-30-7 AISLI Direttivo e comitato scientifico del convegno Giulio Marra (Presidente) Silvia Albertazzi Paolo Bertinetti Bernard Hickey Elsa Linguanti Luigi Sampietro Paola Splendore Informazioni http://helios.unive.it/~aisli/aisli-ad/ e-mail: [email protected] Questo volume sostituisce in n. 6 della rivista Il Tolomeo, periodico annuale di recensioni. AISLI ringrazia per la collaborazione al convegno e al volume: Dipartimento di Studi Linguistici e Letterari Europei e Postcoloniali – Università Ca’Foscari di Venezia, Wake Forest University – Venezia, Regione Veneto, Fondazione Cassa di Risparmio di Venezia, Roberto Guerra, Laura Graziano, Elisa Bortolusso, Andrea De Porti, Beniamino Mammani, Maria Bottaro, Bruno Visalli Stampato con il contributo del Dipartimento di Studi Linguistici e Letterari Europei e Postcoloniali, Università Ca’Foscari di Venezia Foto di copertina: District Six, Cape Town (Sud Africa) Libreria Editrice Cafoscarina Pscrl Calle Foscari, 3259 – 30123 Venezia www.cafoscarina.it Prima edizione maggio 2002 Stampato in Italia presso LCM Selecta Group – Milano INDICI / CONTENTS Foreword . i “In that village of open doors”. Le Nuove Letterature crocevia della cultura moderna Giulio Marra . iii Conferenze plenarie / Plenary Lectures Greco-Roman Classical Aesthetics, Western Christian Humanism and African Modernism Kole Omotoso. 3 “Texts Instead”: la narrazione (postcoloniale) nell’epoca della sua riproducibilità tecnica Silvia Albertazzi . -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J. -
Harpercollins Canada Fall 2010
harpercollins canada fall 2010 HarperCollinsCanada is a proud sponsor of www.harpercollins.ca SALES, MARKETING, PUBLICITY & EDITORIAL 2 Bloor Street East, 20th Floor, Toronto, Ontario, M4W 1A8 • Phone: 416.975.9334 • Fax: 416.975.9884 DISTRIBUTION CENTRE 1995 Markham Road, Scarborough, Ontario, M1B 5M8 • Phone: 416.321.2241 • Toll-Free Phone: 1.800.387.0117 • Fax: 416.321.3033 • Toll-Free Fax: 1.800.668.5788 CATALOGUE ISBN: 9780999937204 For your viewing pleasure . a select number of our catalogues are now available online. These electronic catalogues are virtual replicas of our traditional ones, with the Sell what you love added benefit of being on your screen and available to you 24/7. In addition to all the great catalogue material at your fingertips, the online versions include our rich multimedia files (with trailers and author videos), as well as links to any other relevant web materials. And let’s not forget the added value of going green. The In a world where we’re constantly figuring out how to give back to the earth, HarperCollins www.HarperCollinsCatalogues.ca is another way to make a difference. Canada Hand-selling Award Fiction or non-fiction, biography or self-help, debut novel or seasoned classic—expose readers to talent on the page. The top hand-seller will receive $500 and the bookstore will receive $1000 in co-op. Quantity of sales is not the only determining factor— we want to know your hand-selling story. To find out more, visitwww.harpercollins.ca/handsellingaward Managers can email submissions to [email protected] Contents page 2 New Fiction and Non-fiction page 33 Cookbooks page 35 Harper Paperbacks page 57 Children’s Books pages 70-71 Index page 72 Key Contacts Please note: Prices, dates and specifications listed in this catalogue are subject to change without notice. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
An Official Publication of the Association of Canadian College and University Teachers of English Volume 42 Issue 3–4 Septe
esc An official publication of the Association of Canadian College and University Teachers of English Volume 42 Issue 3–4 September/December 2016 English Studies in Canada Volume 42 Issue 3–4 September/December 2016 Readers’ Forum: Proliferation 1 Cecily Devereux Introduction: A Large Number of Something: Proliferation, Now 7 A. C. Facundo Proliferations of Omniscience 10 Jason Haslam Proliferation’s Ends 15 Maureen Engel The Space of Simultaneity 18 Rachelle Ann Tan Tinderization of the Academy 22 Linda Quirk Proliferating Ephemera in Print and Digital Media 25 Christian Bök Virtually Nontoxic Articles Vigilance, Rebellion, Ethics 27 Sarah Banting If What We Do Matters: Motives of Research in Canadian Literature Scholarship 65 Erika Behrisch Elce “Dyin’ ain’t much of a livin’ ”: The Ethics of Rebellion in The Outlaw Josey Wales Against the National Grain 81 Karina Vernon To the End of the Hyphen-Nation: Decolonizing Multiculturalism 99 Lindsay Diehl Disrupting the National Frame: A Postcolonial, Diasporic (Re)Reading of SKY Lee’s Disappearing Moon Café and Denise Chong’s The Concubine’s Children Passionate Uncertainties 119 James McAdams “I did a nice thing”: David Foster Wallace and the Gift Economy 135 Gregory Alan Phipps Breaking Down Creative Democracy: A Pragmatist Reading of Race and Gender in Nella Larsen’s Quicksand Interview 159 Caitlin McIntyre and Dana Medoro Spokesvultures for Ecological Awareness: An Interview with Timothy Morton Reviews 175 Benjamin Authers reviews Anne Quéma’s Power and Legitimacy: Law, Culture, and Literature -
The Dominance of White Authors in Canadian Literary Awards
White Voices: The Dominance of White Authors in Canadian Literary Awards Kara Locke Abstract An analysis of the past winners of Canada's three largest English-language fiction awards, as well as the non-fiction award with the largest monetary prize. This article examines the ratio of white authors to those of visible racial minority, and considers the cultural and economic impacts of awarding primarily white authors in a racially diverse country. Keywords: Literary Awards Literary awards have long been a way to shine a spotlight on exceptional authors and stories. A combination of attributed prestige, exposure and monetary reward, winning one of these awards can drastically alter the career of a writer. By effectively amplifying the voices of the authors who are awarded, these prizes select what and who Canadians will be reading, and contribute to the shaping of what we recognize as Canadian culture. Canada is known for being multicultural, a diverse mix of the different peoples who have come to inhabit the land, so it stands to reason that our list of award winning authors would reflect that. It does not. The archive of past winners is overwhelmingly white. The oldest award in Canada is the Governor General’s Award for English- language fiction, created in 1936 by the Canadian Author’s Association, and taken over by the Canada Council for the Arts in 1959 (ggbooks.ca/about) . The winner receives a $25,000 prize. The deliberation process is carried out through peer evaluation, with other authors, often past winners themselves, choosing a winner of the finalists. -
Department of English and American Studies the Canadian Short Story
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Katarína Kőrösiová The Canadian Short Story Master’s Diploma Thesis Supervisor: Mrg. Kateřina Prajznerová, Ph. D. 2012 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank to my supervisor Mgr. Kateřina Prajznerová, Ph. D. for initiating me into this interesting subject, and mainly, for her help and valuable advice. I am also thankful for all the support I received from my family. Table of Contents 1. Introduction: What Makes the Canadian Short Story Canadian? 5 1.1. The Genre of the Short Story 7 1.2. The Canadian Short Story 15 2. Multiculturalism 25 2.1. Generational Differences 26 2.2. Biculturalism 32 2.3. Language and Naming 36 2.4. Minority or General Experience 38 3. Family and Gender 42 3.1. The Notion of Family and Home in Madeleine Thien‟s Stories 43 3.2. The Portrayal of Children 46 3.3. Alice Munro‟s Girls and Women 50 4. Place 57 4.1. Canada as Utopia 57 4.2. The Country and the City 63 5. Conclusion: The Relationship Between Form and Theme 68 Works Cited 74 Resumé (English) 78 Resumé (České) 79 1. Introduction: What Makes the Canadian Short Story Canadian? How do readers know that they are reading a Canadian short story? Lynch and Robbeson suggest an apparently easy and “common sense” solution for the problem: “we know [that] we‟re reading Canadian stories [when] the author is Canadian or / and the setting is Canadian” (2). -
Trends in Collecting Blogg
copies of Runaway (2004) were signed, and they are TRENDS IN COLLECTING commanding prices of US$400 or more for mint copies. The Love of a Good Woman (1998) is an older book and will become even more difficult to find in The Scotiabank Giller Prize mint, signed condition. ALTHOUGH NOT AS widely collected or hyped The most difficult Giller winner to find over as the Man Booker Prize, the Scotiabank Giller the next few years will be the most recent, Lam's Prize (formerly called the Giller Prize) should not Bloodletting and Miraculous Cures. It was initially be underestimated for either its selection of top published in the spring of 2006 in a hardcover Canadian fiction or its difficulty for modern literary edition of 5,000 copies. It was then released in trade collectors. paperback format a few months later. The hardcover In brief, the Giller Prize was founded by Jack edition has vanished from sight; the publisher has no Rabinovitch in honour of his wife, Doris Giller, who more first primings, and there aren't any copies to be rose to a respected status within the literary and found in Chapters/Indigo or on www.abebooks.com. newspaper community before her death in 1993. The real mystery is, where did they go? One ofDoris's big accomplishments was establishing Although the Giller Prize has emphasized literary a new standard for book reviews for the Monrreal heavyweights, the prize has done an excellent job of Gazette. promoting some of the younger or newer literary M.G. Vassanji won the inaugural Giller Prize talent rising up in Canada. -
Politics and Aesthetics in Margaret Atwood's Novels
PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA Ministry of Higher Education and Scientific Research University of Tlemcen Faculty of Letters and Languages Department of Foreign Languages Section of English Women Writing in Question : Politics and Aesthetics in Margaret Atwood’s Novels Thesis submitted in candidacy for the degree of Doctorate in English Literature Presented by Supervised by Mrs Houda Bouhadjar Pr Ilhem Serir Mortad Board of Examiners Dr Wasila Mouro (M.C.A) Chairwoman University of Tlemcen Pr Ilhem Serir (Prof) Supervisor University of Tlemcen Pr Nourddine Guerroudj (Prof) Examiner University of Sidi Belabbes Pr Leila Moulfi (M.C.A) Examiner University of Oran Dr Azzeddine Bouhassoun (M.C.A) Examiner University of Ain Temouchent Dr Abdellatif Semmoud (M.C.A) Examiner University of Tlemcen Academic Year 2017/2018 “Woman must write herself: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies” Hélène Cixous, “The Laugh of the Medusa” (137) Dedications I dedicate this work to the dearest creatures to my heart, my sons Mohamed Amine and Abderrahmane, to God’s heaven on earth my mother and to the one who supported me with love, help and patience to accomplish this work, my husband Yaaqub Boudjadar. I thank my beloved friends and sisters, Rima and Mounia and my brothers Ramzi and Salah Eddine for their encouragements. To my father and mother, I hope you feel proud of me because my success is yours. To all the silenced women whose voices have been stolen, whose bodies have been colonized and whose forgiveness have been pushed to the extreme, I dedicate this work.