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As an independent student newspaper and the paper of record for the city of Berkeley, the Daily Cal has been communicating important updates during this pandemic. Your support is essential to maintaining this coverage. In his faltering, he finds an emotional footing for scientific communication. Having dedicated his career to all the life around him, it is only fitting that viewers finally get a glimpse into his life. Opening with Attenborough wandering the regretful structures of Chernobyl, the first scene lacks anything new to say about the disaster. It works. Suddenly, year-old Attenborough takes his place in the present and, with all the same boyish energy, he proudly displays his latest find from his old digging ground, kicking off a journey through his life covering the natural world. The anxious emotion in these time shifts provides a solid narrative foundation for climate change —— one rooted David Attenborough New Life Stories the celebration of life rather than the terrifying numbers. The gut-wrenching climax of his witness statement sees his face superimposed over archival footage of his younger self, concluding that the wild world he saw was an illusion. That invisible change perfectly encapsulates what the truly great moments of the film have: heart. Attenborough purposely steers clear of power structures, politics and the forces of human idea evolution he relies on earlier that break his hopeful vision. While this choice depoliticizes the issue, the David Attenborough New Life Stories between his simple solutions and the inability of people to collectively act, hidden in his lingering pauses, is only evident to those already fighting environmental power structures. For those people, the sadness of reality only empowers the film further. Returning to Chernobyl, the film reveals that in the relatively short time since people fled, the wild has reclaimed its territory. The empty shells of human error now play host to a bounty of life, redeeming the hopeful tone of the solutions with evidence that humanity is either going with nature, or nature David Attenborough New Life Stories go on after humanity disappears. Humans have broken free of restrictions with David Attenborough New Life Stories destructive ability to evolve in ideas far faster than nature can evolve physically to answer them. We're an independent, student-run newsroom. Grade: 4. David Attenborough chronicles life through his eyes in documentary

For nearly 70 years Sir David Attenborough has been exploring the planet, taking hundreds of millions of television viewers on eye-opening journeys through the natural world. Jungles and island archipelagos, deserts and deep under the sea, no place has been too remote, no animal too elusive, for Sir David and his talented team of filmmakers to document. The man known as a national treasure in his native Britain, is 94 years old now, but age and the pandemic haven't slowed him down, he's coming out with a new book and a remarkable and stunning new film, "A Life On Our Planet," which premieres on Netflix next week. They are, David Attenborough New Life Stories he calls, a witness statement, a firsthand account of what he has seen happen to the planet and a dire warning of what he believes awaits us if we don't act quickly to save it. Attenborough: The way we humans live on Earth, is sending it into a decline. Human beings have David Attenborough New Life Stories the world. We're replacing the wild with the tame Our planet is headed for disaster. Anderson Cooper: You call the film "a witness statement. Sir David Attenborough: Yeah, well, a crime has been committed. And-- and it so happens that, I'm of such an age, that I was able to see it beginning. But if you've got any sense of responsibility, you can't do that. Sir David spoke to us via Zoom near his home in London where he's been living in isolation due to the pandemic. Anderson Cooper: I imagine you living in a house full of things that you have collected from travels around the world, a sort of cabinet of curiosities. Sir David Attenborough: Well, that is David Attenborough New Life Stories in the sense. And-- and certainly I've got a cellar full of rock. And sometimes you pick it up and you say, "Good lord, what on earth is this," or indeed, "Why on earth would I have bothered to pick this up? He studied geology and zoology in college, and was working as a producer at the BBC inwhen he convinced his bosses to let him loose and start traveling the world. He was just 28 David Attenborough New Life Stories old. David Attenborough became a household name in with his ground-breaking BBC series, "Life On Earth," which was seen by an estimated million people worldwide. Sir David Attenborough: I know it sounds like a publicist slogan, but it is the greatest story ever told. It's the story of how life developed on this planet and led to you and me sitting here, talking across an ocean. Attenborough in "Life on Earth: Life in the Trees" : It's really very unfair that man should have chosen the gorilla to symbolize all that is aggressive and violent, when that's the one thing that the gorilla is not and that we are. Sir David Attenborough: They ended up, two of them, sitting on me. Was I alarmed? Was I frightened? Was I-- concerned that the mother of those two baby chimps was going to turn on me? Not at all. Not for a microsecond. It was the biggest compliment I can David Attenborough New Life Stories receiving. There is barely a corner of the earth he hasn't been to, or a species he hasn't shown us in a new way. He's done more than just bring the natural world into our homes, he's helped us make sense of it, given it a story, full of characters and complexity, not to mention excitement. So if the hatchling keeps its nerve it may just avoid detecti on. Anderson Cooper: I saw that on a plane. And I started talking David Attenborough New Life Stories the person next to me in my seat saying, "You have to watch this, David Attenborough New Life Stories is extraordinary. Sir David Attenborough: A bit of a d-- a piece of cake, how's that? Because the animals are so fantastic. Sir David has always been an animal advocate. In the early 's he was a founding member of the World Wildlife Fund, but in his films he rarely focused on the destruction of their habitat or climate change. Anderson Cooper: You were skeptical of-- of climate change And David Attenborough New Life Stories think that's-- that's interesting, because I think it makes your warnings now all the more powerful. Sir David Attenborough: Yeah, yeah, certainly so. And if you're going to make a statement about the world, you better make sure that it isn't just your own personal reaction. And the only way you can do it, do that, is to see the-- the work of scientists around the world who are taking observation as to what's happening. As to what's happening to temperature, what's happening to humidity, what's happening to radioactivity, and what's happening ecologically? Anderson Cooper: You've said that-- that "climate change is the greatest threat facing the planet for thousands of years. Sir David Attenborough: Yes. Even the biggest and most awful things that humanity has done, civili-- so-called civilizations have done, pale to significance when you think of what could be around the corner, unless we pull ourselves together. Sir David Attenborough: Deserts in Africa have been spreading. There could be whole areas of the world, where people can no longer safely live. Sir David Attenborough: The hottest temperatures yet recorded in Death Valley and yet we are such optimists that we say-- we go to bed at night and say, "Ah, well, that was exceptional. Gosh, that was interesting, wasn't David Attenborough New Life Stories That was the highest temperature. Good lord. Well, that's the end of that. Wait another few months. Wait another year. See again. Sir David Attenborough: A coral reef is one of the most dramatic and beautiful and complex manifestations of life you can find anywhere. Sir David Attenborough: We went on this reef, which I David Attenborough New Life Stories. And it was like a cemetery. Because all the corals-- had died. They died because of a rise in temperature and acidity. And technology--". Anderson Cooper: And technology will evolve to come up with some sort of a solution that we can't even imagine? Sir David Attenborough: Ultimately we depend upon the natural world for every mouthful of food that we David Attenborough New Life Stories and indeed every lung full of air that we breathe. I mean, if it wasn't for the natural world the atmosphere would be depleted from oxygen tomorrow. Sir David Attenborough: If there were no trees around, we would suffocate. I David Attenborough New Life Stories and actually, in the course of this particular pandemic that we're going through, I think people are discovering that they need the natural world for their very sanity. People who have never listened to a bird song, are suddenly thrilled, excited, supported, inspired by the natural world. And they realize they're not apart from it. They are part of it. David Attenborough New Life Stories Cooper: You say in the film, "We're not just ruining the world, we've destroyed it. Redemption, he says, depends on a complete shift to renewable energy and an end of our reliance on fossil fuels. Sir David Attenborough: No, it doesn't, but in fact we know ways in which we can get from the sun up there just a tiny fraction of the amount of energy that sprays on this earth 24 hours a day one way or-- or another, for nothing. If we can solve the problems of storage and transmission, the world is ours. We have all the power we need. Why should we go on poisoning life on earth? Sir David also wants to see what he calls a "rewilding" of the planet, giving plants and animals on land and in the ocean time and space to David Attenborough New Life Stories back. The World Wildlife Fund says that two thirds of the earth's wildlife has disappeared in the past 50 years. Sir David Attenborough: Repopulation of the oceans can happen like that, in a decade. If we had the will to do it. But we require everybody to agree that. Sir David Attenborough: I would say that the time has come to put aside national ambitions and look for an international ambition of survival. Anderson Cooper: It seems politically the tide is moving in the opposite direction from that, of-- of nations more looking inward and not as being part of a larger international community. Sir David Attenborough: We don't have an alternative. I mean, what good does it do to say, "Oh, to hell with it, I don't care. Not if-- not if-- if you-- if you love your children. Not if you love the rest of human-- how can you say that? It's the young that Sir David now puts his faith in. And they, it seems, have faith in him. Take for example the reception he received last year when he popped up on stage at Britain's largest music festival. Sir David Attenborough: There's a huge movement around the world of people from all nations, young people who can see what is happening to the world, and demanding that their government should take action. And David Attenborough New Life Stories that's the best hope that I have. I mean, it's-- obviously my generation failed. We've allowed it to happen. We've allowed this to happen, Sir David Attenborough says, despite being the smartest creatures that have ever lived. Now, he warns, we need more than just intelligence, we need wisdom. After all, this planet is all we have. There is nowhere else to go. David Attenborough New Life Stories by David Attenborough

David Attenborough's Life Stories is a series of monologues written and spoken by British broadcaster David Attenborough on the subject of natural history. In each of the 20 programmes, Attenborough discusses a particular subject of personal resonance, drawing on his experience of six decades filming the natural world. The commissioning of Life Stories was announced in January During the series run, each episode was made available as a podcast on the Radio 4 website, and are still available on the BBC Sounds app. The series drew widespread praise from the British press. Gillian Reynolds, radio critic for The Daily Telegraphwrote "his opening talk, about his affinity with the gently ruminant three-toed sloth, was pure delight". She went on to describe Attenborough as a "gent, scholar, a brilliant communicator with a sense of humour", and added that "unlike many a radio broadcaster these days, David Attenborough New Life Stories doesn't drop his voice on the key word in any sentence. The complete series was released in audio book form and the scripts compiled in a hardback volume. Attenborough went on a national book signing tour to promote the titles, and also appeared on the BBC One chatshow Friday Night with Jonathan Ross to talk about the book. This book contains the same text that was used in Attenborough's speeches, along with pictures at the end of each chapter, David Attenborough New Life Stories by captions written by Attenborough. From Wikipedia, the free encyclopedia. David Attenborough's Life Stories Cover of the audio book based on the David Attenborough New Life Stories. BBC Press Office. Retrieved 5 February The Daily Telegraph. Retrieved 1 May The Times. David Attenborough New Life Stories Observer. BBC News. Africa Madagascar Great Barrier Reef. Inside Life. Last Chance to See. David Attenborough. Hidden categories: BBC programme template using Wikidata. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Add links. Cover of the audio book based on the series. Attenborough reveals David Attenborough New Life Stories particular affection for the three-toed sloth, an animal he encountered first-hand while filming Zoo Quest in British Guiana. The sloth's coarse hair grows forward in a fringe and is centrally-parted along its belly, adaptations which help to keep it dry as it hangs upside down in the rainforest canopy. When the first skins and skeletons arrived in Europe, natural history artists drew the sloth upright, but its thin, rod-like legs cannot support its weight, rendering it helpless on the ground. Sloths have poor eyesight and are virtually deaf, David Attenborough New Life Stories possess an acute sense of smell. Attenborough describes their peculiar routine of visiting a communal toilet at the base of a special tree. Their faeces are especially pungent, and this helps sloths locate one another in the breeding season. Unlike land-based herbivores, which need great size or speed to avoid predation, sloths can devote their time to slowly digesting leaves other species find unpalatable. Although Attenborough prefers modest flowers, some wild plants produce blooms of monstrous proportions. The largest, produced David Attenborough New Life Stories the titan arum, consists of a huge cone of unfurled fronds surrounding a central spike up to ten feet high. Attenborough travelled to Sumatra to film it for The Private Life of Plantsbut finding one in bloom was not easy. Titan arums are widely dispersed and flower for just three days. Nobody knew how the blooms were pollinated, but Attenborough was able to film tiny sweat bees delivering pollen to the several dozen female florids which cluster at the base of the stem. The bees are attracted by the arum's pungent scent, and the tall spike helps to disperse it through the forest. The honour of the largest single flower belongs to Rafflesia, a parasite which takes its nutrients from its host plant, a vine. With no economic cost to Rafflesia of growing big flowers, it produces an enormous bloom three feet across. Attenborough is reminded of English stately homes, and calls Rafflesia "the aristocrat of the plant world". Duck-billed platypus Inwhen the first platypus skin was brought back from Australia, English naturalists examined its duck-like beak, fur and webbed feet and declared it a hoax. The beak contains sensory receptors which it uses to find food underwater, a skill Attenborough likens to metal detecting. Platypuses lay eggs, a highly unusual means of reproduction for a mammal. Attenborough wanted to film the eggs hatching for Life on Earth to illustrate the transition from reptiles to mammals. Despite the BBC offering to fund a captive platypus research programme, no scientists came forward, partly because the species had never bred successfully in captivity. The producers eventually found archive footage of a baby platypus emerging from an egg, but the crucial moment of hatching was missing. A second chance came during the making of The Life of Mammalsand this time, technology helped to overcome the problem. An endoscopic camera was fed into the nesting chamber of a wild platypus to David Attenborough New Life Stories the first images of her baby suckling milk. Filming the egg-cracking moment, however, remains an elusive prize. When Marco Polo reached the court of Kublai Khan, he was shown the egg of a roc, a giant bird of prey said to be capable of carrying off and killing elephants. Other historical tales of giant birds had more credence. The elephant bird Aepyornis of Madagascar was first reported in the 17th century. Long since extinct, it is now known only David Attenborough New Life Stories skeletons, which resemble an ostrich rather than an eagle, and fragments of eggshells. Whilst on a s filming trip to Madagascar, Attenborough assembled a complete egg from fragments brought to him by a local goatherd. He explains why such birds gave David Attenborough New Life Stories flight. After the demise of the dinosaurs, birds and mammals David Attenborough New Life Stories for dominance of the land. On continental fragments which broke away from the supercontinent before mammals established their superiority, birds won the battle. Madagascar is one such place, as is New Zealand, where a dozen species of flightless moa once ruled the David Attenborough New Life Stories. Although some moas were comparable in size to Aepyronisthe latter's eggs are still the largest ever discovered. Attenborough considers the purpose of songs, questioning the evolutionary advantage which led to the human larynx developing into a complex, precise instrument. The answers can be found in David Attenborough New Life Stories natural world. Birdsong differs between species and even individuals, and is characterised by sustained melodic phrases rather than short, simple vocalisations. Research has shown that the most David Attenborough New Life Stories songsters have the best chance of attracting a David Attenborough New Life Stories, so singing has a sexual purpose. Attenborough next considers mammals, where the gibbon species are particularly adept exponents of song. Males sing daily from the treetops, and in doing so attract the interests of females. When a female joins a male in pair bond, she performs a "magnificent solo aria" and their David Attenborough New Life Stories culminates in a "wildly passionate climax". Attenborough speculates that male gibbons with the most complex songs get the most female attention. In humans, songs generate camaraderie and spiritual emotion, but their chief role is still sexual. A bower bird's bower Male bowerbirds build structures to show off the various jewels and treasures they collect from the forest. They do so to impress females, for the bower serves a similar purpose to the extravagant plumage of male pheasants and birds-of-paradise. The most impressive is built by the Vogelkop bowerbird from eastern New Guinea. Males build a wigwam structure several feet across, with a thatched roof and a mossy lawn outside the entrance where they carefully arrange their displays in neat piles — flower petals, iridescent beetle wing cases or rare fungi. Females tour the bowers and only alight on the one which they find most impressive, at which point the male emerges from his wigwam to mate with her. Filming bowerbirds must be done from a hide, so to stand any chance of filming copulation you must select the bower that you think will most impress a female bird. The odds of doing so are in fact quite good, says Attenborough, showing that "we and bowerbirds have the same aesthetic sense and preferences, and that thought pleases me no end. Early natural history encyclopaedias included fire-breathing dragons, "perfectly rational attempts to turn travellers' exaggerations into terms of flesh and blood", explains Attenborough. Long after dragons had disappeared from reference books, a expedition to the Dutch East Indies reported sightings of gigantic lizards on the island of Komodo. The popular press seized upon the dragon moniker and the name stuck. In the s, Attenborough and his cameraman Charles Lagus travelled to Komodo to obtain the first proper footage of the dragons in the wild. On first sight, Attenborough thought them impressive but quite docile, and questioned whether their fearsome reputation was really justified. Since then, research has revealed that they do indeed kill as well as scavenge, preying on buffalo, deer, pigs and goats. They infect their victim with a venomous bite and stalk it for a week or more until it succumbs. They are also cannibals, which may explain their great size. Komodo dragons David Attenborough New Life Stories by zoos have proved difficult to breed, but it has recently been discovered that females can reproduce by parthenogenesis. Attenborough tells the story of one of the Natural History Museum's "great wonders", its Archaeopteryx fossil. This was a princely sum and recognition David Attenborough New Life Stories Archaeopteryx' s significance. At million years old, it contains the earliest examples of feathers, which adorn the forelimbs and tail of a small dinosaur-like creature. The s was a critical time in scientific history owing to Darwin's recently-published Origin of Species. However, Owen believed that God had created the archetypes for all species, and classified archaeopteryx as a bird. Most scientists, however, sided with Darwin and recognised it as an intermediate species between birds and reptiles. Further Archaeopteryx fossils have since been discovered, and in China, fossilised flightless dinosaurs with feathers on their bodies. These theropods may have developed feathers to control heat loss. Attenborough suggests that the origin of flight lies in feathered dinosaurs becoming arboreal and gliding between trees.