OREGON BALLET THEATRE Alison Roper, Development Associate Victoria A
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2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
Download the Brochure
www.ohiodance.org 2 www.ohiodance.org Dance Matters: Inscribing The OhioDance Festival and Conference is an annual statewide celebration of dance through classes, workshops, discussions and performances. Nationally recognized Alexis Willson, will serve as a guest artist. As a professional dancer she has performed classically and commercially all over the world. Alexis earned her B.F.A. in drama from the prestigious Carnegie-Mellon University. After retiring from dancing, she acted in commercials and later became a casting associate. Alexis has written and published poetry, a full length musical, made contributions to a variety of published works, and self-published her Melanye White Dixon recent memoir, Not So Black and White. Friday, April 28 Young Artists’ Concert, 10:30-11:30am Master classes begin at 2:30pm. 8:00pm: BalletMet’s Romeo and Juliet at the Ohio Theatre 7:00pm Reception Saturday, April 29 Full day of master classes 12:30-1:30pm Alexis Wilson guest speaker after the Luncheon 2-3:30pm Virtual Dance Collection unveiling Panel Discussion 3:45 Alexis Wilson Composition Master Class Pamela Young 6:30pm Evening Performance and Award Ceremony. Awards will be presented to Dr. Melanye White Dixon for outstanding contributions to the advancement of dance education, Sheri “Sparkle” Williams for outstanding contributions to the advancement of the dance artform and Pamela Young for outstanding contributions to the advancement of dance arts administration. The Maggie Patton dance scholarship and OhioDance outstanding dance student will be awarded to a graduating high school student. Sunday, April 30, 10:00am-3:00pm- Wellness day and Master classes Sheri “Sparkle” Williams Registration and Classes Festival Guide Index held at BalletMet Columbus Festival Schedule........................pg. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
LES BALLETS TROCKADERO DE MONTE CARLO Mixed Program / Programme Mixte
NAC 1617 DANCE DANSE LIFE IN CNA MOTION Cathy Levy LA VIE EN Executive Producer, Dance Productrice générale, Danse MOUVEMENT LES BALLETS TROCKADERO DE MONTE CARLO Mixed Program / Programme mixte February 17 février 2017 Salle Southam Hall Duration: 2 hours 5 minutes, including two intermissions Durée : 2 heures 5 minutes avec deux entractes Performance Sponsor / Commanditaire du spectacle Julie Teskey / Stephanie Cartwright Re/Max Metro City Realty Peter A. Herrndorf President and Chief Executive Officer / Président et chef de la direction 1617 © Nick Lafontaine Quite simply, Les Ballets Trockadero de Les Ballets Trockadero de Monte Carlo Monte Carlo just keeps getting better. As sont tout simplement meilleurs d’une fois the company continually tours the world, à l’autre. Constamment en tournée dans le expanding its repertoire and audiences, its monde, la compagnie ne cesse d’étendre performances are never tired or diminished. son répertoire et son public, sans jamais que This is quite a feat for any artist, let alone ses prestations n’aient à en souffrir. C’est ones that have been on the road — and on tout un exploit pour n’importe quel artiste, à pointe — for more than 40 years. Born out plus forte raison pour des danseurs qui sont of the underground New York City drag en tournée — et sur pointes — depuis plus de scene of the late 60s/early 70s, the Trocks’ 40 ans. Née de la scène drag new-yorkaise unique blend of masterful, classical ballet du tournant des années 1970, la formule technique with humour and parody results singulière des « Trocks », alliant une in a celebratory, comedic performance that parfaite maîtrise de la technique du ballet speaks to audiences of all ages. -
Teacher's Resource Kit Secondary Schools
TEACHER’S RESOURCE KIT SECONDARY SCHOOLS THE AUSTRALIAN BALLET EDUCATION Contents 04/ Synopsis 09/ Choreographer’s Note 10/ Cast of Characters 11/ The Creatives 13/ The Design 14/ The Music 16/ Overall Vision 17/ Curricular activities TEACHER RESOURCE KIT | SWAN LAKE | 2 THE AUSTRALIAN BALLET EDUCATION SWAN LAKE SWAN LAKE The Australian Ballet‘s current version Choreography: Stephen Baynes Original choreography: Marius Petipa Music: Piotr Ilyich Tchaikovsky Designed by: Hugh Colman Lighting designed by: Rachel Burke Projections designed and directed by: Domenico Bartolo (21-19) TEACHER RESOURCE KIT | SWAN LAKE | 3 THE AUSTRALIAN BALLET EDUCATION SWAN LAKE SYNOPSIS PRELUDE: NIGHT. A PALACE TERRACE BY A LAKE As his coming of age approaches, Prince Siegfried feels the heavy responsibilities of his rank. He grieves, too, remembering the funeral of his royal father that so overwhelmed him as a young boy. TEACHER RESOURCE KIT | SWAN LAKE | 4 THE AUSTRALIAN BALLET EDUCATION SWAN LAKE ACT I: NEXT DAY. THE PALACE GARDENS In the busy preparations for the Prince’s birthday, his young friends, fellow officers, and ladies of the court try to distract him from his sadness. His widowed mother the Queen arrives with the Chancellor, who has effectively ruled the kingdom since the King’s death. Four foreign princesses are presented by their ambassadors as potential fiancées for the Prince, but he is more interested in drinking toasts and dancing. As evening falls, he feels the familiar lure of the lake, where he can be alone. TEACHER RESOURCE KIT | SWAN LAKE | 5 THE AUSTRALIAN BALLET EDUCATION SWAN LAKE ACT II: THAT NIGHT. -
2017 - 2018 SEASON World Ballet Stars • Giselle • the Nutcracker • Peter Pan Lightwire Theater: a Very Electric Christmas
2017 - 2018 SEASON World Ballet Stars • Giselle • The Nutcracker • Peter Pan Lightwire Theater: A Very Electric Christmas 2017-2018 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Welcome to the 48th season of the Northwest Florida Ballet! With the return of the Northwest Florida Ballet Symphony Orchestra and FIVE productions at venues all along the Emerald Coast, we have proven our commitment to elevating the performing arts in the communities we serve. As friends of NFB and valued patrons of the arts, we have listened to your feedback and identified new performance locations and expanded use of others to continue bringing you the world-class productions our organization is known for. Todd Eric Allen, NFB Artistic Director & CEO The season begins with World Ballet Stars, a main stage production at the Mattie Kelly Arts Center in September. Through our expanded partnership with Grand Boulevard, we will present Giselle to the community as a free outdoor performance in Grand Park in October. We return to the Mattie Kelly Arts Center in November for our 38th annual production of The Nutcracker. In December we bring back the electrifying Lightwire Theater with A Very Electric Christmas for two performances at the Destin United Methodist Church Life Center. -
2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. -
National Ballet of China Feng Ying, Artistic Director the Peony Pavilion Ballet in Two Acts and Six Scenes Adapted from Tang Xianzu’S Play of the Same Name
07-08 Peony_Gp 3.qxt 6/29/15 2:42 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 8 – 10 David H. Koch Theater National Ballet of China Feng Ying, Artistic Director The Peony Pavilion Ballet in two acts and six scenes Adapted from Tang Xianzu’s play of the same name Producer Zhao Ruheng Adaptation and Director Li Liuyi Composer, Arranger, and Orchestrator Guo Wenjing Choreographer Fei Bo Set Designer Michael Simon Costume Designer Emi Wada Lighting Designers Michael Simon, Han Jiang National Ballet of China Symphony Orchestra Conductors Zhang Yi, Liu Ju Approximate performance time: 2 hours, including one intermission Major support for Lincoln Center Festival 2015 is provided by The Andrew W. Mellon Foundation. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Lincoln Center Festival 2015 is made possible in part with public funds from the New York City Department of Cultural Affairs, New York State Council on the Arts, and the National Endowment for the Arts. Endowment support for the Lincoln Center Festival 2015 presentation of the National Ballet of China is provided by Blavatnik Family Foundation Fund for Dance. The Lincoln Center Festival 2015 presentation of the National Ballet of China is made possible in part by generous support from Yang Lan and The Joelson Foundation. National Ballet of China’s participation in Lincoln Center Festival is made possible by the support of the Ministry of Culture of China and the China National Arts Fund. 07-08 Peony_Gp 3.qxt 6/29/15 2:42 PM Page 2 LINCOLN CENTER FESTIVAL 2015 THE PEONY PAVILION July 8, 2015, at 8:00 p.m. -
Project Faust
PUBLISHER FEARLESS DESIGNS, INC. March 2018 EDITOR KAY TULL MANAGING EDITOR AGGIE KEEFE CREATIVE DIRECTOR FROM THE DIRECTOR ................................................................... 4 JEFF TULL PROGRAM HE EYOND DESIGN T B ........................................................................ 7 KAY & JEFF TULL REQUIEM .......................................................................... 8 PROJECT FAUST .................................................................. 9 PRODUCTION BIOGRAPHIES ....................................................................... 21 AGGIE KEEFE ARTISTS OF THE COMPANY...................................................... 34 STAFF & SUPPORT ................................................................ 38 SALES MANAGER MICHELLE BAIR THEATRE SERVICES ..................................................................... 54 PRINTING CLARK & RIGGS PRINTING THEATRE INFORMATION The Kentucky Center (Whitney Hall, Bomhard Theater, Clark-Todd Hall, MeX Theater, 501 West Main Street; and Brown Theatre, 315 W. Broadway). Tickets: The Kentucky Center Box Office, 502.584.7777 or 1.800.775.7777. Reserve wheelchair seating or hearing devices at time of ticket purchase. © COPYRIGHT 2018 LOOK AROUND YOU RIGHT NOW. IF THE PEOPLE YOU SEE LOOK LIKE POTENTIAL FEARLESS DESIGNS, INC. CUSTOMERS AND CLIENTS, YOU SHOULD BE ADVERTISING IN OUR PROGRAM REPRODUCTION IN GUIDES! OUR ADVERTISERS NOT ONLY GET THE BENEFIT OF REACHING A LARGE, WHOLE OR PART CAPTIVE, AFFLUENT AND EDUCATED DEMOGRAPHIC, BUT THEY ALSO SUPPORT