Wk 31 – 1994 July 30 – UK Top 75

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Wk 31 – 1994 July 30 – UK Top 75 1 1 11 LOVE IS ALL AROUND Wet Wet Wet 2 2 7 I SWEAR All-4-One 3 3 4 MEET THE FLINTSTONES BC 52's 4 6 6 CRAZY FOR YOU Let Loose 5 9 2 REGULATE Warren G And Nate Dogg 6 - 1 RUN TO THE SUN Erasure 7 11 3 SEARCHING China Black 8 5 7 SHINE Aswad 9 4 9 SWAMP THING Grid 10 10 2 EVERYTHING IS ALRIGHT CJ Lewis 11 18 2 LET'S GET READY TO RHUMBLE PJ & Duncan 12 8 4 EVERYBODY GONFI-GON Two Cowboys 13 - 1 BLACK BOOK EYC 14 - 1 TROUBLE Shampoo 15 12 9 BABY I LOVE YOUR WAY Big Mountain 16 7 4 LOVE AIN'T HERE ANYMORE Take That 17 - 1 COMPLIMENTS ON YOUR KISS Red Dragon 18 13 4 WORD UP Gun 19 14 4 CAN YOU FEEL THE LOVE TONIGHT Elton John 20 15 2 TAKE ME AWAY Bad Boys Inc 21 - 1 LIBIAMO/LA DONNA E MOBILE Carreras, Domingo & Pavarotti 22 - 1 SOMETIMES ALWAYS Jesus And Mary Chain 23 16 5 GO ON MOVE Reel 2 Real 24 24 6 7 SECONDS Youssou N'Dour ft Neneh Cherry 25 17 8 DON'T TURN AROUND Ace of Base 26 - 1 KISS FROM A ROSE Seal 27 - 1 THE MAN I LOVE Kate Bush And Larry Adler 28 20 8 YOU DON'T LOVE ME Dawn Penn 29 21 2 LIVING IN THE SUNSHINE Clubhouse 30 23 3 AFTERNOONS AND COFFEESPOONS Crash Test Dummies 31 19 2 TOWER OF STRENGTH Skin 32 22 10 NO GOOD Prodigy 33 27 7 ANYTIME YOU NEED A FRIEND Mariah Carey 34 32 2 MORE TO LOVE Volcano 35 - 1 REACHIN' House Of Virginism 36 - 1 FROM HERE TO ETERNITY Michael Ball 37 - 1 TWYFORD DOWN Galliano 38 39 2 WIPEOUT Animal 39 29 6 WILLING TO FORGIVE Aretha Franklin 40 30 3 SMELLS LIKE TEEN SPIRIT Abigail 41 49 2 GET OFF THIS Cracker 42 - 1 GOLDENBOOK Family Cat 43 - 1 PICNIC IN THE SUMMERTIME Deee-Lite 44 36 11 GET-A-WAY Maxx 45 - 1 PING PONG Stereolab 46 26 3 LOVE IS STRONG Rolling Stones 47 28 2 SAVANNA DANCE Deep Forest 48 33 3 I'M NO ANGEL Marcella Detroit 49 25 3 90'S GIRL Blackgirl 50 40 4 YOU MEAN THE WORLD TO ME Toni Braxton 51 38 7 U AND ME Cappella 52 - 1 HELP MY FRIEND Slo-Moshun 53 31 3 ON POINT House Of Pain 54 - 1 DON'T GIVE IT UP Sonic Surfers 55 - 1 ROCK 2 HOUSE / HIP HOUSIN' X-Press 2 56 35 2 NITE LIFE Kim English 57 44 12 AROUND THE WORLD East 17 58 37 3 FEENIN' Jodeci 59 34 2 IT'S ME Alice Cooper 60 41 2 FANTASTIC VOYAGE Coolio 61 - 1 HOPELESSLY DEVOTED TO YOU Sonia 62 48 14 COME ON YOU REDS Manchester United Football Squad & Status Quo 63 43 2 CAUGHT UP IN MY HEART Omar 64 RE 13 INSIDE Stiltskin 65 53 5 NIGHT IN MY VEINS Pretenders 66 - 1 YOU LET YOUR HEART GO TOO FAST Spin Doctors 67 57 2 SECOND CHANCE Phillip Leo 68 59 4 GET IT TOGETHER / SABOTAGE Beastie Boys 69 55 5 SHAKERMAKER Oasis 70 46 4 WHY DO FOOLS FALL IN LOVE / I'M COMING OUT Diana Ross 71 54 3 THE PANDEMONIUM SINGLE Killing Joke 72 - 1 EXPANDER Future Sound Of London 73 51 5 CAUGHT IN THE MIDDLE Juliet Roberts 74 64 4 ROCK BOTTOM Babyface 75 61 5 BACK AND FORTH Aaliyah .

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Lemmel-Greatest-Lect
SESSION SEVEN NEGLECT OF UNUSUAL INSTRUMEMTS OR COMBINATIONS OF INSTRUMENTS NEGLECTED GEM OF THE WEEK This week’s neglected gem is by a well-known composer of orchestral and organ music. WHY NEGLECTED? ◊ ◊ ◊ NEGLECT BECAUSE OF UNUSUAL INSTRUMENTS Today’s topic is an interesting one, and more complicated than at first it seems. We’re going to explore the neglect of classical music because of unusual instruments or combinations of instruments. Of course, in every era of music history there have been unusual instruments – instruments which, for various reasons, were not as popular, or well-known, or accessible as were others. But we’re not going to take a historical approach today. We’re just going to consider the present day, and the neglect of some excellent music in 2015. As we will see, the instruments, or combination of instruments, for which a piece is written, can result in several possible kinds of neglect. WHY COMPOSE MUSIC FOR UNUSUAL INSTRUMENTS? Why have composers, from time to time, written music for unusual instruments, or combinations of instruments? There are many reasons, from personal ones such as the desire to perform with a friend or family member, to more public ones, such as wanting to honor an excellent performer, or being commissioned by a performer to write such a piece. As we listen to some of these pieces, we’ll find out more about why they came to be written, and why they are neglected in the 21st century. ◊ ◊ ◊ NEGLECT OF MUSIC WRITTEN FOR ARCHAIC INSTRUMENTS One obvious reason for the neglect of some music today is that the instruments for which they were originally written are no longer used, or even available for us to hear.
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Walton - a List of Works & Discography
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Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living.
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Allied Arts Corporation
ALLIED ARTS CORPORATION HARRY ZELZER, Managing Director Presents ARTUR FINAL EVENT OF THE 1951-52 ZELZER CONCERT SERIES • SATURDAY EVENING, APRIL 12+h, 1952 at 8:30 P.M. ORCHESTRA HALL CHICAGO BARITONE The great new American baritone, William Warfield, has rocketed almost overnight into a first-magnitude star of concert, stage and screen. A complete unknown, he stepped onto the stage of New York's Town Hall in March 1950 and sang a long, varied and taxing program with such consummate artistry that all New York was buzzing the next day. "One of the great voices," proclaimed the World-Telegram & Sun, and all the Metropolitan critics agreed. Sensational debuts are rare; sensational repeats are even rarer. Warfield returned to Town Hall in 1951, and the verdict was uniformly the same. The judgment of the New York critics has been upheld by audiences throughout this country and Australia. The baritone has toured exten sively in recital and has appeared as soloist with such outstanding orchestras as the symphonies of Philadelphia, Chicago, San Francisco, St. Louis, Rochester, Los Angeles, Toronto and others. Warfield's tour of Australia was unprecedented in many respects. Quickly following his debut, it was the first time that the Australian Government has ever imported an artist who had not first won an international reputation. Twice extended, the tour comprised 35 dates, 14 of them with orchestras under such conductors as Klemperer and Goossens. As an actor, Warfield appeared on Broadway in "Set My People Free," "Call Me Mister" and "Regina." Hollywood was quick to snap up the new singing sensation for the immortal "Old Man River" role in the new technicolor version of "Show Boat." His portrayal in that film is such a standout that even before its release Warfield was re-engaged by MGM to play Jim in their forthcoming musical production of "Huckleberry Finn," with Gene Kelly and Danny Kaye.
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Boston Symphony Orchestra Concert Programs, Season 65,1945-1946, Subscription
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Boston Symphony Orchestra Concert Programs, Season 75, 1955-1956
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Paradise Remembered
Journal of the No.24 June 2002 EDITOR RVW Stephen Connock Society In this issue... Paradise Remembered RVW and Distinguished Conductors The RVW Society is delighted and wonderful times with Ralph and Ursula, honoured to be able to publish Ursula of musical evenings, of RVW premières G Conducting RVW Vaughan Williams’s autobiography and of friends long gone. Lord Paradise Remembered. The 225-page Armstrong added that the book was an by Michael Kennedy . 2 book was launched at a celebratory party ideal accompaniment to Ursula’s held at Cecil Sharp House on Saturday biography of her husband, full of insight G Glory, Pity and Anger: 23 March 2002. Over 80 of Ursula’s and affection. British Conductors in friends and family attended, including her sister Rosemary, Simona Pakenham, Ralph and Ursula the music of RVW Eva Hornstein and Michael and Joyce Ursula completed the autobiography in by William Hedley . 6 Kennedy. 1972. The early chapters of the book deal with her army life, marriage to G Malcolm Sargent, Vivid recollections Captain Michael Wood and the onset of Vaughan Williams and Lord Armstrong, son of the composer war. Her life changed totally after Sir Thomas Armstrong, congratulated meeting Ralph Vaughan Williams in the Ninth Symphony Ursula on writing an autobiography 1938. Their friendship, close artistic by Robin Barber . 8 which he found highly collaboration and subsequent marriage evocative, in 1953 are described with candour, G Stokowski and humour and affection. There are 40 Vaughan Williams illustrations from Ursula’s extensive collection, many appearing in print for by Edward Johnson . 12 the first time.
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An Interview with the World Famous Comedian by Pfc William R
An Interview with the World Famous Comedian by Pfc William R. Higgins, Jr., 375-A Reprinted .from the Muzzle Blast, the newspaper of the 375th FA Bn while the Battalion was in Germany. The morning after Jack Benny’s USO troupe appeared at the Stuttgart Bowl, your reporter presented himself at the quarters of Maj. Gen. Withers A. Burress, where the world famous comedian was a guest along with the rest of his performers. After infiltrating past two sentries, and finally reaching Yen, the General’s valet, I was ushered into the presence of the ratio star and his songstress, Martha Tilton, with the announcement, “The Gentleman of the Press!” Boy, did I get a kick out of that! Thus began my interview with Hollywood’s loveable old jokester, and one of his side-kicks, the attractive singer who used to send them with Benny Goodman’s band. The grey-haired comedian had made a change from his flannels and snappy tan sport coat, and was dressed in sun-tans. He was munching his morning toast and finishing his coffee, but even at that early hour, his ready wit and genuine personality were just as evident as when he was before the huge audience of the night before. The beautiful Ingrid Bergman, and the fourth member of the troupe, Larry Adler, didn’t put in an appearance at the breakfast interview, but Miss Tilton graciously supplied the answers to the many questions that I asked. When asked what they thought of Germany, the songbird replied, “It was a real thrill to actually see all of the former Nazi strongholds that we had read about for so long.” This was echoed by the man who the night before was tearing down a former Nazi stronghold himself by rocking it with GI laughter, with such famous Benny gags as his advice to Army cooks “to put lace panties on Spam and call it lamb chops!” Or his telling in all seriousness of the budget he allowed himself to frolic in Paris“—8 francs for two days”—which also had the boys rolling in the aisles, most of them knowing their Paris.
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Celebrating Larry Adler's Centenary
PRESS RELEASE 6 February 2014 Celebrating Larry Adler’s Centenary Legendary performer, Larry Adler (Lawrence Cecil Adler), was born on the 10th February 1914 in Baltimore USA. He was widely acknowledged as one of the world's most skilled harmonica players. Composers such as Ralph Vaughan Williams, Malcolm Arnold, Darius Milhaud and Arthur Benjamin composed works for him. George and Ira Gershwin were two of his closest friends. During the later stage of his career he was known for his collaborations on The Glory of Gershwin, a CD produced by Sir George Martin in celebration of Larry’s 80th birthday. Many popular musicians took part including: Sting, Sir Elton John, Kate Bush, and Jon Bon Jovi. Quote from Sir George Martin: “Of course Larry was a compulsive name-dropper but he really did know the greatest of people and for me it was wonderful to work with such a legend”. Larry gave the harmonica a place on the concert platform for the first time, his name being synonymous with the instrument. Having run away from home at 13, he rose to stardom on the stage and in film. Larry became one of the biggest names in the United States until accused of Communist leanings by Joseph McCarthy (on a list including many other famous names) and this caused him to be blacklisted and unable to continue working in the country. Fortunately, he was made welcome in Britain which became his new home and from where he was able to perform all over the world, eventually returning for occasional visits to his homeland.
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Repertoire Guide
Ralph Vaughan Williams (1872-1958) Repertoire Guide A guide to his music for Concert Promoters, Performers & Students. Editor: Graham Muncy Edition dated 3 May 2021 Ralph Vaughan Williams – Repertoire Guide Introduction This Guide is designed to expand the detail about selected Vaughan Williams works for potential performers and students, giving the contexts, sources of texts, instrumentations, editions, publication details and arrangements. It is intended to cover both established and the lesser-known works in the hope of encouraging discovery and further performance. The Guide is not designed to displace the current major source of information on RVW’s works, which is Michael Kennedy: A Catalogue of the Works of Ralph Vaughan Williams. Second Ed. Oxford University Press. 1996. ISBN 0-19-816584-6. Since that revised edition was published, just two years after the establishment of the RVW Society, the standing of the composer has increased considerably, both in the UK and abroad, with more performances and recordings of his output and with an increasing number of his established works being republished in new scholarly editions by his major publishers. We have also witnessed the rediscovery, performance, recording and publication of a significant number of the composer’s early pieces, some of them being published for the first time - whether or not they had been performed in the early years of the last century. Several of these works have established a foothold in the repertoire, such as the Piano Quintet in C minor of 1903. Several of these previously unheard works have appeared on the RVW Society’s ‘Albion Records’ label (https://rvwsociety.com/albionrecords/).
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