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Sebastian Lang-Lessing Chief Conductor & Artistic Director
2 0 0 9 SEBASTIAN LANG-LESSING Chief Conductor & Artistic Director 3 2009 3 HIGHLIGHTS WORLD PREMIERES The TSO and TSO Chorus under conductor Richard Mills gave the world première of Mills’s Passion According to St Mark in Hobart on 4 April, a Ten Days on the Island event. Lux Aeterna, by New Zealand composer Kenneth Young, received its world première under conductor Nicholas Milton in Hobart on 24 July. AUSTRALIAN PREMIERE Elena Kats-Chernin’s Ornamental Air, co-commissioned by the TSO, received its Australian première under conductor Baldur Brönnimann in concerts in Launceston and Hobart on 3 and 5 December. CONTENTS ACOUSTIC UPGRADE Highlights 2 The acoustics in Federation Concert Hall received a significant upgrade thanks to an acoustic screen and purpose- Chairman 4 built risers funded by a special one-off grant from the State Government. Managing Director 4 AUSTRALIAN COMPOSER SERIES VOL 3 TSO Holdings Board of Directors 5 The Hon. Peter Garrett, Federal Minister for the Arts, launched the Australian Composer Series Volume 3 at Moorilla on Strategies, Goals, KPIs 7 31 March. The five-CD box set, which features the music of Gerard Brophy, Brett Dean, Peggy Glanville-Hicks, Concerts 9 Richard Meale and Malcolm Williamson, brings the total number of CDs in the Australian Composer Series to 18. Artists 10 (L-R) Richard Mills, Lyndon Terracini, Core Repertoire Sebastian Lang-Lessing, the Hon. Peter Garrett and Nicholas Heyward. Classical and Early Romantic Music 11 Australian Music 13 CD Releases 14 Recordings 16 Marketing and Business Development 17 Education and Training 17 ABAF AwaRDS Orchestra 19 The TSO took out national honours at the Australia Business Arts Staff 20 Foundation (AbaF) awards in the ‘Giving Award’ category at a ceremony TSO Chorus 20 held in Brisbane on 15 October. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Boston Symphony Orchestra Concert Programs
m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. -
MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago De Espada’ (1957) (6’33”) Elevamini – Symphony No
SRCD.281 STEREO ADD MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago de Espada’ (1957) (6’33”) Elevamini – Symphony No. 1 (1957) (29’49”) 2 1st movement: Lento (13’27”) Malcolm 3 2nd movement: Allegretto (5’45”) 4 3rd movement: Lento assai - Allegro (10’37”) Sinfonia Concertante for three tumpets, piano and strings (1958/61) * (18’46”) Williamson 5 1st movement: 'Gloria in excelsis Deo' (5’17”) 6 2nd movement: ‘Salve Regina’ (5’16”) 7 3rd movement: ‘Gloria Patri’ (8’13”) Piano Sonata No. 2 (1957 rev.1971) ** (17’28”) Overture ‘Santiago de Espada ’ 8 1st movement: Quasi lento (6’35”) 9 - 2nd movement: Poco adagio (7’19”) Elevamini – Symphony No. 1 10 3rd movement: Allegro assai (3’34”) Sinfonia Concertante (72’43”) * Martin Jones, piano Piano Sonata No. 2 ** Malcolm Williamson, piano Royal Liverpool Philharmonic Orchestra Martin Jones conducted by Malcolm Williamson Sir Charles Groves Royal Liverpool The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. ൿ 1976 ** ൿ 1972 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England Philharmonic Orchestra This compilation and digital remastering ൿ 2007 Lyrita Recorded Edition, England © 2007 Lyrita Recorded Edition, England. Made in the UK Sir Charles Groves LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK hough Malcolm Williamson lived in London for fifty years, many of the titles central movement, in A flat; it was conceived as a set of variations on a theme related T and first performance venues of his works confirm that he was at heart an to the first movement, but in simpler and less astringent language. -
Fne Music Magazne
February 2013 MAGAZINE VLADIMIR ASHKENAZY The Mystery of Music CORRALLING THE MASSES Sydney Philharmonia Choirs THE MUSIC- MATH MYTH Simon Tedeschi MASTER OF MODERNISM - Elliott Carter BIRTH OF AN OPERA Un Ballo in Maschera FROM THE ROYAL OPERA LA BOHEME MARCH 1, 2, 3 & 6 www.palaceoperaandballet.com.au CONTENTS EDITOR’S DESK In our cover story there’s a classic master-meets- Vol 40 No 2 apprentice moment as Robert Clark endeavours 4 COVER STORY to find some insights into how the great Vladimir Vladimir Ashkenazy, Principal Conductor of Ashkenazy achieves what he does. Clark finds however, that the practice of making music in the the Sydney Symphony, talks with Robert Clark maestro’s realm is more spiritual than tangible. and ponders the mysteries of making music Just one month into the Wagner anniversary year 3 Simon Says and we appear to be pleasantly awash with all things 6 Brett Weymark Interview Wagnerian. In a one page special review, Randolph Magri-Overend lifts the lid on a commemorative 8 Un Ballo in Maschera – Solti Ring cycle 14 CD Box set limited edition and the Wagner Society in NSW unveils a Birth of an Opera packed calendar of events. 11 Presenter Profile – Tom Zelinka Over at the Sydney Symphony, Chief Conductor and Artistic Director designate David Robertson is set to mark the 200th anniversaries of Verdi and Wagner with two July 12 Young Virtuosi events - Verdi’s Requiem and a concert version of Wagner’s Flying Dutchman. 13 Meet Kathryn Selby These two concerts are among seven this year where the Sydney Symphony teams up with the Brett Weymark-led Sydney Philharmonia Choirs. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
This Christmas Night Stephen F the Choir Ofw Arr Orcester College, Oxford Hafliði Hallgrímsson (B
This Christmas Night The Choir of Worcester College, Oxford Stephen Farr RES10113 Hafliði Hallgrímsson (b. 1941) Mark-Anthony Turnage This Christmas Night 11. Claremont Carol * Contemporary Carols 1. Joseph and the Angel * [3:43] [4:08] Anthony Piccolo (b. 1946) Howard Skempton (b. 1947) 2. I look from afar [6:19] 12. There is no rose * [2:39] Thomas Hyde (b. 1978) Gabriel Jackson (b. 1952) 13. Hush! my dear * [3:30] The Choir of Worcester College, Oxford 3. Sweet was the song * [2:07] Peter Maxwell Davies (b. 1934) 1, 3, 5-7, 9-10, 12-15, 18-19 2, 4, 8, 11, 16-17, 20 Mark-Anthony Turnage (b. 1960) Stephen Farr conductor and organ 4. Christmas Night * [2:45] 14. Fleecy Care Carol * [2:58] Edward Turner conductor 2, 4, 11, 16, 17 and organ 7, 9, 13, 19 John McCabe (b. 1939) Cecilia McDowall (b. 1951) 6 Nicholas Freestone organ 5. Mary laid her child [2:21] 15. Of a Rose * [2:48] Malcolm Williamson (1931-2003) Geoffrey Bush (1920-1998) 6. This Christmas Night [3:06] 16. ‘Twas in the year that King Uzziah died [3:05] Matthew Martin (b. 1976) 7. I sing of a Maiden * [2:29] Elisabeth Lutyens (1906-1983) 17. Nativity [5:55] About Stephen Farr: Thomas Hyde 8. Improvisation on ‘Puer Natus’ * [5:16] Edmund Rubbra (1901-1986) ‘[Farr’s]breadth of vision, intense sense of purpose and brilliant technique 18. Let us securely enter [2:18] combine to make this a recording which [...] deserves repeated listening’ Judith Bingham (b. -
Concertos Ddd Concertos for Piano & Strings for Piano & Strings GORDON JACOB Piano Concerto No
SOMMCD 254 CONCERTOS DDD CONCERTOS for Piano & Strings for Piano & Strings GORDON JACOB Piano Concerto No. 1 (premiere recording) MALCOLM WILLIAMSON Piano Concerto No. 2 DOREEN CARWITHEN Piano Concerto GORDON JACOB Mark Bebbington piano (premiere recording) Innovation Chamber Ensemble (players from the CBSO) Richard Jenkinson conductor DOREEN CARWITHEN Gordon Jacob: Piano Concerto No. 1 (17:08) Doreen Carwithen: Piano Concerto (33:28) MALCOLM WILLIAMSON 1 I. Allegro assai 4:26 7 I. Allegro assai 12:43 2 II. Adagio 5:29 8 II. Lento 10:08 3 III. Allegro risoluto 7:12 9 III. Moderato e deciso ma con moto 10:36 Malcolm Williamson: Piano Concerto No. 2 (16:26) Mark Bebbington Total Duration: 67:20 4 I. Allegro con brio 4:31 piano 5 II. Andante lento 7:35 6 III. Allegro con spirito 4:19 Innovation Chamber Ensemble Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor (players from the CBSO) Recording location: CBSO Centre, Birmingham, 2-3 June 2014 Front Cover: Mark Bebbington. Photo © Rama Knight Richard Jenkinson Design and Layout: Andrew Giles conductor © & 2014 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Made in the EU of attractive and technically accomplished music but also as an expert on Concertos for Piano and Strings orchestration. Composers as diverse as Vaughan Williams and Noël Coward by entrusted him with arrangements of their music, and his rousing version of the national anthem was one of the musical highlights of the 1953 coronation. Gordon Jacob . Malcolm Williamson . Doreen Carwithen Jacob’s Concerto No. 1 for piano and string orchestra, which is here receiving its first commercial recording, was written in 1927 and premièred by its dedicatee, GORDON JACOB (1895-1984) fellow composer Arthur Benjamin, with the Queen’s Hall Orchestra under Concerto No. -
Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990, Subscription
BOSTON SYMPHONY ORCHESTRA SBJI OZAWA MUSIC DIRECTOR 109TH SEASON 1989-90 ^r^ After the show, enjoy the limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°). 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Geary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. -
Malcolm Williamson's Operas for Musically-Untrained
Cassations: Malcolm Williamson’s operas for musically-untrained children. James Henry Byrne Humberstone Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts & Media Faculty of Arts & Social Sciences January 2013 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Humberstone First name: James Other name/s: Henry Byrne Abbreviation for degree as given in the University calendar: Ph.D. School: School of the Arts & Media Faculty: Faculty of Arts & Social Sciences Title: Cassations: Malcolm Williamson’s operas for musically-untrained children. Abstract 350 words maximum: (PLEASE TYPE) Malcolm Williamson’s ten cassations, mini-operas devised to introduce children to the operatic form, remain unique in a number of ways. Most importantly they are the only collection of work in this genre by an established art music composer intended for musically-untrained children. Many composers have written children’s opera, sometimes as entertainment for children, performed by adults, and sometimes as opera to be performed by children. In the latter case, the great majority of composers write for specific ensembles or schools where music is taught by specialist music teachers to every child. Very few established composers write children’s opera for musically-untrained children. Only one has written a series of ten and single-handedly directed them with his own children, in primary schools and church groups, with physically and mentally handicapped children, and even with adult audiences and professional orchestras in the Royal Albert Hall and Sydney Opera House. Williamson’s cassations were performed on nearly every continent of the world, hundreds of times, often under his own baton. -
Etruscan Concerto
476 3222 PEGGY GLANVILLE-HICKS etruscan concerto TASMANIAN SYMPHONY ORCHESTRA As a still relatively young nation, Australia could composing that they had no option but to go be considered fortunate to have collected so away. Equally true, relatively few of our few notable dead composers! For most of the composing women flourished ‘abroad’ for long, 20th century, almost every composer we could though Tasmanian Katharine Parker (Longford- claim was very much alive. Yet, sadly, this did born and Grainger protégée) did, and Melburnian not stop us from losing track of some of our Peggy Glanville-Hicks is the notable other. Peggy Glanville-Hicks 1912-1990 most talented, who went away and stayed Indeed, Edward Cole’s notes for the 1956 away, as did Percy Grainger and Arthur Benjamin American first recording of her Etruscan Etruscan Concerto [15’17] (the only Australian composer blacklisted by Concerto make the unique claim: ‘Peggy 1 I. Promenade 4’05 Goebbels), or returned too late, like Don Banks. Glanville-Hicks is the exception to the rule that 2 II. Meditation 7’26 And we are now rediscovering many other women composers do not measure up to the 3 III. Scherzo 3’46 interesting stay-aways, like George Clutsam (not standards set in the field by men.’ Caroline Almonte piano just the arranger of Lilac Time), Ernest Hutchinson, John Gough (Launceston-born, like Talented Australian women of Glanville-Hicks’ 4 Sappho – Final Scene 7’42 Peter Sculthorpe) and Hubert Clifford. generation hardly lacked precedent for going Deborah Riedel soprano Meanwhile, among those who valiantly toiled abroad, as Sutherland, Rofe and Hyde all did for away at home, we are at last realising that a while, with such exemplars as Nellie Melba 5 Tragic Celebration 15’34 names like Roy Agnew, John Antill and David and Florence Austral! Peggy Glanville-Hicks’ Letters from Morocco [14’16] Ahern might not just be of local interest, but piano teacher was former Melba accompanist 6 I. -
The 1950S Latin Lounge 5 – 8 Feb Sydney Town Hall
The 1950s Latin Lounge 5 – 8 Feb Sydney Town Hall Presenting Partner Premier Partner Concert Diary FEBRUARY A Valentine’s to Remember Fri 14 Feb 8pm Hosted by Osher Günsberg Sat 15 Feb 8pm Sydney Town Hall Make a date to remember with host Osher Günsberg and the Sydney Symphony as they perform music from your favourite romantic movies, including the romantic epic Titanic, Disney Pixar’s Up, and Baz Lurhmann’s 1996 Romeo + Juliet. Osher Günsberg host • Jemma Rix vocalist HURRY, LAST DAYS FOR TICKETS! Vanessa Scammell conductor The Rite of Spring Symphony Hour Music that caused a riot Wed 19 Feb 7pm Thu 20 Feb 7pm Die Meistersinger – Prelude WAGNER Sydney Town Hall STRAVINSKY The Rite of Spring Pietari Inkinen conductor SELLING FAST! Debussy and Ravel Abercrombie & Kent Masters Series The Monets of music Wed 26 Feb 8pm RAVEL Piano Concerto in G Fri 28 Feb 8pm MENDELSSOHN The Hebrides Sat 29 Feb 8pm DEBUSSY La mer Thursday Afternoon Symphony Jun Märkl conductor Alexandra Dariescu piano Thu 27 Feb 1.30pm Great Classics Sat 29 Feb 2pm Sydney Town Hall MARCH Ben Folds Fri 6 Mar 8pm The Symphonic Tour Sat 7 Mar 8pm Sydney Town Hall Pop icon and music innovator Ben Folds returns to Sydney following his last sold-out shows with the Sydney Symphony. Ben Folds • Nicholas Buc conductor Scheherazade Symphony Hour Hypnotic and Sublime Wed 11 Mar 7pm Thu 12 Mar 7pm Prelude to the Afternoon of a Faun DEBUSSY Tea & Symphony RIMSKY-KORSAKOV Scheherazade Fri 13 Mar 11am Alexander Shelley conductor Sydney Town Hall Debussy, Mozart and Rimsky-Korsakov Emirates