The Cartesian Question and the Evolution of Anamorphosis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wits Institutional Repository on DSPACE Natalie Edwards 0306743A MA Digital Arts Wits School of Digital Arts: University of the Witwatersrand Theory Supervision: Tegan Bristow Technical Supervision: Mileta Postic Title: Negotiating Virtual Spaces: Exploring the collision of Real and Digital Space in Human Perception 1 Table of Contents: 1. Introduction 2. The Cartesian Question and the Evolution of Anamorphosis 3. Perspective Representation from Antiquity to the Renaissance 4. Finding your feet in the virtual realm 5. Digitally Mapping an Analogue World 6. The world through the looking glass 7. Performing the Digital 8. Recalling the history of an everyday space 9. Conclusions 2 List of Figures: Figure. 1. De la Franscesca, Piero. Brera Altarpiece/ The Virgin and Child, with Federigo da Monte-Feltro Kneeling, 1470-1475. Figure. 2. Holbein, Hans. The Ambassadors. 1533. National Gallery, London. Figure. 3. Pozzo, Andrea. Sant'Ignazio: ceiling trompe-l'oeil fresco, 1684. Figure. 4. Pozzo, Andrea. Sant'Ignazio: ceiling trompe-l'oeil fresco, 1684. Figure. 5. Andrea Pozzo‟s fresco in the barrel vault at the church of Sant'Ignazio, 1684 Figure. 6. Orosz, Istvan. Anamorph with column 2, 2007. Figure. 7. Lazzarini, Robert. Skulls, 2000. Figure.8. Lazzarini, Robert. Payphone, 2002. Figure. 9. 1- 9.3 Kentridge, William. What will come, (has already come), 2007. Figure. 10. Valbuena, Pablo. Para sites, 2009. Figure. 11. Valbuena, Pablo. Puntos de fuga (vanishing points), 2008. Figure. 12.a-c. Edwards, Natalie. Process shots, 2011. 3 Figure. 13. Edwards, Natalie. Stills from the anamorphically warped pan through the room, rendered from the viewer‟s perspectival camera, 2011.
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